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CF Review | Ketapasando KEBRADITO Remixes: Ju-Ju’s sonic fracture expands through reinterpretations

Ketapasando completes the circuit of KEBRADITO with a remix edition that deepens the digital instability, perceptual fracture, and latent anxiety already embedded in the original EP. The opening narrative operates as a conceptual extension of the release itself: a city displaced from within, reflections responding too late, surfaces where reality seems to load with errors. That sense of precariousness runs through the entire project and finds a new layer of sonic mutation in these reinterpretations.

https://clubfuries.com.mx/2026/04/06/cfp-ju-ju-tomillo-cuidado-con-el-gatito-ktpep042/

Now based in Madrid, Rosario-born producer Ju-Ju develops a practice where jungle, breakbeat, IDM, and a Latin American melodic sensibility converge. His work moves across different territories — from the nostalgic crackle of 90s gaming chips to rave-driven intensity — while maintaining a focused identity built around texture, fragmentation, and the emotional force of broken rhythms. KEBRADITO Remixes extends that logic through four producers who expand the material without dissolving its coherence.

The origin: a broken-beat EP for broken times
Recorded between 2022 and 2026, the original KEBRADITO EP already stood as a statement of intent: a fusion of jungle, breakbeat, and IDM with melodies shaped by a distinctly Latin American sensibility. Ju-Ju constructs the soundtrack to a B-movie universe that speaks — with irony — about precarity and collective unease.

Its four original tracks:

Cuidado con el gatito ft. Tomillo

Keygen for free Airplane Tickets

G.O.Y.J

Post Gripe-B

The presentation videoclip for Cuidado con el gatito — directed by theblackpuppy and produced alongside volta_sound — already anticipated that glitch-driven universe:

https://www.youtube.com/watch?v=KWbR12Gvxfw

The compilation preserves the conceptual core of the original release: broken rhythms for broken times. Each remix reorganizes those fractures from a different angle, sustaining an atmosphere charged with glitches, metallic tension, digital unease, and landscapes suspended between nostalgia and technological collapse. A clear continuity runs through the entire release, even as each track reshapes movement and space through its own sensibility.

The remixes: four perspectives on the fracture

Umami’s remix of “G.O.Y.J” unfolds through a structure oscillating between industrial pressure and ethereal suspension. The breaks harden through dense metallic textures that reinforce the rhythmic pulse and give it a more physical weight. Above that foundation emerge electrified sea breezes and purple skies, sonic images that elevate the track into a more expansive register. Tension remains active throughout the journey, although the ending partially releases the accumulated weight and leaves behind a strange sensation of levitation.

https://soundcloud.com/ketapasando/goyj-umami-remix-2?in=ketapasando/sets/ju-ju-kebradito-remixes

On “Post-Gripe B Remix”, Silvia Torres pushes the material into a territory shaped by ominous slowness and industrial darkness. The percussion advances with restraint, sustained by cold atmospheres and metallic resonances that amplify the feeling of uncertainty. Techno force appears intermittently, like bursts cutting through fog. Apocalyptic landscapes and eroded futures move across the track, reinforcing the digital-decay imagery running through the release.

https://soundcloud.com/ketapasando/post-gripe-b-silvia-torres-remix-1?in=ketapasando/sets/ju-ju-kebradito-remixes

Kid Cala’s remix of “Cuidado con el gatito” introduces an immediate rave impulse, charged with dancefloor energy and a far more aggressive experimental texture. The track moves through acid flashes and broken rhythms that expand with growing intensity. Gradually, the structure reconnects with the original version and reorganizes its elements into a more frenetic dynamic. Thick acid drops and industrial pulses eventually absorb the entire space.

https://soundcloud.com/ketapasando/cuidado-con-el-gatito-kid-cala-remix-3?in=ketapasando/sets/ju-ju-kebradito-remixes

Meanwhile, Alemal transforms “Keygen for Free Airplane Tickets” into a delicate and deeply atmospheric closing piece. Melodies ascend through subtle sonic threads suspended over fragmented percussion and melancholic resonances. The remix operates through a contemplative sensibility that preserves the emotional fractures of the original while reorganizing them on a more luminous and stable scale. The soul remains suspended in fragile calm, still crossed by small distortions that remind us the fracture never fully disappeared.

https://soundcloud.com/ketapasando/keygen-for-free-airplane-tickets-ale-mal-remix-4?in=ketapasando/sets/ju-ju-kebradito-remixes

Beyond the music itself, the project expands its visual dimension through artwork created by 3D artist Oihannavsmm, developed using photogrammetry scans of people close to Ju-Ju. The physical edition further reinforces the hybrid nature of the release: a limited run of 50 NFC mini-CDs conceived as collectible objects within the streaming era.

KEBRADITO Remixes operates as both expansion and reinterpretation of an already established universe. The four invited producers reorganize the tensions of the original material from different perspectives while preserving the instability that defines the project. Glitch, rave, digital melancholy, and perceptual rupture converge into a release that transforms error into atmosphere and fracture into sonic language.

A must-attend date in Madrid
For listeners wanting to go deeper, the official presentation will take place on May 8 at Madreams: a live set featuring a unique visual setup and special collaborations. Limited tickets available.

Label: Ketapasando
Artist: Ju-Ju
Title: KEBRADITO Remixes
Catalogue: KTPEP043

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. Post-Gripe B (Silvia Torres Remix) 04:54
2. G.O.Y.J (Umami Remix) 03:33
3. Cuidado con el gatito (Kid Cala Remix) 03:41
4. Keygen for Free Airplane Tickets (Alemal Remix) 05:37
Club Furies Signals

Ju-Ju

SoundCloud | Instagram | TikTok | Linktree

Ketapasando

Website | SoundCloud | Instagram | Facebook | Bandcamp

Club Furies

#Breakcore #Breaks #CFPremiere #clubFuries #ClubFuriesPremiere #EBM #Electrónica #Electronic #Electronica #Footwork #IDM #Jungle #KEBRADITO #Ketapasando #Madrid #Premiere #premiereCF #PremiereClubFuries #Remixes #Spain #techno

Club Furies 4h ago

CF Signals: YOUTHINDRVGS – Darkness [Behind The Noise]

YOUTHINDRVGS, a duo formed in 2026 by Peerk (Spain) and Leandro Montesco (Argentina), develops a practice where hard groove, techno, melodic techno, and deep-oriented textures converge under a clear artistic direction focused on preserving identity and emotional tension beyond stylistic boundaries. Their productions operate through rhythmic intensity and atmospheric construction, integrating club-driven force and melodic depth within the same sonic architecture. For one of their most recent releases, the project lands on the Mexican label Behind The Noise with a two-tracker loaded with symbolism and conceptual density.

Sic Mundus Creatus Est unfolds through a melodic techno language shaped by synthesizers moving between aggression, harmonic resonance, and immersive depth. The EP emerges from a critical reading of the genre’s current state, taking as its starting point a sense of structural exhaustion within contemporary melodic techno. From there, the duo reorganizes classic elements and modern sensibilities into a sonic renewal that reconnects with the emotional power of the genre’s roots while maintaining a contemporary production approach.

https://clubfuries.com.mx/2026/04/27/cfp-melina-genchi-fuego-202026btn/

The release is structured around ideas of death, transformation, and rebirth. The alchemical reference behind “Sic Mundus Creatus Est” — “Thus the world was created” — operates as the central symbolic axis, further amplified by its contemporary association with the series Dark and its notion of infinite temporal loops. That sensation of cyclical time permeates the entire EP: rhythms bending time onto itself, melodies expanding perception, and sequences generating a continuous movement between memory, present, and futurist projection.

https://soundcloud.com/clubfuriess/cfp-youthindrvgs-darkness-behind-the-noise

The production maintains a precise balance between physical drive and introspective weight. Grooves advance with stability while melodic layers create an almost hypnotic sensation of suspension. Expansive sonic landscapes, flickering lights, and deep pulsations move throughout the release with a narrative focused on immersion and perceptual alteration.

The track “Darkness” opens the journey with thick, attitude-driven synthesizers, establishing an immediate and enveloping energy. From the first moments, rhythmic halos expand the sensation of time in multiple directions, as though past and future coexisted within the same sonic current. Vocals introduce strategic pauses that reorganize tension before the melody rises again through electric delirium and carefully controlled intensity. The result sustains a solid balance between emotional darkness, dancefloor propulsion, and a melodic sensibility that remains active from beginning to end.

Label: Behind The Noise
Artist: YOUTHINDRVGS
Title: Sic Mundus Crieatus Est
Catalogue: 192026BTN

Release Date: May 7, 2026
Support & Buy: Bandcamp

Tracklist
1. Darkness 05:43
2. Tell Me Now 05:20

YOUTHINDRVGS

Instagram | Peerk | Leandro Montesco

Behind The Noise

SoundCloud | Instagram | Bandcamp | Beatport | YouTube

Club Furies

#Argentina #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #DarkDisco #Electrónica #Electronic #Electronica #IndieDance #MelodicHouse #MelodicTechno #Mexico #Premiere #premiereCF #PremiereClubFuries #Spain #techno #Toluca #YOUTHINDRVGS

Club Furies 1d ago

CF Signals: Martin Villalba – Love And Stop [Tlaloc Records]

Tlaloc Records, the Mexican vinyl and digital label founded in 2014, develops a line focused on minimal and techno through an identity shaped by references to Mexican indigenous roots and a dark, hypnotic, experimental sonic sensibility. Its catalog explores the relationship between perception, rhythm, and atmospheric depth through a curatorial approach centered on tension, detail, and immersive construction.

Over the years, the label has established a recognizable presence within the international minimal circuit thanks to a consistent artistic direction and a strong network of collaborations with artists and producers aligned with its aesthetic vision. Each release expands a language where ritual, mental immersion, and physical energy converge within the same listening experience.

https://clubfuries.com.mx/2024/06/09/club-furies-premiere-martin-villalba-dark-soul-tlaloc-records/

For one of its most recent releases, Tlaloc Records presents Argentine producer Martin Villalba, born in Buenos Aires and connected to music from an early age through his interest in different instruments and compositional forms. Over time, that exploration evolved toward electronic music and particularly techno, where he consolidated a practice centered on rhythmic precision and atmospheric design.

At the age of 25, he deepened his mixing technique and musical training at Arjaus, one of Latin America’s most respected academies. That process expanded his creative perspective and connected him with other DJs and producers, strengthening both his technical knowledge and the development of a personal identity focused on progressive tension and hypnotic techno structures.

https://soundcloud.com/clubfuriess/cfp-martin-villalba-love-and-stop-tlr161

The release “Love And Stop” unfolds through a sustained energy that constantly remains on the edge of total combustion. Its structure advances through a sonic architecture alternating between explicit intensity and contained intensity, generating a sensation of continuous pressure that never fully releases itself. Volcanic peaks, underground currents, and dense pulsations move through the track simultaneously, maintaining a permanent state of expectation on the dancefloor.

The sound design handles shifts in energy and perception with surgical precision. Slowly rising layers, metallic resonances, and hypnotic sequences build an enveloping texture where every element seems to revolve around a core in constant eruption. Tension remains active throughout the entire journey, allowing the track to sustain both power and depth without losing control.

Label: Tlaloc Records
Artist: Martin Villalba
Title: Love And Stop
Catalog: TLR161

Release Date: May, 2026
Support & Buy: Bandcamp

Martin Villalba

SoundCloud | Instagram | Linktree

Tlaloc Records

SoundCloud | Instagram | Facebook | Bandcamp | Linktree

Club Furies

#Argentina #BuenosAires #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #Experimental #Groovy #MartinVillalba #Mexico #Premiere #premiereCF #PremiereClubFuries #techno #TlalocRecords

Club Furies 1d ago

CF Signals: Dan Marnane – Feel (Just The Same) [BBop Music]

Dan Marnane has shaped a sound where house takes on a tactile, almost climatic quality. His productions and remixes revolve around a specific kind of brightness—warm surfaces, breathing rhythms, and a sensibility tied to open, sunlit spaces. There’s a distinct identity in that pulse, a way of building groove that holds itself without excess.

On BBop Music, “Feel (Just The Same)” aligns with that vision while sharpening its edges. From the opening moments, the track establishes an immediate presence: rounded basslines, light yet grounded percussion, and a contained electricity that moves through the entire structure. The body locks in effortlessly, as if the rhythm had already been unfolding before the first note.

https://clubfuries.com.mx/2026/04/26/cfp-anatoly-space-over-bbm330/

Its texture leans into warmth. Layers glide over each other with ease, leaving open pockets where air moves freely between elements. The mix remains clear, allowing each detail to surface without overcrowding, creating a steady sense of space. Time feels slightly stretched—not through slowing down, but through the way the sound shapes perception.

https://soundcloud.com/clubfuriess/cfp-dan-marnane-feel-bbm331

There’s a subtle suspension at play. Everyday momentum fades into the background, and listening shifts into a lighter, more permeable state. It’s not escape, but a brief recalibration—temperature shifts, the body responds, and the mind follows a softer inertia.

“Feel (Just The Same)” holds that balance between physical drive and atmospheric presence. A track that settles in naturally, moving like a steady current that carries the dancefloor forward without interruption.

Artist: Dan Marnane
Title: Feel (Just The Same)
Label: BBop Music
Genre: House
Catalogue: BBM331

Release Date: May 8, 2026
Support & Buy: Beatport

Dan Marnane

SoundCloud

BBop Music

SoundCloud | Facebook | Beatport

Club Furies

#BBopMusic #CFPremiere #clubFuries #ClubFuriesPremiere #DanMarnane #deepHouse #Electrónica #Electronic #Electronica #house #Ireland #Manchester #MelodicHouse #Premiere #premiereCF #PremiereClubFuries #UK

Club Furies 2d ago

CF Premiere: Shaun Moses, Aardy – Noah [Illegal Alien Records]

Over the past decade, Shaun Moses has established a strong presence within the electronic underground of the Indian subcontinent. From Goa, his language is rooted in a raw, continuous strain of techno, where sub-bass drives forward relentlessly and grooves are structured with focused insistence. The sound is built through a direct logic: sustained pressure, controlled energy, functional clarity.

Alongside this, Aardy has developed a trajectory that extends the reach of Asian techno from Hyderabad. More than two decades of sonic exploration inform his work, drawing from influences that range from Indian classical music to rock, disco, and blues. This breadth condenses into a precise technical language, shaped across warehouse environments and global circuits. His role as founder of Hydrozoa Recordings and A&R at Octopus Recordings reflects a curatorial vision grounded in detail, structure, and global projection.

https://clubfuries.com.mx/2026/04/19/cfp-thisisthx-ic-4351-iar396/

Their convergence takes form in Raw Aesthetic, Shaun Moses’s debut on Illegal Alien Records. The EP enters with determination, embedding itself into the label’s catalog through a clearly defined energy. Four tracks compose the release, including two collaborations with Aardy that expand the sonic field while maintaining cohesion. Driving grooves, tense synth work, and carefully treated vocals form a system where each element serves a distinct role.

The EP unfolds as a continuous surface. Tension builds, redistributes, and circulates again, creating prolonged states that keep the body engaged. There is discipline in the design, allowing intensity to remain sharp and controlled. The result is an immersive, almost labyrinthine landscape where hypnosis develops gradually and holds its ground.

https://soundcloud.com/clubfuriess/cfp-shaun-moses-aardy-noah-iar397

Within this framework, “Noah” stands out with particular clarity. From the outset, the track expands through fine sonic threads, delicate filaments that establish its tone with immediacy. The rhythmic base settles firmly as layers assemble around a stable core. A luminous quality emerges in its progression, with flashes that cut through the structure and generate a sense of continuous elevation.

The track builds through a controlled ascent, accumulating energy while maintaining clarity. Its spatial dimension widens, projecting beyond the dancefloor into a field that approaches the intergalactic. This is not decorative imagery, but an expanded perception: sound becomes lighter, almost suspended, while a solid foundation sustains movement throughout.

Raw Aesthetic leaves a defined mark within Illegal Alien’s catalog. It functions as an assertion of presence, outlining Shaun Moses’s direction while amplifying the collaborative dynamic with Aardy. The result remains active, held in tension, extending beyond its immediate duration.

Label: Illegal Alien Records
Artist: Shaun Moses, Aardy
Title: Raw Aesthetic
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR397
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklis
1. Shaun Moses – Crunchy (Original Mix)
2. Shaun Moses – Raw Aesthetic (Original Mix)
3. Shaun Moses, Aardy – Noah (Original Mix)
4. Shaun Moses, Aardy – Poison (Original Mix)

Shaun Moses

SoundCloud | Instagram | Linktree

Aardy

SoundCloud | Instagram | Facebook | Linktree

Illegal Alien Records

Club Furies

#Aardy #CFPremiere #clubFuries #ClubFuriesPremiere #DeepTechno #Electrónica #Electronic #Electronica #GrooveTechno #IllegalAlienRecords #Premiere #premiereCF #PremiereClubFuries #RawTechno #SciFiTechno #ShaunMoses #techno

Club Furies 2d ago

CF Interview | Rigor: No Memories — Techno as the Architecture of Forgetting

Some releases work on the dancefloor. Others alter perception from within. No Memories, Rigor’s debut on SRC_Records, belongs to that second category: three peak-time techno cuts built with a clinical precision that operates as a method and absolute control over sonic space.

Born and shaped in Berlin, with more than thirteen years immersed in club culture, Rigor has developed a language positioned between dark minimalism and dancefloor energy, sustaining constant tension between both axes. His tracks operate through sustained pressure, precise repetition, and a sound design focused on depth and clarity.

His background as an audio engineer on productions for Netflix, Warner Bros., and HBO directly informs the way he constructs sound. Here, sound design never appears as decoration or superficial layering; it organizes dense atmospheres, mental structures, and trajectories that impact both the physical and perceptual dimensions. Every element is placed with clear intent, pushing the experience beyond immediate pulse and toward a state of psychological immersion.

No Memories is available exclusively on Beatport from April 9th, 2026, and on all platforms from April 23rd, via SRC_ Records (SRC2).

Berlin and origins

Club Furies (CF): You have been immersed in Berlin’s club culture for over 13 years. At what point in that journey did you feel you had found your own language as a producer?

Rigor: It wasn’t that long ago. From the outset, I had a clear vision of the sound I wanted to pursue, but I lacked the technical foundation to fully realize it. That changed when I completed my training in audio engineering—around four years ago—which also led me to commit to Ableton. Since then, I’ve been able to shape and refine a sound that genuinely feels like my own.

CF: Berlin carries a very heavy mythology around techno. How do you live with that shadow without letting it crush your identity?

Rigot: It’s a constant challenge. But by resisting the pull of the mainstream, you naturally carve out your own space—one where your identity can develop and solidify without compromise.

https://soundcloud.com/defmainmusic/if-wishes-could-kill

No Memories — the EP

CF: The title No Memories suggests a state of absolute present, an erasure of the past. How did that concept emerge in relation to the music?

Rigor: The EP title, much like the track names across all my releases, reflects my current state of mind. The music follows the same principle—it’s always tied to a specific emotional moment.

CF: The press release describes the EP as music designed to “bypass the pulse and go straight for the psyche.” What concrete production decisions did you make to achieve that?

Rigor: I work with punchy, driving drums, layered with bleep-driven synths and atmospheric textures, aiming to engage the listener on a more subconscious level.

CF: The three tracks work as a unit but each carries its own weight. How did you build the internal progression of the EP?

Rigor: There’s a lot of intention behind it. Working within the same key across a release helps maintain tonal coherence and creates a unified sonic language. It supports the mixdown process and allows the tracks to transition seamlessly, forming a continuous narrative.

https://soundcloud.com/defmainmusic/no-memories

III

Technical process and sound design

CF: Your training as an audio engineer — working on productions for Netflix, Warner Bros., HBO — implies a very specific discipline. How does that background speak to your work as a club music producer?

Rigor: It can be challenging. Spending eight hours a day working in a DAW inevitably shifts your relationship to it. That’s why most of my own production happens on weekends or during time away—it needs a different kind of headspace.

CF: You started with a Xone mixer and analog hardware before settling into Ableton. What did the analog world leave you with that no software could replace?

Rigor: For the first six to seven years, I spent countless hours in DAWless jam sessions with my best friend. Those sessions were essential—they shaped my sense of timing and laid the groundwork for my approach to sound design.

https://soundcloud.com/defmainmusic/scared

SRC_ Records and the ecosystem

CF: You already have releases on BCCO, Concrete Tbilisi, and Pure Echo. What does SRC_ Records have that those other contexts did not?

Rigor: I appreciated the clarity and professionalism in the way everything was handled. Beyond that, the label’s commitment and its strong, reliable distribution made a real difference.

The dancefloor as psychological space

CF: Techno has a long history with altered states of consciousness and dance as collective ritual. How do you think about the dancefloor when you produce?

Rigor: For me, being a techno producer also means understanding the dynamics of the dancefloor. You need an open mindset and a certain sensitivity for the crowd—only then can you truly connect with people through your tracks.

CF: No Memories is conceived for the late hours of the night. If you had to place it at a precise moment within a set, what would that moment be and why?

Rigor: I see this release unfolding in the final third of a set. I tend to build things more minimally in the beginning, so these tracks naturally belong to that later moment—when the energy becomes more focused and immersive.

https://clubfuries.com.mx/2026/04/26/cfr-2026-04-rigor-no-memories-src-records/

Closing

CF: This EP also seems to function as a broader declaration of intent. Where does Rigor go from here?

Rigor: I’m not working toward a fixed destination. The goal is to keep evolving and to release music on labels that resonate more and more with my artistic direction.

CF: Is there something in No Memories that you feel cannot be read with ears alone — something you would want to say directly to the listener?

Rigor: I value all kinds of feedback, especially when it gives me insight into where and by whom my tracks are being played. That connection to the outside world is an important part of the process.

https://soundcloud.com/defmainmusic/sets/rigor-no-memories

No Memories functions as a statement of principles transformed into sound. With this debut on SRC_Records, Rigor presents a fully defined identity, developed through years of work, immersion in club culture, and a pursuit guided by rigorous personal standards.

The combination of advanced technical training and direct dancefloor experience runs through every detail of the EP. Precision structures the sound with clarity and depth, while darkness maintains a constant presence within the textures, tension, and movement of the tracks. The entire release conveys a feeling of absolute control over sonic space and emotional dynamics.

Three cuts built for the late hours of the night, when perception begins to shift rhythm and the dancefloor enters a more introspective state. The energy remains steady and forceful, while the mind gradually starts moving somewhere else.

Artist: Rigor
Title: No Memories
Label: SRC_ Records
Catalog Number: SRC2

Beatport Exclusive Pre-order: April 9, 2026
Global Release: April 23, 2026
Support & Buy: Bandcamp

Tracklist
1. If wishes could kill
2. No Memories
3. Scared

Rigor

SoundCloud | Instagram | Bandcamp

Defmain_Platform

Website | SoundCloud | Instagram | Facebook | Bandcamp

SRC_Records

Instagram

Club Furies

#Berlin #Canada #CFInterview #CFPremiere #clubFuries #ClubFuriesPremiere #DarkTechno #defmainMusic #DefmainPlatform #Electrónica #Electronic #Electronica #Germany #industrial #industrialTechno #NoMemories #Premiere #premiereCF #PremiereClubFuries #Rigor #SRCRecords #techno

Club Furies 3d ago

CF Signals: D MONSH – No Hay Techo [DTKTD Records]

Founded in 2017 as an event platform, DETEKTED became a driving force for underground artists within the Argentine electronic scene. In 2024, the project expanded its vision through the creation of DTKTD Records, carrying that same curatorial energy into a label format.

https://clubfuries.com.mx/2026/01/21/cfp-hiroshina-sigo-de-largo-dtktd007/

Its new compilation, BASEMENT TOOLS, operates like a partial map of contemporary techno tensions. The release moves through raw, hypnotic, groove-heavy territory while absorbing influences from UK garage, dubstep, and other strands of club-oriented electronic music. It also introduces new artists into the label’s orbit, including Merlina, Agustina Alcober, MAGEM, Mxrtin (AR), Jeremy LP, D MONSH, and Ramiro Koaz.

Among them appears D MONSH, a producer and DJ whose practice has evolved through techno, drum & bass, UK garage, and dubstep. His contribution, “No Hay Techo,” brings a distinct energy into the compilation: sustained pressure, mental tension, and a rhythmic sensibility that gradually reshapes the atmosphere of the dancefloor.

https://soundcloud.com/clubfuriess/cfp-d-monsh-no-hay-techno-dtktd008

From the opening moments, the track establishes a relentless hammering pulse running through the entire structure. Percussion strikes with insistence while wrapped in a soft, almost velvety texture. That contrast creates a peculiar sensation: the body absorbs the impact while the sonic surface remains smooth and restrained. Like wet concrete barely lit by stroboscopic light.

Repetition slowly takes control of perception. Subtle shifts open fractures inside the loop, guiding the listener toward increasingly deeper hypnotic states. The groove settles into the body with patience, altering the way time seems to circulate inside the club.

https://clubfuries.com.mx/2025/08/31/cfp-alan-berbel-b3nz-traccion-sonora-dtktd005/

As the track develops, the texture grows rougher. New layers emerge like metallic residue attached to the rhythm, redirecting its emotional charge. The initial trance mutates into nervous movement, into a semi-frenetic dance where energy remains contained while constantly approaching rupture.

“No Hay Techo” thrives within that ongoing tension between softness and friction. A track that understands the club as a space of perceptual transformation, where sound becomes physical pressure, atmosphere, and shared mental state.

Label: DTKTD Records
Artist: Various Artists
Title: BASEMENT TOOLS
Catalogue: DTKTD008
Mastered: FRONTMAN MANAGEMENT
Artwork: RUMANU
Format: Digital

Release Date: May 4, 2026
Support & Buy: Bandcamp

Tracklist:
1. Jeremy LP – Untitled003 (Original Mix)
2. Merlina – Judgement (Original Mix)
3. Ramiro Koaz – My Big Room (Original Mix)
4. D MONSH – NO HAY TECHO (Original Mix)
5. Mxrtin (AR) – Reply to the Unknown (Original Mix)
6. Agustina Alcober – New Flava (Original Mix)
7. MAGEM – It’s Basic Chinese (Original Mix)
8. RUMANU – RITUAL (Original Mix)

D MONSH

SoundCloud | Instagram | Bandcamp

DTKTD Records

SoundCloud | Instagram | Bandcamp | YouTube

Club Furies

#Argentina #BASEMENTTOOLS #BuenosAires #CFPremiere #clubFuries #ClubFuriesPremiere #DMONSH #DTKTDRecords #DTKTD008 #Electrónica #Electronic #Electronica #GroovyTechno #HardGroove #Hypnotic #Premiere #premiereCF #PremiereClubFuries #techno #VA #VariousArtists

Club Furies 3d ago

CF Premiere: Avilynn – Faster Than AI [Systolic]

Avilynn positions herself as a sound artist working across multiple fronts: production, DJing, and curation converge into a practice where sound is treated as a system. Based in Berlin, her approach constructs immersive environments where tension and detail sustain a continuous narrative. Each alias becomes a reconfiguration of language, shifting her center without losing direction.

Her presence within the underground circuit has grown through that logic. Rather than a fixed aesthetic, what emerges is a consistent way of shaping space and experience. Sound operates as a moving architecture, where every element is calibrated to produce an enveloping, time-based perception.

This approach extends beyond the booth. The limited-edition modular cases she designs function as objects that carry her sonic thinking into the physical realm. They are not accessories, but components of the same system, integrating material and auditory dimensions within a practice grounded in applied experimentation.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic/

Within this framework, Archive Series on Systolic appears as a record in motion. The selection gathers previously unreleased tracks produced over recent years, condensing an earlier phase without fixing it as a closed past. The archive becomes active—organizing, connecting, and revealing the lines that shape her evolution.

The release signals a shift toward a new stage centered on hardware, live recording, and a more defined sonic language. These pieces act as traces of a system in transition, retaining relevance through their repositioning in the present. There is a sense of closure, accompanied by a controlled opening toward what follows.

https://soundcloud.com/clubfuriess/cfp-avilynn-faster-than-ai-systolic

Within the collection, “Faster Than AI” stands out with particular clarity. The track translates states associated with contemporary anxiety and uncertainty about the future into a structure that intensifies progressively. Tension builds from an initial pulse, accumulating pressure into a sustained rise toward overflow.

Beyond that peak, the piece moves into a more diffuse zone. Rhythm remains, yet perception shifts: a liminal quality emerges, suspended between what has just unfolded and what has yet to settle. The sound becomes lighter, less defined, carrying a resonance that extends the impact without repeating it.

What remains is not resolution, but persistence. Archive Series settles as a threshold—simultaneously memory and projection, where the archive does not preserve; it reshapes.

Label: Systolic
Title: Archive Series ep
Artist: Avilynn
Catalogue:

Release Date: May 7th, 2026
Support & Buy: Bandcamp

Tracklist
1. Avilynn – Faster Than AI
2. Avilynn – Hash
3. Avilynn – Vortex

Credits
Music: Avilynn
Mastering: Ddroga
Artwork: Adrian Gambin

Avilynn

Website | SoundCloud | Instagram | YouTube

Systolic

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Club Furies

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Club Furies Apr 26

CF Signals: DJ SUNSHINE – Sloppy Day In UK [OMERTA]

From Russia, OMERTA continues shaping a catalog where emotion moves as a subtle yet persistent current. Its motto—“My sorrow is light!”—finds a precise translation in DJ Sunshine. UK N/A, a five-track release, unfolds as an exercise in temperature: a light that settles into dense surfaces and moves through them from within.

The record operates within compact digital textures, where warmth begins to circulate rather than break through. A memory of classic house pulses beneath the surface, embedded in the present as active motion. The sound carries a familiarity that emerges through the body before it registers as reference.

https://clubfuries.com.mx/2026/02/23/cfp-ronin-the-pain-inside-outro-omerta/

Its structure rests on wide, grounded basslines that anchor the dancefloor. Around them, analog layers introduce a soft grain, almost tactile, while vocals surface as orientation points within the flow. Everything advances with clarity, allowing each element to settle into place and build a continuous expansion.

Movement develops without abrupt gestures. The groove opens and sustains itself, creating a steady circulation of energy. The dancefloor responds through prolonged attention, where warmth accumulates and redistributes with each transition. DJ Sunshine shapes this space with precision, adjusting density while preserving lightness.

https://soundcloud.com/clubfuriess/cfp-dj-sunshine-sloppy-say-in-uk-omerta

Within this framework, “Sloppy Day in UK” reveals a particularly refined quality. The track glides with a softness that seems to hover over its own rhythm, while maintaining an internal electric charge that gradually activates the body. Its progression remains steady, grounded yet fluid.

Vocals appear as intermittent flashes, fragments of memory cutting through the surface. They introduce an expanded sense of time, where past and present vibrate together. The texture remains clean and luminous, giving each layer room to breathe.

The result is a piece that integrates seamlessly into the release, reinforcing its identity through nuance. UK N/A finds its persistence in these details—a warmth that lingers, a light that continues to move long after the track fades.

Label: OMERTA
Artist: DJ SUNSHINE
Title: UK N/A
Catalogue:

Release Date: April 28, 2026
Support & Buy: Bandcamp

Tracklist
1. DJ SUNSHINE – Sloppy Day In UK
2. DJ SUNSHINE – The Feelin
3. DJ SUNSHINE – To Motion
4. DJ SUNSHINE – Be Radiant
5. DJ SUNSHINE – Free

Credits
OMERTA RECORDS
Founder: Gal
Co-founder: Ruksby
Artwork by www.instagram.com/mosin.tattooer
Mastered by Snarexx

DJ SUNSHINE

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OMERTA RECORDS

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Club Furies

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Club Furies Apr 25

CF Signals: n-trip – Amplify [Armen Crew]

ntrip² doesn’t start from a fixed place: it builds itself in the in-between space. It doesn’t seek to define itself but to displace —and that, precisely, is its clearest statement of intent. From there, n-trip arrives at Armen Crew with a four-track EP that moves along the edges: electro, techno, and breakbeat in constant tension, without settling into any one of them. This is not indecision —it’s a deliberate stance against the comfort of categories.

https://clubfuries.com.mx/2021/08/02/premiere-club-furies-john-deere-420-tribute-to-konoha-la-grande-gudule-x-garage-83-c-x-armen-crew/

Composed on Gadigal land, the release works from a clear idea: movement within ambiguity. Rhythms mutate, textures collide, and tension accumulates at that precise point where structure ceases to be rigid and flow takes control. There is no linearity here, only transitions —and that difference is not a small one. Each track operates as an open system in permanent adjustment, responding to its own unfolding rather than to any preset form. The result is music you can’t fully anticipate, and which for that very reason keeps attention alive from beginning to end.

https://clubfuries.com.mx/2024/04/01/club-furies-premiere-ert-introspection-armen-crew/

The expansion arrives with remixes from Ritmu, Interimm, and Capon, which don’t reinterpret but reconfigure. From a minimalist and cognitive precision to passages that are more melodic and emotionally charged, each version shifts the axis without breaking the continuity of the whole. These aren’t alternative readings of the same material: they are sonic states in transformation, where boundaries dissolve and energy remains in constant motion. An EP that grows beyond itself.

https://soundcloud.com/clubfuriess/cfp-n-trip-amplify-arm009

«Amplify» functions as exactly what its name announces —an amplifier. But it does so from a completely unexpected place: not through volume or raw intensity, but through a patient, sober, and masterfully handled sound design that amplifies from within, almost in silence. Throughout the entire track, electro and techno blur subtly into a connivance so natural it never feels forced —they coexist as if they had always spoken the same language. And when the synthesis arrives, it does so amid cybernetic decouplings in the sonic circuits that don’t close the track but open it toward another dimension —one the ear takes a second to recognize, but the body grasps immediately.

Label: Armen Crew
Artist: n-trip
Title: ntrip² EP
Catalogue: ARM009
Remixes: Ritmu, Interimm, Capon
Genre: Techno, Electronic Breakbeat
Digital Only

Release Date: April 30th, 2026
Support & Buy: Bandcamp

Tracklist
1. Limit
2. Amplify
3. de-esc2b
4. Ionosphere
5. Ionosphere (Ritmu remix)
6. Limit (Interimm Forest remix)
7. Ionosphere (Capon remix)

Credits
Mastering: Simon Hamelin @ HDN Mastering
Ritmu remix > Mastered @ Booker Audio
Artwork & Design : n-trip & Formanoire}

n-trip

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Armen Crew

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