Blitz! The thread about WW2 air raids in Edinburgh and Leith

An air raid on Leith on the night of Monday April 7th 1941 saw extensive property damage caused in North Leith. But it wasn’t just bricks and mortar that suffered: three people were killed and 118 injured in the raid which makes it the 10th most deadly such event (by total casualties) in Scotland during the war.

Leith Town Hall (now the Theatre) commemorative plaque marking damage done in the air raid, original picture © Leith Theatre

Note, there was deliberately limited and non-specific press reporting of the details and casualties of air raids during the war itself. Some such reporting only took place, retrospectively, after the war but understandably details were occasionally incorrect or overlooked. For accuracy and out of respect I have endeavoured to cross-reference everything below that refers to individuals with the official civilian war death records of the Commonwealth War Graves Commission and Scotland’s People.

One of those who lost their lives in the raid that night was 17 year old Anstruther (Ernie) Smith, a delivery boy from 15 Graham Street who also worked as a messenger for the Leith ARP (Air Raid Precautions – civil defence). On hearing the sirens he had assisted his elderly neighbours to a shelter before reporting for duty at Leith’s Town hall a few streets away where Ferry Road meets Great Junction and North Junction Streets. It was here that he lost his life when a bomb landed nearby and exploded. He was fondly remembered in his community as someone who freely helped the elderly; checking in on them on his way to work each morning to light their fires and make them a cup of tea, and running errands for them. The Anstruther Pensioner’s Club was formed after the war in his memory, it was held in the very room in the Town Hall where we died and it attracted 300 members and a waiting list of 200.

Anstruther Smith, a photo displayed in Leith Library in his memory

Also killed by the same bomb that claimed Ernie was 85 year-old Jane Notman Young, who died in her house by the Town Hall at 21 North Junction Street. Lastly a 19 year-old apprentice draughtsman and Home Guard volunteer, Kenneth James Anderson, died in hospital the following morning after his house at 5 Largo Place was badly damaged in the blast. This block would later have to be demolished.

https://www.flickr.com/photos/127340508@N05/15989027951/

Mercifully the death-to-injury ratio was substantially lower than other comparable attacks on Scottish cities; Leith had been hit by two bombs known as Luftmines – large weapons that were dropped on a parachute and intended for use against dock areas to attack shipping. These as it turned out were not very effective against other targets such as buildings, despite their size. Never the less, three hundred people in North Leith were rendered homeless due to the damage caused to housing in the neighbourhood. £1,500 was allocated to Leith from the National Air Raid Distress Fund, which provided emergency clothing, bedding and canteens to raid victims.

“Bombed Out”, illustration by War Artist Edward Ardizzone in April 1941 who was working in Glasgow and Edinburgh at this time. IWM (Art.IWM ART LD 1344)

The bombs that hit Leith damaged the three principal public buildings of the burgh; its Town Hall (which included its main public auditorium), its Library – both of which were hardly 10 years old – and the large David Kilpatrick (“DK“) School adjacent. As well as the tenement houses, the Norwegian Seaman’s Lutheran Church, North Leith Parish Church and a railway embankment and signal box of the London and North Eastern Railway (LNER) all suffered varying degrees of damage. The gallery below shows some of these:

A photo showing the wrecked interior of the Leith Town Hall concert theatreDamaged interior of Leith Library during post-war repairs, 1953. © Edinburgh City LibrariesLeith Town Hall in 1957, the damage still not repaired after 16 years. From “The Sphere” magazine.Bomb damage of the “DK” school and annexe, a photo taken in April 1941 but not published until the war’s endBomb damage caused in Leith on April 7th 1941

The main lending room of the library was not fully repaired until 1956 although the reference room had been re-purposed to serve as such in the meantime. The Town Hall and its auditorium had to wait until 1961, a full 20 years after the bombs had fallen. The city’s apparent neglect in restoring the public buildings of Leith after the war caused much local consternation at the time. This damaged caused to the outbuildings of the DK school, which were in use as a nursery school, became known locally as the Bombies and was apparently where pupils would gather to sort out their differences with fists. It would not be replaced until much later and this in turn was demolished, along with the rest of the school, in the 1980s.

Luftwaffe night-time bombing map of Edinburgh, Lothians and south Fife. It is tinted yellow to be better viewed under the night-time cabin lights of an aircraft. Targets (Ziele) were marked in luminescent ink.

Although Leith was marked as a bombing target on German maps, the intended target of this raid had actually been Clydebank almost 50 miles to the west, where 20 souls lost their lives and 313 were injured that same night. This attack was a follow up to the Clydebank Blitz of March 1941 but the raiders had become scattered and twelve other targets across Scotland, including Leith, were hit that night with a total of 49 killed and 456 injured. Most of the deaths night were in Gretna in Dumfriesshire where a lone aircraft jettisoned its bombs and hit a Masonic Lodge, killing 22 and wounding 18. Other bombs were dropped as widely as Bankfoot and Stanley in Perthshire, Loch Nevis in Knoydart, Fife and Arbroath in the east of the country and Greenlaw to the south in the Borders; a huge margin of error. Closer to Leith were the mainline railway leading to the Forth Bridge near Turnhouse and Braehead House in Cramond with thirty four incendiary bombs between these points. These were 1kg aluminium tubes filled with a compound called Thermite which burned at around 2,500°C and were intended to set fire to wooden structures and the timber flooring and roof structures of buildings. These were a far cry from the ineffective rope and tar incendiaries dropped on Edinburgh and Leith by a German Zepellin in 1916.

WW2 German B1E 1kg incendiary, IWM MUN3291

Although this raid caused the greatest damage to property in Leith during the war, it was not the worst in terms of the loss of life. The previous summer, on the evening of July 18th 1940 at 7:45PM, seven people were killed on George Street in North Leith (now known as North Fort Street). At 8 George Street David Lennie Duff (a 33 year-old basket maker) and his sister Lily Duff (a 23 year-old biscuit packer); Catherine Helliwell (a 61 year-old housewife) and her son-in-law Robert Thomson (a 25 year-old baker); Catherine Fallon Baird (74); and Catherine Redpath (41) who had been visiting the address from her home at 20 Gorgie Road were killed. Over the street at number 13, 15 year-old Jane (Jean) Bauld Rutherford from number 17 was killed when the bomb shelter she was in was hit. The fatal damage had been caused by bombs intended for the Victoria Dock, one of which hit the foot of Portland Place where a nearby tramcar was fortunate to miss getting a direct hit that would surely have resulted in more fatalities.

Repairs at Portland Place. © Edinburgh City Libraries

Number 8 George Street, where six people had lost their lives, had to be demolished along with its neighbour at number 10 and was not rebuilt until 1959. The rest of the tenements of George Street – apart from the northern corner blocks – were later levelled by the city planners as part of the Fort Area Comprehensive Redevelopment not long afterwards.

The replacement flats for 8 George Street in Leith, a mid-century building replacing a Victorian tenement.

Four days later, on July 22nd, a raid on Leith Docks killed Robert Hume of 45 Glover Street (aged 33), a fireman with the Auxiliary Fire Service at the Albert Dock. Also on this night Mary Fulton Riach (aged 65) of 23 Woodbine Terrace and Catherine Leishman (aged 68) of 4 Meadowbank Crescent both died from heart failure during the raid, the official cause of death being put down to “war operations“. Two months later, on September 29th, a single stray bomb fell on the block of number 21 – 27 Crewe Place in East Pilton killing the young McArthur children; brother and sister Morag Elizabeth (aged 5) and Ronald Egbert (aged 7) from number 27. Their neighbour Charles Fortune Wilson (aged 69) of number 25 would die the next day in hospital. The landlords and builders of this housing scheme, Mactaggart and Mickel, rehoused the now-homeless survivors and had rebuilt the house at their own expense within 6 weeks. A wartime shortage of timber meant it was given a flat roof, the only such house on the street and the only clue to its sad history.

21-27 Crewe Place, with a flat roof compared to the pitched roof of its neighbours.

Another single, stray bomb dropped that evening hit a bonded whisky warehouse of the Caledonian Distillery on Duff Street in Dalry. The distillery was home to over a million gallons of highly-flammable spirit and an immense fire erupted, so ferocious that the reflection on the clouds in the night sky was apparently visible to German aircrew flying over Middlesborough, 150 miles (240km) away to the south. The bond was totally destroyed, as was one adjoining tenement of fourteen flats at 28 Springwell Place.

Firefighters damping down the remains of the Duff Street whisky bond.

A week later around 745PM on October 7th, five small bombs were dropped in the district of Marchmont, landing at 29 Roseneath Terrace, 20 Meadow Place, 16 Roseneath Place, 13 Marchmont Crescent and 21 Marchmont Road. Eleven people were injured by flying glass and splinters. Three weeks later on the morning of October 26th, Margaret Ridley Stuart (aged 72) died at her flat at 45 Tolbooth Wynd in Leith from a heart attack brought on by another air raid leaving her husband Thomas, a retired dock labourer, a widower.

Unusually, a photograph of the raid that caused damage in Marchmont was published in the newspapers at the time, under the vague caption of “Tenements Resist Bomb Blast… in South-East Scotland”. Notice how many windows have been blown out.

The following month the animal population of Edinburgh Zoo was reduced slightly when, on November 4th, two stray bombs hit the park killing six budgerigars and a wild rabbit (as reported by Zoo Director T. H. Gillespie to The Scotsman, Friday 20 December 1940). The craters were left unfilled and became a visitor attraction. A crater caused by a bomb dropped on the lawn of Holyrood Park was used by enterprising locals to raise money for a Spitfire Fund by charging for access to view it.

The month after the raid on North Leith which had killed Ernie, on the night of 6th May 1941, five lives were lost in the suburban bungalows of Duddingston on the outskirts of the city. One large bomb, three smaller ones and 100 incendiaries fell on Niddrie Road (now called Duddingston Park South), Milton Crescent and the Jewel Cottages at around half past midnight. Leonard Arthur Wilde (aged 39), an Air Raid Warden, was killed in his home at number 27 Milton Crescent along with his neighbours Joseph Watson (aged 40) of the Home Guard and William Dineley (aged 37). Lilias Tait Waterston (aged 69) was killed in her house at 26 Niddrie Road and her neighbour Barbara Thomson (87) was killed at number 30.

The last bombs of the war which caused fatalities in Edinburgh fell on Loaning Road in Craigentinny on the night of August 6th 1942, demolishing the Corporation tenement at number 35. Two people were killed; Elizabeth Veitch (aged 13) at number 35 and Robert Wright (aged 66), the janitor of Craigentinny Community Centre next door. A replacement tenement was built here post-war.

View from the back greensView from the frontPost-war replacementBomb damage at 35 Loaning Road, © Edinburgh City Libraries

You can see in the first picture where the bomb has left a crater (green arrow), upended an “Anderson” shelter (blue) and the entrance to another shelter (orange). Note the white painted poles, so you don’t run into them in the dark

Air raid shelters in the back greens of Loaning Road. © Edinburgh City Libraries

Edinburgh and Leith were mercifully spared most of the horrors of aerial bombing meted out to other cities during WW2. Altogether there were 21 civilian deaths and about 210 injuries caused directly by aerial bombing. At least 5 further deaths were recorded as being due to “war operations” when people had heart attacks brought about by the shock and stress of experiencing an air raid.

Date of Air RaidLocationFatalities18th July 19408 & 13 George Street, North Leith722nd July 1940Albert Dock, Leith1 29th September 194025 & 27 Crewe Place, East Pilton37th April 1941North Leith36th May 194123-27 Milton Crescent & 26-30 Niddrie Road, Duddingston56th August 194235 Loaning Crescent, Craigentinny2Civilian fatalities in Edinburgh and Leith directly due to aerial bombing

If this thread has proved interesting you may be interested in a thread on the first aerial raids and shooting down of German aircraft over the UK in WW2 which took place over the Firth of Forth in view of Edinburgh and Leith or a thread detailing some of the anti-aircraft defences of the city during the conflict.

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The thread about Marionville; the house that thread built and home to the unfortunate “Fortunate Duellist”

This thread was originally written and published in November 2019. It has been lightly edited and corrected as applicable for this post.

There’s an old Georgian villa in the east of Edinburgh called Marionville. It lends its name to the district, a few streets and a fire station. It’s your typical regular, 3-storey, 5-bay, 6-over-6 window, sandstone job and although it is quite a rarity in a largely 20th century part of town, at first glance it is otherwise unremarkable for Edinburgh.

Marionville. Cc-BY-SA Kim Traynor

Unremarkable that is until you find out a little bit about the place’s history! It was built some time between the 1760s and 1780s by the Misses Ramsay of Old Lyon Close, milliners renowned in the burgh for their ribboned hats. When built it was called Viewfrith (as in a house where one could view the Frith, or Firth of Forth. On account of its occupants trade, it was scornfully nicknamed the Lappet Ha‘, lappet referring to the woven lacework that was common in Georgian women’s hats. Ha’ for ball; the house that lappet built. The misses Ramsay saw out their days in their fine house and its gardens, and in October 1780 it was noted as being for sale:

Sale notice for Viewfrith, Caledonian Mercury, October 16 1780

About 1786 it passed to one James Macrae of Holmains Esq. who liked to be known as Captain Macrae on account of his service in the 6th Dragoon Guards (Irish Carabiniers), a Hanoverian cavalry regiment. By accounts he was both a sophisticated, cultured charmer and an arrogant, pompous “Goth“. It was Macrae who renamed the house, calling it for his wife, Maria Cecile le Maistre.

Uniforms of horsemen of the Irish Carabiniers (6th Dragoon Guards)

Captain Macrae had a quick temper and an overinflated sense of his own status. He was nicknamed the “fortunate duellist” on account of his propensity to call for satisfaction and on not being dead as a result. He practised by firing at a barber’s block kept specially for the purpose, or so John Kay caricatured him.

“The Fortunate Duellist”: caricature of Captain Macrae with an inset image of him practising duelling with the barber’s block, from “Original Portraits and Caricature Etchings” by John Kay, 1799

The Macraes soon built up a reputation as a home of the “gayest private theatricals, perhaps in Britain“. Being wealthy and aspirational with tastes “gay and fashionable” they had a 150-seat private theatre built, complete with stage, curtain and scenery in the house where the couple themselves took the starring roles. The great and the good of Edinburgh were invited and the shows were a hot ticket in town, being well reviewed in the papers. The Scots Magazine and Caledonian Mercury were full of gushing praise for them.

Edinburgh Advertiser, May 9 1789

Maria Macrae was the daughter of the Swedish ambassador’s wife and had spent time in Paris with her cousins. It was there she got a taste for the private theatricals of the time and it was she who was chiefly responsible for reproducing them at Marionville. The Macrae’s inner circle was a centre of Georgian high fashion in Edinburgh, the women wore head-dresses so tall that they had to “sit on the carriage floor” and the men wore “bright coats with tails to their heels” and “wigs with great side curls“. The innermost of their circle were the Ramsays (no relation to the Misses), Sir George Ramsay of Bamff, 6th Baronet and his wife, Eleanor Fraser. They were “warmly attached and intimate” with the Macraes.

An engraving of Marionville in happier times from Old & New Edinburgh by James Grant.

So all was good. Everyone was happy and Marionville was the place to be seen around town. Macrae was highly regarded in the right circles, but his pomposity and temper would be his unravelling. An example of this was when a messenger of the law tried to arrest his cousin, the Reverend John Cunningham, Earl Glencairn, at a private party in Drumsheugh House. Macrae was outraged that a common man would insult a gentleman, and threw the messenger over the stairwell. When it later came to light that Cunningham was a debtor who had refused all chance to settle his obligations and that the messenger had been gravely injured, Macrae made an apology and paid compensation of 300 guineas to settle the matter.

And then we come to the fateful night of April 7th 1790. Captain Macrae had been out at the Theatre Royal, which stood on Shakespeare Square, opposite the General Register Office and where the General Post Office would later be built. Being a gentleman, he was helping a lady to get a chair to convey her home (this meant a sedan chair; at this time were still the principal form of public transport of choice for the moneyed classes around town). He had secured the lady her chair when a liveried footman appeared on the scene and seized one of the poles of the chair to reserve it for his mistress. The outraged Macrae rapped the impertinent servant’s knuckles with his cane.

The Theatre Royal on Shakespeare Square, the corner of Princes Street, North Bridge, Leith Street and what is now Waterloo Place. John Le Conte, 1857. Credit; Edinburgh City Libraries

The footman, not to be cowed, denounced Macrae as a scoundrel and punched him in the chest. Macrae responded by striking him across the head with his cane. An almighty fracas ensued, sucking in passers-by on both sides. Somehow the conflict was defused and the lady was spirited to safety in another chair. And there it might have ended until Macrae was made aware that the footman in question was an employee of his dear friend, Sir George Ramsay.

A Georgian cartoon of a drunken gentleman fighting with a coachman and footman. Isaac Cruikshank, 1809. © The Trustees of the British Museum

And so, the following day Macrae sought out Ramsay at his place of business. His friend informed him that the servant in question was recently engaged by his wife and he felt that he had no hand in the matter. Macrae insisted that he would therefore apologise to the lady at once. Hurrying to the Ramsay’s house on St. Andrew Square, he found her sitting for an up and coming your artist, one Henry Raeburn. Theatrically going down on one knee, Macrae begged forgiveness for having chastised her servant. And there it would have ended. But…

A few days later at Marionville, an anonymous letter arrived stating that Macrae had meddled with the “Knights of the Shoulder Knot” (the name given to footmen for their elaborate uniforms) and they would have their revenge for the insult to their brother. The footman in question, James Merry, took the matter further by making it known he would take legal proceedings against his assailant for the injuries he had suffered. Piqued, Macrae wrote to Ramsay and demanded that the man be put in his place and discharged. For whatever reason, Ramsay declined to satisfy his friend and their relationship quickly soured as the two engaged in a protracted series of increasingly intemperate letters. This culminated in Macrae having his messenger inform Ramsay that he was not a gentleman, but a scoundrel!

Georgian caricature of a foppish, arrogant footman. George Moutard Woodward, 1799. © The Trustees of the British Museum

That was that! Macrae had overstepped the mark for sure, Ramsay was a proper gentleman, with a title, not someone you could go around insulting. The intermediary, one Captain Amory, arranged a meeting of both parties in Bayle’s Tavern at which “rough epithets were exchanged“. The outcome was inevitable and satisfaction was demanded by Macrae. But he let it be known that he considered Ramsay the challenger, for refusing to deal with his servant.

The time and place was set for the shore outside of Musselburgh at noon the next day. What better place to settle your differences than in the cool sea breeze of the Honest Toun? And so it was that the next day the two gentlemen, each with another in tow as second, met at Wards Inn off of the Musselburgh Links. A surgeon, Benjamin Bell, was sensibly arranged for.

Benjamin Bell (left), following a different duelist on his way to Musselburgh to settle a score. Bell must have been the go-to man for calling to a duel. The woman heading the other way is a salter, carrying her load in a basket, supported by a leather strap around her head. From John Kay’s caricatures, Vol. 2. Credit; Edinburgh City Libraries

A parlay took place to see if things could be settled amicably, without either side losing face. Macrae demanded that if Ramsay dismiss his servant he would apologise profusely for all that had followed and consider it closed. Ramsay demanded an apology first, before any further progress could be made. Both sides were intransigent. The seconds which each side had brought as counsel declined further compromise and the course of action was now set. Each man took a pistol from a pair and made his way to the allotted spot on the Links. Each then walked 14 paces away from the other and the duel commenced. Ramsay shot first and nicked the collar of his late friend, grazing the neck. Macrae did not miss and Ramsay was mortally wounded. Macrae would later claim that he had planned to shoot high and miss on purpose, but was so outraged that Ramsay had not deliberately missed and had drawn blood that he decided to settle the matter once and for all by not missing. For a sure shot like Macrae, the outcome was inevitable.

“The Duel”, a cartoon in the style of Kay by amateur Edinburgh artist J. Jenkins in 1805. CC-BY 4.0 National Library of Scotland

The deed done, Macrae was suddenly remorseful and had to be convinced to leave his dying friends’ side by Ramsay’s second, Sir William Maxwell. Edinburgh society was outraged and it was Macrae, the lower status gentleman that they squarely blamed for this calamity. Being a proper class scandal, the detail was all printed at the time (then, as now, controversy was good for sales) and Macrae was immortalised as “The Fortunate Duellist” by Edinburgh caricaturist John Kay. By trade Kay was a barber, so the story of the practice target may have appealed to him as much as the chance to satirise events.

Facing a potential murder charge, Macrae abandoned Marionville and his family and fled to Paris accompanied by his second, Captain Amory. They took up lodgings in the Hôtel de la Dauphine. A summons soon arrived from Edinburgh to return and face the law. Ignoring it, both were declared outlaws and consigned themselves to live out their days in exile. To add insult to Macrae’s injury, 2 years later the Sheriffs awarded damages and compensation to the footman for his original injuries, which were paid from Macrae’s estate in his absence. Macrae stayed in Paris until the coming of the French revolution compelled his to flee further, this time to Altona in Italy. He had hoped that the passage of time would allow him to return home to Marionville, but society and the law were resolved against it.

And so it was that the gayest house in town fell into “an air of depression and melancholy such as could barely fail to strike the most unobservant passenger“. It was advertised as being to let in 1793 and the following year it was for sale. Macrae was soon forgotten by the chattering classes of Edinburgh. That is until 1814, when publisher Robert Chambers relates that “a gentleman of my acquaintance was surprised to meet him one day in a Parisian coffee house“. “The wreck or ghost of the handsome, sprightly man he had once been.” “The comfort of his home, his country and his friends, the use of his talents to all these, had been lost, and himself obliged to lead the life of a condemned Cain, all through the one fault of a fiery temper“.

Captain Macrae, late of Marionville, died alone in Paris on the 16th January 1820, 30 years an exile from his home, wife and 2 children. “Captain Macrae was a strange character. To those of his own class a tyrant and bully. To those below him he was kind and obliging”. At this time his old house was in the possession of a Mr and Mrs Dudgeon although it was for sale again shortly after, the new owner being Walter Stirling Glas, esq. The house was repeatedly for sale and let throughout the 19th century. A flick through some old Post Office directories enlightens us that from approximately 1858 to 1869, it was being used by Dr. Guthrie’s “Original Ragged Industrial School” .

In 1932, Marionville was purchased by the Roman Catholic Archdiocese of Edinburgh and St. Andrews for use as the manse for St. Ninian’s & Triduana’s Church, which was built in the grounds at this time. Its last occupant before the church took it over would appear to be one Miss W. Crawford Brown and the house  was sold back into private use within the past few years. The church, which was never actually completed to the intended design, is surprisingly the work of that most British of British architects, Sir Giles Gilbert Scott (of red telephone box and Battersea power station fame).

St. Ninian’s & Triduana’s R.C. church in the grounds of Marionville.

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Archangel Michael

Also called Michael the Taxiarch. A taxiarch is used in the Greek language to mean “brigadier,” or a commander of a company. In Greek Orthodoxy, it refers to the Archangels Michael or Gabriel as leaders of the heavenly hosts.

Michael is an archangel & warrior of God in Christianity, Islam, & Judaism. The earliest surviving mentions of his name are in the 2nd or 3rd centuries BC Jewish works, often but not always apocalyptic. In these works, he’s the chief of the angels & archangels. He’s the guardian prince of Israel & is responsible for the care of the people of Israel.

Christianity conserved nearly all of Jewish traditions concerning him. He’s mentioned explicitly in Revelation 12:7-12, where he does battle with Satan, & in the Epistle of Jude, where the archangel & the devil have an argument over the body of Moses.

The Book of Enoch lists Michael as 1 of 7 archangels. The remaining names are: Uriel, Raguel, Raphael, Sariel, Gabriel, & Remiel. He’s mentioned again in the last chapters of the Book of Daniel, a Jewish apocalypse composed in the 2nd century BC, in which a man clothed in linen tells Daniel that he & “Michael, your prince” are engaged in a battle with the “prince of Persia,” after which, at the end-time, “Michael, the great prince who protects your people, will arise.”

Enoch was instrumental in establishing the pre-eminent place of Michael among the angels & archangels. In later Jewish works, he’s said to be their chief, mediating the Torah, & standing at the right hand of the throne of God.

In the traditions of the Qumran community, he defends, or leads, the people of God in the end-time battle. In other writings, he’s responsible for the care of Israel & acts as commander of the heavenly armies. He’s Israel’s advocate, contesting Satan’s claim to the body of Moses.

He intercedes between God & humanity & serves as High Priest in the heavenly sanctuary. (So would this make him Aaron’s equal? We’re sincerely asking. Let us know your take in the comments.) He accompanies the souls of the righteous dead to Paradise.

The 7 archangels (or 4, as traditions differ, but always include Michael) were associated with the branches of the menorah, the sacred 7-branched lamp stand in the Temple, as the 7 spirits before the throne of God. This is reflected in the Book of Revelation 4:5. Michael is mentioned explicitly in Revelation 12:7-12, where he does battle with Satan & casts him out of heaven so that he no longer has that exclusive access to God as accuser (his former role in the Old Testament).

Satan’s fall at the coming of Jesus marks the separation of the New Testament from Judaism. In Luke 22:31, Jesus tells Peter that Satan has asked God for permission to “sift” the disciples, the goal being to accuse them. But the accusation by Jesus, who thus takes on the role played by angels, & especially by Michael, in Judaism.

Michael is mentioned by anem for the 2nd time in the Epistle of Jude, which is an impassioned plea for the believers to engage in battle against the incursion of the error. In verses 9-10, the author denounces the heretics by contrasting them with the archangel Michael, who, in disputing with Satan over the body of Moses.

According to rabbinic tradition, Michael acted as the advocate of Israel. Sometimes he had to fight with the princes of other nations (Daniel 10:13), & particularly with the angel Samael, Israel’s accuser. Their hostility dates from the time Samael was thrown from heaven & tried to drag Michael down with him, requiring God’s intervention.

The rabbis declare that Michael came into his role as defender at the time of the biblical patriarchs. Rabbi Eliezer ben Jacob said Michael rescued Abraham from the furnace into which he’d been thrown by Nimrod. Some say he was the “one that had escaped” (Genesis 14:13), who told Abraham that Lot had been taken captive & who protected Sarah from defilement by Abimelech.

Michael prevented Isaac’s being sacrificed by his dad by substituting a ram in his place. He saved Jacob, while still in his mom’s womb, from death at the hands of Samuel. Michael later prevented Laban from hurting Jacob. The midrash Exodus Rabbah holds that Michael exercised his function as an advocate of Israel at the time of the Exodus & destroyed Sennacherib’s army.

Epiphanius of Salamis (circa 310-circa 320-403), in his Coptic-Arabic Hexaemeron, referred to Michael as a replacement of Satan. Accordingly, after Satan fell, Michael was appointed to the function Satan served when he was still 1 of the noble angels.

A painting of Michael slaying a serpent became a major art piece at the Michaelion after Constantine defeated Licinius near there in 324. This contributed to the standard iconography that developed of Michael as a warrior saint slaying a dragon. The Michaelion was a magnificent church & in time became a model for hundreds of other churches in Eastern Christianity.

In the 4th century, St. Basil the Great’s homily, De Angelis, St. Michael over all the angels. He was called “Archangel” because he heralds other angels, the title archangelos applied to him in Jude 1:9. The angelology of Pseudo-Dionysius, which was widely read as of the 6th century, gave Michael a rank in the hierarchy of angels.

Later, in the 13th century, others such as Bonventure believed him to be Prince of the Seraphim, the 1st of the 9 angelic orders. According to Thomas Aquinas, Michael is the Prince of the last & lowest choir, the Angels.

Catholics often refer to Michael as “Holy Michael, the Archangel” or “St. Michael.” He’s generally referred to in Christian liturgies as “St. Michael,” as in the Litany of the Saints. In a shortened archangel, is mentioned by name, omitting Saints Gabriel & Raphael.

In Roman Catholic teachings, St. Michael has 4 main roles or offices. His 1st role is the leader of the Army of God & the leader of celestial forces in triumphing over the powers of Hell. He’s viewed as the angelic model for the virtues of the “spiritual warrior,” his conflict with evil taken as “the battle within.”

The 2nd & 3rd roles of Michael in Catholic teachings deal with death. In his 2nd role, he’s the angel of death, carrying the souls of Christians to Heaven. In his 3rd role, he weighs souls on his perfectly balanced scales. The scales are a common object he holds in art.

In his 4th role, St. Michael, the special patron of the Chosen People in the Old Testament, is also Guardian of the Church. St. Michael was revered by the military orders of knights during the Middle Ages. The names of villages around the Bay of Biscay reflect this history.

The Eastern Orthodox give Michael the title Archistrategos, or “Supreme Commander of the Heavenly Hosts.” The Eastern Orthodox pray to their guardian angels & above all, to Michael & Gabriel. The Eastern Orthodox have always had a strong devotion to angels. In modern times, they’re referred to by the term “Bodiless Powers.” Several feasts dedicated to Archangel Michael are celebrated by the Eastern Orthodox throughout the year.

In Russia, many monasteries, cathedrals, courts, & merchant churches are dedicated to the Chief Commander Michael. Most Russian cities have a church or chapel dedicated to the archangel Michael. In Ukraine, the archangel Michael is the patron saint of Kyiv. He became popular from the time of Prince Vsevolod of Kyivan Rus’.

While in the Serbian Orthodox Church, St. Sava has a special role as the establisher of its autocephaly & largest Belgrade church devoted to him, the capital Belgrade’s Orthodox cathedral, the see church of the patriarch, is devoted to Michael.

The place of Michael in the Coptic Church of Alexandra is as a saintly intercessor. He’s the 1 who presents to God the prayers of the just, who accompanies the souls of the dead to Heaven, who defeats the devil. He’s celebrated liturgically on the 12th of each Coptic month.

In Alexandria, a church was dedicated to him in the early 4th century on the 12th of the month of Paoni. The 12th month of Hathor is the celebration of Michael’s appointment in Heaven, where Michael became the chief of the angels.

Seventh-Day Adventists believe that “Michael” is but 1 of many titles applied to the pre-existent Christ, or Son of God. According to Adventist theology, Michael was/is considered the “Eternal Word,” & the 1 by whom all things were created. The Word was then born, incarnated as Jesus.

They believe that the name “Michael” signifies “One Who Is Like God” & that, as the “Archangel” or “chief or head of the angels,” he led the angels; thus, the statement in Revelation 12:7-9 refers to Jesus as Michael.

Jehovah’s Witnesses believe that Michael is another name for Jesus in Heaven, in His pre-human & post-resurrection existence. They say the definite article in Jude 9 identifies Michael as the only archangel. They consider Michael to be synonymous with Christ, described in 1 Thessalonians 4:16: “with a cry of command, with the voice of an archangel, & with the sound of the trumpet.”

They believe the prominent roles assigned to Michael in Daniel 12:1, Revelation 12:7, Revelation 16, & Revelation 19:14 are identical to Jesus’ roles, being the 1 chosen to lead God’s people & as the only 1 who “stands up,” identifying the 2 as the same spirit being.

Because they identify Michael with Jesus, he’s considered the 1st & greatest of all God’s heavenly “sons,” God’s chief messenger, who takes the lead in vindicating God’s sovereignty, sanctifying his name, fighting the wicked forces of Satan & protecting God’s covenant people on earth. Jehovah’s Witnesses also identify Michael with the “Angel of the Lord” who led & protected the Israelites in the wilderness.

Members of the Mormon Church believe that Michael is Adam (of Adam & Eve fame), the Ancient of Days (Daniel 7), a prince, & the patriarch of the human family. They also hold that Michael assisted Jehovah (the pre-mortal form of Jesus) in the creation of the world under the direction of God the Father (Elohim). Under the direction of the Father, Michael also cast Satan out of Heaven.

In Islam, Mika’il (Michael) is 1 of 4 archangels along with Jibril (Gabriel, whom he’s often paired with), Israfil (trumpeter angel) & ‘Azra’il (angel of death). In other Islamic literature, Michael is associated with mercy. He asks God for forgiveness for humans & is 1 of the 1st angels who obeyed God’s orders to bow before Adam.

From the tears of Michael, angels of mercy are created as his helpers. Like Gabriel, with whom he’s often mentioned together, Michael is also a messenger. While Gabriel delivers messages from Heaven to humans, Michael delivers messages to the angelic world.

As the angel to execute God’s providence, he’s also associated with natural phenomena & causes rain upon the lands. Unlike Christian traditions, Michael is rarely shown as a warrior-angel, with a few references to the Battle of Badr by Suyuti as an exception.

The Miraj literature on occasion mentions both Gabriel & Michael as 2 angels who showed Muhammad Paradise & Hell. He’s mentioned in Shia supplication (Dua), reportedly handed down by the 6th Imam Ja’far al-Sadiq, in the prayers for blessings for the Bearers of the Throne.

The figures of Michael & Gabriel/Jibril serve as dual pillars of angelology. While they show up in the same texts, their “personalities” & mythological roles are distinct. Michael is the celestial soldier & protector. While Gabriel is the bridge between the divine mind & the human ear.

The name Michael (Mikha’el) translates from Hebrew as a rhetorical question: “Who is like God?” This name is actually a battle cry used during the primordial war in Heaven.

In the Book of Daniel, Michael is described as the “Great Prince” who stands guard over the people of Israel. Jewish Midrash expands on this. It suggests that Michael is the high priest of the Heavenly Temple. When other nations’ guardian angels argue against Israel, Michael acts as the defense in the celestial courtroom. Because after all, God is the judge of all.

Michael’s most iconic role comes from the Book of Revelation. Here, he leads an army of God against the Dragon (a.k.a. Satan). He’s almost always dressed in Roman/Medieval armor, standing over a defeated demon/dragon, holding a spear/sword.

In Catholic traditions, Michael has a secondary role as the Psychopomp. A Psychopomp is a conductor or a guide of souls. The 1 who “weighs” souls at the moment of death. This is why he’s sometimes shown with scales.

In Islamic tradition, Mikail (Michael) is 1 of 4 archangels. While Jibril feeds the soul (through revelation), Mikail is the Angel of Sustenance. He’s responsible for the forces of nature, specifically rain & lightning. Legends say he’s so moved by the majesty of God that he hasn’t smiled since the creation of Hell.

In the United States, Michael is the patron saint of paratroopers, police officers, & the military.

In the General Roman Calendar, the Anglican Calendar of Saints, & the Lutheran Calendar of Saints, Michael’s feast day is Michaelmas Day (September 29). The day is also the feast day of St. Gabriel & Raphael, in the General Roman Calendar & the Feast of St. Michael & All Angels in the Church of England.

In the Eastern Orthodox Church, St. Michael’s principal feast day is November 8. November 21, if they’re using the Gregorian calendar. Honoring him along with the rest of the “Bodiless Powers of Heaven” (angels) as their Supreme Commander, & the Miracle at Chonae is celebrated on September 6.

In the Coptic Orthodox Church, the main feast day is on 12 Hathor (between November 9 & December 9) & 12 Paoni (between June 8 & July 7). He is celebrated liturgically on the 12th of each Coptic month.

On April 7, the Oriental Orthodox Church commemorates the deliverance of the prophet Jeremiah from prison by Michael.

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The Historic 1815 Meeting of Byron and Scott

On April 7, 1815, the renowned poets Lord Byron and Sir Walter Scott met for the first time in the offices of publisher John Murray. This significant encounter brought together two iconic figures of Romantic literature, who were both pivotal in shaping British poetry and narrative styles during the early 19th century.

The meeting was facilitated by John Murray himself, who recognized the potential for collaboration and mutual benefit between the two writers. While direct records of their conversation remain scarce, it is generally believed that they discussed their respective works, literary influences, and the evolving landscape of literature in England at that time. Byron, known for his passionate and often controversial poetry, likely shared insights into his own creative process, while Scott, who was establishing the historical novel, may have expressed his views on storytelling and its cultural significance.

Lord Bryon and Sir Walter Scott (Image create by WordPress AI)

Their meeting not only represented a merging of two literary worlds but also underscored the diversity of thought and style that characterized the Romantic era. Though they had different approaches to poetry and narrative, this encounter marked the beginning of a mutual respect and admiration, which would leave a lasting impact on their works and the literary community.

On Byron’s death in 1824, aged just 36, Sir Walter Scott mourned the loss of a true great in the literary world. In tribute to Byron, Scott acquired one of only a handful of mourning rings commissioned specifically for the poet’s closest friends. This poignant piece of memorabilia is carefully preserved in Scott’s cabinet of curiosities located in the Abbotsford Library, allowing visitors the opportunity to appreciate this intimate connection between two of the era’s most significant literary figures. The ring serves as a lasting symbol of their friendship and mutual respect, reflecting the deep impact Byron had on Scott and the broader literary community. Visitors to the library can enjoy a tangible piece of history that embodies the profound relationships formed during the Romantic period.

“I have been terribly distressed at poor Byron’s death. In talents he was unequalled and his faults were those rather of a bizarre temper arising from an eager and irritable nervous habit than any depravity of disposition. He was devoid of selfishness which I take to be the basest ingredient in the human composition. He was generous humane and noble-minded, when passion did not blind him.”

Sir Walter Scott

The Library at Abbotsford, the home of Sir Walter Scott. (Rebecca Budd Photo Archives May 2, 2015)

For those who are interested in knowing how the Bryon/Scott feature photo came about, I requested WordPress create an image based on the content of this post. The image was formed with the description generated by WordPress AI as noted below:

“Create a highly detailed, sharp-focus image depicting the historic 1815 meeting between Lord Byron and Sir Walter Scott in the office of the publisher John Murray. The scene features both writers engaged in deep conversation, with Byron exhibiting an expressive demeanor and Scott showcasing a contemplative expression. Include period-appropriate attire to reflect early 19th-century fashion. The setting should convey a warm, inviting atmosphere, with soft, natural light filtering through large windows, highlighting the rustic charm of the office. Ensure the image is in high resolution to capture intricate details of their faces and the surrounding environment, emphasizing the significance of this literary encounter.”

#April7 #LordBryon #Meetings #Milestone #SirWalterScott

Mad, bad and a pleasure to know: The unlikely friendship of Sir Walter Scott and Lord Byron

Sir Walter Scott was an early admirer of Lord Byron’s poetry, despite finding himself one of several contemporary poets under satirical attack in the latter’s English Bards and Scotch Reviewers (1809): Next view in state, proud prancing on his roan, The golden-crested haughty Marmion… And think'st thou, Scott! by vain conceit perchance, On public taste … <a href="https://blog.nms.ac.uk/2019/10/20/mad-bad-and-a-pleasure-to-know-the-unlikely-friendship-of-sir-walter-scott-and-lord-byron/">Continued</a>

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