#Bales2023FilmChallenge July 5: filmed in #Venezuela on #VenezuelaIndependenceDay
Cinematic poem Araya (1959) by Margot Benacerraf and Giuseppe Nisoli
#MargotBenacerraf #GiuseppeNisoli #documentary #poetry #film #cinema #FilMastodon #CineMastodon @film
#Bales2023FilmChallenge July 5: filmed in #Venezuela on #VenezuelaIndependenceDay
Cinematic poem Araya (1959) by Margot Benacerraf and Giuseppe Nisoli
#MargotBenacerraf #GiuseppeNisoli #documentary #poetry #film #cinema #FilMastodon #CineMastodon @film
#Bales2023FilmChallenge July 6: someone named Daniel for #NationalDanielDay
Daniel explores his homosexuality in #WestBerlin. Initially he opts for an almost heterosexual affair. He then probes further, swings by #Berlin's public toilets and pools. Only when he encounters a leftist, gay #commune he finds that pride, not conformity, is his way to living his life. Von Praunheim's Nicht der Homosexuelle ist pervers… > https://write.underworld.fr/settima/nicht-der-homosexuelle-ist-pervers-sondern-die-situation-in-der-er-lebt-1971
A gay couple kissing on the street in front of a black-tiled Berlin bar. A third gay man nearby looks away. #Bales2023FilmChallenge July 6: someone named #Daniel for #NationalDanielDay Daniel (Bernd Feuerhelm) is a young man exploring his homosexuality in #WestBerlin. Initially he opts for a spießbürgerlich, petit-bourgeois, alm...
#Bales2023FilmChallenge July 7: forgiveness for #GlobalForgivenessDay
Forgiveness as a tool of power, a method of control. #VilgotSjöman's 491 (1964) is an extremely, bleak, aggressive, and hopeless depiction of youth in postwar Sweden.
e of the boys carving a simple arithmetical calculation into a desk during the Reverend's lecture about forgiveness. #Bales2023FilmChallenge July 7: forgiveness for #GlobalForgivenessDay Early 60s, Sweden. A social experiment. Six hopelessly criminal juveniles are packed in a guesthouse – cynically named Objectivity –...
Note: this is *not* a mid-60s promotional picture for Trainspotting.
#Bales2023FilmChallenge July 8: skinny dipping on #InternationalSkinnyDipDay Eva (#HedyLamarr) hangs her clothes over her horse's back, then – cut through a wonderfully voyeuristic moment – goes swimming in a lake. The foal, still carrying Eva's outfit, wanders off to find a stallion.
#GustavMachatý Ekstase [Ecstasy] (1933) is full of not so subtle but beautifully framed innuendo. ☞ https://write.underworld.fr/settima/ekstase-1933
- Good night, Gentle Jesus. Sleep well.
#Bales2023FilmChallenge July 9: a barn for #BarnDay
In the barn of a remote Lancashire farmhouse, three children stumble upon a stranger. Confused, they conclude that the fellow must be the Second Coming of Christ. In the world of the adults, a man is wanted by the police.
Whistle Down the Wind (1961) ☞ https://write.underworld.fr/settima/whistle-down-the-wind-1961
#Bales2023FilmChallenge July 10: filmed in the #Bahamas for #BahamasIndependenceDay
#MickyDolenz's encounter with a siren while the #PorpoiseSong plays during the opening scene of #BobRafelson's Head (1968).
More about this on a non-Monday of sleep and functioning Wi-Fi.
#TheMonkees #mermaids #drugs #psychedelic #film #cinema #FilMastodon #CineMastodon @film
#Bales2023FilmChallenge July 13: a movie that is an oxymoron on #OxymoronDay
Submerged in #DerekJarman's Blue (1993), seeing through what was left of his eyes, we live through the artist's life, and love, and loss. When you leave the theatre, you're temporarily blinded by the physiological afterimage of a devastating disease. What remains is the voice of a filmmaker who lost his sight ☞ https://write.underworld.fr/settima/blue-1993
#LGBT #AIDS #art #film #cinema #FilMastodon #CineMastodon @film
A recommended read on Sabzian: O Blue come in https://www.sabzian.be/article/o-blue-come-in
#DerekJarman #LGBT #AIDS #art #film #cinema #FilMastodon #CineMastodon @film @altfilmguide
In an interview with Jeremy Isaacs in 1993, Derek Jarman, wittingly nearing the end of his chromatic life, claimed that when he would be gone he’d like to evaporate and take his works with him: “to disappear completely.” During that interview Jarman describes his then soon to be final feature film Blue (1993) as a dedication to Yves Klein and a self-portrait of sorts. The film would be void of image and would draw its animation from a monologue performed by himself and others (Nigel Terry, John Quentin, and Tilda Swinton) on his life living with illness; and the screen would be illuminated as a rich and vibrating blue colour field – a proposal to which Isaacs cried out, “What on earth do you mean, ‘a blank blue film’?”
HANDS UP
PUT YOUR HANDS UP
GIMME MORE
GIMME GIMME MORE BETTER GIMME MORE
#Bales2023FilmChallenge May 8: victory achieved on #VEDay
A constantly changing team of athletes coached by artist Ashley Bickerton play a baffling hybrid of craps, dodge ball, and roulette while arcade game noises and Brooke Halpin's catchy chants accompany the players. This is Ericka Beckman's You the Better (1983) ☞ https://write.underworld.fr/settima/you-the-better-1983
#Bales2023FilmChallenge June 22: a movie that gives off positive vibes for #PositiveMediaDay
The groove is driving and the characters jammin' in J. Terrance Mitchell's Get Rollin' (1980). We follow entrepreneur Vinzerrelli who aims to become “the Muhammad Ali of #RollerBoogie” and to enter the Guinness Book of World Records as the first roller skater to make $1M, with in his tow, smooth-as-silk Pat the Cat ☞ https://write.underworld.fr/settima/get-rollin-1980
#Bales2023FilmChallenge July 14: a pandemonium on #PandemoniumDay
Dan Duyu's 盘丝洞 [The Cave of the Silken Web] (1927) is a fantastic silent interpretation of Wu Cheng'en's 西遊記 [Journey to the West]. In a vigorous display of #wuxia, #horror, monkey shenanigans, and – during the pandemonium unfolding in the final act – a small glimpse into the vast pantheon of Chinese gods and demons. ☞ https://write.underworld.fr/settima/pan-si-dong-1927 (link to the #film in the post)
Alright, final one of today, a little write-up follows when it's not a gazillion degrees 🥵 Oh the irony, because…
#Bales2023FilmChallenge July 15: arctic sea ice on #ArcticSeaIceDay
Ignacio Agüero's dreamy pseudo #documentary Sueños de hielo [Dreams of Ice] (1994)
#IgnacioAgüero #film #cinema #FilMastodon #CineMastodon @film @art_film #GlobalWarming
> 𝛼-60: Do you know what illuminates the night?
> Lemmy Caution: #Poetry.
#Bales2023FilmChallenge July 16: #AI on #ArtificialIntelligenceAppreciationDay
#Godard's #Alphaville (1965) bears similarities with #Cocteau's Orphée (1950), transported to a mirror world of sorts. It also foreshadows not only our time, but also M Hulot's, whose #Tativille could be a simulacra of 𝛼-60's simulated, dehumanised world ☞ https://write.underworld.fr/settima/alphaville-une-etrange-aventure-de-lemmy-caution-1965
Natacha von Braun (Anna Karina) and Lemmy Caution (Eddie Constantine). Lights reflected in the windowpane that shields the two characters suggest “the existence of an obscure reality” (after Baudrillard↗). #Bales2023FilmChallenge July 16: Artificial Intelligence on #Ar...
#BalesBonus: for #ArtificialIntelligenceAppreciationDay, watch Stuart Hamisch's terrifying #StudentFilm Have I Told You Lately That I Love You? (1958) https://archive.org/details/HaveITol1958
Imaginative film showing how automatic gadgets in homes and workplaces alienate people from one another.
#Bales2023FilmChallenge July 17: someone gets a tattoo on #NationalTattooDay
Otsuya's (Ayako Wakao) is forced into prostitution and marked with a large spider tattoo. As the figure slowly takes shape under horishi Seikichi's skilled hands, Otsuya too transforms. ☞ https://write.underworld.fr/settima/ci-qing-1966
#YasuzôMasumura's 刺青 [#Irezumi / Tattoo] (1966), based on the novel by #JunichirôTanizaki.
#tattoos #film #cinema #FilMastodon #CineMastodon @film @art_film
#Bales2023FilmChallenge July 18: caviar for #NationalCaviarDay
Cabiria (#GiuliettaMasina), a prostitute looking for happiness, meets famous movie star Alberto Lazzari (handsomely moustachioed Amedeo Nazzari). In his plush mansion, he treats her to an opulent – if not bewildering to Cabiria – meal of lobster and caviar.
#Fellini's Le notti di Cabiria (1957) is a love letter to hope, life, Rome, and of course his Giulietta ☞ https://write.underworld.fr/settima/le-notti-di-cabiria-1957
#Bales2023FilmChallenge July 19: a Barbara for #NationalBarbaraDay
Barbara wakes up to a fireman entering her bedroom window. Her father reassures her there's nothing. Years later she sparks a scheme that forces the fire brigade to come to their house and climb through her window once again.
#AdolfoArrieta's Flammes (1978) has a strange, stilted quality with characters detached from yet devoted to their raison d'être ☞ https://write.underworld.fr/settima/flammes-1978
#Bales2023FilmChallenge July 20: space exploration on #SpaceExplorationDay
Both #AntiCapitalist and pre-Stanley space odyssey; it's Jindřich Polák's Ikarie XB 1 [Icarus XB 1] (1963). Based on #StanislawLem's The Magellanic Cloud (1955).
#JindřichPolák #SciFi #film #cinema #FilMastodon #CineMastodon @film @art_film
#Bales2023FilmChallenge July 21: a fake ID to buy alcohol on #LegalDrinkingAgeDay
Henry Levin's Where the Boys Are (1960) is chock-full of characters whose names appear to be straight space-travel-lifted from various John Waters' movies: Tuggle Carpenter! TV Thompson! Lola Fandango! Dr. Raunch for Chrissakes! It's all pretty clean, but without these girls there wouldn't be any Dawn Davenport. And that would've ruined anyone's Christmas.
Updated with much better screenshots. The linked blogpost has a tad more information too.
Attached: 2 images #Bales2023FilmChallenge July 17: someone gets a tattoo on #NationalTattooDay Otsuya's (Ayako Wakao) is forced into prostitution and marked with a large spider tattoo. As the figure slowly takes shape under horishi Seikichi's skilled hands, Otsuya too transforms. ☞ https://write.underworld.fr/settima/ci-qing-1966 #YasuzôMasumura's 刺青 [#Irezumi / Tattoo] (1966), based on the novel by #JunichirôTanizaki. #tattoos #film #cinema #FilMastodon #CineMastodon @film@a.gup.pe @art_film@a.gup.pe
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