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DEFENDERS OF STEEL TICKET GIVEAWAY: AND THE WINNER IS…

We have a winner. Our giveaway for a free Saturday ticket to Defenders of Steel Festival 2026, run in partnership with Defenders of Steel, has now concluded. Cheers to the festival for partnering with us!

Thank you to everyone who entered by answering the question and tagging the pages. The correct answer was Alter Schlachthof in Wels, the venue hosting Saturday’s full heavy metal line-up featuring Demon, The Night Eternal, Mindless Sinner, Wytch Hazel (Set B), Vulture, Eisenhand and Zepter.

Congratulations to our winner: _erdreich_ via Instagram.

They will be joining the crowd on the 9th of May for a packed day of live music. Please drop us an email ([email protected]) with your details and respond by Tuesday the 2nd or will look to choose another winner!

If you did not win sadly, fear not as we have more giveaway opportunities in the pipeline! And if you are a festival that would like to offer a giveaway in partnership with thenwothm.com please contact us via [email protected]

In the meantime please go and support Defenders of Steel by checking them out and of course buying a ticket!

Instagram: https://www.instagram.com/defendersofsteel/

Facebook: https://www.facebook.com/events/2420704948383906/

Website: https://www.defendersofsteel.com/

Tickets: https://kupfticket.com/en/events/defenders-of-steel

Day 2 – Wels: Main Festival Day
May 9 | Alter Schlachthof Wels
Dragonerstraße 22, 4600 Wels
Presale: €56 / Door: €65
Doors: 13:30

#AlterSchlachthofInWels #defendersOfSteelFestival #giveawayWinner #HeavyMetal #NewWaveOfTraditionalHeavyMetal #NWOTHM #supportLiveMusic #thenwothm #thenwothmCom #tickets

LIve Roundup #52

The Nwothm

We are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!

What your gig featured?

If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!

#1 Screamin’ Assault

More info:

#2 CUlloden

More info: https://www.facebook.com/CullodenBand

#3 Riding

More info: https://www.facebook.com/www.ridingbandofficial.com.mx

#4 Savage Master

More info: https://www.facebook.com/savagemasterofficial

#5 Bullet

More info: https://www.facebook.com/events/1544554910168995/

#6 Lich King & Mourn The Light

More info: https://www.facebook.com/MournTheLight

#7 Metalhelp festival

More info: https://www.facebook.com/NightboundOfficial

#8 Mortal Sin

More info: https://www.facebook.com/MortalSinBand

#9 Up The Hammers After Party

More info: https://www.facebook.com/upthehammersfestival

#10 Wanted

More info: https://www.facebook.com/wantedbandofficial

#BulletBand #Culloden #EldVarg #HeavyMetal #LichKing #liveRoundup #MetalHelpFestival #MortalSin #mournTheLight #NewWaveOfTraditionalHeavyMetal #Nightbound #PyreForge #ridingBand #SavageMaster #thenwothm #thenwothmCom #UpTheHammersLegacy #Wanted #WarDogs

Review: Severe OVerbite “Evil Minds”

Release date: 17 April 2026

Label: Independent

3–4 minutes

Gage J. Tolin

Swedish duo Severe Overbite returns stronger and heavier with a four track EP “Evil Minds” set for release April 17 2026. The EP is a major step forward for the band delivering a more mature and powerful sound than the 2024 debut album. The songs show a more mature side of the band with power, heavy riffs and catchy melodies still with the NWOBH influence. The album was filled with songs written in the 80’s and the EP contains an old song as well. The heaviest song , Deep Cut, was first
demoed 40 years ago in February 1986. Lyrically the EP explores war, love from a distance and that you should seize the day.

LINE-UP:
Håkan Mårtensson- Vocals
Jonas Öhlund: Guitar, bass and keyboard

Review

“Evil Minds” featured an incredibly bass forward approach to its production that I deeply appreciated, it gave the track a very satisfying ‘chugging’ quality. The Iron Maiden influence instrumentally speaking was pretty strong, but more geared toward the “Flight of Icarus” side of things. Håkan’s vocals sound both raw and polished at the same time, and there’s a maturity and methodical nature in the way he delivers each lyric. To build on that maturity, the band is an almost entirely two-man project, with the pair handling all mixing, production, and songwriting, themselves. That DIY ethos and no frills sort of stance is what heavy metal is all about.

“Walk Your Own Way” had a nice Sabbath-like bend to kick off before the main riff let loose into a nice groove. While the tempo remains at the same chugging as the prior track, it didn’t feel repetitious in the slightest. Once more, Håkan’s vocals are delivered in a way that is only moderately different from the opener, but just enough to give this one some extra juice. On top of that, I found the self-reflective and empowering nature of the lyrics to be a serious bright spot for the song.

“Deep Cut”, the one the promo lauded as ‘the heaviest’ song opened up with a hell of a riff to back up that claim. Jonas is letting loose some insanely grooving basslines. Vocally, Håkan reminded me a lot of golden age Saxon here, as did this whole song in fact. While in comparison to their other work, the lyrics here can seem a bit barebones (after all they wrote it 40 years ago!), I think that gives the track a sort of retro-adjacent charm.

“Roll With the Punches” had an ever so slightly more upbeat tempo that the rest of EP, but not enough that I could or would call it ‘speedy’. While I did love the overall melody of the chorus, and the delivery therein, I couldn’t help but feel that the song needed an extra bit of something to really polish it off. It’s an earworm of a chorus, and the groove of the song has a nice amount of headbanging quality behind it, but something felt missing here. Not sure what it is though.

Conclusion

Severe Overbite’s latest EP shows that their debut album wasn’t just a flash in the pan, and that the Swedish duo has a bit more left in their tanks. While it doesn’t break new ground or shatter the sky, it isn’t trying to, this is two dudes just playing rock n roll for the sake of rock n roll, and that should always be commended. As a sucker for DIY projects, I say “hats off!” to Severe Overbite for putting out another solid release.

TheNwothm Score: 8/10

Links

Bandcamp: https://severeoverbite.bandcamp.com/

Facebook: https://facebook.com/SevereOverbite

Instagram: https://www.instagram.com/severeoverbite/

Label: Independent

Read More Reviews

#EP #HeavyMetal #IronMaiden #NewAlbum #NewWaveOfTraditionalHeavyMetal #nwobhm #NWOTHM #Review #saxon #SevereOverbite #supportIndependentBands #SwedishHeavyMetal #thenwothm #thenwothmCom #unsignedBand

Nameless Grave Records Unleashes Heavy Metal Shrapnel Single “Heavy Metal Overdose”

Nameless Grave Records confirms the release of the new HEAVY METAL SHRAPNEL single “Heavy Metal Overdose”, a high velocity introduction to the forthcoming album “Heavy Metal Hairspray”, which arrives on 17th of April 2026. The track delivers rapid neoclassical flashes, towering riffs and a fierce rock and roll spirit.

Fronted by Mark Boals and driven by guitarist Andrew Lee, the single gains further intensity through a guest appearance from acclaimed keyboardist Derek Sherinian. With a career that includes Dream Theater, Alice Cooper, Billy Idol and KISS, Sherinian joins Lee in a fast paced exchange that recalls the technical fire of the classic Shrapnel Records era and the precision of groups such as Cacophony and Racer X.

“Heavy Metal Overdose” is available now on all major digital platforms.

https://www.youtube.com/watch?v=uGtnJPVM194

Releasing on 17th of April 2026 through Nameless Grave Records, “Heavy Metal Hairspray” marks the return of HEAVY METAL SHRAPNEL with a nine track collection that pays tribute to the harder edge of 1980s US Power Metal. Lee’s guitar work anchors the record with aggression and clarity, while Boals delivers one of his most forceful vocal performances to date, stepping away from the more melodic direction of his recent output.

The album blends the excess of power metal and touches of glam with the grit associated with Fifth Angel, Jag Panzer and Alcatrazz. Sherinian’s contribution to “Heavy Metal Overdose” adds an extra layer of virtuosity and reinforces the album’s position as a key heavy metal release for 2026.

All physical orders are expected to ship on or around 27th of March 2026.

PREORDER

Recommended for listeners of Alcatrazz, Jag Panzer, Dokken, Yngwie Malmsteen’s “Trilogy” era, Fifth Angel, Racer X and Cacophony.

Band Facebook: https://www.facebook.com/heavymetalshrapnel

Band Instagram: https://www.instagram.com/heavymetalshrapnel

Nameless Grave Records: https://namelessgraverecords.com/

#HeavyMetal #HeavyMetalOverdose #HeavyMetalShrapnel #NamelessGraveRecords #NewAlbum #NewWaveOfTraditionalHeavyMetal #thenwothm #thenwothmCom

Support The Scene: Iron Kobra (Germany)

1–2 minutes

The Nwothm

It is Friday and the weekend is here and it is time for another support the scene post! Coming from Gelsenkirchen, Germany Iron Kobra having been delivering killer heavy metal with that nostalgic twinge since 2008! The band have a stack of releases behind them including Might & Magic and Malicious Magician and also some great merch available right now over on their Bandcamp! So what better way to support the scene by grabbing some or music from the band and supporting the scene directly.

Remember buying physical merch always goes so much further. It puts more money in bands pockets, helping them to do what they do best and that is deliver the metal! So if you love the bands music and can do so, grab some merch and help keep the metal flame burning!

Links

Facebook: https://www.facebook.com/CultOfTheSnake

Bandcamp: https://ironkobra.bandcamp.com/

https://www.youtube.com/watch?v=EE9Ggeo_HiM

Read More Support The Scene Posts

#buyBandMerxh #GermanHeavyMetal #HeavyMetal #IronKobra #ironKobraGermany #NewWaveOfTraditionalHeavyMetal #NWOTHM #supportMusic #supportUnsigned #thenwothm #thenwothmCom

Throw Back Thursday: V8 (Argentina)

1–2 minutes

The Nwothm

https://www.youtube.com/watch?v=_vXQCNFqwu8

V8 were a formative heavy metal band from Buenos Aires, founded in 1979 by bassist Ricardo Iorio and guitarist Ricardo Chofa Moreno after leaving Comunion Humana. They became one of the earliest groups to define Argentina’s heavy metal identity, first exploring themes of violence, rebellion and social unrest before later moving towards Christian ideas.

The classic line‑up took shape with vocalist Alberto Zamarbide, drummer Gustavo Rowek and guitarist Osvaldo Civile. Their debut album “Luchando por el metal” in 1983 and its successor “Un paso más en la batalla” in 1984 established them as central figures in the emerging scene. A failed attempt to relocate to Brazil in 1985 caused internal divisions, leading to the departure of Civile and Rowek and the arrival of new musicians.

Creative tensions continued, particularly during the making of their final studio album “El fin de los inicuos” in 1986, which introduced overt Christian themes. Iorio rejected the new direction and left the group, bringing V8 to an end in 1987. The former members went on to shape Argentine metal through later projects including Hermética, Almafuerte, Horcas and Logos.

A partial reunion in 1996 produced the live album “Homenaje”, followed by a final performance in 1997 supporting Kiss at Estadio River Plate. Although V8 received limited recognition during their active years, their influence has grown considerably and their small catalogue remains a cornerstone of Argentine heavy metal.

Discography

Demo (1982)

Luchando por el metal (1983)

Un paso más en la batalla (1984)

Aleación (1985)

El fin de los inicuos (1986)

Dos estrellas (1989)

No se rindan (1991)

Homenaje (Obras / MCMXCVI) (1996)

Antología V8 (2001)

1982 – 1987 (2016)

Tiempos metálicos (2023)

https://www.youtube.com/watch?v=3fIpynu09_4&list=OLAK5uy_kzRFw2hL_z9KKTBP49ZQmjSN1UodcWTDU

Read More Throw Back Thursday

#HeavyMetal #NWOTHM #thenwothm #thenwothmCom #throwBackThursday #V8Argentina #V8Band

Band Of The Day: Night Savage (Chile)

The Nwothm

https://www.youtube.com/watch?v=EYzz6U4tlZg

Band: Night Savage

Country: Chile

Label: Unsigned/Independent

Members:

Andres Muñoz – Vocals
Mauro Esparza – Guitars
Erick Chávez – Guitars
José Miranda – Bass
Gustavo Navarrete – Drums
Danilo Esparza – Keyboards

Album: Eternal Revenge

Track Info: 1. Eternal Revenge 00:00 2. Falling In To The Night 05:52 3. Phantom Slaver 10:06 4. Por Siempre Más 13:56 5. Ring of Fire 19:01 6. Dynasty 23:31 7. Space Master 27:59 8. King of the Sea 33:15

Credit: Night Savage

Links

Facebook: https://www.facebook.com/profile.php?id=100090481913681

Instagram: https://www.instagram.com/night.savage.band/

#BandOfTheDay #eternalRevenge #HeavyMetal #NewWaveOfTraditionalHeavyMetal #nightSavage #nightSavageChile #thenwothm #thenwothmCom

Interview: Templar (Sweden)

6–9 minutes

The Nwothm

Stockholm’s Templar are one of the newest bands carrying Sweden’s heavy metal legacy forward with conviction. Formed in 2022, they’ve quickly built momentum through their Black Knight demo, the Treacherous Beast EP, and now their 2025 single “Trident” – all leading toward their upcoming full‑length Conquering Swords. With a sound rooted in classic metal, a clear visual identity, and a love for mythic storytelling, Templar are stepping into a defining chapter. We caught up with the band to talk origins, evolution, and what awaits in 2026.

https://www.youtube.com/watch?v=-oKqqmepTPE

Interview

TheNwothm: For anyone discovering Templar for the first time, how would you introduce the band and the spirit behind what you do?

Templar: We play Heavy Metal in the classic style, inspired a lot by the Swedish Heavy Metal scene of the 80s. Our objective has never been to be derivative though, but to create our own style inspired by those bands. But anyone who likes Heavy Load or early Europe will definitely feel right at home with our music.

TheNwothm: Take us back to 2022. What sparked the decision to form Templar, and what convinced each of you that this was the right moment to start something new?

Templar: Until around 2021, I had a band with a bunch of friends from high school. None of the others were quite as motivated to play Heavy Metal as I was, so it never really got anywhere and we eventually disbanded. So I decided to take the best songs from there and start Templar. That’s what became the Black Knight demo. Bringing in Teddy felt like a natural choice since we’d been friends for a long time and he didn’t have a band at the time. Alvin and Adam, who played on the demo, didn’t last very long and left for various reasons. I knew of Isak from before as our old bands had played together, so he felt like a good choice. Plus, he’s an incredible singer, his vocals are what makes the whole Treacherous Beast EP in my opinion. I had jammed a little with Mille in a previous band, so he also felt like a pretty natural choice to bring in.

TheNwothm: You are based in Stockholm, Sweden. What parts of the city feel most connected to the band’s identity?

Templar: We have our rehearsal place in Fridhemsplan, and there’s a bar there called Teodoras which we often gather at and drink beer before and after rehearsal. Funnily enough only one of us actually live in the city, with the rest of us living outside of Stockholm.

TheNwothm: The Swedish heavy metal scene is thriving! Who are you personal favourite bands from the scene and who have you particularly enjoyed sharing a stage with?

Templar:  Century is the best current band in my opinion. They do everything right, their sound and image is just perfect. We’ve also played with them, we opened for them when they did their release show for their latest album. Very nice guys. Other than that Helvetets Port is also a favorite of mine.

TheNwothm: What do you think of the current state of the trad metal movement? And do you think it honours its routes or evolved too much?

Templar: For me Heavy Metal is a timeless genre, and I prefer to just call it Heavy Metal. To me “traditional” or “old-school” Heavy Metal implies that it is imitating something older, and that it is “set” in a certain period of time, if you get what I mean. You wouldn’t call a band playing jazz “old school jazz”, nor an orchestra playing classical music as “old school classical”. With that being said, I think there are a lot of good bands nowadays that play real Heavy Metal, some more “evolved” than others. I don’t think evolving is necessarily a bad thing, it really depends on what you do with it. Hällas is a great example of a band where they honor their roots but still sound very unique.

https://www.youtube.com/watch?v=2oZ_jR2S4ec

TheNwothm: You have a strong brand, with your image, your powerful name and great music. Do you believe it is important to sell yourself especially if you want to get far in music?

Templar: I think having an image draws people in. It is not a coincidence that KISS has become as big as they have, their image is instantly recognizable. It shows the listeners that we are not afraid to take ourselves seriously. We also live in an era where everything is supposed to have ironic undertones, and people seem to be afraid of earnest expression. We want to be something different than that. 

TheNwothm: Your themes revolve around mythology, fantasy and history. Are there particular Swedish myths or historical moments that have found their way into your writing?

Templar: I’ve been wanting to write about Norse mythology for a while but we have not really done it yet. When we’ve referenced mythology in our writing it has been more of Roman and Greek mythology, like with “Trident”.

TheNwothm: Thinking back, your first release was the 2023 demo Black Knight. What do you remember most vividly about creating that first recording?

Templar: What I remember best was the frustrating recording process. It was all done in my friend’s rehearsal space with only three microphones, with a sound card hooked up to a laptop. Definitely no professional work environment, haha.

TheNwothm: “Treacherous Beast” arrived later in 2024 as an EP. What story or atmosphere were you aiming to capture across those songs? And do you feel it was a natural evolution from your demo?

Templar: We changed a lot between the demo and “Treacherous Beast”, to the point where it almost sounds like a completely different band. And it almost is, as we replaced two band members and Teddy switched over to guitar from bass. The song lyrics are very classical fantasy storytelling. 

TheNwothm: “Trident” followed in 2025. What was the creative spark behind that single, and how did it come together in the studio? Is it a taster of your upcoming album or a standalone single?

Templar: “Trident” is going to be on the upcoming album, opening the B-side of the vinyl. The original song is actually from the 80s, as it’s originally by Mille’s dads old band, which was called Trident. They never released anything with that band, so we sort of inherited the song and did our own take on it.

TheNwothm: Your upcoming full length “Conquering Swords” is set for 2026. What can you share about the themes or ideas that shaped this record?

Templar: Like with the songs on “Treacherous Beast”, we like to tell stories with our songs, often very fantasy inspired. Sometimes it’s our own stories and sometimes it’s about a book or a movie. Overall often mystical and heroic themes. “Excalibur” for example is about the Arthurian legend.

TheNwothm: What other details can you share about the album? Will you be taking a new direction or include any surprises for fans?

Templar: Those who like our previous work will surely not be disappointed. It’s in the same vein as the “Treacherous Beast” EP, but more polished and overall better I would say. Harder hitting production.

TheNwothm: I would love to know, If you could place one historical figure, mythological creature or fantasy character in the front row of a Templar gig, who would you choose and why?

Templar: Gandalf, because he can shoot fireworks. It would be cool to have fireworks at a show.

TheNwothm: Looking ahead what do you have planned for shows in 2026?

Templar: We are doing a tour of Germany and Czechia, coming up now in March. Then we are doing a release show in Stockholm, and then we will be playing the festivals Dying Victims Attack and Keep It True.

TheNwothm: What goals do you have for Templar as an independent band moving forward?

Templar: Our current goal is to start working on our next album soon. Hopefully we can get into the studio by this summer.

TheNwothm: How can our readers buy your music and merch?

Templar: Our upcoming record is available for pre-order through jawbreaker.se! We will also be selling shirts, patches and pins there.

TheNwothm: Where can fans follow you online?

Templar: Instagram or Facebook are where we’re active.

TheNwothm: Anything else you would like to mention?

Templar: Thank you for having us!

https://www.youtube.com/watch?v=cA0a8YOvc_I

#BlackKnight #ConqueringSwords #HeavyMetal #NewWaveOfTraditionalHeavyMetal #NWOTHM #SwedishHeavyMetal #templar #thenwothm #thenwothmCom #TreacherousBeast

Review: Cruel Force “Haneda”

Release date: 27 March 2026

Label: Shadow Kingdom Records

7–11 minutes

Gage J. Tolin

SHADOW KINGDOM RECORDS is proud to present CRUEL FORCE’s highly anticipated fourth album, Haneda, on CD, vinyl LP, and cassette tape formats.

Truest of the true, Germany’s CRUEL FORCE burst onto the scene in 2008 with the Into the Crypts… demo. While many have tried to emulate the ancient German (black)thrash sound, CRUEL FORCE brimmed with an authenticity that could not be denied, as well as songwriting that added to that noble tradition rather than lazily picking at its corpse. Their two successive albums, 2010’s The Rise of Satanic Might and 2011’s Under the Sign of the Moon, made CRUEL FORCE a certifiably CULT name in the international metal underground. Sadly, the band fell into a hiatus following that second album, but returned reinvigorated with the comeback 7″ EP Across the Styx in 2022 and, a year later, the glorious full-length Dawn of the Axe at the hands of new label home SHADOW KINGDOM.

Continuing to make up for lost time, CRUEL FORCE storm back with swords gleaming high on their fourth full-length, Haneda. Where a line could be drawn between the band’s “first era” of The Rise of Satanic Might / Under the Sign of the Moon, so continues this Second Era that began with Dawn of the Axe – one that harkens to the “Jurassic period” of heavy metal, when everything was rawer, less polished, and more energetic and powerful. As displayed by that pivotal predecessor, Haneda further proves that CRUEL FORCE are more so an old-style speed metal band, largely bereft of that blackened edge during their First Era. The tradeoff is that there’s a prominent mysticism coursing through that speed, and the blue-collared aspect of Dawn of the Axe is now spit-shined to a lethal slickness that makes Haneda hit that much harder.

However, it must be stressed that, while it follows logically from Dawn of the AxeHaneda is very much its own headspace, its own continuation of a still-vital aesthetic. At times more epic, exuding both more and different atmospheres, CRUEL FORCE here take the listener on a journey from old temples to desert planes, from deep jungles to mountain tops, and other mysterious locales beyond; indeed, the whole record is like a journey through mystical realms. Although no concept album, Haneda is very conceptual in its aesthetics, even down to its production: BIG and natural-toned, from the guitars to especially the drums, everything here is as ’80s and authentic as possible, underlining those days when it was imperative to have a massive-sounding record. 

“To us, it often feels like what Rainbow / Dio would have sounded if they’d played speed metal!” state the band, and with its neoclassical moments plus tasteful references to Eastern European metal, Haneda locates that unique melting-pot of the thrashing rage of classic Kreator, Deathrow, Razor, Piledriver, and Powerlord meeting the grandeur of equally-classic Rainbow, Iron Maiden, and Virgin Steele. Again, this is AUTHENTIC as it gets!

With whips a-swinging, the warlords of CRUEL FORCE wield the Sword of Iron and await the Titan’s awakening. Dare you venture into Haneda and disturb the Savage Gods on the way to the Crystal Skull?

Line-Up
Carnivore- Guitars
Slaughter- Vocals
GG Alex- Drums
Spider- Bass

Review

“The Cross”, our slightly over a minute intro, erupted from the onset with some solidly melodic guitars and an overall rhythm that felt like the build up to something big.

“Whips-A-Swinging” desecrates and defiles the aforementioned melody right out of the gate with thundering double bass, drummer GG Alex is all over the place here (in a good way). The recurrent drumroll is such a nice touch to add another layer to the drumming. Carnivore’s vocals felt a bit more melodic as well, compared to the rest of Cruel Force’s discography and especially their early work. Slaughter and Spider, on guitar and bass respectively, really hold things down with some incredible riffing throughout. Spider, in particular, is ravenous at keeping up a nasty groove. This was an excellent piece of blackened thrash for about the first two or so minutes, and then there’s an insanely funky breakdown that really moved it into the next level.

With a downright malicious riff to start, “Savage Gods” wasted little time in getting to the point. There’s a freneticism here that a lot of modern speed/thrash tends to sorely lack, but Cruel Force has it here in spades. Once again, GG is destroying the drumkit like they owe him money (or blood). While the chorus was a bit hookier than I’d anticipated, it was a total earworm. That first call-out of the track title hits like a bulldozer! For the guitar solo in this one, there was a sense of neo-classical playing (a la Randy Rhoads), adding another layer to this Satanic onslaught. Also mega props for the Big Rock Ending, Rock Band style!

“Sword of Iron” let loose with another dastardly riff and some more incredible drumming (the mixing on the drums is perfection). Notably, there’s less of a black metal influence on this one and more straight up speed/thrash metal. The addition of the background choir at around 1:30 to back-up the outstanding guitar solo was peak stuff, really structured like some old school 80s metal. It actually felt like to belonged and not like a tacked on nostalgia tug, and it really propelled the track up a notch. For the final minute, the choir returns for a second guitar solo before the fadeout. If I had any complains for this one, it’s that it wasn’t long enough, and it was still 4 minutes long.

“Crystal Skull” began with an Indian-style introduction, complete with the perennially underutilized sitar. It was brief but it did a lot to build ambiance for the forthcoming track. Similarly, the tempo of the main riff was so uniquely odd that I found myself enthralled by it. Not even anything unbelievably complex, it was just cool sounding. This was an instrumental track that featured great riff after great riff, along with the incredible drumming that had become commonplace. It’d be nearly impossible for me to pick out a favorite riff or sequence, but the portion near the 3 minute mark where things slow down into something that made me think of deserts (and Ancient Egypt?) was a particular highlight. I normally never know what to say with instrumentals, but this one was absolutely mental.

https://youtu.be/Btshd3iX1yw

At 6 and a half minutes long, “Warlords” was the first of two lengthier tracks and it began with a great headbanger of a riff. Spider’s basslines shine through the darkened haze, with each pluck of the string striking like cannon fire. GG Alex’s incredible drumming persists, in particular with the section at 4:30. As is customary for Cruel Force, littered throughout the track were many more ace quality riffs. I must also commend their keeping of the frenzied nature of much of their riffs, just because the song is a bit slower, doesn’t mean Cruel Force is any less deadly. While it didn’t quite grip me as firmly as the other tracks thus far, this was still an absolute banger, and it’s nice to see Cruel Force slow things a bit and make a more straight-up heavy metal song.

“Black Talon” featured a monumentally gripping main riff that I couldn’t help but headbang along with. Carnivore’s delivery in this one had a particular venom attached to it as well, as if he was cursing the listener. In terms of vibes, this one reminded me a lot of early Slayer (particularly Hell Awaits era, aka best Slayer era). Again though, Cruel Force’s ability to juggle the ferocity of blackened speed metal with a refined sense of melody that is often lost for many black/speed bands is to celebrated. I wish I could say more about this one, but I can’t get that riff out of my head.

With a main riff that felt almost discordant, “Titan’s Awakening” began with a sense of evil and foreboding. The first two minutes or so of this one was already incredible black/speed goodness, but the riff at that 2 minute mark was like the part in Total Recall when that dude’s head blows up (it was cool). But then Cruel Force hits me once again with an insane chugging riff and then a sizzling groove with a bit of guitar solo over it. Yeah, this was insane stuff. The final half of this track is some of the best stuff on the entire album, and maybe even in Cruel Force’s entire discography thus far (that’s a high bar though haha).

Finally we come to “Haneda”, our title track and the longest of the album at a whopping 9 minutes. That fact alone had my interest piqued (I love long thrash songs, what can I say). As you’d expect, there’s a bit of a build up to kick things off with the traditional ‘clap-along-to-the-beat’ drum/bass combo, but this ain’t hard rock, this is f*ckin’ speed metal baby and there’s a sort of thunder behind every crash of the drums before the guitars erupt into a frenzy. The delivery of the chorus is glorious stuff as well, band chant sequences will always get me, and Carnivore even gets an ‘Eugh!’ moment. The midway point of the song brought things back down to Earth (Hell?) with a slower and more melodic bridge section that also saw a return of the drum/bass sequence from the intro. An appropriate final track to be sure, everything that worked throughout the album all came together for a bonafide opus of epic proportions.

Conclusion

Cruel Force returned in 2021 with arguably their best work to date in Dawn of the Axe, but I have to say that I think that title is up for contention with Haneda. While longtime fans might malign the less overt black metal influences in favor of the more speed/power tinged areas, Cruel Force has shown that they’re not just another in the long ass line of Bathory/Venom clones. Instead they’re something unique and while they still proudly wave their love of those early black metal legends, their ability to also dive into the wellspring of their influences and immerse their sound and style into their own identity is something to behold. After all, if every metal genre were a color on a painter’s palette, you’d have to combine them all to get black.

TheNwothm Score: 9/10

Links

Bandcamp: https://cruelforceofficial.bandcamp.com/

Facebook: https://www.facebook.com/cruelforce

Instagram: https://www.instagram.com/cruelforceofficial/

Label: https://www.shadowkingdomrecords.com/

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