#WordWeavers 20260403: For which characters do you come up with a backstory?

There's an implication in the wording of having come up with a backstory for various characters before writing.

I've come up with a backstory before writing so rarely, I think I can say I never really do that. As I write a story, backstories suggest themselves by the actions of the characters or reflections of the narrator, who's usually in 1st person. Almost every character has a backstory in my stories, and often some of it gets into the novel.

In one story, the narrator remembers being "used" by gangsters and inducted into the mob, and explains her PTSD, that can be triggered by what to them is analogous of the sounds gunfire, as having lived through a gang war, having lacked the courage to prevent it when she could have. I later wrote a full length novel about that one sentence induction and her PTSD as a prequel to the novel I was writing.

That's how I end up with backstories.

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#PennedPossibilities 975 — SC POV: What did you get into trouble for the most when you were young?

[Here's me taking the sense of "trouble" differently than intended. Sorry! 😋The SC POV is male reporter friend of Bolt's that now uses the name Steamed Milk and Sugar. —RS]

I was always a good kid, in adult terms, growing up, but I did concern my parents that I might be taking a difficult path. I chose the name Peach Blossom Girl at the age of 8, to leave no doubt. I'd realized I was born with the wrong gender a couple years before and acting the tomboy was wearing thin; it wasn't the me inside. I wasn't rowdy, into improving my looks and performance, or wanting to play sports sports sports all the time like the boys. I got along better with the girls, but they were always suspicious of me.

I never hid my biological gender. As I grew into a teenager, many boys accepted me as a funny-looking "girl" they could practice being friendly around. Since I was interested in the wears and scholarly subjects girls were interested in, and never hid anything from any girl or dodged even the most personal questions—even admitting that though I thought of myself as a girl I still was attracted to girls—I got more than tolerated. I got girl friends! My friends enjoyed that with me around, they could get handsy with me and shoo away the more agro boys.

Of course, the nascent agros of both sexes didn't always get the message. Dense as lead, a few were. I think the vice-headmaster Waving Wheat Heads appreciated me identifying future criminals that she could re-educate, despite the bruises and once the broken nose I suffered from erstwhile peers trying to re-educate me.

That is what trouble I got into.

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#PennedPossibilities 974 — Does your MC become jealous? If so, to what degree? How does their jealousy manifest?

Jealousy is something taught in our society.

Read that again.

Nobody ever teaches that jealousy is in any wise good in Bolt's society. It's mentioned as a pathology in Men's Studies, and men taught to recognize that pathology will send people to Health Services if they recognize it.

Bolt has felt envy, when she's seen a woman get a man she was eying.

She's not entirely happy in one scene in Reluctant Courier (for the Mob) when she finds her friend Blue entertaining a pair of women. It's too hard to explain the nuances here, but it's a normal occurrence related to what people in their world call a "man's duty." Calling Blue a part-time geisha hints at the situation, but is not really close. He, however, recognizes that's Bolt has had a bad day (she has them fairly often, working for the mob) and really needs friendly (and also intimate) consoling. She's not up to sharing right then. Blue pawns off the two women on another guy in the association he lives at.

Bolt isn't jealous. That's not the emotion. There is no anger, simply disappointment. Bolt and Blue are completely human, but the society is subtly, but sometimes in your face, alien in ways we can't grasp thanks to our enculturation and gender roles.

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#ScribesAndMakers 2026.03.30 —Do birds ever feature in your work? Give an example #excerpt.

The current title I am writing in the reluctance series features a day angel. She has wings, owl patterned with blue and white feathers, but Bolt would take exception if you called her a bird. For a woman, it's a slur. It's an SF story, so her being able to fly requires more than pure muscle power. She calls it gravitics. This is very 1st draft and it needs work. I still have to check my aeronautical terminology, but let's take flight anyway!

I heard a familiar whistle, not Boss Mead or one of his shadowy bodyguards, either. Never was. Clink. Jangle. I glanced at the pavement. Three silver coins spun where the cement met the dirty formerly absolute white wall.

I grinned. I flicked my left wing up with a waveguide twist. Immediate anti-gravitic thrust let me throw my feet upward and my torso ahead, cartwheeling with six limbs in a way a saint with all her strength and a piddling four limbs could never do, or most non-athletic feathers. I snatched the coins as I spun past. The bonus conserved momentum let me launch myself forward. Flapping for all I had to level out, I rocketed along the centerline of the road until I could bank west, sideways, into a slot alley. Wingtipping the walls with my crazy velocity—my feathers made a zzzzz sound—tilted diagonally, left primaries warped to the left wall, the rights toward the right, I sent uncompensated gravity torque pushing against those walls. Raw thrust kept me from dropping more than a handswidth per heartbeat to the cobblestones, still frighteningly quickly toward my left wing tip as I accelerated toward an almost to distant exit. Leaves, dirt, and cans shot away in spirals or as if kicked, banging walls or jumping a couple stories upwards.

A lost memory now found surfaced from when I was twelve: I remembered side-flying that got me suspended, trying to embarrass a girl classmate—Sage Peaches was it?—who'd bullied me before I fledged. Had the boy blocking the alley between buildings not dove to the pavement, nothing but feathers would have remained when we would have collided, but flap that was fun! I remembered screaming in glee as I buzz cut the vice headmaster's hair, unaware of my impending disaster.

I stormed over a parked wagon; a load of recycled newspapers snapped and roared as they got sucked aloft behind me. The alley opened up to a dome, across a city street, with light traffic but thankfully no busses or lorries, that often had an upsweep thermal. It did today. I rolled in the turbulence greeting me, back-flapped and pulled up against all the gees I could stand and shot up like a firework easily twenty stories, flapping for all I was worth, barely clearing the curving away wall, squealing in glee until I shed my momentum and leveled off without stalling.

I might be approaching 30, but flying risky maneuvers were the water of life, and my racing heart agreed. Skill or chance, skill prevailed for me. These days, little else fun was guaranteed me but flight. It didn't hurt as I kept my muscles tuned at Sky Dancer's Gym. I banked toward the Residency. A 10º horizon trim set my glide path, feathers buzzing nicely as my racing heart slowed. The News Building tower to its southeast hove into view above the skyscrapers and rooftop trees between.

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#PennedPossibilities 971 — Where does your SC feel the safest? Is there a particular person or object that helps them feel safe?

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I am going to turn this question around slightly as really it brings to mind one supporting character, Molt. He's a day angel who came to Home City to attend HUHC (Home University at Home City) for a degree in Men's Studies. (Nope, not explaining other to say it would be NSFW.) His first apartment living away from home turns out to be down the hall from Bolt, the main character, who is a courier for the mob. The minimalist aerie setup means they share many facilities, almost like a boarding house. They see each other every day. As events unfold and Bolt is allowed to have a camera, one of her coworkers decides to spy on her. He threatens Molt to do so. Very scary. Lots happen and Molt and Bolt have fun, until the thug, being the punk he is, roughs up Molt incidentally breaking a bone.

Where does Molt feel safe?

He returns home, leaving Home City and a full scholarship behind.

Bolt is livid. She wants to murder her coworker after that.

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#WordWeavers 2026.03.29 —How big is your cast of characters?

Thanks, I needed to capture this.

So… Let's count. In Reluctant Courier (for the Mob), the following people have storylines. There are plenty bit parts I'm not listing.

  • Lightning Bolt (Bolt) aka Good Eye the avant-garde street photographer, a day angel woman, the protagonist narrator whose day job is a mob courier.
  • Steamed Milk and Sugar (Shugh), a saintly male reporter who presents as feminine but is certainly male, which confuses Bolt no end.
  • Arrow Flies True (Blue), a male day angel praetorian friend of Bolt with whom she flies tandem.
  • Light Insight, a daemonic woman who's a demon in a newspaper darkroom.
  • Night on Fire, a night angel magazine editor, sister to Light Insight and Shugh's roommate.
  • Pigeon the Pilferer, male day angel gangster punk coworker of Bolt. Gay, but reformed slightly by events in the novel which allow him to be romanced by his high school crush (a male school nurse). Antagonist.
  • Molt. It's a nickname as he has not yet given is actual name. He's a molting male day angel university student Bolt has fun with.
  • Rainy Days, chimeric Director of Home and the Nine Outer Worlds, a thaumaturge who's older than history, salt, or dirt (whichever you prefer). She looks 24 and always will. Antagonist.
  • The devil girl (Teri, short for Night Terror), a daemonic autist, mob enforcer, thaumaturge, and in this story a high school student who's way more than she seems.
  • Boss Mead, daemonic mob boss. Antagonist.
  • Horizon Blaze, daemonic high school bully, adopted daughter of Rainy Days, a thaumaturge of the caliber of the devil-girl.
  • Quince Jam (Quincy), a mysterious daemonic young man who seems to know the devil-girl and who likes to play with fire.
  • Peppermint Magnifying Glass, a male daemonic IBI agent (Interstellar Bureau of Investigation) that looks like he will stop at nothing to bring the devil-girl to justice. Hasn't shown up in the story yet, so he may be a background character until the sequel.
  • 12?

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    #ScribesAndMakers 2026.03.29 —Griddle?

    All cultures that cook something we might call a griddle, even if it is only a grill made of sticks. In my stories, day angel cuisine borrows heavily from Japanese teppanyaki and ramen culture, focused on seafood, related broths, and noodles. Yep. Those chefs under the rooftop red tents from which the delicious smoke is rising are cooking on a griddle.

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    #PennedPossibilities 970 — MC POV: Have you ever experienced something that couldn’t be logically explained?

    [Bolt:] Look. I was never good at school, except in athletics. It never made sense to me, all them girls and guys studying boring things and liking it. Now adays, I can't get my head around the logic of working in an office, doing all them repetitive things over and over and over again. Not being able to move around all day long? Ugh! Don't see the logic in that. I can't figure out how I'd ever let myself do that, no matter the coin it generated. Were I not a courier for the mob, I suppose being a courier might have been what I settled on. Or a furniture mover, if I could get that. Construction, maybe? Gotta be in motion!

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    This passage is near the end of the chapter I am currently writing. Bolt narrates. She's a flighty day angel. You tell me, is she excited?

    Gloss: Tarantino teaches us that nothing equalizes people or is as relatable as sharing a meal… Teri is the name the devil-girl is using at this point in the story. It is short for Night Terror. She can perform what to us looks like magic. The passage is a barely revised first draft.

    My worries fluttered away like a moth to a street lamp when the server delivered a golden custard dessert, a mound on a plate sealed under a burnt-brown crazed caramel-glass shell, in a moat of purple-brown, fragrant with cooked sugar and orange-berry liqueur.

    "What's this?" I asked.

    Her spoon floated over and tapped. Shards of glass sugar popped into a rubble skirt revealing the yellow hill, flecked with red, green, and brown herbs, which when I sniffed caressed my nose with hints of anise, mint, cinnamon, and… that tingle? Cayenne?

    Teri replied, "We danced, so now you've had dinner and here's dessert."

    "Sweet," I said, before thrusting my spoon in. Reflexively.

    Dancing, dinner, and dessert? Men propositioned by a woman who was too lazy to have a plan suggested that.

    Teri is not a guy, I reminded myself, then, a spoonful of—

    Oh. My. Stars! Creamy, spicy, sugary bliss. I hugged myself, wings and arms, brushing the napkin off my lap and nearly dropping the spoon. Sweet was something I rarely had, but need it, want it, must have it instantly commandeered my brain, annihilating all resistance, maybe more so than my excuses to allow myself to be ridden by Teri had. I scooped glistening perfection. I sighed enjoying each spoonful. I won't admit to an occasional moan. I barely paused to wipe my chin.

    "You happy now?" Teri asked as I crunched on the faintly carob flavored sugar shards.

    "Ecstatic!"

    Not exactly When Harry Meet Sally

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    #WordWeavers 2026.03.27 —Which character would be the most fun to be around?

    If you are male, day angel Bolt (the MC) is your ticket. She's athletic and experienced, and not intellectually challenging though rather perceptive. Generally, however, and assuming you are neither stupid nor malicious, the SC devil-girl is a lot of fun with a depth knowledge that's rather surprising, so long as you're not a history buff as that stuff bores her. She loves books, and discussing them. She likes to perform her miracles for an audience. She's athletic and looking for someone to spar with, and will train you if you like. If you can teach her something, anything, she'll be your friend for life. Sex, however, is not her thing. She uses it only as a tool.

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