Worauf wir zeigen können, ist begrenzt, es lässt sich betrachten wie Brennholz — das Feuer glimmt weiter, wir wissen nicht, wann es aufhört.
#Zhuangzi (ca. 365-290 vdZ.), »Das Buch der daoistischen Weisheit« (»Das wahre Buch vom südlichen Blütenland«), 3:6; Deutsch von Viktor Kalinke, @reclamverlag.

My dad just published a book!

📕 Zhuangzi Notes and Reflections (2026) https://works.hcommons.org/records/89045-bcp64

“What I have written here is an English-language commentary on the classic Chinese Daoist text, the Zhuangzi. The book is named after the late fourth-century BCE philosopher Zhuang Zhou. I have posted it on an open access platform called Knowledge Commons. The link is to a free download”

#Daoist #Daoism #Taoism #ChinesePhilosophy #ChineseLiterature #Zhuangzi #ZhuangZhou #philosophy #KnowledgeCommons #FreeBook #eBook #CreativeCommons

Today's new #HoPWaG episode: an interview with Hans-Georg Moeller on humor and amoral ethics in a Daoist classic, the Zhuangzi - and its relation to Confucianism and Legalism. www.historyofphilosophy.net/zhuangzi-moe... #philsky #philosophy #zhuangzi #daoism #podcast
It's #HoPWaG time again! Today we look at the theme of "wandering" in the Zhuangzi, comparing this to Thomas Nagel's idea of "philosophical absurdity." www.historyofphilosophy.net/zhuangzi-wan... #philsky #philosophy #podcasts #daoism #zhuangzi
www.historyofphilosophy.net/zhuangzi-death Time for a new #HoPWaG episode! Today we tackle the many passages in the Daoist classic, the Zhuangzi, that deal with death - including the famous "dreaming you are a butterfly" passage. #daoism #zhuangzi #philsky #philosophy #podcasts

"Great knowledge is universal. Small knowledge is limited. Great words are inspiring. Small words are chatter."

~ Zhuangzi

#quote #quoteoftheday #Zhuangzi #knowledge #inspiration #words

Finished reading this on the train today, and it's a fun and interesting book. I have a soft spot for Zhuangzi's happy fish, and so this was up my street. It's also open access, putting the "free" into "free and easy wandering" (逍遙遊)

#philosophy #zhuangzi

https://www.degruyterbrill.com/document/doi/10.1515/9783111568171/html

The Joy of Chinese Philosophy

This book introduces some central ideas and themes in ancient Chinese philosophy through a detailed analysis of one famous passage – the happy fish dialogue – in the Zhuangzi , one of the two founding texts of Daoism. The Zhuangzi is the most exhilarating and intellectually challenging of all the texts of ancient Chinese literature, and appreciating its spirit is as important as understanding its ideas. Methodologically, this book shows how we can approach Chinese philosophy analytically, an approach that is needed if Chinese philosophy is to be recognized in Western (analytic) philosophy today. At the same time, it seeks to broaden our conceptions and practices of analysis and our methods and styles of philosophizing in learning from Chinese philosophy. Throughout the book the emphasis is on engaging the reader in thinking through the issues for themselves.

De Gruyter Brill
Today on #HoPWaG, we look at the variety of presentations (and names) of Confucius in the "Zhuangzi." What do these portrayal's tell us about Daoist attitudes towards Confucianism? www.historyofphilosophy.net/zhuangzi-con... #podcast #philosophy #philsky #confucisus #daoism #zhuangzi
Coming up on Sunday on #HoPWaG, we have a look at the various mentions of Confucius/Kongzi in the Zhuangzi. Did Daoists think this great sage was all that great? #podcast #philosophy #daoism #zhuangzi

Taoist Canon

This is also known as Daozang. It’s the largest canon of Taoist writings. It’s 1 of the most massive & complex religious compilations in human history. It has roughly 1,500 texts. It was first embodied by the Daodejing, Zhuangzi, & Liezi.

The canon was assembled by monds circa 400 CE in an attempt to bring together these disparate yet consonant teachings. This anthology consisted of 3 divisions (grottoes) based on what was seen at that time in Southern China as Taoism’s primary focus: meditation, ritual, & exorcism. These grottoes were ranked by skill level (exorcism is the lowest, meditation the highest) & used for the initiation of Taoist masters.

In addition to the 3 Grottoes, there were the “Four Supplements” that were added to the canon circa 500 CE. 3 were primarily sourced from the older core texts, with the other from a separate, established philosophical tradition known as Tianshi Dao.

Originally the Three Caverns & Four Supplements represented 3 distinct lineages of Daoism that emerged in Southern China.

The Three Caverns:

The Cavern of Authenticity (Dongzhen):

Contains texts of the Shangqing (Supreme Purity) tradition. This was considered the highest level of initiation, focusing on internal visualization, meditation, & “celestial travel.” (Think astral projection.)

The Cavern of Mystery (Dongxuan):

Contains texts of the Lingbao (Sacred Treasure) tradition. This tradition focused on communal rituals, liturgy, & the salvation of the dead.

The Cavern of Divinity (Dongshen):

Contains texts of the Sanhuang (Three Sovereigns) tradition. This was the lowest level, focusing on practical exorcisms, talismans, & warding off spirits.

Each of the 3 Grottoes contains the following 12 chapters:

  • Main texts (Benwen)
  • Talismans (Yujue)
  • Diagrams & illustrations (Lingtu)
  • Histories & genealogies (Pulu)
  • Precepts (Jielu)
  • Ceremonies (Weiyi)
  • Rituals (Fangfa)
  • Practices (Zhongshu)
  • Biographies (Jizhuan)
  • Hymns (Zansong)
  • Memorials (Biaozou)

The Four Supplements:

As newer movements & the original “classical” texts needed to be integrated, 4 supplementary sections were added.

Great Mystery (Taixuan):

Centered on the Daodejing.

Great Peace (Taiping):

Based on the Taiping Jing (Scripture of Great Peace).

Great Purity (Taiqing):

Focused on Waidan (External Alchemy), such as the creation of elixirs.

Orthodox One (Zhengyi):

Dedicated to the Celestial Masters, the oldest organized Daoist movement.

As with most religious texts, the history of the Daozang is a story of imperial patronage & periodic destruction.

The 1st Catalog (471 CE): The scholar Lu Xiujing compiled the 1st comprehensive catalog of Daoist scriptures. He was the 1st to formalize the “Three Caverns” structure, effectively creating a unified Daoist identity to compete with the rising influence of Buddhism.

The Tang “Golden Age” (748 CE): Emperor Xuanzong (who claimed to be a descendant of Laozi) ordered the 1st official “Canon of the Kaiyuan Era.” Copies were distributed to state-sponsored abbeys across China.

The Song & the 1st Painting (1111-1118 CE): Under Emperor Huizong (a “Daoist Emperor”), the canon was 1st carved into woodblocks for painting. This allowed for wider distribution but also made it a target during wars.

The Mongol Destruction: During the Yuan Dynasty, the Mongol rulers favored Buddhism. After a series of debates between Daoists & Buddhists, the Mongols ordered the burning of the Daoist Canon in 1281. Only the Daodejing was officially spared.

The Ming Canon (1445 CE): The version we use today is the Zhengtong Daozang, compiled during the Ming Dynasty. It survived because it was safely housed in the White Cloud Temple (Baiyun Guan) in Beijing. While other copies were destroyed during the 1900 Boxer Rebellion & subsequent wars.

The Daozang is essentially an “encyclopedia of Chinese culture.” Because Daoism was so deeply integrated into every level of society, the canon records nowhere else:

  • Science: It contains the world’s oldest descriptions of chemical reactions & metallurgical techniques (from alchemy).
  • Medicine: Many texts describe the “inner landscape” of the body, which forms the basis for Traditional Chinese Medicine (TDM) & Qigong.
  • Sociology: It documents the life of the common people (their fears of demons, their village rituals, & their hopes for immortality), which were often ignored by official Confucian court histories.

If you’re interested in looking at the texts yourself, the Zhonghua Daozang (2003) is a modern, punctuated edition that’s MUCH easier to read than the original Ming woodblock prints. Many of these are now being digitized by projects at the Chinese University of Hong Kong & several American research libraries.

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