KillBait NewsStephanie O’Connor Explores Pregnancy and Microchimerism Through Composite Photography in The Waves Came in Like Horses
📰 Original title: The Waves Came in Like Horses
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
Stephanie O’Connor Explores Pregnancy and Microchimerism Through Composite Photography in The Waves Came in Like Horses
The LensCulture interview “The Waves Came in Like Horses” presents the photographic work of Stephanie O’Connor, a series that blends layered imagery to explore themes of pregnancy, identity, and bodily transformation. Originally started during the COVID-19 lockdown, the project initially consisted of experimental composites made from old photographs, found negatives, and fragmented visual materials. At that stage, O’Connor set the work aside, feeling it lacked conceptual depth. The project gained new meaning years later when the artist became pregnant. During this period, she re-engaged with the earlier fragments, now experiencing them through the lens of bodily change and internal movement. The sensations of pregnancy—described as shifting, kinetic, and at times unfamiliar—transformed how she approached image-making, infusing the work with emotional and physiological resonance. Central to the project is the scientific concept of microchimerism, the phenomenon in which cells are exchanged between fetus and parent and can persist for decades. O’Connor uses this idea as a conceptual framework, translating it into visual form through composite photography. Each image is constructed from multiple sources, including landscapes photographed in New Zealand, European imagery, archival negatives, and contemporary photographs taken during pregnancy. Some compositions contain up to fifteen different visual fragments, resulting in hybrid, surreal forms that blur distinctions between organic bodies, landscapes, and abstract textures. In the interview, O’Connor explains that her process is intuitive and meditative, shaped by her background in post-production and compositing. Rather than planning rigidly, she builds images by assembling fragments until they begin to feel coherent, like bodies or memories emerging from abstraction. The resulting visuals evoke a sense of the uncanny, reflecting her experience of pregnancy as both intimate and estranging. The work ultimately highlights the porous boundaries between self and other, and the uncertainty of inhabiting a body undergoing profound transformation.
Donnina
Randall Perkinson Photography
Adi
大北天魔王；如月翔也提督＠TRPGer
Thumbnail X
エミリーSEレクト
narrowbotr
Marie-France Cadiou
That Blair Guy