The Tabernacle Explained: How God Dwelt Among His People (Bible Story)
What if God chose to live among people—not in heaven, but right in the middle of their lives?
In this powerful and easy-to-understand Bible story, we explore the Tabernacle, a sacred place built during the time of Moses after the Israelites escaped Egypt. Discover how this portable... More details… https://spiritualkhazaana.com/web-stories/the-tabernacle-explained/

#BibleStories #Tabernacle #Moses #ChristianContent #Faith #BibleExplained #OldTestament #GodsPresence

Between the Cherubim

Learning to Speak and Listen
The Bible in a Year

“When Moses was gone into the tabernacle of the congregation to speak with him, then he heard the voice of one speaking unto him from off the mercy seat that was upon the ark of testimony, from between the two cherubims; and he spake unto him.” — Numbers 7:89

As we journey through Scripture together this year, we come to a quiet but powerful scene at the close of Numbers 7. The tabernacle has just been dedicated. For twelve days, the leaders of Israel brought offerings—carefully measured gifts of silver, gold, grain, and animals. There was structure, ceremony, and obedience. And then, when the public celebration concluded, Moses did something deeply personal: he went into the tabernacle to speak with God.

That detail arrests me. After the noise of dedication came the stillness of communion. Moses “was gone into the tabernacle… to speak with Him.” The Hebrew verb suggests intentional movement. He did not drift into prayer; he went. This is supplication—deliberate conversation with God. Moses sensed his need. Leadership without prayer would become hollow. Service without communion would become mechanical.

The lesson is simple and searching. Man needs to speak with God. If prayer is absent, spiritual vitality will wither. James writes, “Draw nigh to God, and he will draw nigh to you” (James 4:8). That is not poetic exaggeration; it is covenant principle. If God seems distant, the text gently implies that we have stepped back. As Matthew Henry observed, “Those that would have communion with God must carefully keep up their attendance on Him.” The life of prayer is not optional for the believer; it is oxygen.

Yet Numbers 7:89 reveals something more than supplication. It reveals reciprocation. “Then he heard the voice of one speaking unto him.” When Moses entered to speak, he discovered that God was already prepared to respond. This is the rhythm of relationship. Prayer is not monologue; it is dialogue. We do not pray into emptiness. We pray to the living God.

The principle woven throughout Scripture is that God delights to answer seeking hearts. Jeremiah 29:13 echoes it: “Ye shall seek me, and find me, when ye shall search for me with all your heart.” In the New Testament, Jesus assures us, “Ask, and it shall be given you; seek, and ye shall find” (Matthew 7:7). The God of the tabernacle is not silent toward His people. He speaks—through His Word, through conviction, through guidance shaped by truth.

But where did God speak from? The verse is specific: “from off the mercy seat… from between the two cherubims.” This is the location. It matters deeply. Exodus 25:22 records God’s promise: “There I will meet with thee, and I will commune with thee from above the mercy seat.” The mercy seat, or kapporet in Hebrew, was the covering of the ark of the covenant. It was the place where sacrificial blood was sprinkled on the Day of Atonement. It was the meeting place of justice and mercy.

The imagery points forward unmistakably to Christ. Paul declares in 1 Timothy 2:5, “For there is one God, and one mediator between God and men, the man Christ Jesus.” The mercy seat foreshadowed Calvary. God communes with man on the basis of atonement. We do not stroll casually into His presence; we come through blood—fulfilled in the cross. The Greek term for propitiation in Romans 3:25, hilastērion, carries the same idea as mercy seat. Christ is our meeting place.

This truth steadies my heart. Prayer is not grounded in my worthiness but in Christ’s mediation. I speak with God not because I have performed flawlessly, but because Jesus has reconciled me. That reality changes the tone of prayer from anxiety to gratitude.

As we reflect on this passage within our year-long study of Scripture, we should ask practical questions. Have we moved intentionally toward God, or do we wait passively for spiritual warmth? Do we cultivate space for quiet communion after seasons of activity? The dedication of the tabernacle was public and elaborate, yet the communion was personal and simple. Moses went in alone.

In our age of constant noise, that lesson is timely. We can fill our lives with religious activity and still neglect the quiet place. The tabernacle reminds us that worship culminates in relationship. A.W. Tozer once wrote, “The man who would truly know God must give time to Him.” That counsel remains wise.

And there is comfort here as well. If we speak, He responds. The verse does not describe thunder or spectacle; it describes voice. God spoke. He communicated. The covenant God remains relational. Through Scripture illuminated by the Holy Spirit, He continues to address His people.

So today, as part of our journey through the Bible in a Year, let us practice what we study. Go into your “tabernacle”—that quiet corner, that early morning chair, that evening pause. Speak honestly. Confess freely. Intercede faithfully. And then listen. Open the Word and expect the God who once spoke between cherubim to address your heart through Christ.

For further study on the significance of the mercy seat and its fulfillment in Jesus, consider this helpful article from Ligonier Ministries: https://www.ligonier.org/learn/articles/mercy-seat

The God who met Moses still meets His people—through the Mediator, by grace, in truth.

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Samaritanism

Samaritanism is an Abrahamic monotheistic, ethnic religion. It comprises the collective spiritual, cultural, & legal traditions of the Samaritan people.

Often preferring to be called Israelite Samaritans, who originated from the Hebrews & Israelites. They began to emerge as a relatively distinct group after the Kingdom of Israel was conquered by the Neo-Assyrian Empire during the Iron Age. The Neo-Assyrian Empire was the 4th, & penultimate, stage of ancient Assyrian history.

Central to their continuity as an Indigenous Heritage in the Holy Land is keeping the Patriarchal & Mosaic covenant as specified in the Samaritan Torah. Samaritans believe this is the original & unchanged version of the Pentateuch (which is the first 5 books of the Hebrew & Christian bible) since Moses & the Israelites at Mount Sinai.

The Abisha Scroll is traditionally held by the community to be the oldest existing scroll written by Abisha, son of Aaron the priest, around 3,000 years ago based on living tradition. However, Jewish & Christian theologians have made attempts to dispute this claim which proved unsatisfactory.

Judaism claims Samaritanism developed right alongside their own religion. Samaritanism asserts itself as the true preserved form of the monotheistic faith that the Israelites kept under Moses. Samaritan belief also holds that the Israelites’ original holy site was Mount Gerizim, near Nablus, the State of Palestine (West Bank).

They also believe that Jerusalem only attained importance under Israelite dissenters who had followed Eli (In the Book of Samuel, Eli was a priest & judge of the Israelites in the city of Shiloh) to the city of Shiloh.

The Israelites who remained at Mount Gerizim would become the Samaritans in the Kingdom of Judah. Mount Gerizim is revered by Samaritans as the location where the Binding of Isaac occurred. In comparison to the Jewish belief that it occurred at Jerusalem’s Temple Mount.

Today there are only about 900 registered communal members. This puts Samaritanism as 1 of the smallest ethnoreligious groups globally in the Abrahamic faiths. Samaritans believe that this is a prophecy fulfilled from the scriptures: “You’ll be left few in number.”

Though they hope for a future time when a prophet like Moses known as the “Taheb” (Restorer) will perform 3 signs, namely the jar of manna, the staff of Moses, & Cherubim, or the Golden Candlestick.

This time period they believe is when an era of Divine Favor would return, & the hidden tabernacle of Moses would miraculously be revealed for the Israelite people & Mount Gerizim is restored to its former glory.

Samaritans trace their history, as a separate entity, to a period soon after the Israelites’ arrival into the “Promised Land.” Samaritan historiography traces the schism to High Priest Eli leaving Mount Gerizim, where stood the 1st Israelite altar in Canaan, & building a competing altar in nearby Shiloh.

The dissenting group of Israelites who followed Eli to Shiloh would be the ones who, in later years, would head south to settle in Jerusalem (the Jews). Whereas the Israelites who stayed on Mount Gerizim, in Samaria, would become known as the Samaritans.

Genetic studies in 2004 suggest that Samaritans’ lineages trace back to a common ancestor with Jews in the paternally-inherited Jewish high priesthood (Cohanim) temporally near to the period of the Assyrian conquest of the Kingdom of Israel. They’re probably descendants of the historical Israelite population. The Cohanim refers to the Jewish priestly class, male descendants of Aaron the priest.

The Hasmonean king, John Hyrcanus, destroyed the Mount Gerizim Temple & brought Samaria under his control around 120 BCE. This led to a long-lasting sense of mutual hostility between the Jews & Samaritans.

From this point, the Samaritans likely sought to consciously distance themselves from their Judean brethren. Both peoples came to see the Samaritan faith as a religion distinct from Judaism. By the time of Jesus, Samaritans & Jews deeply disparaged one another, as shown by Jesus’ Parable of the Good Samaritan.

The main beliefs of Samaritanism are:

• There’s 1 God, Yahweh, the same God recognized by the Jewish prophets.
• The Torah is the only true holy book & was given by God to Moses. The Torah was created before the creation of the world & whoever believes in it is assured a part in the world to come. The Torah’s status in Samaritanism as the only holy book causes them to reject the Oral Torah, the Talmud, & all the prophets & scriptures, except for a version of the Book of Joshua (which they don’t hold as Scripture), whose book in the Samaritan community is significantly different from the Book of Joshua in the Jewish “Bible.” Moses is considered to be the last of the line of prophets.
• Mount Gerizim, not Jerusalem, is the 1 true sanctuary chosen by God. The Samaritans don’t recognize the sanctity of Jerusalem & don’t recognize the Temple Mount, claiming instead that Mount Gerizim was the place where the Binding of Isaac took place.
• The Apocalypse, called “the day of vengeance,” will be the end of days. When an entity called the Taheb (basically the Jewish Messiah equal) that comes from the tribe of Joseph will come, be a prophet like Moses for 40 years & bring about the return of all the Israelites, following which the dead will be resurrected. The Tahib will then discover the tent of Moses’ Tabernacle on Mount Gerizim, & will be buried next to Joseph when he dies.

The Samaritans have retained the institution of a high priesthood & the practice of slaughtering & eating lambs on Passover Eve. They celebrated Pesach, Shavuot, & Sukkot. But they use a different method from that used in mainstream Judaism in order to determine the dates annually.

For example, Yom Teru’ah (the biblical name for Rosh Hashanah), at the beginning of Tishrei (This is the 1st month of the civil year & the 7th month of the ecclesiastical year in the Hebrew calendar.), isn’t considered a New Year as it is in Rabbinic Judaism.

Their Sabbath is observed weekly by the Samaritan community every week from Friday to Saturday, beginning & ending at sundown. For 24 hours, the families gather together to celebrate the rest day: all electricity with the exception of minimal lighting (kept on the entire day) in the house is disconnected, no work is done, & neither cooking nor driving is allowed.

The time is devoted to worship which consists of 7 prayer services, reading the weekly Torah portion, spending quality time with family, taking meals, rest & sleep, & visiting other members of the community.

Passover is particularly important in the Samaritan community, climaxing with the sacrifice of up to 40 sheep.

The Counting of the Omar remains relatively unchanged. The Counting of the Omar is a ritual in Judaism that consists of a verbal counting of each of the 49 days between the holidays of Passover & Shavuot. However, the week before Shavuot is a unique festival celebrating the continued commitment Samaritanism has maintained since the time of Moses.

During Sukkot, the Sukkah (the temporary hut built for use during Sukkot) is built INSIDE of houses, instead of OUTSIDE like mainstream Judaism. This Samaritan tradition is traced back to the persecution of the Samaritans during the Byzantine Empire.

The roof of the Samaritan Sukkah is decorated with citrus fruits & branches of palm, myrtle, & willow trees. This is in accordance with the Samaritan interpretation of the 4 species designated in the Torah for the holiday. The 4 species are 4 plants (the etrog, lulav, hadass, & aravah) mentioned in the Torah as being relevant to the Jewish holiday of Sukkot.

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Interview: Tabernacle (UAE)

The Nwothm

Dubai might not be the first place people think of when it comes to epic heavy metal, but Tabernacle are changing that perception. Formed in 2019, the trio channel the spirit of classic US and European heavy metal with adventurous song structures and tales of underdogs, history, and resilience. From their raw demo Terror in Thrace to the ambitious full-length The Iron Tabernacle (2025), they’ve proven that heavy metal’s fire can burn anywhere — and they’re only just getting started.

https://www.youtube.com/watch?v=0V7jkoBqyk0

Interview

TheNwothm: Greetings! Can you please introduce the band and where you are from?

Tabernacle: Thanks for the platform! We are Tabernacle, a three-piece based out of Dubai. Shawn on drums, Ashwin on bass and myself (Rayner) on guitars and vocals. 

TheNwothm: How did you get together and choose the band name?

Tabernacle: We got together in 2019. Shawn and I were playing Priest, Accept and Satan covers for a few years before that. We got a full lineup together in 2019, with former members Jasper and Yasir on bass and guitars respectively, and started putting together the songs that eventually made their way on to the demo. The band name comes from Manilla Road’s ‘Morbid Tabernacle’.

TheNwothm: Dubai isn’t the first place people associate with epic heavy metal. Has that worked in your favour or made things more challenging?

Tabernacle: The most obvious challenge is that we’re located so far from where our target audience is so we’re not as ‘visible’ to them as we would have liked to be. But we have the resources here to rehearse and record so it’s not too bad at all.

TheNwothm: What’s something about the UAE’s music culture or local scene that outsiders might be surprised to learn?

Tabernacle: The local scene has been growing over the past couple of years. Post-Covid we’ve had bands like Destruction, Aria, Incantation, Heathen and a whole bunch of other big names play here. Not much of a crowd for heavy metal, but the extreme stuff has a decent growing fanbase.

TheNwothm: What’s your take on the current state of the heavy metal underground? Anything you’d like to see more of?

Tabernacle: I think there are some fantastic bands going. Demon Bitch, Chevalier, Eternal Champion, etc are somehow putting out some very interesting music in a genre that’s 55+ years old! I would personally like to see more bands in the style of the old US metal scene- the sound of Helstar, Liege Lord, Jag Panzer, with the over-the-top banshee vocals. Or a proper John Arch-era Fates Warning type band. Those styles are very challenging to play and sing though of course, so maybe that’s why we don’t see that a lot. 

TheNwothm: What’s your current live or studio setup in terms of gear? Any favourite pieces that never leave your side?

Tabernacle: The studio setup for us is usually pretty meat and potatoes. For the guitars, it’s usually just a mic’d amp. We used a Tube Screamer for the demo coz we were recording at home and couldn’t crank up the amp. What never leaves our side is the instruments themselves!

https://www.youtube.com/watch?v=KSKXgXvCp_M

TheNwothm: Your first demo was “Terror in Thrace” (2021). What’s the story behind that title and how did the release come together?

Tabernacle: ‘Terror in Thrace’ was based on a little short story written by our former bassist set in the time leading up to the Battle of Adrianople, about a woman named Bludwyn fighting the injustice and corrupt Roman powers, after her husband was slain fighting for them. The songs themselves were influenced by such acts as Manilla Road, Omen, Warlord, and some doom. We recorded that one in a garage we were rehearsing at! 

TheNwothm: Fast forward to “The Iron Tabernacle” (2025). What was the vision behind this full-length, and how did the writing or recording process differ from your earlier work?

Tabernacle: The idea was to get more “adventurous” with the song structures, while keeping them memorable of course. We didn’t really want to do the ‘verse-chorus’ type of structure or songs that end exactly where they started. I think we were able to pull this off best on “These Crying Seas”, and with the next batch of songs the arrangements will get more seamless which is ultimately the end goal. Lyrically, all the songs are underdog tales. The most special to me personally, is the story of Malik Ambar- an Ethiopian man enslaved and sold in India by Arab merchants who rose to become ruler of the Deccan area. 

TheNwothm: What is the most meaningful song to each of you off the record?

Tabernacle: “These Crying Seas” for Shawn and myself, just by virtue of being closest to what we set out to do. Ashwin prefers “The Curse of Akkad”

TheNwothm: Has living and creating in Dubai shaped your sound or lyrical themes in ways you didn’t expect?

Tabernacle: In terms of lyrical themes and sound, not really. We all got into this kind of music by just mucking around on the internet a long time ago. Being here has given us a lot of opportunities to play live, though, so that has certainly helped.

TheNwothm: What’s something about one of your bandmates that fans would never guess?

Tabernacle: We all like Depeche Mode, The Bee Gees and Abba.. a lot!

TheNwothm: If Tabernacle had to swap instruments for a full set, who would be the most chaotic in their new role?

Tabernacle: Shawn on guitars coz his fingers are too big. 

TheNwothm: Is there new material already brewing post-Iron Tabernacle, or are you letting that one breathe for a while?

Tabernacle: There is some new material, and we intend to keep writing through 2026 and have something ready the following year. We are planning on doing an EP or a split release and a second album eventually.

Thenwothm: Any plans to take the band beyond the UAE for live shows? Where would you most love to play if the stars aligned?

Tabernacle: We would love to play in Europe because that’s where it seems most of the fans of this style are. I’ve been to Greece for Up the Hammers fest and that was quite something. Never seen a crowd sing along to most riffs in unison before!

TheNwothm: How can our readers buy your music and merch?

Tabernacle: CDs of the album are available via Stormspell Records and many Euro distros. There will be tapes through Greylord’s Hoard and vinyl through Alone Records soon. We also have it up on our Bandcamp. 

TheNwothm: Where can fans follow you online?

Tabernacle: Instagram (@tabernaclemetal), Facebook (tabernacle.metal) and Bandcamp (tabernacle-hm.bandcamp.com). The demo and album are on all the usual streaming services as well.

TheNwothm: Anything else you would like to mention?

Tabernacle: Be on the lookout since we have some plans for the coming years. Heavy Metal till the end! 

#DubaiHeavyMetal #epicHeavyMetal #NewAlbum #NewWaveOfTraditionalHeavyMetal #NWOTHM #Tabernacle #TheIronTabernacle #thenwothm #thenwothmCom #UAEHeavyMetal

Review: Tabernacle “The Iron Tabernacle”

Release date: Out Now

Label: Stormspell Records

The Nwothm

Epic power doom with mystical progressive vibes. Formed in 2019, Tabernacle channels the spirit of Manilla Road, Omen, and Viking era Bathory into a sound that is hauntingly melodic and crushingly epic. Emerging from early Judas Priest–inspired roots, the trio of Rayner (guitars and vocals), Jasper (bass), and Shawn (drums) forged a darker path with their 2021 demo Terror in Thrace. Their debut full-length, The Iron Tabernacle, expands that vision with progressive flourishes reminiscent of Fates Warning (The Spectre Within) and Adramelch (Irae Melanox), weaving tales of ancient bloodshed, fallen empires, and spectral tragedy. For fans of Scald, Vendel, and the arcane edge of epic metal.

Release features:

• Jewel Case release with multi-page booklet featuring info, credits, lyrics, band photos
• Debut album by the Middle Eastern epic power doom combo with historical themes and progressive influences
• CD pressing limited to 300 copies worldwide

Review

Treasure Voyages is the intro song on the album and straight away there is an instance of calm. Acoustic guitars come in playing gentle, soft melodies against an airy backdrop and toms and eventually a weird synth which felt a bit out of place. But I love how easy going this intro feels. It almost feels emotions in passing. Great little start

Hannibal’s Crossing comes in like a neanderthal or troll with a club hunting down an enemy. The guitar tones are gritty and the whole low tone of the music gives it this edge, this sinister feel. Imagine riffs that feel meaty, something that you can really sink your teeth into and chew on. This style of heavy metal feels like a reflection of a cave dweller, or something dark that you would not want to cross paths with. In terms of pace the song remains steady throughout keeping everything tight and locked in. It is when the solo hits that the pace drops down to slow swagger helping listeners really get into the riffs. There is am interesting part of the song where the riffs start to break up and bits begin to dissolve where we the bass comes through.

On the Bloodied Fields of Westphalia opens with a flash of drums before dragging us into the riffs. Just like Hannibal’s Crossing everything feels very organic and at the same time slightly eerie. There was a moment where some of the riffs reminded of megadeth’s Five Magics but more earthy which was pretty cool. One vibe I do get from the music is that it feels very casual, a looseness to things and I am not sure if that is a good or bad thing. Almost if you have woken up from sleepless night. The music so far leans into epic/heavy-doom territories giving the music some weight, which to be honest suits the vocal style. Either way the song remains in that mid tempo kind of spot with raw riffs and an authentic feel.

The Curse of Akkad comes in with gliding strings before the rhythms and bass drop in. The music has this hopping feel in terms of the riff delivery adding some character to the music. Sometimes I do get this feeling that things are being pushed or trying to be held together, just down to how loose and relaxed the music is played. I am not sure if that is down to musicianship or the attitude of the members but It feels odd and a bit strange.There just feels like there is a lack of punch and I got this feeling in the last two tracks. The one thing that this song does deliver on is the chorus. The layered vocals and the vocal melody itself sounds very exotic like it is from distant sands. This shows when the creativity spark ignites and shows off what can be achieved.

The Legacy of Malik Ambar starts of with guitar effects before transitioning into the main body of the song. The music itself at times just feels sleepy and mellow in ways yet the rhythms jolt emphasising drum hits. All of this is going on while the bass wonders along in thought projecting its mind out loud. There are some interesting riffs going on but I am waiting for something to jump out and excite me. Maybe I am bias as I am more into faster stuff but even the slow feel of things is not hitting very hard. This is a track of almost 9 minutes and when we approach the second half of the song it feels like it could have been a second song. There is slightly more play in the pacing but the length for me started to burn my interest admittedly. It did pick up towards the end which woke me up slightly but I wished that been more present in the song.

The Dawn Weeps makes me think of of some space bing talking with the subtle strings and organ esque gently playing in the background. The spoken passage definitely captures your attention and is a surprising change in the rhythm of the album. But I am curious how it fits into the whole narrative of the album.

These Crying Seas is the final track on the album and once again takes a mid tempo approach with cascading riffs and rumbling drum ideas. The verses step up with the vocals a little bit as they feel brighter and a bit more creative in direction. In general the music leans on more weighty hungry riffs to drive the song forward. The tempo does pick up and It is a refreshing change in an album which sits predominantly at mid tempo speeds. Either way the riffs still feel dark and creepy which has been the majority of the record. Another solid and straightforward song that takes the album out.

Conclusion

Taken as a whole, the album feels like a band still exploring and developing its sound. There are moments of atmosphere and flashes of creativity, particularly in the choruses and occasional shifts in pacing, but much of the record sits in a mid‑tempo zone that doesn’t always deliver the excitement or punch it seems to reach for. The looseness in performance adds a raw, organic quality, yet at times it drifts into casualness that undercuts the impact. What emerges is a body of work that shows promise and identity in formation, but also leaves the sense that the band’s most compelling statement is still ahead of them.

TheNwothm Score: 7/10

Links

Bandcamp: https://tabernacle-hm.bandcamp.com/album/terror-in-thrace

Facebook: https://www.facebook.com/tabernacle.metal/

Instagram: https://www.instagram.com/tabernaclemetal?utm_source=qr

Label: https://stormspell.bigcartel.com/product/tabernacle-the-iron-tabernacle-cd-preorder

https://www.youtube.com/watch?v=KSKXgXvCp_M

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#doom #epicHeavyMetal #heavyDoom #HeavyMetal #NewAlbum #NWOTHM #Review #stormspellRecords #Tabernacle #TheIronTabernacle

𝗔𝗻𝗰𝗶𝗲𝗻𝘁 𝗛𝗼𝗺𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗔𝗿𝗸 𝗼𝗳 𝘁𝗵𝗲 𝗖𝗼𝘃𝗲𝗻𝗮𝗻𝘁 𝗨𝗻𝗰𝗼𝘃𝗲𝗿𝗲𝗱
Archaeologists at ancient Shiloh have uncovered stone foundations believed to be the biblical Tabernacle that once housed the Ark of the Covenant, with evidence including 100,000 sacrificial bones matching biblical requirements.

#bible #biblicalarchaeology #tabernacle #AncientOrigins #ancienthistory
https://www.ancient-origins.net/news-history-archaeology/tabernacle-shiloh-0022314