#Revolve 入れてみた
一点だけ要望するならば、タップしただけでファボってしまうのだけオフにできれば良いなと
MOE ZINEhttps://www.moezine.com/2205834/ Fwrd、ロージー・ハンティントン＝ホワイトリーをファッションディレクターに起用 – FashionNetwork 日本 掲載日 2025年12月9日 グローバルなラグジュアリーファッションリテーラーであるFwrdは、Revolve Group傘下で市場シェアを拡大し続ける中、ロージー・ハンティントン＝ホワイトリーをファッションディレクター #fashion #fashionnetwork、ファッション #revolve #RobertoCavalli #アパレル #ショー #テキスタイル #トレンド #ニュース #ビジネス #ファッション #フランス #ブランド #マーケット #ランウェイ #化粧品 #小売 #業界 #海外 #繊維
The Hollywood ReporterLos Angeles Lakers Land Revolve Sponsorship Deal
#Lifestyle #LifestyleNews #LosAngelesLakers #Revolve
Walk Newshttps://www.walknews.com/910806/ リボルブ、苦境にあるオーストラリアの高級ブランド「ディオン・リー」を買収 – FashionNetwork 日本 #Australia #Clot #DionLee #fashionnetwork、ファッション #Revolve #アパレル #オーストラリア #ショー #テキスタイル #トレンド #ニュース #ビジネス #フランス #ブランド #マーケット #ランウェイ #化粧品 #小売 #業界 #海外 #繊維
リボルブ、苦境にあるオーストラリアの高級ブランド「ディオン・リー」を買収 – FashionNetwork 日本
掲載日 2025年5月23日 米国のeコマース・ファッション大手リボルブ・グループが、ディオン・リーの知的財産関連資産を買収したと報じられています。コレクションを見るDion Lee - 2024年春夏 - ウィメンズ - アメリカ合衆国 - ニューヨーク - © Launchmetricsオーストラリアのメディアの報道によると、ロサンゼルスを拠点とし、高級マルチブランドのeコマースプラットフォームRevolveとFwrdを運営するRevolve Groupが、シドニーで設立されたブランドの資産を買収したとのことです。ただし、この取引の金額は公表されていませんが、あるメディアはその金額が100万ドル未満と報じています。昨年から、オーストラリアの倒産処理会社DVT GroupのAntony Resnickは、現在ニューヨークに拠点を移しているこのファッションブランドを救う買い手を探していました。同ブランドは、主要投資家であるCue Clothingが事業への出資を取りやめたことを受け、昨年5月に破産を申請しました。破産当時、同ブランドはCue Clothingからの2000万ドルの融資を含む3500万ドルの負債を抱えていました。報道によると、管財人は2024年後半に4万点以上のディオン・リーの商品を大幅割引で売却し、900万ドルの負債を回収しました。11月、Resnickは、救世主となる買い手も投資家も見つからず、ディオン・リーは2024年末までに閉店すると発表しました。コレクションを見るDion Lee - 2024年春夏 - ウィメンズ - アメリカ合衆国 - ニューヨーク - © LaunchmetricsRevolveが救済したことで、デザイナーのディオン・リーはブランドのクリエイティブ・ディレクターとして留まると見られています。ディオン・リーとリボルブの両社は、このニュースをまだ確認していません。ディオン・リーは2009年に自身の名を冠したファッションブランドを設立しました。2013年には、オーストラリアのブランドであり小売業者でもあるCueがDion Leeの主要株を取得し、その1年後にはニューヨーク・ファッション・ウィークの一部としてショーを行い、2024年春夏シーズンまで同ブランドの主力となっていました。今月初め、Dion Leeの親会社であるRevolve Groupは、すべてのブランドチャネルと地域にわたる成長により、第1四半期の売上が10％増の2億9670万ドルになったと発表しました。
SplinesLeft side of this diagram shows the #profileCurves for the cap of #ModernIonicCapital from the front. The right side shows a perspective view of the cap surfaces obtained by revolving the profile curves about their respective axes and after some of those have been trimmed away
The measurements for the floor plan of the modern ionic capital are given in https://pixelfed.social/p/Splines/807782440025967685 with further links to relevant pages in #Scarlata's book at the bottom.
I won't bore you with the bottom portion of the modern #capital because it is very similar to that of the classic capital shown in https://pixelfed.social/p/Splines/792124787573855518. A significant difference is that the bottom #ovolo is shorter, with a total height of 32 units instead of 40
For the cap, we need two identical copies of a single profile curve that is 30 units wide and 48 units tall. The curves marked by A and B in the diagram are oriented in the same direction and are spaced 100 units from each other.
The bottom of profile curve A lines up with the neck of the #columnShaft at 120 units from the column axis. The revolution axis for this curve is located at 416 units from the column axis at the center of the largest circle in the floor plan.
We #revolve profile curve A full circle about its revolution axis. Then, we #rotate the resulting surface about the column axis to get 4 identical copies.
We revolve profile curve B full circle about the column axis. Then, we trim the resulting surface along with the 4 others at each intersection to get the side and corner surfaces for the cap of the capital.
We #join the trimmed surfaces, cap #planarHoles to convert them into a closed solid, and verify that the resulting solid is #airtight with no #nakedEdges and no #nonManifoldEdges.
The cap is in the correct final orientation. The volutes will be at 45° angles, but when we construct them, it will be easier to rotate the whole plan 45° so that the #volute #spiral is on the XZ plane.
The measurements for the floor plan of the modern ionic capital are given in https://pixelfed.social/p/Splines/807782440025967685 with further links to relevant pages in #Scarlata's book at the bottom.
I won't bore you with the bottom portion of the modern #capital because it is very similar to that of the classic capital shown in https://pixelfed.social/p/Splines/792124787573855518. A significant difference is that the bottom #ovolo is shorter, with a total height of 32 units instead of 40
For the cap, we need two identical copies of a single profile curve that is 30 units wide and 48 units tall. The curves marked by A and B in the diagram are oriented in the same direction and are spaced 100 units from each other.
The bottom of profile curve A lines up with the neck of the #columnShaft at 120 units from the column axis. The revolution axis for this curve is located at 416 units from the column axis at the center of the largest circle in the floor plan.
We #revolve profile curve A full circle about its revolution axis. Then, we #rotate the resulting surface about the column axis to get 4 identical copies.
We revolve profile curve B full circle about the column axis. Then, we trim the resulting surface along with the 4 others at each intersection to get the side and corner surfaces for the cap of the capital.
We #join the trimmed surfaces, cap #planarHoles to convert them into a closed solid, and verify that the resulting solid is #airtight with no #nakedEdges and no #nonManifoldEdges.
The cap is in the correct final orientation. The volutes will be at 45° angles, but when we construct them, it will be easier to rotate the whole plan 45° so that the #volute #spiral is on the XZ plane.
Splines (@[email protected])
Plan for the #ModernIonicCapital If the design in https://pixelfed.social/p/Splines/807569519962747338 looks daunting, let me assure you it is far simpler than the work that went into the reconstruction of just the #scroll for the #classicIonicCapital. Be sure to check out #MileStone4 at https://pixelfed.social/p/Splines/795361973789834465. With the modern #IonicCapital, the designers went back to the basics of using just straight lines and circular arcs to define the geometry of the essential elements of the capital. No #braids, #keystones, or #modillions, and no #helix curves or #sinusoids. We start the floorplan for the modern ionic capital with a circle of radius 5/6 of µ (120 when µ = 144) which marks the neck of the #columnShaft. Tangent to this circle is a large circle of radius 296 units centered on the X axis exactly 416 units from the column axis. This is the circle that marks the curve of the #abacus, which is always tangential to the column shaft at the neck. This circle also marks the curved faces of the interior portion of the #volute wedge. Without the raised volute spirals, the interior wedge appears flush with the abacus as they follow the same circular arc. Concentric to this large circle is another circle with a radius of 280 units to mark the extent of the raised volute spirals which are 16 units thick. Another concentric circle of radius 266 units marks the outer edge of the top of the capital. The gap between the outermost large circle and the innermost concentric circle is 30 units, and that is reflected in another pair of circles centered on the column axis with radius of 250 units and 220 units to define the four corners. The capital footprint fits in a square 396 units wide — or 24.75 parts horizontally from axis, per #Scarlata in https://babel.hathitrust.org/cgi/pt?id=mdp.39015031201190&view=1up&seq=45. Use this with the sketch in https://babel.hathitrust.org/cgi/pt?id=mdp.39015031201190&view=1up&seq=142
#EggsAndDarts
To transfer the egg and dart in https://pixelfed.social/p/Splines/797038670230603707 to the #doublyCurved surface of an #ovolo is a multistep process.
There are 24 eggs and darts around the entire Ovolo. So each egg and dart nominally occupies 360°/24 = 15°.
#Revolve arc AD in https://pixelfed.social/p/Splines/792124787573855518 about the #columnAxis to get the virtual surface. Points A and D are same in both figures. Then use cutting planes as described in https://pixelfed.social/p/Splines/790645054230337543 to get a wedge-shaped segment whose angle is 15° and one side of which is marked with A and D.
This is a doubly curved surface. Unlike a cylinder, where one side is straight while the other is curved, the surface of an Ovolo is curved in both horizontal and vertical directions.
To transfer the egg and dart to a doubly curved surface, we need a new operation called #UnrollSurface, which unrolls the wedge shape into a flat surface whose top-left corner is marked Q. Note the top is wider than the bottom.
Place the flattened wedge between the rim and the flat slab and align the top of the flat portion of the slab with the center of the top edge of the flattened wedge. Temporarily move the dart to align its center too, but only move it in the horizontal direction
If the flattened wedge were flexible and if the eggs and darts were flexible, we could flip all of these over, flex and squeeze the solid shapes, and line up Q with D so that the rim and dart appear "outside" the original wedge while the slab remains "inside" (or toward the center of the Ovolo).
Fortunately, in a #CAD tools, solids don't always have to be treated as rigid. Now we will use another new operation called #FlowOnSurface to flow the egg and dart on the wedge.
We then slice off the top of the egg and dart at the location PQ in https://pixelfed.social/p/Splines/796958366767133979.
Finally, we separate the dart, which we had aligned with the egg to minimize distortion
To transfer the egg and dart in https://pixelfed.social/p/Splines/797038670230603707 to the #doublyCurved surface of an #ovolo is a multistep process.
There are 24 eggs and darts around the entire Ovolo. So each egg and dart nominally occupies 360°/24 = 15°.
#Revolve arc AD in https://pixelfed.social/p/Splines/792124787573855518 about the #columnAxis to get the virtual surface. Points A and D are same in both figures. Then use cutting planes as described in https://pixelfed.social/p/Splines/790645054230337543 to get a wedge-shaped segment whose angle is 15° and one side of which is marked with A and D.
This is a doubly curved surface. Unlike a cylinder, where one side is straight while the other is curved, the surface of an Ovolo is curved in both horizontal and vertical directions.
To transfer the egg and dart to a doubly curved surface, we need a new operation called #UnrollSurface, which unrolls the wedge shape into a flat surface whose top-left corner is marked Q. Note the top is wider than the bottom.
Place the flattened wedge between the rim and the flat slab and align the top of the flat portion of the slab with the center of the top edge of the flattened wedge. Temporarily move the dart to align its center too, but only move it in the horizontal direction
If the flattened wedge were flexible and if the eggs and darts were flexible, we could flip all of these over, flex and squeeze the solid shapes, and line up Q with D so that the rim and dart appear "outside" the original wedge while the slab remains "inside" (or toward the center of the Ovolo).
Fortunately, in a #CAD tools, solids don't always have to be treated as rigid. Now we will use another new operation called #FlowOnSurface to flow the egg and dart on the wedge.
We then slice off the top of the egg and dart at the location PQ in https://pixelfed.social/p/Splines/796958366767133979.
Finally, we separate the dart, which we had aligned with the egg to minimize distortion
Splines (@[email protected])
#EggsAndDarts continuation from https://pixelfed.social/p/Splines/796961505955555432 The slab height depends on the roundness of the egg and whether we have a concave design or not. If we are using a concave base, then top half of the egg is eliminated. For a fully round egg, that means the concave variant must scoop out up to 16 units deep. The dart slab will match the egg slab in depth. To create the 3-dimensional shape of the dart, first #rotate the fin profile 90° in 3D space along the straight line at the bottom of the fin so that the rotated profile is perpendicular to the two #sweepRails for the dart. Using the two sweep rails and the perpendicular fin profile, #sweepTwoRails to develop the surface of the dart. Remember to close the planar hole at the end of the fin to get a solid #airtight object. As always, check for #nakedEdges and #nonmanifoldEdges to stave off problems later. #Extrude the bottom of the dart until it is flush with the bottom of the oval slab. Two details worth noting in the dart design are: 1. The most exaggerated portions of the dart fin are sliced off when the eggs are sliced. After slicing, the size of the fin is roughly in proportion to the rims of the eggs on both sides. 2. There is a gap between the dart arrow and the oval slab. See the gap between points R and T in https://pixelfed.social/p/Splines/796961505955555432. This gap is necessary and will automatically close when we transfer the egg and dart to the #doublyCurved surface of the #ovolo on the #capital of the #IonicColumn. That is because the Ovolo is shaped like a bowl whose top has a bigger radius than the bottom. As a result, the motif will be warped, and its bottom will be condensed to fit the smaller radius at the bottom, closing the gap in the process. If you plan to use the eggs and darts motif on a linear surface where there is no warping, experiment with the arrow and tip for a pleasing result.
#EggsAndDarts is a common classical design motif with endless variations, two of which are shown here — the top-left variant has convex eggs and the bottom-left variant has concave eggs. The sketch on the right shows the bottom view of the concave variant.
This motif is neither specific to the #IonicOrder, nor limited to the #ovolo of the capital. It is common to find it laid on linear #moldings like #cymaRecta or #cymaReversa of a #cornice.
The egg shape, the dart shape, the degree of convexity or concavity, and so on, are infinitely variable from subtle to pronounced. Designers are not limited to convex or concave, and it is possible to combine both in a single design. Also, it is not necessary to use the eggs and dart motif at all. There are infinite possibilities. However, when the eggs and darts motif is used, it is almost invariably sliced off at the top, as the bottom view of concave variant on the right reveals.
The concave version here is quite subtle, but a more pronounced version can be really eye-popping. I will show how to construct one using just straight lines and circular/elliptical arcs exclusively as I originally promised in https://pixelfed.social/p/Splines/789956327130679640.
As usual, we start with a flat 2-dimensional plan with lines and ovals to use as #sweepingRails. Then, we add circles and arcs as #sweepingCurves to define the cross-sections. After sweeping the cross section curves on the rails, we create the eggs.
Simply #revolve an ellipse on its major axis to get the convex version of an egg. To get the concave version of an egg, simply create a flat slab and perform a #booleanDifference on that slab using a convex egg.
Once we have all of this preparatory work done, we have to transfer the 3-dimensional design from the flat surface it was originally created on to the #doublyCurved surface of the Ovolo. This requires some elementary calculations using circle geometry.
Previous— https://pixelfed.social/p/Splines/795361973789834465
This motif is neither specific to the #IonicOrder, nor limited to the #ovolo of the capital. It is common to find it laid on linear #moldings like #cymaRecta or #cymaReversa of a #cornice.
The egg shape, the dart shape, the degree of convexity or concavity, and so on, are infinitely variable from subtle to pronounced. Designers are not limited to convex or concave, and it is possible to combine both in a single design. Also, it is not necessary to use the eggs and dart motif at all. There are infinite possibilities. However, when the eggs and darts motif is used, it is almost invariably sliced off at the top, as the bottom view of concave variant on the right reveals.
The concave version here is quite subtle, but a more pronounced version can be really eye-popping. I will show how to construct one using just straight lines and circular/elliptical arcs exclusively as I originally promised in https://pixelfed.social/p/Splines/789956327130679640.
As usual, we start with a flat 2-dimensional plan with lines and ovals to use as #sweepingRails. Then, we add circles and arcs as #sweepingCurves to define the cross-sections. After sweeping the cross section curves on the rails, we create the eggs.
Simply #revolve an ellipse on its major axis to get the convex version of an egg. To get the concave version of an egg, simply create a flat slab and perform a #booleanDifference on that slab using a convex egg.
Once we have all of this preparatory work done, we have to transfer the 3-dimensional design from the flat surface it was originally created on to the #doublyCurved surface of the Ovolo. This requires some elementary calculations using circle geometry.
Previous— https://pixelfed.social/p/Splines/795361973789834465
Splines (@[email protected])
This sweeping shape is a timeless design that first appeared in the scrolls of the #IonicCapital as the most distinctive part of the #IonicOrder in classical Greco-Roman architecture more than 2500 years ago. Shown here with a zebra pattern on the wireframe of a CAD model to accentuate its features and attest to the smoothness of its 3-dimensional surface, the design has been refined many times since the original version over the last two millennia. The two most remarkable things about this design are that: — It can be recreated with modern CAD tools by drawing simple 2-dimensional straight lines and circular arcs exclusively. The end result is truly breathtaking and makes one wonder how architects visualized the result and put theory into practice. In the CAD model, the ultimate surface is a #NURBS surface that uses #BSplines extensively, but none of the B-splines or surfaces need to be created "by hand." One only has to draw straight lines and circular arcs with accurate measurements snapped to grids. — For a design that has survived the ages, it is lamentable how few authoritative sources that accurately describe fine details and exact reconstruction methodology remain accessible to the general public in the age of Internet. The most comprehensive is the 10-volume tome that Marcus #Vitruvius Pollio, a Roman architect and engineer, wrote for #JuliusCaesar and his successor Emperor #CaesarAugustus. [https://www.gutenberg.org/files/20239/20239-h/20239-h.htm] I frequently use two more authoritative sources: — "Regola delli cinque ordini d' architettura," or simply #RegolaArchitettura by Giacomo Barozzi da #Vignola [https://archive.org/details/gri_33125008229458/page/n3/mode/2up], and — "A Course in Theoretical and Practical Architecture," or simply #PracticalArchitecture by Francisco Salvatore #Scarlata (#Bordonaro), which documents #VignolaProportions in tabular form [https://babel.hathitrust.org/cgi/pt?id=mdp.39015031201190&view=1up&seq=5]
Classic #IonicCapital #Tectonic Surfaces Plan
We already made the 8 unit tall #fillet at the bottom of the #capital a part of the #shaft in https://pixelfed.social/p/Splines/791794072490907090. So, excluding that, the remainder of the capital is 14 parts or 112 units tall, for the bottom half of which we use the #revolve operation (like the #columnBase and #columnShaft), and for the top half we use the #extrude operation (like the #pedestal, #entablature, and #plinth).
Starting at the bottom, we have an #astragal that is 2 parts or 16 units tall and has the same profile as a #reed and #torus, falling in between the two in terms of size. The arc AD is shown in gray because it is an invisible #virtualSurface that envelops the decorations like #eggsAndDarts on the #ovolo. This is the measurement that is given in #Scarlata's #PracticalArchitecture, but it makes no mention of the #decorative and #tectonic surfaces. Arc BC with a radius of 4 parts or 32 units is the tectonic surface on which the Ovolo decorations rest. Such decorations have a variable or uneven surface which may not exceed 1 part or 8 units.
Points E and F mark the horizontal tangent or maxima of the second spiral and the first (outermost) spiral, respectively. The gap between them is exactly 4 parts or 32 units. GH is the profile for the vertical side surface on which part of the #ribbon and #braid lie flat, protruding exactly 6 units to coincide with the invisible virtual flat surface through EF.
The #cymaReversa is 2 parts or 16 units tall and 1.5 parts or 12 units wide. It starts 4 units to the right of F and stops 4 units short of the top fillet, which is one part or 8 units tall and 20 parts or 160 units from the #columnAxis.
Of the 4 parts or 32 units between G and H, the lower 3 parts or 24 units are part of the #voluteChannel groove and the top 1 part or 8 units is a fillet that follows the curve of the #volute and progressively gets narrower until it converges with the #eye of the volute.
We already made the 8 unit tall #fillet at the bottom of the #capital a part of the #shaft in https://pixelfed.social/p/Splines/791794072490907090. So, excluding that, the remainder of the capital is 14 parts or 112 units tall, for the bottom half of which we use the #revolve operation (like the #columnBase and #columnShaft), and for the top half we use the #extrude operation (like the #pedestal, #entablature, and #plinth).
Starting at the bottom, we have an #astragal that is 2 parts or 16 units tall and has the same profile as a #reed and #torus, falling in between the two in terms of size. The arc AD is shown in gray because it is an invisible #virtualSurface that envelops the decorations like #eggsAndDarts on the #ovolo. This is the measurement that is given in #Scarlata's #PracticalArchitecture, but it makes no mention of the #decorative and #tectonic surfaces. Arc BC with a radius of 4 parts or 32 units is the tectonic surface on which the Ovolo decorations rest. Such decorations have a variable or uneven surface which may not exceed 1 part or 8 units.
Points E and F mark the horizontal tangent or maxima of the second spiral and the first (outermost) spiral, respectively. The gap between them is exactly 4 parts or 32 units. GH is the profile for the vertical side surface on which part of the #ribbon and #braid lie flat, protruding exactly 6 units to coincide with the invisible virtual flat surface through EF.
The #cymaReversa is 2 parts or 16 units tall and 1.5 parts or 12 units wide. It starts 4 units to the right of F and stops 4 units short of the top fillet, which is one part or 8 units tall and 20 parts or 160 units from the #columnAxis.
Of the 4 parts or 32 units between G and H, the lower 3 parts or 24 units are part of the #voluteChannel groove and the top 1 part or 8 units is a fillet that follows the curve of the #volute and progressively gets narrower until it converges with the #eye of the volute.
Splines (@[email protected])
The bottom 1/3 of the #columnShaft for an #IonicColumn is a perfect cylinder. So the line below point B is a straight line. In https://pixelfed.social/p/Splines/791723063470910081, we blended the bottom end of the 60° arc and the top end of the long interpolated curve between points J and K. Now blend the bottom end of the interpolated curve and the top end of the straight line between points B and C to obtain the 3rd and final #NURBS segment for the #primaryProfileCurve of the shaft. Just like there's a #cavetto and #fillet near the #neck of the shaft, there is a fillet and cavetto near the foot of the shaft. However, there is a subtle difference between the two. The cavetto near the neck is tangential to the blended #NURBS curve that is not a straight line. The profile curve for the cavetto near the foot is tangential to a straight line. There is a special name for a cavetto that is tangential to a straight line or flat surface, like the two cavetto moldings in the #dado of the #pedestal. It's called a #conge. Another alternate name for the cavetto molding is #cove, which is evocative of "cave" because of its concave profile curve. Above the neck is a fillet 8 units tall and an #astragal 16 units tall that #Scarlata puts in braces in the column shaft section within his tables of #VignolaProportions, with a note saying they are not counted as part of the shaft but are accounted for as part of the #capital. I decided to include the top fillet as part of the shaft and keep the astragal with the capital. It does not change the design or alter the proportions in any way, but the inclusion of the fillet makes it more practical for #3DPrinting and #CNCMilling of the neck. This concludes the profile curve for the shaft with a height of 291 parts or 2328 units + 8 for fillet. The column shaft is tapered in the upper 2/3 due to #entasis whose purpose is to make optical corrections to the shape of the column which, without correction, appeared concave near the top.
#IonicColumn #VignolaBase and #AtticBase #CAD Plans
Both #Vignola base and #Attic base have the same square footprint of 400 units x 400 units. The #plinth for both is 48 units (6 parts, or µ/3) tall, and the total height for both is 144 units (18 parts, or exactly µ). As such, they are easily interchangeable.
In the Vignola variant, we start at the plinth with a #fillet 2 units tall and a classic #scotia 18 units tall gouging out part of the fillet.
Then there is another fillet 2 units tall, followed by two #reeds, each 8 units tall, followed by another classic scotia as described above.
This is followed by yet another fillet 2 units tall and topped off with a #torus 40 units tall. A Torus is the same as a reed, except larger. When we reach the neck of the shaft, we will see another molding called #Astragal which has the same profile as reed and torus, but sits in the middle in size. Think of reed, astragal, and torus as small, medium, and large of the same profile.
The modern Attic variant is more elegant with fewer moldings. It also gives the impression of more heft for more stately columns. It starts at the plinth with a torus 36 units tall, followed by a fillet 4 units tall, followed by a modern scotia 24 units tall, followed by another fillet 4 units tall, and topped off with another torus 28 units tall.
As in the construction of #IonicEntablature [https://pixelfed.social/p/Splines/791013152244518907], split the construction of the #columnBase into two steps.
Just as we extruded #dentils separately, we extrude the plinth separately. First draw a square 400x400 in the top view. Then extrude the square 48 units in the front view.
For the rest of the base, we need a new 3D operation — #revolve around an axis. Instead of extruding the #primaryProfileCurve, we revolve it around the #columnAxis, and cap the #planarHoles on both ends before performing a #booleanUnion with the plinth. Finally check edges of the solid for #nakedEdges and #nonManifoldEdges.
Both #Vignola base and #Attic base have the same square footprint of 400 units x 400 units. The #plinth for both is 48 units (6 parts, or µ/3) tall, and the total height for both is 144 units (18 parts, or exactly µ). As such, they are easily interchangeable.
In the Vignola variant, we start at the plinth with a #fillet 2 units tall and a classic #scotia 18 units tall gouging out part of the fillet.
Then there is another fillet 2 units tall, followed by two #reeds, each 8 units tall, followed by another classic scotia as described above.
This is followed by yet another fillet 2 units tall and topped off with a #torus 40 units tall. A Torus is the same as a reed, except larger. When we reach the neck of the shaft, we will see another molding called #Astragal which has the same profile as reed and torus, but sits in the middle in size. Think of reed, astragal, and torus as small, medium, and large of the same profile.
The modern Attic variant is more elegant with fewer moldings. It also gives the impression of more heft for more stately columns. It starts at the plinth with a torus 36 units tall, followed by a fillet 4 units tall, followed by a modern scotia 24 units tall, followed by another fillet 4 units tall, and topped off with another torus 28 units tall.
As in the construction of #IonicEntablature [https://pixelfed.social/p/Splines/791013152244518907], split the construction of the #columnBase into two steps.
Just as we extruded #dentils separately, we extrude the plinth separately. First draw a square 400x400 in the top view. Then extrude the square 48 units in the front view.
For the rest of the base, we need a new 3D operation — #revolve around an axis. Instead of extruding the #primaryProfileCurve, we revolve it around the #columnAxis, and cap the #planarHoles on both ends before performing a #booleanUnion with the plinth. Finally check edges of the solid for #nakedEdges and #nonManifoldEdges.
Splines (@[email protected])
This sketch shows the arrangement of #dentils in the classic variation of the #IonicEntablature. It shows the full layout, but most of the top is obscured by the top portion of the #cornice. Only the outside square shapes are actually visible. Each #dentil has a square "footprint" that is 4 parts by 4 parts (32*32 units) and is 6 parts (48 units) tall. The spacing between each dentil is 2 parts (16 units). Dentils project 4 parts (or 32 units) from the face of the #fascia on which they rest. Each face of the fascia has 7 dentils with the middle dentil laterally centered and directly in front of the column axis. The 2 side dentils are on side faces, and that is apparent in the darker shading in the sketch at https://pixelfed.social/i/web/post/790782316675150160. Take the time to reconcile this with the numbers listed in #Scarlata's #PracticalArchitecture. The 3D reconstruction from the #primaryProfileCurves is very similar to that of the #IonicPedestal, with #extrusion, #mitering, #joining, and #capping planar holes as described in https://pixelfed.social/i/web/post/790645054230337543 — just set the dentils aside, for now. Once you have capped the #planarHoles to get a solid, analyze the edges of the solid in the #CAD program for #nakedEdges and #nonManifoldEdges. Then, extrude the dentils outline (in the top view) to a height of 48 units (in the front view). Now perform a #booleanUnion of the two solid shapes to get the complete #entablature. Finally, check the edges of the solid in the #CAD program AGAIN for #nakedEdges and #nonManifoldEdges. With this, we have finished two of the three main components of the #IonicOrder. There's a modern version of the Ionic entablature with #modillions, which I will describe later. Next, we move on to the biggest, most conspicuous part of the order — the #IonicColumn.
Susan Larson ♀️🏳️🌈🏳️⚧️🌈37 #Funny And #Relatable #Comics About #Life’s #Quirks #Illustrated By 5ish.art on #Instagram
Most of the #comics #revolve around her #life as an #artist, a #mom, and a #wife, topics to which a lot of #people can #relate.
#Women #Transgender #LGBTQ #LGBTQIA #Entertainment #TheArts #Comics #Family #Relationships #Representation #Culture
37 Comics That Explore Life As A Mom, Wife And Illustrator
This illustrator, who goes by 5ish.art on Instagram, finds joy in drawing mostly female cartoon characters in a slightly spicy way. In addition to these illustrations, J. Findlay also creates lighthearted and funny comics. Most of the comics revolve around life as an artist, a mom, and a wife, topics to which a lot of people can relate.