close to hearing it
the gentle pitter patter
roof leak lullaby
đ§ď¸ Commentary, wip photo, and ink palette used: https://www.pillowfort.social/posts/3299390
#haiku #ink #FountainPenInk #poetry #MastoArt #CreativeToots
maiji: roof leak
[image set: 1) Photo of open notebook next to two glass dip pens, one pointed and one slightly sanded down with a blunt tip. The page shows a haiku written in ink, illustrated with abstract lines of pale shimmery blue, purple, green, grey reminiscent of drops and ripples of water: "close to hearing it / the gentle pitter patter / roof leak lullaby". Poetry and art by Maiji/Mary Huang, humangray.com. 3) Eight swatches laid out in neat rows next to a mini flashcard set being used as an ink colour swatchbook. 3) 2) In-progress photo showing shiny wet puddles of ink on the page, next to a ceramic cup of water, a waterbrush, a tiny crumpled piece of tissue with the same colours as the inks used, and the two glass dip pens.] Tricycle runs a monthly haiku prompt/challenge, and March 2023âs theme was âroof leakâ. (They pick three winners to highlight each month - you can see them here, and read the commentary!)I had a few directions I considered taking this, and the version above was helped along by a mini epiphany. Sleep has always been a tricky thing for me. I do sleep deeply, and remember many of my dreams, and also lucid dream more frequently than most people, it seems - but I donât sleep a lot at all. Iâm also very sensitive to noise, which often makes it harder to fall, and stay, asleep. Four consecutive hours of sleep seems to be my general limit (itâs usually much less than that) that I consider a pretty good bout. One morning near the end of March (and the deadline for haiku submissions), I woke up to a very annoying disruptive knocking. I grabbed my phone to try to record it, thinking the recording could help for reporting the noise. I soon discovered I had difficulty recording it because⌠the sound of the rain outside my bedroom window was actually louder. And I had a bit of that deeper oh moment. The pitter patter of the rain didnât bother me because of my perspective of it. After I got up, I finalized the wording of this haiku. The oft-repeated 5-7-5 syllable (or Japanese on, which isnât the same thing) structure is actually not always followed by poets in any language (a lot of my poems from 31 days would count as haiku, for example). And most of the haiku I read in English are translations of Japanese haiku, so the syllable count isnât usually retained anyways. So I found it a little tricky consciously follow the formal structure in English, but also interesting and fun to work within the specific format constraints.The month-long time frame was also helpful in being able to support a bit of mindfulness practice, and work with intentionality. Write a bunch over time, come back and tweak a little and edit, try it several times with the seasonal word in different places (e.., challenging myself to try some starting or ending with the seasonal word, other times in the middle). I tend to want to post something online as soon as Iâve finished it, so this was a nice exercise in being patient and not being so tied to doing something for the sake of anything other than just doing it.The illustration was fun to do as a meditative practice as well, picking some vibey colours from my collection, then blobbing and circling and dripping and wiping abstract patterns to illustrate the theme. The booklet uses Tomoe River paper.Iâm currently working on my April haiku. Youâll see it next month! :)









Commentary, wip photos, and ink palette used: 













