FT8: The Digital Revolution of Modern Amateur Radio

2,237 words, 12 minutes read time.

FT8 is a digital communication protocol released in 2017 by Joe Taylor, K1JT, and Steve Franke, K9AN, designed to allow radio amateurs to exchange contact information under extreme weak-signal conditions. Operating primarily on High Frequency (HF) bands, FT8 uses a precise 15-second sequence of structured data bursts to transmit call signs, signal reports, and grid squares even when the human ear can hear nothing but static. This mode has fundamentally shifted the landscape of ham radio by enabling reliable global communication during the low points of the solar cycle, ensuring that operators can maintain “workable” signals despite poor ionospheric propagation. Its rapid adoption stems from its efficiency and the fact that it allows modest stations with simple wire antennas and low power to compete with massive “big gun” contest stations.

The technical backbone of FT8 is a specialized form of digital modulation known as 8-slot Frequency Shift Keying (8-FSK). This means the signal shifts between eight distinct tones, each representing a specific piece of data. Because the bandwidth is incredibly narrow—only 50 Hz—multiple conversations can happen simultaneously within a standard 3 kHz single-sideband radio channel without interfering with one another. To make this work, the protocol requires absolute synchronization. Every participating computer must have its internal clock set to within one second of Coordinated Universal Time (UTC). This allows the software to know exactly when to start listening for a message and when to begin transmitting its own response. Without this temporal precision, the sequence breaks down and the data becomes unreadable noise.

The “how” of FT8 is a masterclass in forward error correction and data compression. A standard FT8 message is only 75 bits long, yet it contains everything necessary to confirm a legal and valid contact. Joe Taylor, a Nobel Prize-winning astrophysicist, applied the same principles used to detect faint signals from deep space to the world of amateur radio. By using sophisticated algorithms, the software can reconstruct a message even if a significant portion of the signal is lost to fading or atmospheric interference. This capability allows FT8 to function at signal-to-noise ratios as low as -21 dB. To put that in perspective, an FT8 signal can be decoded when it is significantly weaker than the background noise of the universe itself.

The impact of this mode on the hobby cannot be overstated. Before FT8, many men found themselves frustrated by “dead bands” where hours of calling “CQ” yielded no results. FT8 turned the hobby into a 24/7 pursuit. According to the ARRL (American Radio Relay League), FT8 and its successor modes now account for a massive percentage of all amateur radio activity globally. It has bridged the gap between traditional radio technology and modern computing, appealing to men who enjoy the technical challenge of optimizing a digital interface while still respecting the core physics of radio wave propagation. It is the tool of the modern digital woodsman, carving out a path through the noise of a crowded spectrum.

The Mechanics of the 15-Second Cycle

Understanding the rhythm of FT8 is essential for any man looking to master the digital airwaves. The protocol operates on a rigid 15-second “time slot” system. In the first 12.64 seconds of a slot, the message is transmitted; the remaining time is used for the software to process the data and for the operator to prepare the next response. This “even/odd” sequence ensures that two stations aren’t talking over each other. One station transmits on the even-numbered minutes and 15-second intervals, while the other listens, then they swap. This disciplined structure removes the guesswork and chaos often found in voice or Morse code pile-ups, creating an orderly flow of information that maximizes the use of available airtime.

To get on the air with FT8, an operator needs more than just a radio and an antenna; he needs a bridge between the analog and digital worlds. This is usually achieved through a dedicated USB interface or a built-in sound card in modern transceivers. The software—most commonly WSJT-X—takes the digital data from the computer, converts it into audio tones, and feeds those tones into the radio’s transmitter. On the receiving end, the process is reversed. The radio “hears” a series of chirps and warbles, which the sound card captures and the software decodes back into text on the screen. This synergy of hardware and software is what makes FT8 a true “hybrid” mode of communication.

The software interface provides a “waterfall” display, a visual representation of the radio spectrum where signals appear as vertical blue or yellow streaks. This allows an operator to see exactly where the activity is and find an open “slot” to transmit. It is a highly visual and tactical way to operate. Instead of spinning a dial and listening for a faint voice, you are scanning a digital landscape, looking for the telltale signatures of other stations. For many men, this adds a layer of strategy to the hobby that is deeply engaging, akin to a high-stakes game of electronic chess where the board is the entire planet.

Why Signal-to-Noise Ratio Matters

In the world of radio, the Signal-to-Noise Ratio (SNR) is the ultimate metric of success. It is the difference between the strength of the desired signal and the level of background atmospheric noise. FT8 excels because it is “wideband” in its ability to hear, but “narrowband” in its transmission. Because the tones are so precise and the error correction so robust, FT8 can pull a signal out of a “noise floor” that would render a voice transmission completely unintelligible. This is the primary reason why FT8 is the go-to mode for “DXing”—the art of contacting long-distance stations. It levels the playing field, allowing a man with a 100-watt radio and a wire in his backyard to talk to someone in Antarctica or Japan.

The mathematical genius behind FT8 involves a process called “Costas arrays” and “Low-Density Parity-Check” (LDPC) codes. These are not just buzzwords; they are the tools that allow the software to identify the start of a transmission and fix any bits that were flipped or lost during the journey through the ionosphere. As Joe Taylor noted in his technical documentation for the WSJT-X suite, the goal was to create a mode that was “optimized for the specific characteristics of HF propagation.” By focusing on short, structured bursts rather than long-form conversation, FT8 prioritizes the successful completion of a contact over everything else.

This efficiency does come with a trade-off. FT8 is not a “rag-chewing” mode. You won’t be discussing the weather or your favorite sports team. The messages are strictly limited to the essentials: call sign, signal report (in dB), and location (maidenhead grid square). However, for many men, the thrill is in the “catch.” The satisfaction comes from seeing a distant, rare station pop up on the screen and successfully completing that 60-second digital handshake. It is a hobby centered on the achievement of technical milestones and the collection of digital “QSL” cards that prove you reached the far corners of the earth.

Integration with Modern Computing

The rise of FT8 has coincided with the ubiquity of high-speed internet and powerful home computers. This integration has led to the creation of the “PSK Reporter” network, a massive, real-time map of global radio propagation. When your computer decodes an FT8 signal, it can automatically upload that data to a central server. This allows any operator in the world to see exactly where their signal is being heard in real-time. It is a revolutionary tool for understanding the ionosphere. A man can send out a few “CQ” calls and then check a website to see that he is being heard in Spain, Australia, and Brazil, all within seconds.

This real-time feedback loop has changed the way men approach radio. It removes the mystery and replaces it with data. If you aren’t being heard, you can immediately troubleshoot your antenna or wait for the bands to open up. This data-driven approach appeals to the problem-solving nature of the masculine mind. It turns amateur radio into a laboratory where the results are visible and measurable. You aren’t just shouting into the void; you are probing the atmosphere and receiving instant confirmation of your reach.

Furthermore, FT8 has fostered a global community of “citizen scientists.” By contributing data to these networks, ham operators are helping researchers understand solar cycles and their impact on global communications. As noted in various IEEE publications, the sheer volume of data generated by FT8 operators provides a unique look at the Earth’s upper atmosphere that was previously impossible to obtain on such a scale. When you engage in FT8, you aren’t just playing with a radio; you are part of a global sensor network that monitors the very fringes of our planet’s environment.

The Role of Precision Timing

As mentioned, timing is the lifeblood of FT8. Because the protocol relies on such tight windows of transmission, even a two-second drift in your computer’s clock can make you invisible to the rest of the world. This has led to the widespread use of time-synchronization software like Dimension 4 or Meinberg NTP. For the radio enthusiast, this adds another layer of technical “shack” maintenance. Ensuring that your station is perfectly synced to the atomic clocks in Colorado or via GPS is a point of pride. It represents the discipline required to participate in high-level digital communications.

This requirement for precision also highlights the evolution of the amateur radio station. The modern “shack” is often a clean, streamlined desk featuring a high-resolution monitor and a sleek transceiver. Gone are the days of massive, heat-spewing vacuum tube amplifiers—though those still have their place. The FT8 operator is a digital navigator, managing signal levels, gain settings, and software configurations to ensure the cleanest possible signal. Over-driving the audio, for instance, creates “splatter” that ruins the frequency for others. Mastery of FT8 requires a gentleman’s agreement to maintain a clean signal and respect the shared bandwidth of the community.

The discipline of the 15-second cycle also introduces a meditative quality to the hobby. There is a cadence to it—transmit, wait, decode, respond. It requires focus and patience. You are watching the waterfall, waiting for that specific signal to emerge from the static. When the software finally highlights a successful decode in bright red or green, there is a genuine sense of accomplishment. It is a modern manifestation of the same thrill early radio pioneers felt when they first heard a Morse code signal crackle through their headsets a century ago.

FT8 and the Future of Amateur Radio

While some traditionalists argue that FT8 has taken the “human element” out of radio, the reality is that it has saved the hobby for thousands of men. In an era of high urban noise and restricted antenna space, FT8 allows a man to remain active and competitive. You don’t need a 100-foot tower to be a successful FT8 operator; a simple wire hidden in the attic can often be enough to work the world. It has democratized the airwaves, making the thrill of long-distance communication accessible to anyone with a basic radio and a laptop.

Looking forward, FT8 is just the beginning. The principles of weak-signal digital communication are being applied to even more robust modes like FT4 (a faster version for contesting) and JS8Call (which allows for actual keyboard-to-keyboard messaging). The technology is constantly evolving, driven by the same spirit of innovation that has defined amateur radio since its inception. As we move deeper into the 21st century, the marriage of radio physics and digital signal processing will only grow stronger, ensuring that the airwaves remain a vibrant frontier for exploration and discovery.

In conclusion, FT8 represents the pinnacle of modern amateur radio engineering. It is a mode built on the foundations of advanced mathematics, precise timing, and a deep understanding of the natural world. For the man who is looking to earn his license, FT8 offers a clear path toward global connectivity and technical mastery. It is a testament to the fact that even when the sun is quiet and the bands seem dead, there is always a way to reach out and touch the other side of the planet. The digital revolution is here, and it is chirping across the HF bands in 15-second increments, waiting for the next generation of operators to join the conversation.

Call to Action

If this story caught your attention, don’t just scroll past. Join the community—men sharing skills, stories, and experiences. Subscribe for more posts like this, drop a comment about your projects or lessons learned, or reach out and tell me what you’re building or experimenting with. Let’s grow together.

D. Bryan King

Sources

• WSJT-X Official Home Page – Princeton University
• ARRL: FT8 Most Popular Digital Mode
• PSK Reporter Real-Time Propagation Map
• Getting Started with FT8 – Essex Ham
• A Guide to FT8 Operating – QSL.net
• WSJT-X Users Group – Groups.io
• Digital Mode Interfaces – DX Engineering
• The FT8 Protocol White Paper
• RSGB FT8 Operating Guide
• Time.is – Synchronize Your Computer Clock
• FT8 Technical Overview – HF Underground Wiki
• Fldigi and Digital Mode Resources
• Icom Amateur Radio Digital Modes Overview

Disclaimer:

The views and opinions expressed in this post are solely those of the author. The information provided is based on personal research, experience, and understanding of the subject matter at the time of writing. Readers should consult relevant experts or authorities for specific guidance related to their unique situations.

https://youtu.be/b8y4LSIcsrU

In which I take (gentle, polite) issue with a thing I’ve heard #AskDave say a few times.
#HamRadio #AmateurRadio #FT8 #WSJT #WeakSignal #Antenna #FCC #Part97

HF vs VHF/UHF: Which Band Should You Start With?

2,730 words, 14 minutes read time.

There’s something raw and satisfying about firing up a radio and knowing you’re about to push a signal beyond the walls of your home, past the skyline, maybe even across oceans. It’s not a toy, not a gimmick—it’s a connection forged through skill, knowledge, and the right gear. But before you spin the dial and key the mic, there’s a decision to make: do you start with the hard-hitting world of HF, or the precision and practicality of VHF/UHF?

This isn’t about passing a test. It’s about choosing the path that will challenge you, teach you, and deliver the kind of results that make radio more than a hobby. It’s about starting where the signal meets your ambition.

The Straight Answer

VHF/UHF is the fast track to getting on the air and making solid contacts close to home. If your goal is reliable comms, quick access to local nets, and gear that’s compact and efficient, this is your arena. It’s also the training ground where you’ll sharpen your skills before stepping into the deeper water.

HF is for those who want reach—real reach. We’re talking contacts across continents, late-night signal hunts, and the thrill of cracking through atmospheric noise to land a QSO on the other side of the planet. It’s more gear, more learning, and more challenge—but the reward is unmatched.

What These Bands Really Are

HF—or High Frequency—covers 3 to 30 MHz. This is where propagation becomes an art form, where the ionosphere turns raw RF energy into a ticket to anywhere on the globe. These bands are unpredictable, influenced by sunspots, seasons, and time of day. It’s part science, part instinct, and all about knowing how to read the sky.

VHF and UHF—Very High and Ultra High Frequency—run from 30 MHz to 3 GHz. These bands are clean, sharp, and perfect for local or regional comms. Signals are typically line-of-sight, which means antennas and terrain matter as much as power. They excel at practicality: emergency comms, quick QSO check-ins, and portable ops that keep you connected without a massive footprint.

The Factors That Count

This isn’t about shiny radios and spec sheets. It’s about what you actually want out of the game. Are you looking to join local nets, support emergency services, or keep a reliable rig in your truck for when things go sideways? Then VHF/UHF gives you everything you need without the learning curve of HF.

But if the pull of long-distance DX, chasing rare stations, and experimenting with antennas keeps you up at night, HF is where you should start. It demands more—more cash, more space, more knowledge—but it pays back with a sense of accomplishment that can’t be bought off the shelf.

Budget isn’t a small detail here. A solid handheld VHF/UHF rig can be had for less than a tank of gas in a full-size pickup. A decent HF station, on the other hand, might set you back the cost of a weekend fishing boat. But one isn’t better than the other—it’s about matching the investment to your goals.

VHF/UHF: The Ground Game

Starting with VHF/UHF is like learning to box before stepping into MMA. It’s straightforward but demands discipline. Handheld transceivers—HTs—are compact and affordable, perfect for learning the ropes. But don’t expect miracles from the stock antenna; swap it out for a quality whip or mount a mag antenna on your vehicle for real performance.

With repeaters, you can stretch your reach far beyond line-of-sight, check into local nets, and get involved in community events. Want to go mobile? Install a 50-watt mobile rig in your truck and you’ll have a reliable comms system ready for road trips or emergency deployments.

VHF/UHF builds fundamentals—how to make clean contacts, work repeaters, and operate with confidence. It’s practical, immediate, and a perfect launchpad into the deeper world of radio.

HF: The Long Game

HF is where things get serious. This isn’t plug-and-play. It’s about building a station, learning propagation, and fine-tuning antennas until the SWR meter tells you it’s good enough to chase DX halfway around the world.

A starter HF station typically includes a 100-watt transceiver, a good power supply, and a wire antenna—dipole, end-fed, or vertical. Antenna placement is critical, and tuning can be a ritual in itself. But when you hear a faint call from a station thousands of miles away and your reply punches through, you’ll know why HF commands respect.

Each band has its character. Twenty meters is the workhorse for daytime DX, forty meters handles regional chatter and night ops, and ten meters can explode with activity when the solar cycle peaks. Mastering these nuances takes time, but the payoff is the thrill of global reach.

Antennas: The Real Workhorses

Forget the myth that the radio makes the operator. That kind of thinking belongs to catalog shoppers, not builders. The truth is simple: the antenna is the kingmaker. A thousand-dollar rig feeding into a poor antenna will perform worse than a budget transceiver pushing into a properly tuned wire or vertical. The difference isn’t subtle—it’s night and day, and anyone who’s spent time in the field will tell you the same.

On VHF/UHF, the antenna determines whether your signal clears the ridge line or dies in the driveway. A simple upgrade from the stock “rubber duck” that comes with most handhelds can transform a mediocre radio into a surprisingly capable performer. High-gain whips, roll-up J-poles, or a properly mounted base vertical with clear line of sight will stretch your reach far beyond what power alone can accomplish. For mobile operators, a mag-mount antenna on the roof of a vehicle often doubles or triples the usable range compared to a stock handheld. The lesson here is straightforward: height and gain are the great equalizers in the VHF/UHF world, and investing in the right antenna makes more difference than chasing extra watts.

When it comes to HF, the stakes climb. HF propagation is an art, and the antenna is your brush. Space, height, and design matter far more than radio model numbers. A wire dipole hung at 30 feet will outperform a low-mounted, poorly resonant vertical every time. But when height is limited—say, in an HOA environment or a tight urban lot—stealth end-fed wires, balcony-mounted loops, or compact verticals with proper ground radials can still deliver respectable results. The key is understanding trade-offs. Magnetic loops, for instance, are compact and stealthy, but they demand precise tuning and can be narrow-banded. End-fed antennas are simple to deploy, but they require a solid counterpoise and good feedline practices to avoid RF headaches.

Real operators experiment. They measure, test, and refine. They know that moving an antenna five feet higher can drop noise levels, improve SWR, and turn weak signals into clean contacts. They appreciate that an antenna isn’t just a piece of hardware—it’s a performance multiplier. And when the bands open, it’s the operator who spent time perfecting his antenna system—not the one who bought the fanciest rig—who owns the airwaves.

Digital & Data: The New Frontier

Digital modes are rewriting the rules of amateur radio, reshaping what’s possible and demanding a new kind of operator—one who understands both RF and data. The old-school crowd may swear by analog FM or SSB, but the reality is that digital voice and data modes are becoming the sharp edge of modern communication. They’re not toys. They’re not gimmicks. They’re force multipliers that give you reach, clarity, and reliability when propagation or conditions would shut other operators down.

On VHF/UHF, the big three—DMR, D-Star, and Yaesu System Fusion—have cracked open a whole new level of performance. Forget scratchy analog signals that fade into static; digital voice is crisp, clean, and cuts through background noise like a hot knife through steel. But the real magic comes from how these systems tap into linked repeater networks and internet backbones. A handheld with a good antenna can reach across the globe through a properly configured hotspot or a linked repeater. Suddenly, that local VHF rig isn’t just a short-range tool; it’s a gateway to international QSO networks, emergency nets, and round-the-clock ragchews with operators in every corner of the world.

HF operators aren’t sitting on the sidelines either. When the solar cycle dips, noise levels climb, and propagation flattens out, modes like FT8, PSK31, and JS8Call step in to do what voice sometimes can’t—pull signals out of the mud and lock down contacts with barely a whisper of RF. FT8 in particular has redefined weak-signal communication, decoding transmissions so faint they’re invisible to the human ear. Some operators scoff at the minimal keyboard interaction these modes demand, but when you’re bouncing signals across continents at 10 watts and logging contact after contact on an otherwise dead band, the power becomes undeniable.

These modes also open the door to more than just casual QSOs. JS8Call can pass digital messages across stations like a low-power, decentralized email network, invaluable for backcountry expeditions or off-grid comms where traditional infrastructure is nonexistent. PSK and RTTY are still workhorses for contesting and DXing, proving that digital versatility is more than a trend—it’s a permanent shift in how serious operators approach their craft.

And make no mistake—digital proficiency isn’t about pressing buttons. It’s about mastering station setup, interface design, and signal processing. It means understanding sound card levels, proper interfacing, and software configuration to avoid splatter and distortion. It’s about blending old-school RF fundamentals with modern networking skills to run a station that’s as sharp as it is adaptable. The analog purists might roll their eyes, but when conditions turn brutal or range becomes critical, the digital-equipped operator is the one who keeps making contacts while everyone else is spinning dials in frustration.

Building the Right Starter Kit

For VHF/UHF, the essentials are stripped down to the bones—simple, rugged, and field-ready. A quality handheld (HT) or mobile rig forms the core, but don’t get sucked into the false economy of bargain-bin radios that fizzle out after a season. Go for a unit that can take a beating, hold a charge, and deliver clean audio under stress. Pair it with an upgraded antenna—because that stock rubber duck? It’s a compromise at best. A high-gain whip for the HT or a properly tuned vertical for the mobile rig will punch through dead spots and extend your range far beyond the limits of the factory setup. Toss in spare batteries, preferably high-capacity packs or a reliable power bank, because nothing kills a field session faster than a dying rig. And don’t forget a programming cable; wrestling with tiny keypads to input repeaters or talk groups is a test of patience best avoided. A well-programmed radio is a ready radio.

HF is a different animal—bigger, meaner, and less forgiving. Here, the gear list steps up a notch, starting with a solid 100-watt transceiver. The sweet spot is a radio with robust filtering, a responsive tuner interface, and ergonomics that make long operating sessions a pleasure rather than a chore. Speaking of tuners, you’ll need one—internal or external—because a poorly matched antenna isn’t just inefficient; it’s a shortcut to frying finals. Your feed line also matters more at these frequencies. Cheap coax with high loss will bleed power before it even hits the radiator, so invest in low-loss cable rated for your bands and power level.

But the real game-changer is the antenna. On HF, it’s not an accessory—it’s the soul of your station. A dipole strung high between trees, an end-fed wire tucked along a fence line, or even a magnetic loop for stealth setups can mean the difference between pulling in distant DX and shouting into the void. Every element—height, orientation, grounding—adds up. Cut corners here, and you’ll spend countless hours wondering why everyone else hears stations you can’t.

None of this has to bankrupt you. Smart operators know that the cost of entry can be reasonable if you choose wisely. Buy once, buy right, and you’ll avoid the trap of upgrading three times before you finally get the gear you needed in the first place. Entry-level doesn’t have to mean underpowered; it means gear built to grow with you as your skills sharpen and your ambitions climb from local repeater chats to cross-continental pileups.

Growing Into the Hobby

Starting with VHF/UHF doesn’t box you in, and kicking things off on HF doesn’t chain you there forever. The smart move is to build your station like a platform—not a dead-end. Every piece of gear should be chosen with an eye toward what’s next, not just what’s now. A good power supply with plenty of headroom will run today’s 50-watt mobile rig and tomorrow’s 100-watt HF transceiver without breaking a sweat. Quality coax—low-loss, properly rated, and built to last—will serve you across both bands and save you from the frustration of replacing cheap feed lines after water intrusion or UV damage ruins them.

Versatile antennas are another key play. A solid VHF/UHF vertical can be a permanent fixture while you experiment with wires, dipoles, or loops for HF. Later, you can build out a multi-band setup without scrapping what you already own. Even simple additions like an antenna switch or a portable tuner mean you can expand without gutting your existing station.

This approach keeps you flexible. It means you’re not painting yourself into a corner with band-specific gear that loses value the minute you decide to branch out. Instead, you’re building a foundation—one capable of handling late-night DX hunts on 20 meters, weekend field ops on 2 meters, and whatever digital modes or emergency nets you decide to tackle next. Radio isn’t a single path. It’s a growing arsenal. Build like you mean it, and your station will grow with you instead of holding you back.

The Call to Action

This isn’t a hobby for the faint-hearted or the casually curious. Amateur radio is a craft that rewards patience, persistence, and a willingness to get your hands dirty with antennas, coax, and meters. It’s about testing limits, learning the quirks of the bands, and mastering tools that most people don’t even understand exist. There’s a satisfaction in making a contact over a hundred miles with nothing but a handheld, or in logging a DX station on a band that seemed dead five minutes ago. That kind of accomplishment doesn’t come from watching tutorials—it comes from rolling up your sleeves and being on the air.

So where will you plant your flag first? Will you dive into the practical, tactical world of VHF/UHF, where repeaters, local nets, and portable ops reward preparation and persistence? Or will you chase the raw, far-reaching power of HF, bending the ionosphere to your will and connecting with operators across continents? Neither path is easy. Both demand focus, discipline, and a willingness to learn the hard way.

The best operators don’t wait—they act. They experiment, iterate, and build stations that can grow with their skills. Now it’s your turn. Get on the air. Make that first call. Tinker with your setup. Test your antenna. Push the limits of what your station can do.

And if you want to keep sharpening your edge, subscribe to the newsletter. You’ll get hard-hitting gear guides, field-tested tips, and strategies that keep you one step ahead on the bands. Whether you’re logging your first VHF contact or chasing long-distance HF DX, you’ll be ready for whatever comes next on the dial. The airwaves are waiting—claim your spot.

D. Bryan King

Sources

US Amateur Radio Bands Chart (ARRL)
Graphical Frequency Allocations (ARRL)
47 CFR Part 97 — Amateur Radio Service (eCFR)
Your First Station (ARRL)
Choosing a Ham Radio (ARRL PDF)
HF Operations: The Difference with HF (Ham Radio School)
HF Radio Communications & Space Weather (NOAA SWPC)
NOAA Space Weather Scales
RepeaterBook — Find Local Repeaters
Your First Antenna (ARRL)
VHF Operation Primer (ARRL Field Day PDF)
Buying Your First Radio (ARRL)
Getting Started (DXEngineering)
Parks On The Air (POTA)

Disclaimer:

The views and opinions expressed in this post are solely those of the author. The information provided is based on personal research, experience, and understanding of the subject matter at the time of writing. Readers should consult relevant experts or authorities for specific guidance related to their unique situations.

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““You could essentially call this the Wikipedia-ization of a lot of information, you’re bringing together Wikipedia-style answers to an infinite number of questions, and that’s just going to nuke many corners of the open web.”

Bryan Goldberg, the chief executive of BDG, which publishes lifestyle and culture websites like Bustle, Nylon and Romper describes in this strange way the impact of generative AI on publishing.

Such a strange way to frame it!
And a #weaksignal that the copyright wars of the 00s will reopen soon.
But also hints that Wikipedia has a role, and obligation - to shape these new flows are knowledge production and consumption.

The NYTimes piece, which covers publishers’ reactions to chatbots, hints that we can soon see a proposal similar to the #LinkTax proposal from the European copyright debate.

Of course, hyperlinks to pieces are very different from the strange path that a published piece undertakes, through a dataset and a model, to be regurgitated in some form as generative #AI output.

https://www.nytimes.com/2023/03/30/business/media/publishers-chatbots-search-engines.html