A local friend of mine has been putting together a huge outline of ideas for a speculative fiction novel that's rooted in the current geopolitical situation, and we were looking for ideas for fleshing out characters. Specifically, one "faction" she came up with was a group of furries living in an underground bunker, orchestrating a revolution via the Internet and similar technology.

Do folks have suggestions on characters or character archetypes for this group? :3

#furry #fiction #novel

Arcr.ru Lien du site Autrice ou auteur Artem Markovsky Description du site c’est de l’art, c’est beau, il faut laisser la souris jouer !

https://vincentbreton.fr/arcr-ru/
#poésie #écriture #fiction #journal #chanson

I lost track of which fucking episode this is... https://thistleandfern.org/p/the-cookie-chronicles-f75d0029d21b3db3?utm_source=mastodon&utm_medium=social&utm_campaign=fedica-Sarah---Thistle-and-Fern

#trans #queer #lgbtqia #fiction #reading #writing #author

Poésie en liberté Lien du site Autrice ou auteur Poésie en liberté Association loi 1901 déclarée Description du site concours, anthologies…

https://vincentbreton.fr/poesie-en-liberte/
#poésie #écriture #fiction #journal #chanson

Getting Acquainted with the Horror Genre

Disclaimer: BEWARE OF SPOILERS.

So I read Stephen King’s Night Shift in March and was left with questions.

Stephen King is the horror author I was hearing about most growing up and walking past in the library because horror was a no-no back then, said to be demonic. So I never thought to read it until I was an adult and gave myself permission to read whatever I want. (There were no African authors I knew of who wrote horror and Black-American authors were not on my radar yet. Libraries, bookstores and street corners where some vendors sell used books were still full of white Western writers even in my African city -this is still the case. And I wasn’t on the Internet.) Even then, only this year did I read a Stephen King.

Night Shift seemed like a good idea because it’s a collection of short stories. It would provide me with a range of angles and styles with which he writes his stories, I reasoned. In terms of his style of writing short stories, I wasn’t disappointed at all. Sometimes people write short story collections like they’re an afterthought. However, I found each story in Night Shift felt full, well thought-out and… complete? Like a whole entire project. Whereas people reserve that energy for novels and novellas, usually.

My questions began as I read on and realised ground zero for the violence in almost every story was the woman. One cannot help but notice these things if you belong to that group of people. There was even a story where a man made a deal with somebody but he was told if he reneged, his wife (and child, if I remember correctly) would be harmed to varying degrees depending on how many times he reneged. And another where a man lost his wife and daughter to vampires but was saved from his own demise by other men. A woman in a factory whose machinery had gone rogue died a gory, brutal death. Etcetera. It was an exhibit of mostly female deaths.

Even when the guy also died at the end, her death was graphic and detailed. It was like the men were making all the decisions and the women -mostly- were facing the consequences. Except in stories where there weren’t really any women in that particular story. I ended up almost preferring those. (The deaths were gentler, weren’t they?)

The women were stereotypical, mostly. But so were the men. Everyone was fitting neatly somewhat into how 1950s white American roles and domestic life have been popularised on screen. And I was not used to reading that kind of literature or those kinds of characters.

As much as I enjoyed his skill in the construction of the stories, I began to struggle as the book went on. Sometimes I’d put it down and ended up taking longer than I thought to finish it. Until… the one story I thoroughly enjoyed: I Know What You Need. That one… The construction, the characters, the underlying meanings, the pacing, the suspense even… I was thinking about it long after I finished the book. So good.

This story was simply a breath of fresh air. The female characters were finally well fleshed out, in my opinion, and they were critical thinkers. One helped the other out. And the leading lady did not die in the end. She was human enough yet she figured stuff out and walked away victorious. I was so happy to read that story because, not only did I get to experience a writing style I was enjoying, I also got to root for the story.

The questions flooded in at that point. Why had he chosen to write the female characters in all the other stories the way he did, then? They ended up sounding somewhat similar. Is that how horror was traditionally written? One distinct, active group of people. Another distinct, tortured, passive group of people. And then I realised maybe there were machinations of the horror genre that I just wasn’t privy to. So I went on YouTube to find an explanation because it really felt like there was inside information I was missing. I was genuinely puzzled. That one story totally transformed how I experienced that book. And I know there are cultural norms that allowed men to think of women a certain way and this shows up in art. But I don’t know. I think I wanted an explanation for the flatness/similarity that occurred before and after that one story.

I found a gem of a video by Sinead Hanna. And immediately, the horror genre was brought to life for me. I also began to identify some more differences between the stories; the point of each story. I think I understand the tropes now and what they’re doing with the women. Which I don’t necessarily agree with but I suppose each genre expresses or worked through discriminatory programming in its own way. From Sinead Hanna’s video, I even found out what on earth ‘the final girl’ is -a term I first met in a title by Grady Hendrix (still to be read) The Final Girl Support Group. It makes sense now who they are and why they’d need a support group! I had no idea that was a whole thing.

Definitely, I’m starting to understand why horror fascinates some people. They’re not just titillated by fear for unknown reasons (my somewhat judgmental take before I started really thinking about the genre)… It’s not even always about fear.

I’ve since made (another) list of horror authors to explore -including authors from all kinds of cultures around the world. Usually, I do this to see how different people interpret different ideas and it’s also a good way to continue to shift my own perspective slowly towards decolonisation. I start with whoever introduced the genre or idea to me and then I go to all kinds of roots of storytelling. It’s working well so far.

It would be good to decide this year horror is the previously unfamiliar genre I’m exploring. Fantasy, next year. Sci-fi, 2028. It turns out it’s not enough to read the books. A bit more research makes things doubly fun. Sometimes a well done video from a member of the fandom is a fantastic way to sink teeth into what makes readers love what they love. It feels like going crazy over a book with a friend. Or slowly coming to a realisation or understanding via someone else’s palpable excitement.

If you love great #fiction and #poetry give @keirax17 a follow her writing is better than mine

#trans #queer #lgbtqia

https://thistlenfern.org/@wendythedruid/116386965430918204

Les voix de la poésie Lien du site https://lesvoixdelapoesie.ca Autrice ou auteur organisme de bienfaisance (Canada) Description du site propose des expériences poétiques variées, en français et en anglais, afin d’inspirer les élèves à lire, à réciter et à écrire de la poésie :

https://vincentbreton.fr/les-voix-de-la-poesie/
#poésie #écriture #fiction #journal #chanson

In a landscape where literature often reflects the intricacies of human experience, “Sylveer” emerges as a powerful narrative that resonates with contemporary readers. This novel delves into profound themes such as love, loss, and identity, offering a mirror to our own lives.

Engaging with “Sylveer” means embarking on a journey through emotional landscapes that capture the essence of modern existence. #Challenges #Fiction

https://diaryok.com/entertainment/sylveer/

"They fed me behind bars from an iron pan till one night I felt that I was Bagheera - the Panther - and no man's plaything, and I broke the silly lock with one blow of my paw and came away."
- Rudyard Kipling, "The Jungle Book"

#BookWormSat #Fiction #Literature #JungleBook #RudyardKipling #Animal #Cat #Panther #NationalPetDay