The Third Sound / Sacred Buzz / Jaguar No Me

Neue Zukunft, Tuesday, October 14 at 07:00 PM GMT+2

Crunch Tapes & Positive Transmitter present:

• The Third Sound

Berlin psych/post-punk band The Third Sound have released their sixth studio album Most Perfect Solitude, available now digitally and on vinyl via Fuzz Club. The album arrived alongside a video for the final single On Returning and was supported by an extensive UK and European tour that kicked off in May.

Speaking about Most Perfect Solitude, frontman Hakon Adalsteinsson shares: “After touring First Light heavily and releasing our Fuzz Club Session LP last year – a career-spanning, retrospective document in a way – this album felt like starting with a clean slate. There is a certain warmth to some of the songs that has not been there before, but they still flicker between light and shadows, kind of like a slow-motion audio version of Brion Gysin‘s Dreamachine.”

• Sacred Buzz

Berlin-based band that packs a punch in a madman's blend of krautrock, garage rock and psych. Bold haunted vocals, howling fuzzy guitar, groovy bass, ethereal keys and electrifying locomotive drums make a unique mix that will make you levitate and will keep your third eye open for days to come.

• Jaguar No Me

Jaguar No Me was created in 2016 in Berlin while Taishi was the bassist for the band Fat White Family. During that period, Taishi wrote some tracks for Fat White Family, but they were not used for their next album. Since he still liked the tracks, he decided to start his own band. The music he wrote is greatly influenced by Japanese Kayo (Japanese Pop from 60-80s), which also plays a role in Taishi’s DJ project DJ ONONiiONIONIION (a J-pop vinyl DJ). This type of music is totally new to anybody in Europe and even Japan.

Tuesday, October 14th
Doors: 19:00 | Show: 20:00
Neue Zukunft (Alt-Stralau 68, 10245 Berlin)

TICKETS:
https://my.weezevent.com/tts

https://berlin.askapunk.de/event/the-third-sound-sacred-buzz-jaguar-no-me

Astro-Sounds From Beyond The Year 2000 by 101 Strings, released in 1968 on Alshire Records.

Swirling guitars and proto-ambient electronica sounds from many light years away! ...These are the sounds of epiphanies concerning the future, space and sounds on the horizon, circa 1969. The tracks for this album were recorded by Cole and other players during sessions for a separate longplayer and were deemed to be outtakes; the details as to how they became Astro Sounds From Beyond the Year 2000 are dark and distant, but the 10 tracks here were first issued sans strings in 1967 as The Animated Egg, with alternate song titles. Two years later the recordings were overdubbed with the swirling, piercing phase-shifted strings mix you hear here, creating a spectacular fusion of psych-rock, R&B, easy listening and fuzz guitar, with hints of the coming worlds of ambient and electronica...

https://astrosounds.bandcamp.com/album/from-beyond-the-year-2000

https://www.youtube.com/watch?v=vozNPNJ4zqI&list=RDvozNPNJ4zqI&start_radio=1

#spaceagepop #exotica #psychedelia #101strings

Strings Aflame by Esquivel and His Orchestra. released on RCA Victor in 1959.

Exotic Tiki Island wrote:

"The album’s title reflects the fiery and passionate nature of the music, which is both lively and sophisticated.

The tracks on “Strings Aflame” showcase Esquivel’s ability to blend traditional orchestral instruments with Latin and jazz elements, creating a unique and captivating listening experience. Songs like “Sun Valley Ski Run” and “I Love Paris” highlight his versatility and creativity, while “Fantasy” and “Turkish March” demonstrate his skill in crafting intricate and engaging arrangements. The album is a testament to Esquivel’s innovative spirit and his love for pushing musical boundaries..."

https://www.youtube.com/watch?v=AnXwy5qWbgU&list=PLD_uPRJ0X10mOFVxatKKGd-NjlYHkTI5J&index=1

#Esquivel #strings #easylistening #spaceagepop #exotica #mexicanmusic
#1959inmusic

looongplay, by Babau & Bienoise

2 track album

Artetetra

Exploring New Sounds in Hi-Fi by Esquivel, released on RCA Victor in 1959.

Exploring New Sounds in Stereo Review by Tony Wilds

Exploring New Sounds in Stereo is the first of the typical Esquivel albums from which the CD compilations draw heavily. There is a lot to recommend it. "Whatchamacallit" is probably his second best-loved tune (released also as a single backed with the non-LP track, "I Feel Merely Marvelous"). The track features the ondioline, an electronic-organ-like instrument often associated with the theremin. And on Exploring New Sounds in Stereo, there is indeed theremin in Esquivel's spacy treatment of "Spellbound" (from the movie of the same name). Other highlights include the exotic "Bella Mora," the cheesy "My Number One Love," and "The 3rd Man Theme." The album also has slightly different arrangements than the monaural Exploring New Sounds in Hi-Fi.

https://www.youtube.com/watch?v=VGyzvO32WSE&list=PLnPgQNg7oPHAxKj2z_4WPFbOUunrbj6_L&index=1

#esquivel #spaceagepop #exotica #ondioline

Crepuscular Elixirs, by Grykë Pyje

17 track album

Artetetra

Four Corners Of The World by Esquivel, His Piano And Group*, released on RCA Victor in 1958.

Matt Ryan wrote for Strange Currencies:

Juan García Esquivel would be perhaps the defining figure in the space-age pop scene – a sister genre to exotica – but his 1958 release, Four Corners of the World, capitalized on the interest in all things exotic. “Dark Eyes” is, perhaps, the closest Esquivel got to the likes of Martin Denny, and it displays an impressive commitment to the rhythmic side of his art.

https://www.youtube.com/watch?v=ZHSva8Ln-OM&list=RDZHSva8Ln-OM&start_radio=1

#esquivel #exotica #spaceagepop #lounge

Other Worlds Other Sounds by Esquivel And His Orchestra, released on RCA Victor in 1958.

AMG Review

Other Worlds Other Sounds may be the best known Esquivel album because of its sensational jacket art portraying a red-caped woman prancing across a green planetary landscape. Its real significance is as the moment where Esquivel takes control of his production and develops his signature sound. The chorus (the Randy Van Horne Singers) begins the “zu zu zu” nonsense beloved by Esquivel fans, and the playfulness with stereophonic separation begins here…. This is the promise of the future.

https://www.youtube.com/watch?v=gosxOiYdrB8&list=PLg7hZB5g_JMc19Qg4iU_bbeM9CqTFVDVN&index=1

#esquivel #exotica #spaceagepop #1958inmusic #thefuture #zuzuzu

Cunti, by Reptilian Expo

9 track album

Artetetra