CF Premiere: Sid Porwal – Baltane [Systolic]

From Malta, Systolic maintains an editorial line that announces itself before it needs explanation. Its artwork—dark, minimal, almost coded—acts as a threshold, hinting at an internal logic rather than describing it. Within that framework, Sid Porwal presents Driven Momentum EP, a release structured around energy and its unfolding across time.

Movement is the central axis. Porwal’s writing operates with precision, keeping every element aligned toward a clear direction. The dancefloor remains a reference point, yet the focus lies in the continuity of tension. Sounds interlock with intent, forming a flow that relies on constant pressure gradually building rather than immediate impact.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic

“Driven Momentum” establishes this pulse through a direct approach. The groove locks in, percussion aligns with steady regularity, and the track settles into motion. The low-end moves forward with weight, while upper layers maintain a controlled vibration. Energy holds its level while gaining density, creating a prolonged state that anchors the body within a stable rhythm.

“Baltane” shifts the focus toward a denser terrain. Space deepens, textures expand, and rhythm becomes more permeable. The progression opens into a broader field, carrying a cinematic quality in how layers are arranged. Each sound extends the environment, maintaining a tension that now unfolds in a more immersive way.

https://soundcloud.com/clubfuriess/cfp-sid-porwal-systolic

Both tracks sit around medium-high BPM, yet speed is not the defining element. What emerges is a sense of sustained urgency, with energy stabilizing into a continuous flow. The sound design remains precise: solid low-end, measured melodic tension, clearly defined space.

Driven Momentum EP settles in gradually, gaining weight as it progresses. It functions seamlessly in a club setting while sustaining an internal narrative that connects both tracks as part of a single movement. The result is a work that maintains balance in motion, where intensity is carefully regulated, and the flow remains coherent throughout.

Label: Systolic
Title: Driven Momentum ep
Artist: Sid Porwal
Catalogue:

Release Date: May 28th, 2026
Support & Buy: Bandcamp

Tracklist
1. Sid Porwal – Driven Momentum
2. Sid Porwal – Alien Speaks
3. Sid Porwal – Baltane
4. Sid Porwal – KAWA

Credits
Music: Sid Porwal
Mastering: Ddroga
Artwork: Adrian Gambin

Sid Porwal

SoundCloud | Instagram

Systolic

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Club Furies

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CF Signals: Oydet – Circle [Black Shapes]

Black Shapes, the new digital sublabel from Dustywork, emerges as a platform fully dedicated to dark, hypnotic techno shaped by experimental impulses. More than a simple extension of the main catalog, the project operates as a specific zone of exploration where rhythm stops functioning merely as a structural tool and begins behaving like a force capable of reorganizing space, distorting perception, and stretching time from within. The label’s curatorial direction embraces slow immersion and precision, focusing on deep textures, progressive development, and an atmospheric reading of contemporary techno.

Following the strong reception of its first releases, ‘ZEROTHREE’ pushes that vision further through a compilation centered on introspective and structural territories. The release unfolds through monochromatic landscapes, eroded surfaces, and sonic layers expanding in slow motion inside industrial cavities. Tension here does not emerge through immediate impact or overload; it grows from microscopic detail, from subtle shifts gradually altering the behavior of the atmosphere itself. Each track feels like an autonomous system of pressure and suspension, maintaining a constant sensation of perceptual drift.

The compilation brings together contributions from Oydet, KCLAB Sephas, Mogul, and Dustywork, all connected through a shared logic of immersion and displacement. Dustywork opens the journey with a progressive techno piece driven by restrained and highly precise broken beats, designed for attentive listening and dancefloors responsive to cumulative tension rather than direct impact. Later, KCLAB Sephas introduces a friction point between Techno and IDM, unfolding a fragmented, deeply introspective, and detail-oriented construction. Mogul closes the release by pushing the atmosphere into more abstract and disorienting territory, where techno seems to lose gravity and drift inside a low-lit cosmic void.

https://soundcloud.com/clubfuriess/cfs-oydet-circle-bsl03

Within that trajectory, Oydet delivers one of the EP’s most absorbing moments. His interstellar imaginary expands through sandy dub textures, suspended frequencies, and reverberations seemingly detached from linear time. The sound unfolds slowly across empty spaces, as though every layer were moving frictionlessly through an infinite and silent architecture. There is an unsettling sense of stillness here, a total suspension where emptiness itself begins acquiring physical weight.

The track soon introduces an abrupt interruption, a partial fracture in the flow that transforms the listening experience into an involuntary space of reflection. From there, dense thoughts, unstable mental landscapes, and a persistent sensation of uncertainty begin to emerge, as though the sonic environment were crossed by distant signals impossible to fully decode. Yet Oydet never pushes chaos toward collapse. His approach to Deep and Dub Techno remains remarkably precise: delicate pulsations, immersive depth, and a rare ability to transform anxiety and emptiness into a form of hypnotic and expansive calm.

Label: Black Shapes
Title: ZEROTHREE
Artist: Various Artists

Catalog: BSL03
Format: Digital

Genre: Electronic

Style: Techno/Dub/Electronica
Mastered by: Dustywork at THE SHAPING ROOM

Release Date: June 15, 2026

Support & Buy: Bandcamp

Tracklist:

1. Dustywork – Come for Thee
2. Oydet – Circle
3. Kclab Sephas – Your Eyes
4. Mogul – Devil Side

Black Shapes

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Club Furies

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1hr 52min
pi pi pi with deep creep @ The Lot Radio 05-06-2026
https://soundcloud.com/thelotradio/pi-pi-pi-with-deep-creep-the-6
#deepcreep #pipipi #TheLotRadio #Soundcloud #dub #dubby #Techno #minimal #DaKineILike #deepTechno #beats #funky #dance #Brooklyn #nyc

https://soundcloud.com/thelotradio/pi-pi-pi-with-deep-creep-the-6

Jarkko Räsänen - Ruusun Aica: R3UP5 ("Tyme of the Rose", Taide/FIN, 8 May 2026).

https://jarkkorasanen.bandcamp.com/album/ruusun-aica-r3up5

#JarkkoRäsänen #microhouse #deeptechno #techno #house #housemusic #dubhouse #deephouse #techhouse #IDM #ambient #bassmusic #dub #electronic #Taide #Finland #JarkkoRasanen

Jarkko Räsänen - mitäs me taiteilijat ("carry on artists", Taide/FIN, 8 May 2026).

https://jarkkorasanen.bandcamp.com/album/mit-s-me-taiteilijat

#JarkkoRäsänen #IDM #microhouse #deeptechno #techno #house #housemusic #dubhouse #deephouse #techhouse #ambient #breaks #dub #electronic #Taide #Finland #JarkkoRasanen

CF Premiere: Shaun Moses, Aardy – Noah [Illegal Alien Records]

Over the past decade, Shaun Moses has established a strong presence within the electronic underground of the Indian subcontinent. From Goa, his language is rooted in a raw, continuous strain of techno, where sub-bass drives forward relentlessly and grooves are structured with focused insistence. The sound is built through a direct logic: sustained pressure, controlled energy, functional clarity.

Alongside this, Aardy has developed a trajectory that extends the reach of Asian techno from Hyderabad. More than two decades of sonic exploration inform his work, drawing from influences that range from Indian classical music to rock, disco, and blues. This breadth condenses into a precise technical language, shaped across warehouse environments and global circuits. His role as founder of Hydrozoa Recordings and A&R at Octopus Recordings reflects a curatorial vision grounded in detail, structure, and global projection.

https://clubfuries.com.mx/2026/04/19/cfp-thisisthx-ic-4351-iar396/

Their convergence takes form in Raw Aesthetic, Shaun Moses’s debut on Illegal Alien Records. The EP enters with determination, embedding itself into the label’s catalog through a clearly defined energy. Four tracks compose the release, including two collaborations with Aardy that expand the sonic field while maintaining cohesion. Driving grooves, tense synth work, and carefully treated vocals form a system where each element serves a distinct role.

The EP unfolds as a continuous surface. Tension builds, redistributes, and circulates again, creating prolonged states that keep the body engaged. There is discipline in the design, allowing intensity to remain sharp and controlled. The result is an immersive, almost labyrinthine landscape where hypnosis develops gradually and holds its ground.

https://soundcloud.com/clubfuriess/cfp-shaun-moses-aardy-noah-iar397

Within this framework, “Noah” stands out with particular clarity. From the outset, the track expands through fine sonic threads, delicate filaments that establish its tone with immediacy. The rhythmic base settles firmly as layers assemble around a stable core. A luminous quality emerges in its progression, with flashes that cut through the structure and generate a sense of continuous elevation.

The track builds through a controlled ascent, accumulating energy while maintaining clarity. Its spatial dimension widens, projecting beyond the dancefloor into a field that approaches the intergalactic. This is not decorative imagery, but an expanded perception: sound becomes lighter, almost suspended, while a solid foundation sustains movement throughout.

Raw Aesthetic leaves a defined mark within Illegal Alien’s catalog. It functions as an assertion of presence, outlining Shaun Moses’s direction while amplifying the collaborative dynamic with Aardy. The result remains active, held in tension, extending beyond its immediate duration.

Label: Illegal Alien Records
Artist: Shaun Moses, Aardy
Title: Raw Aesthetic
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR397
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklis
1. Shaun Moses – Crunchy (Original Mix)
2. Shaun Moses – Raw Aesthetic (Original Mix)
3. Shaun Moses, Aardy – Noah (Original Mix)
4. Shaun Moses, Aardy – Poison (Original Mix)

Shaun Moses

SoundCloud | Instagram | Linktree

Aardy

SoundCloud | Instagram | Facebook | Linktree

Illegal Alien Records

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Club Furies

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CF Premiere: Avilynn – Faster Than AI [Systolic]

Avilynn positions herself as a sound artist working across multiple fronts: production, DJing, and curation converge into a practice where sound is treated as a system. Based in Berlin, her approach constructs immersive environments where tension and detail sustain a continuous narrative. Each alias becomes a reconfiguration of language, shifting her center without losing direction.

Her presence within the underground circuit has grown through that logic. Rather than a fixed aesthetic, what emerges is a consistent way of shaping space and experience. Sound operates as a moving architecture, where every element is calibrated to produce an enveloping, time-based perception.

This approach extends beyond the booth. The limited-edition modular cases she designs function as objects that carry her sonic thinking into the physical realm. They are not accessories, but components of the same system, integrating material and auditory dimensions within a practice grounded in applied experimentation.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic/

Within this framework, Archive Series on Systolic appears as a record in motion. The selection gathers previously unreleased tracks produced over recent years, condensing an earlier phase without fixing it as a closed past. The archive becomes active—organizing, connecting, and revealing the lines that shape her evolution.

The release signals a shift toward a new stage centered on hardware, live recording, and a more defined sonic language. These pieces act as traces of a system in transition, retaining relevance through their repositioning in the present. There is a sense of closure, accompanied by a controlled opening toward what follows.

https://soundcloud.com/clubfuriess/cfp-avilynn-faster-than-ai-systolic

Within the collection, “Faster Than AI” stands out with particular clarity. The track translates states associated with contemporary anxiety and uncertainty about the future into a structure that intensifies progressively. Tension builds from an initial pulse, accumulating pressure into a sustained rise toward overflow.

Beyond that peak, the piece moves into a more diffuse zone. Rhythm remains, yet perception shifts: a liminal quality emerges, suspended between what has just unfolded and what has yet to settle. The sound becomes lighter, less defined, carrying a resonance that extends the impact without repeating it.

What remains is not resolution, but persistence. Archive Series settles as a threshold—simultaneously memory and projection, where the archive does not preserve; it reshapes.

Label: Systolic
Title: Archive Series ep
Artist: Avilynn
Catalogue:

Release Date: May 7th, 2026
Support & Buy: Bandcamp

Tracklist
1. Avilynn – Faster Than AI
2. Avilynn – Hash
3. Avilynn – Vortex

Credits
Music: Avilynn
Mastering: Ddroga
Artwork: Adrian Gambin

Avilynn

Website | SoundCloud | Instagram | YouTube

Systolic

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree