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#VortexWave #TwoShell #Electronica #IDM #2020s

Falls ihr Interesse an glitchy Electro-Jazzfunk-JPop (think Cornelius via Aphex Twin plus Squarepusher et al) hört Euch mal das neue Album "Isan" von Sasuke Haraguchi an. Funky, wunderbar kaputt, abwechslungsreich. Enthält den Banger "Hito Mania".

Links zum Album:
https://linkco.re/s3Mh4SNa?lang=en&select=listen

Artikel aus 2025 über ihn:
https://www.japantimes.co.jp/culture/2025/04/25/music/sasuke-haraguchi/

#music #jpop #electronic #idm #glitch #vocaloid #重音テト

Amber is the second studio album by the British electronic music duo Autechre, released on 7 November 1994 by Warp. It was the first Autechre album to be composed entirely of new material, as their debut album Incunabula was a compilation of older tracks.

..Ned Raggett of AllMusic gave the album a four-and-a-half star rating out of five, and compared the album to Incunabula, opining that "a couple of tracks could be removed with no problem, while tracks like "Montreal" and "Slip" continue the basic Incunabula formula without noticeable change." Raggett concluded that "things are clearly starting to gel a little more here than on previous releases; the great leap forward becomes all the more logical in retrospect." - Wikipedia

https://www.youtube.com/watch?v=yIyVEJd0fNc

#Autechre #IDM #Techno #Ambient #AmbientTechno #Music #WarpRecords

Basic Data Manipulation (Tastes And Textures ⋆ Vol.2) by Beaumont Hannant, released on General Production Recordings in 1993.

Beaumont Hannant (born c. 1970) is a British musician, producer and DJ from York, England. His work includes ambient techno, IDM, hip hop and indie rock...

...During 1993–1994, he released several solo albums on General Production Recordings rooted in ambient techno. His music from this period has been described as eclectic, densely layered and textured. - Wikipedia

https://www.youtube.com/watch?v=CSziZh5NF5o

#BeaumontHannant #Techno #IDM #AmbientTechno #Music

Tastes And Textures EP (Volume One) by Beaumont Hannant, released in 1993 on General Production Recordings.

Beaumont Hannant (born c. 1970) is a British musician, producer and DJ from York, England. His work includes ambient techno, IDM, hip hop and indie rock. Hannant has received positive critical reviews,[citation needed] and he was named one of "The Faces of '94" by music magazine Select.

Hannant became a hip-hop/electro DJ in 1986, after witnessing the 1986 World Mixing Championships. During 1993–1994, he released several solo albums on General Production Recordings rooted in ambient techno. His music from this period has been described[citation needed] as eclectic, densely layered and textured. - Wikipedia

https://www.youtube.com/watch?v=FWU56e75IsY

#BeaumontHannant #AmbientTechno #IDM #Techno #Ambient #Music

Ended Monday and welcomed Tuesday after a swim with Colourform by The Higher Intelligence Agency released on Beyond in 1993.

Higher Intelligence Agency (HIA) is the main electronic music project of Birmingham, UK-based Robert (Bobby) Bird. The project was featured on Warp's Artificial Intelligence II compilation and went on to release the critically acclaimed albums Colourform (1993) and Freefloater (1995).

HIA was formed by Bird in 1992 around the same time as he and a small group of collaborators began an experimental electronic music club night called Oscillate. Bird brought his drum machines and keyboards to the club night and improvised live in-between playing records - Wikipedia

https://www.youtube.com/watch?v=oYAdx3wBfpE

#TheHigherIntelligenceAgency #IDM #AmbientTechno #Ambient #BobbyBird #Techno #Music

CF Signals: The Lost Boys – Against Infinity [Subsist Records]

Five years ago, Raszia, better known as The Lost Boys, released one of those rare tracks that continues to resonate long after its initial impact. A piece that not only became a lasting favourite of ours, but one that we also had the privilege of presenting as a Premiere. Since then, his artistic trajectory has remained remarkably consistent, evolving beyond familiar formulas while steadily refining a singular sonic identity.

Now he returns to Subsist Records with his second full-length album for the label, further developing a vision in which electro and breaks operate less as genres and more as evolving languages. Acid sequences, IDM-inflected textures, and melodic passages weave throughout the record, creating a space where dancefloor energy coexists with a deeply introspective sensibility.

https://clubfuries.com.mx/2021/04/28/premiere-cf-the-lost-boys-orbital-mirror-hxagrm-records/

Across the album, fragmented rhythms and electronic architectures unfold through constantly shifting forms. Moments of direct propulsion sit alongside passages that seem to pause and reflect upon themselves. That ability to balance movement and contemplation remains one of the defining qualities of The Lost Boys’ work.

Within this broader journey, Against Infinity occupies a pivotal role. Not simply because it opens the album, but because it introduces many of the ideas that continue to echo throughout the record. It functions as both a sonic and conceptual threshold, offering the first glimpse into the world Raszia constructs across the release.

https://clubfuries.com.mx/2026/05/22/cfp-pont-no-time-subsist-282d/

From its opening moments, the track establishes an atmosphere that resists simple emotional categorisation. There is nostalgia, though not tied to any particular memory. There is melancholy, though never enough to become burdensome. Above all, there is a sense of continuous expansion, as though each new layer extends the boundaries of perception a little further.

The pads unfold with an almost weightless quality, generating a spacious environment where time itself appears to slow. Beneath them, rhythmic sequences maintain a steady sense of motion, preventing the composition from drifting entirely into abstraction. Between these forces emerges a compelling tension. The desire to move forward and the impulse to remain suspended.

What makes Against Infinity especially compelling is its ability to unite elements that might otherwise feel disconnected. Electro, breaks, acid, and more abstract influences converge without competing for attention. Each retains its own identity while contributing to a larger structure that continuously redefines their relationships.

https://soundcloud.com/clubfuriess/cfs-the-lost-boys-subsist-283d

It feels like a form of unity built through difference. A meeting point where seemingly incompatible elements discover new ways of coexisting. This is not simply eclecticism. The real achievement lies in how naturally Raszia weaves these distinct languages into a coherent whole, transforming diversity into cohesion.

As the track progresses, the sense of infinity suggested by its title begins to take on a tangible presence. Not as an abstract concept, but as a perceptual experience. Time ceases to feel linear. Past, present, and future collapse into the same current of sound, creating a listening experience that extends beyond its own duration.

Perhaps this is one of the reasons we continue returning to the work of The Lost Boys. Beyond the technical precision, beyond the sound design and rhythmic mastery, there remains something increasingly rare. A capacity to transform electronic music into a space where emotion and exploration continue to meet.

Label: Subsist Records
Artist: The Lost Boys
Title: Against infinity
Catalogue: SUBSIST.283D
Artwork by Malasombra
Mastering by The Lost Boys

Release Date: June 9, 2026
Support & Buy: Bandcamp

“Sound Expression Against World Pressure”

Tracklist
1. Against Infinity
2. Close contact with the Last station
3. Compulsive Subsonics
4. Dying of The Light
5. Galactography
6. Inscribed on metal
7. Satellite Five
8. Triplanetary

The Lost Boys

SoundCloud | Facebook | Raszia

Subsist Records 

SoundCloud | Instagram | Facebook | Bandcamp | Formaviva | YouTube | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree