I've recently finished Gabriele Tergit's 1931 "Käsebier Takes Berlin" (Käsebier erobert den Kurfürstendamm) in Sophie Duvernoy's translation.
I've got mixed feelings about the novel.
On the one hand, the organization of the narrative struck me as clumsy both on a large scale and in certain details. Overall, the journalistic satire that dominates the first half does not fit well with the property speculation plot salient in the second half. At times, the abundance of characters combines with some minimal attribution of dialogue to make parts of the novel difficult to follow. I can imagine impatient readers throwing the book aside.
Yet one should resist that impatient impulse, since the novel will reward the reader who perseveres. Anybody interested in Weimar Germany in general and Berlin in particular will profit from a reading. The flip side of the abundance of characters is Tergit's multiple snapshots of the cityscapes, media, interiors, outfits, and consumer goods as the 30s begin in Berlin. This aspect of the novel invites a contrast and compare exercise with "Berlin Alexanderplatz".
Tergit's background as a journalist helped her in both in the satire of the press and also in her acute observation of social climbing and pretension. This perspicacity coupled with her talent as a maker of fiction to create the loathsome Willi Frächter. This character will not only stick in the memory but, sadly, also be all too recognizable to observers of contemporary culture.
Readers today will inevitably have the coming of Hitler in mind as the novel unfolds. Of course, the journalists' mocking use of "Heil und Sieg und fette Beute", translated as "Heil and Sieg and catch a fat one", is now tinged with an irony that Tergit could not have grasped at the time of publication, although only two years later she fled Germany after a narrow escape from the thugs of the SA.
Today, we might do well to consider the parallels between the media of our own day and Frächter's gleeful transformation of the "Berliner Rundschau":
>> What you call dumbing down, Mr. Miermann, I call blooming. <<
I'm going to give Tergit's 1951 family saga "The Effingers" a try. The idea of a "Jewish 'Buddenbrooks' " I find hard to resist. I'm not expecting her to be another Thomas Mann, but it's not unreasonable to hope that her novelist's technique had developed in the two decades following "Käsebier Takes Berlin".
#Books #Bookstodon #GabrieleTergit #KäsebierTakesBerlin #KäsebierErobertDenKurfürstendamm
#Fiction #Novel #GermanLiterature #Berlin #20thCenturyLiterature #1930sLiterature #WeimarRepublic #Newspapers #Press #Media #Journalism
https://www.nyrb.com/products/kasebier-takes-berlin
Jonathan Emmesedi
thkampen
Roger Gathmann
dadasophin
cohen+dobernigg BUCHHANDEL
Michael Hein