I am going to take this as asking about something divisive. How about this: A world where people consider the male contribution to a child insignificant? A character after a weird question by a guy she rides a lot says something to the man similar to, "A few drops in a moment of passion compared to me pregnant much of a year? Keep looking handsome and don't bother your head about such nonsense, or other guys I might like." Men raise their sisters children instead with the aid of their mother's family, but the government does maintain a mandatory genetic registry.

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#WritersCoffeeClub #WCC 2026.05.04 — Is there a scene or a character or even a plot you regret adding to a finished work?

Define finished? When the editor loved it and the publisher bought it, I thought it was finished. Then I had to cut out half the story. That turned out to be 105K from 200K. Do I regret all the effort I put into all those scenes (including all the spicy ones)? You betcha, but the book sold very well, so there ya go.

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#WritersCoffeeClub #WCC 2026.04.27 —Share a possibly unpopular opinion. 👀 (Be kind!)

When I received my first galleys and had a conference with a big publishing house editor—okay, I won't be shy because they were generally excellent: Ballantine Del Rey—I was literally told that commas (and other punctuation) exist to tell the reader where to breathe. They pointed out actual comma faults, but also had me remove a great many others. I could see how a carefully constructed sentence that progressively builds and reveals information could do so without commas and yet not lose meaning nor trip the reader into forgetting a predicate.

Like that one.

In retrospect, since the publishing house made money by reducing the number of pages necessary to tell the story, and by extension every single character could be considered valuable, I think the "style" sacrificed clarity and simple prose. Grammar exists for a reason, and there are plenty of more arbitrary rules than those for commas. That said, I'm not going to make comma usage involved with creating lists seem more important by referring to it by the elite college from which it takes its name. It is not better than any other comma.

My unpopular opinion is that by not using proper comma syntax, whether it is preventing "comma fatigue" (yes, that was the term) or saving characters during typesetting, even if you can intuit the meaning of the sentence, you risk creating ambiguity when the reader craves clarity. Yes, most readers won't notice, but what if you don't notice a mistake when you think out whether to use a comma as you write it? Not to increase your anxiety, but you risk losing a reader or appearing amateurish when you get such simple skills wrong.

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#WritersCoffeeClub #WCC 2026.04.24 —Share a silly mistake you've made while writing.

I think of it as silly, but I am prone to understatement. One of the important factors in how the social structure in the reluctance series works depends on the genetic relatedness between siblings and the relatedness between parent and child.

I got the ratio wrong.

I'm now recasting the logical argument I was using into a common sense argument for how the society works. Doing so makes an important premise open to attack by technological reasoning, but I think it may also create an allegory for how science and tradition clash in our world.

Still silly. I ought have known those ratios, or looked them up much earlier.

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#WritersCoffeeClub #WCC 2026.04.23 —What are some form conventions you disregard?

Remember, I got a C- in high school English. Other than learning manuscript submission format and how typical SF books are formatted,, I probably ignore plenty of form conventions I am not aware of. Anyone want to analyze my writer challenge game posts to clue me in? I'd be much obliged!1

=-=-=-=-=-=
1 Actually, please don't. 😋

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#WritersCoffeeClub #WCC 2026.04.21 —What's a (maybe silly) hill you're willing to defend?

Not silly: Women get to choose, and, no, their self-agency doesn't negate his, but their choice is theirs alone and you can't have it or take it or break it, nor can you logic it or bible it away.

If the question meant writing battles: The Oxford comma. Definitely. I would have included two spaces after a sentence as the current one-space rule makes impossible certain grammatical and attribution constructions following the end quote. But. It's too exhausting to argue it anymore and I have broken myself of the habit.

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#WritersCoffeeClub #WCC 2026.04.19 —How can prose achieve lyricism without verse structure?

Step 1: Allow yourself to become convinced in your soul that prose can be lyrical. Stop denying it without proof. Prose differs from poetry in that metrics are integral to the style, and rhyme, but that's it. Accept it. Prose allows both meter and rhyme, too; Poetry marshals the army of thought through meter to the field with soldiers of rhyme. That's the difference.

Step 2: Find lyrical prose. Enjoy that author not only for the story but the beauty of the telling of the story. Start studying.

Step 3: Read The Elements of Eloquence by Mark Forsythe. The author presents rhetorical style, um… Eloquently? You'll find the book fun! These are your ABCs. Tools in hand, attitude fully adjusted, you too will discover the lyricism, like love, deep within your prosy rosy heart.

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#WritersCoffeeClub #WCC 2026.04.17 —Can plots which hinge on a misunderstanding be done well?

It is a bit flippant to merely say yes. The best answer I have is to say not to cheat the reader, recognizing almost nobody is a perfect communicator and making that point. So long as the reader sees the characters are working at the best of their ability, or they're failing as they'd typically fail, the story can illuminate the human condition.

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#WritersCoffeeClub #WCC 2026.04.16 —Must writing always in complete sentences?

Yes. In grade school. Required for a good grade.

Unusual syntax?

The point of a sentence is to communicate clearly, not to demonstrate how well an author can adhere to the rules. Fragments (naked meaning) and run ons (continuous and continuing thoughts that build forward to a point) are okay—if the meaning is clear. Left out words like the verb "be" in the prompt are questionable, unless in service of a point and clarity. People rarely speak formally, nor do they speak entirely grammatically. It's arguably unnatural to write prose that way. My work is conversational, meant to be read aloud. So. Of course. I think sentence structure in search of meaning in fungible.

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