Quote of the day, 6 April: St. John of the Cross
Where signs and testimonies abound, there is less merit in believing.
God never works these marvels except when they are a necessity for believing. Lest his disciples go without merit by having sensible proof of his resurrection, he did many things to further their belief before they saw him.
Mary Magdalene was first shown the empty sepulcher, and afterward the angels told her about the resurrection so she would, by hearing, believe before seeing. As St. Paul says: Faith comes through hearing [Rom. 10:17]. And though she beheld him, he seemed only an ordinary man, so by the warmth of his presence, he could finish instructing her in the belief she was lacking [Mt. 28:1-6; Lk. 24:4-10; Jn. 20:11-18].
And the women were sent to tell the disciples first; then these disciples set out to see the sepulcher [Mt. 28:7-8]. And journeying incognito to Emmaus with two of his followers, he inflamed their hearts in faith before allowing them to see [Lk. 24:15-32].
Finally, he reproved all his disciples for refusing to believe those who had told them of his resurrection [Mk. 16:14]. And announcing to St. Thomas that they are blessed who believe without seeing, he reprimanded him for desiring to experience the sight and touch of his wounds [Jn. 20:25, 29].
Thus, God is not inclined to work miracles. When he works them, he does so, as they say, out of necessity. He consequently reprimanded the Pharisees because they would not give assent without signs: If you do not see signs and wonders, you do not believe [Jn. 4:48]. Those, then, who love to rejoice in these supernatural works suffer a great loss in faith.
Saint John of the Cross
The Ascent of Mount Carmel, III, ch. 31, nos. 8–9
John of the Cross, St 1991, The Collected Works of St. John of the Cross, rev. edn, Kavanaugh, K & Rodriguez, O (trans.), ICS Publications, Washington DC.
Featured image: Ushered in a Tearful Joy, Vasily Polenov (Russian, 1844–1927). Oil on canvas, c. 1900. Polenov captures the moment when Resurrection light breaks into the house of mourning. A woman—probably Mary Magdalene—stands in the doorway, clothed in blue, announcing news that will change everything. Seated in the shadows, one veiled figure turns to listen; another sits with head in hands, still bowed in grief. The painting evokes the Easter Monday Gospel (Matthew 28:8–10), in which the women, “fearful yet overjoyed,” run from the tomb to tell the disciples—and meet the Risen Lord along the way.
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