Ryuu Launches First Vertical Anime Streamer, Signs Indie Creators with 1B+ Total Views | Animation Magazine

Ryuu, a pioneering vertical animation sttreamer, is launching with a growing stable of indie creators like Tezeze, Shar, Prins and Alindraws.

Noctis: il cielo non è mai stato così accessibile

Unire tecnologia, passione e collaborazione per esplorare l’universo: finanziato con un contributo Prin da 200mila euro, il progetto Noctis trasforma l’osservazione del cielo in un’esperienza condivisa e accessibile a tutti. Guidato d

Dai Baroni al cognitariato | Rizomatica

call for paper rivista Rizomatica – filosofia – psicologia – tecnologia – Political and Social Sciences | Rizomatica

As French paper ends strike, new editor to find 'empty newsroom'

Journalists at France's flagship Sunday newspaper, Le Journal du Dimanche, agreed with owner Lagardere <a href="https://www.reuters.com/markets/companies/LAGA.PA" target="_blank">(LAGA.PA)</a> on Tuesday to end a five-week strike in protest against the nomination of a new editor-in-chef who had worked for a far-right magazine.

Interaction, narrative, and drama: Creating an adaptive interactive narrative using performance arts theories | John Benjamins

Interactive narratives have been used in a variety of applications, including video games, educational games, and training simulations. Maintaining engagement within such environments is an important problem, because it affects entertainment, motivation, and presence. Performance arts theorists have discussed and formalized many techniques that increase engagement and enhance dramatic content of art productions. While constructing a narrative manually, using these techniques, is acceptable for linear media, using this approach for interactive environments results in inflexible experiences due to the unpredictability of users’ actions. Few researchers attempted to develop adaptive interactive narrative experiences. However, developing a quality interactive experience is largely an art process, and many of these adaptive techniques do not encode artistic principles. This paper presents a new interactive narrative architecture designed using a set of dramatic techniques that have been formulated based on several years of training in film and theatre.