CF Signals: 42 – Event Horizon [Sonic Perception]

‘Dhāraṇā’ is the Sonic Perception label’s upcoming original compilation, conceived around the idea of focus, sustained attention, and concentrated expression. More than a conventional Various Artists release, the project operates as a space of convergence where each producer develops a personal voice while remaining connected to a larger collective flow. The listening experience unfolds like an extended state of attention: rhythms stretching through time, textures reshaping perception from within, and atmospheres turning space itself into something dense, fluid, and constantly shifting.

The compilation brings together 17 producers from India’s underground electronic circuit, constructing a shared narrative rooted in deep, hypnotic, and highly textural electronic music. Each contribution introduces a distinct approach to groove, spatiality, and sonic architecture, yet all remain linked through the same immersive logic. There is no search for immediate impact here — only the patient construction of tension, depth, and perceptual continuity.

In many ways, the release also reflects the current state of India’s electronic underground: a scene expanding without sacrificing complexity, capable of sustaining adventurous and emotionally precise work while remaining fully connected to the dancefloor. The label’s curation succeeds precisely because it transforms diversity into a common language, allowing every track to breathe independently while reinforcing the larger architecture of the compilation.

https://clubfuries.com.mx/2025/03/27/cfp-engram-debris-sonic-perception/

So far, ‘Dhāraṇā’ stands as the label’s most ambitious project, both conceptually and sonically. That careful curation becomes evident not only in the artist selection, but in the way the release manages energy, density, and movement across its full duration. The compilation never feels like a collection of isolated tracks, but rather like a living system of shared resonances.

One of those seventeen producers is 42, based in Mumbai, who contributes “Event Horizon”, arguably one of the most intriguing moments within the release. The track unfolds through a sound that feels fearless and agile while remaining strangely fresh, as though crossing electric savannahs suspended somewhere between physical deserts and digital underworlds. Percussion advances with controlled precision while luminous sequences and metallic textures gradually reorganize the space into increasingly deeper layers.

https://soundcloud.com/clubfuriess/cfs-42-event-horizon-spvs002

The resulting duality becomes especially powerful: heat and coldness, organic matter and synthetic architecture, physical propulsion and mental drift coexisting inside the same sonic current. The track feels as though it is moving simultaneously toward the future and toward a forgotten electronic memory, constructing a landscape where the human and the machinic can no longer be clearly separated.

Within that tension lies the true strength of “Event Horizon.” Not through excess, but through meticulous control over its internal movement. Everything remains in constant mutation: grooves folding into themselves, textures breathing slowly, and frequencies opening microscopic fractures inside perception. The result is a hypnotic and expansive piece that confirms 42’s ability to transform rhythmic pressure into deeply layered sensory experience.

Title: Dhāraṇā
Label: Sonic Perception
Artist: Various Artists
Catalogue: SPVA002
Format: Digital
Genre: Electronic
Style: Techno
Mastering: AudioSol
Artwork: acidboom

Release Date: June 6, 2026
Support & Buy: Bandcamp

Tracklist

42

SoundCloud | Instagram | YouTube

Sonic Perception

SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#42 #CFPremiere #clubFuries #ClubFuriesPremiere #DarkTechno #Electrónica #Electronic #Electronica #GrooveTechno #HypnoticTechno #India #MinimalTechno #Mumbai #Premiere #premiereCF #PremiereClubFuries #SonicPerception #techno

CF Signals: Inez Akker – No Pretzels Today [Equal]

There are collaborations in contemporary techno that function through aesthetic compatibility, and others that operate through something far rarer: the controlled friction between two distinct sensibilities that ultimately strengthen each other. EQUAL014 clearly belongs to the latter category. The release brings together Fractious, a long-established figure within raw and hypnotic UK techno, and Inez Akker, the Spanish-rooted, Amsterdam-based artist whose approach to groove and emotional tension has been quietly solidifying within the Dutch underground scene since 2018.

On one side, Fractious contributes the architecture of sustained pressure that has defined releases on labels such as Special Series, KD RAW, and RAW WORX — modulated synthesizers that seem to slide beneath the skin and percussion that advances like perfectly calibrated industrial machinery. On the other, Inez Akker introduces a different dimension altogether: one centered on internal groove propulsion, hypnotic storytelling, and a way of constructing movement that avoids immediate impact in favor of gradual psychological immersion. What makes the release compelling is that neither language attempts to overpower the other. Its strength emerges precisely from that unstable balance.

Within that dialogue, “No Pretzels Today” stands out as a perfect demonstration of Akker’s sonic sophistication. The track opens with a vibration that feels simultaneously piercing and velvet-like, as though its roughest frequencies had been carefully refined into tactile surfaces. Everything unfolds with almost architectural precision: the percussion never crashes into the mix aggressively, but instead settles slowly into a warm and deeply absorbing texture.

https://soundcloud.com/clubfuriess/cfs-inez-akker-no-pretzels-today-equal014

The hypnotic induction develops gradually, delicately, almost invisibly. Nothing feels abrupt or forced; trance emerges like a silent infiltration of body and perception. Grooves move patiently while subtle modulations continuously reshape the internal space of the track, expanding it toward increasingly deep and abstract territories. There is an ongoing sensation of temporal distortion, as though the track itself were bending linear time through repetition and sustained tension.

Then something even stranger begins to happen: the track opens perceptual fractures. Near Rosen-Einsteinian bridges slowly emerge between metallic layers, warm pulsations, and suspended resonances. Reality itself seems to reorganize around the groove — not through chaos, but through an extraordinarily refined hypnotic precision. “No Pretzels Today” does not seek impact through excess or violence; its power comes precisely from the opposite: absolute control, sensory depth, and a dark elegance that lingers long after the sound has faded.

Without exaggeration, this is one of the most finely constructed tracks we have encountered in recent weeks.

Artists: Fractious, Inez Akker
Label: Equal
Catalogue: EQUAL014

Pre-Order: May 15, 2026
Exclusive: May 29, 2026
Release Date: June 12, 2026
Support & Buy: Bandcamp

Tracklist:
1. Inez Akker – In need of novacaine
2. Fractious – Conspicious
3. Inez Akker – No pretzels today
4. Fractious – Death of Truth

Inez Akker

SoundCloud | Instagram

Fractious

SoundCloud | Instagram

Equal

Website | SoundCloud | Instagram | Bandcamp

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#Amsterdam #Berghain #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #Equal #Germany #GrooveTechno #HardGroove #HynoticTechno #InezAkker #MinimalTechno #Netherlands #Premiere #premiereCF #PremiereClubFuries #Spenge #techno

CF Signals: Nicko Shuo & Yuri Shevrakov – CI [Linee Sonore]

The lines of sound grow denser, heavier, and increasingly pressurized. Linee Sonore unveils ‘Kontur’, the new release by Nicko Shuo, an exploration where rhythmic geometry is pushed into a deeply physical and immersive state. Rather than using repetition as a purely functional device, the EP treats it as a mechanism of perceptual modulation: every loop, displacement, and subtle variation slowly reshapes the relationship between body, space, and time inside the dancefloor.

https://clubfuries.com.mx/2026/05/09/cfs-nicko-shuo-rejectiondvtr137/

Built around a rigorous 4/4 techno structure, the release unfolds through compact, persistent grooves where percussion becomes the gravitational core of the entire journey. Kicks move like blocks of wet concrete, while metallic hi-hats and tense sequences expand a continuous sensation of controlled pressure. The sound never fully erupts — it compresses. And much of its force emerges precisely from that restraint. Energy remains suspended in a constant state of imminence, as if every measure were about to collapse without ever completely breaking apart.

https://soundcloud.com/clubfuriess/cfs-nicko-shuo-ys-ci-ls012

Throughout the EP, Nicko Shuo develops a sonic architecture designed for demanding sound systems and extended club contexts. Layers accumulate gradually until they form dense, rugged surfaces that never remain static, constantly mutating from within. There is something almost mechanical in the way the elements interlock, yet the music never loses its organic and physical dimension. Techno here behaves like a hypnotic machine capable of absorbing perception until nothing remains but rhythm itself.

One of the central moments of the release arrives through the collaboration with Yuri Shevrakov, where the project pushes even deeper into movement, tension, and internal transformation. Together, both artists construct a precise interaction between repetition, progression, and spatial expansion, leading the EP toward a territory of greater textural density and immersive depth. The groove maintains a firm and steady pulse, yet always knows exactly when to shift direction, destabilize its own structure, or subtly alter its path in order to intensify the trance.

https://clubfuries.com.mx/2024/08/18/cfp-unusual-dreamcatcher-ls004/

The collaboration avoids obvious climaxes or immediate impact. Its strength emerges through meticulous energy control, through tiny shifts that gradually alter the listener’s mental flow. Progressive hypnosis — physical, immersive, and deeply sensory — where every variation feels like the opening of another hidden chamber inside the same sonic structure.

Amid sequences that unfold like industrial corridors illuminated by cold neon light, “Kontur” ultimately reveals itself as something beyond functional club techno. The EP becomes an exploration of pressure, repetition, and perceptual endurance — a space where the body stops following the rhythm and slowly begins to be shaped by it instead.

Label: Linee Sonore
Artist: Nicko Shuo
Featured Artist: Yuri Shevrakov
Title: Kontur
Catalogue: LS012

Release Date: May 31, 2026
Support & Buy: Bandcamp

Tracklist:
1. Kontur
2. Compressed Personality
3. Nicko Shuo & Yuri Shevrakov – CI
4. Last Hope

Credits
Produced & Mixed by Nicko Shuo & Yuri Shevrakov
Format: Digital WAV/MP3
Mastered by Tómas Gonzalez aka Red Noise
Artwork by 7 Times 7 Design

Nicko Shuo

SoundCloud | Instagram | Facebook | Beatport | Taplink

Yuri Shevrakov

SoundCloud | Instagram

Linee Sonore

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#AmbientTechno #CFPremiere #clubFuries #ClubFuriesPremiere #DarkTechno #DeepTechno #Electrónica #Electronic #Electronica #Experimental #GrooveTechno #HypnoticTechno #LineeSonore #NickoShuo #Premiere #premiereCF #PremiereClubFuries #RawTechno #techno #YuriShevrakov

CF Premiere: FFP – Macchina del tempo [Systolic]

FFP (Francesco Ponzio) builds his trajectory from southern Italy through a practice rooted in constant exploration. His approach to music operates as movement: each track opens a distinct state, a direct translation of tension and emotion into sonic matter. There is no fixation on a single style, but an evolving dynamic that reshapes itself with every release. Within this framework, GRAB MUSIC AND FLY becomes an active principle—a way of understanding sound as continuous motion.

With Il Giorno, presented on Systolic Maltese label, FFP enters the underground circuit through an EP designed for dense environments, low lighting, and sound systems that engage the body physically. The release is structured around rough electronic textures and a dominant vocal presence, organized within a flow that manages tension with precision. The experience unfolds as a passage through darker zones, maintaining direction and a persistent sense of forward momentum.

https://clubfuries.com.mx/2026/04/12/cfp-internal-observer-dillema-systolic

Born to Fight” delivers a steady energy, grounded in a resilience felt through each rhythmic удар. The track sustains a cadence oriented toward the dancefloor, offering a stable pulse for movement. “Vocal Capture” shifts into a more contained space, with hypnotic structures built on repetition and an emotional undercurrent that remains present. Together, these tracks shape a nocturnal immersion where perception is continuously reconfigured.

Within this structure, “Macchina del tempo” stands out as a defining axis. The track advances with near-mechanical consistency, where rhythmic precision and continuous progression generate a deep, sustained hypnotic state. The pulse strikes with regularity, while layers evolve through subtle variations that expand perception without breaking the flow.

https://soundcloud.com/clubfuriess/cfp-ffp-macchina-de-tempo-systolic

As the piece unfolds, the sense of time begins to bend. Extended repetition opens a perceptual gap, a space where linearity dissolves into elasticity. The idea of a “time machine” moves beyond concept, becoming tangible through the way sound reorganizes experience, creating a suspension between moments.

Climaxes emerge as points of rupture within this continuum. They build gradually, reaching a density that reshapes the listening state. After each peak, the track transitions into a liminal zone—an in-between space where energy remains active, yet transformed.

Il Giorno ultimately stands as a work of defined character, where rhythm becomes a form of resistance and the dancefloor a field of transformation. The night does not dissolve at its end; it shifts into another state, leaving behind a resonance that continues beyond the sound.

Label: Systolic
Title: Il Giorno ep
Artist: FFP
Catalogue:

Release Date: May 22, 2026
Support & Buy: Bandcamp

1. FFP – Born to fight 06:00
2. FFP – Macchina del tempo 06:56
3. FFP – Orbita 05:45
4. FFP – Vocal Capture 09:07

Credits
Music: FFP
Mastering: guti legatto aka Audio3k & Znzl
Artwork: Adrian Gambin

FFP

SoundCloud | Instagram | Beatport | Linktree

Systolic

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Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#Atmospheric #CFPremiere #clubFuries #ClubFuriesPremiere #DarkTechno #Electrónica #Electronic #Electronica #FFP #GrooveTechno #HypnoticTechno #Italy #Malta #Premiere #premiereCF #PremiereClubFuries #Senise #Systolic #techno

CF Premiere: Shaun Moses, Aardy – Noah [Illegal Alien Records]

Over the past decade, Shaun Moses has established a strong presence within the electronic underground of the Indian subcontinent. From Goa, his language is rooted in a raw, continuous strain of techno, where sub-bass drives forward relentlessly and grooves are structured with focused insistence. The sound is built through a direct logic: sustained pressure, controlled energy, functional clarity.

Alongside this, Aardy has developed a trajectory that extends the reach of Asian techno from Hyderabad. More than two decades of sonic exploration inform his work, drawing from influences that range from Indian classical music to rock, disco, and blues. This breadth condenses into a precise technical language, shaped across warehouse environments and global circuits. His role as founder of Hydrozoa Recordings and A&R at Octopus Recordings reflects a curatorial vision grounded in detail, structure, and global projection.

https://clubfuries.com.mx/2026/04/19/cfp-thisisthx-ic-4351-iar396/

Their convergence takes form in Raw Aesthetic, Shaun Moses’s debut on Illegal Alien Records. The EP enters with determination, embedding itself into the label’s catalog through a clearly defined energy. Four tracks compose the release, including two collaborations with Aardy that expand the sonic field while maintaining cohesion. Driving grooves, tense synth work, and carefully treated vocals form a system where each element serves a distinct role.

The EP unfolds as a continuous surface. Tension builds, redistributes, and circulates again, creating prolonged states that keep the body engaged. There is discipline in the design, allowing intensity to remain sharp and controlled. The result is an immersive, almost labyrinthine landscape where hypnosis develops gradually and holds its ground.

https://soundcloud.com/clubfuriess/cfp-shaun-moses-aardy-noah-iar397

Within this framework, “Noah” stands out with particular clarity. From the outset, the track expands through fine sonic threads, delicate filaments that establish its tone with immediacy. The rhythmic base settles firmly as layers assemble around a stable core. A luminous quality emerges in its progression, with flashes that cut through the structure and generate a sense of continuous elevation.

The track builds through a controlled ascent, accumulating energy while maintaining clarity. Its spatial dimension widens, projecting beyond the dancefloor into a field that approaches the intergalactic. This is not decorative imagery, but an expanded perception: sound becomes lighter, almost suspended, while a solid foundation sustains movement throughout.

Raw Aesthetic leaves a defined mark within Illegal Alien’s catalog. It functions as an assertion of presence, outlining Shaun Moses’s direction while amplifying the collaborative dynamic with Aardy. The result remains active, held in tension, extending beyond its immediate duration.

Label: Illegal Alien Records
Artist: Shaun Moses, Aardy
Title: Raw Aesthetic
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR397
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: May 8th, 2026
Support & Buy: Bandcamp

Tracklis
1. Shaun Moses – Crunchy (Original Mix)
2. Shaun Moses – Raw Aesthetic (Original Mix)
3. Shaun Moses, Aardy – Noah (Original Mix)
4. Shaun Moses, Aardy – Poison (Original Mix)

Shaun Moses

SoundCloud | Instagram | Linktree

Aardy

SoundCloud | Instagram | Facebook | Linktree

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#Aardy #CFPremiere #clubFuries #ClubFuriesPremiere #DeepTechno #Electrónica #Electronic #Electronica #GrooveTechno #IllegalAlienRecords #Premiere #premiereCF #PremiereClubFuries #RawTechno #SciFiTechno #ShaunMoses #techno

CF Premiere: THISISTHX – IC 4351 [Illegal Alien Records]

THISISTHX does not arrive as a newcomer—he returns with intent and a sharper sense of direction. His second appearance on Illegal Alien Records is not a repetition but a statement of progression, reinforcing a trajectory that has been both consistent and deliberate. From Portugal, his project has taken shape through a clear vision: forward-driven, precise techno with no detours or compromises. The evolution is evident—a defined artistic identity and sustained momentum that places him within a new generation that doesn’t wait for space, but actively builds it.

https://clubfuries.com.mx/2025/09/02/cfp-thisisthx-unknown-balances-cfs10/

His sound operates within a clearly defined field: raw, tense, and stripped of ornamentation. Percussive rhythms push forward with force, supported by a mental layer that maintains constant pressure and an energy that refuses to dissipate. There are no unnecessary peaks here—only control, measured intensity, and a sharp understanding of techno’s essential dynamics. Each track reflects this balance, delivering both physical impact and conceptual clarity.

https://clubfuries.com.mx/2026/04/14/cfp-dj-dextro-sintetico-iarltdt021/

With Point of No Return, a four-track EP, THISISTHX further solidifies this language. These are tracks built for high-impact environments, yet grounded in structural coherence and discipline. Rather than a final destination, the EP acts as a threshold—a decisive step forward that projects his evolution while reinforcing his place within contemporary techno. On Illegal Alien Records, the relationship doesn’t repeat—it deepens. The result is a collection of brutal, hypnotic cuts moving in parallel through unknown territories, somewhere between ancestral deserts and unexplored sonic landscapes.

https://soundcloud.com/clubfuriess/cfp-thisisthx-ic-4351-iar396

IC 4351 unfolds as a smooth yet deeply hypnotic piece. Subtle layers accumulate with effortless fluidity as the rhythm progresses toward what feels like purple-tinted, almost utopian terrains. The climax arrives quickly, yet in a gradual, velvety manner. Beyond that point, the sound dissolves into ethereal atmospheres and suspended time, where body and mind remain motionless, absorbed. This state extends ad infinitum, ultimately taking full control over both psyche and physical response.

Label: Illegal Alien Records
Artist: THISISTHX
Title: Point of No Return
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IAR396
Mastering by The Programnaitor
Artwork Design by Rommulo

Release Date: April 24th, 2026
Support & Buy: Bandcamp

Tracklist
1. Hydra
2. IC 4351
3. Point Of No Return
4. Regor

THISISTHX

SoundCloud | Instagram | Bandcamp | Linktree

Illegal Alien Records

SoundCloud | Website | Bandcamp | Instagram | Facebook | YouTube | Beatport

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#CFPremiere #clubFuries #ClubFuriesPremiere #DarkTechno #Electrónica #Electronic #Electronica #GrooveTechno #HypnoticTechno #IllegalAlienRecords #Lisbon #Portugal #Premiere #premiereCF #PremiereClubFuries #techno #THISISTHX

CF Premiere: Kazu – Lambdoid [T&NE Records]

Some releases align with the weather. This one arrives with the change of season —not as accompaniment, but as impulse. Kazu & Badray present a new EP that doesn’t wait for summer: it activates it. Two geographies, one shared pulse. Tokyo and Strasbourg —the latter, home of KALT, one of the key spaces of the European underground— function here as points of tension that resolve themselves in sound. There is no distance between them: there is convergence.

What they propose is direct and needs no detours: deep, hypnotic grooves sustained over time. A work conceived for demanding floors, where every element serves a precise function and none occupies more space than it deserves. No ornaments, no detours —just a construction focused on sustaining flow and pressure from beginning to end. This isn’t merely an introduction of two artists: it’s a statement of position. An EP that holds together through its clarity, control, and functionality, and that finds its place exactly where it matters —on the floor.

https://clubfuries.com.mx/2025/10/15/cfp-tony-miler-mitsu-tnerec035/

The release comes via T&NE RecordsTechno and Nothing Else— the French label presenting its reference number TNEREC-039, titled A Story of. The format is as clean as the sound: three tracks from Kazu, three tracks from Badray, each artist building their own chapter within a shared narrative. A structure that respects individual voices without fragmenting the whole.

https://soundcloud.com/clubfuriess/cfp-kazu-lambdoid-tnerec-039

And among those chapters, «Lambdoid» deserves a moment of pause before listening. The name derives from the Greek letter lambda —a symbol used, among other things, to represent wavelength in physics. This isn’t a decorative detail: it’s a key to how the track should be read.

Because the sound of this piece behaves exactly like a wave. It begins from very high levels, stabilizing its frequencies with a speed that surprises, and from that elevated position monitors the dancer with an almost sovereign presence —it surveys new bodies on the floor, subsumes them under its domain one by one, and holds them there. This is not a track that asks permission to take control. It simply takes it.

Artist: Kazu & Badray
Title: A Story of
Label: T&NE RECORDS
Catalog: TNEREC-039
Format: Digital
Genre: Electronic
Style: Techno

Release Date: April 24th. 2026
Support & Buy: Bandcamp

Credits
Produced & Mixed by Kazu & Badray
Mastering by Acid Discipline Studio
Art Cover by Matthieu R.

Tracklist
1. Kazu – Kazu – Barre Lieou
2. Kazu – Kazu – Lambdoid
3. Kazu – Kazu – Peyers Patch
4. Badray – Badray – Bodytrip
5. Badray – Badray – Vulbis
6. Badray – Badray – Nébuleux

Kazu

SoundCloud | Instagram

T&NE RECORDS

SoundCloud | Instagram | Bandcamp | Facebook

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

#CFPremiere #clubFuries #ClubFuriesPremiere #DeepTechno #Electronic #Electronica #France #GrooveTechno #HypnoticTechno #Japan #Kazu #MinimalTechno #Premiere #ProperTechno #TNERECORDS #techno #Tokyo

PULSE: From House to groovy Technobeats

Parkhouse Graz, Donnerstag, 10. Juli um 16:00 MESZ

🌻PULSE - Ein sommerlicher Flow von House bis groovy Technobeats.🌻

🌳 Start Outdoor 16:00🌲

🎧 Indoor 22:00 🎧

🎶 Line Up 🎶

🎧TAREK https://www.instagram.com/alinaxyxy/

🎶 https://soundcloud.com/tarek-lichtenegger

🎧JAKALI https://www.instagram.com/alinaxyxy/

🎶https://soundcloud.com/jakaligodess/

🎧MUTNROSHI https://www.instagram.com/mutn.roshi/

🎶https://soundcloud.com/marcel-rozman

♥ PLEASE BE A PART OF A SAFER SPACE ♥

KONSENS: NEIN heißt NEIN. Nur JA heißt JA. Respektiere die individuellen Grenzen deines Gegenübers. Was ein Übergriff ist, wird von der betroffenen Person selbst definiert.

TOLERANCE BEATS: Handle so, dass sich alle Menschen auf der Party wohlfühlen können & durch dich nicht beeinträchtigt werden. Kenne dein LIMIT & hilf anderen die es irrtümlich übertreten

BE EXCELLENT 2 EACH OTHER: behandle andere so, wie du selbst behandelt werden möchtest.

♥ACHTE AUF DICH UND ANDERE ♥ wenn dir eine Person auffällt, die Hilfe benötigt ♥bemerkst du respektloses, übergriffiges Verhalten ♥ wende dich an das Parkhouse- Team (Kellnerinnen, Türsteherin)

♥ THANK U 2 help us 2 be a part of a SAFER SPACE ♥

🎥 🔊📸 ZUSTIMMUNGSERKLÄRUNG 🎥 🔊📸

Mit der Teilnahme an Veranstaltungen erklären sich Gäste ausdrücklich damit ein verstanden, dass während der Veranstaltung

🎥 Video-, 🔊 Ton- und 📸 Bildaufnahmen gemacht werden dürfen.

Diese Aufnahmen können für Werbung, Social-Media-Posts, Event-Dokumentationen und ähnlichen Veröffentlichungen seitens des Parkhouse sowie des Veranstalters verwendet werden.

Gäste erklären sich damit einverstanden, dass die abgebildete oder gehörte Person in diesen Aufnahmen erscheinen kann und verzichten auf jegliche Ansprüche hinsichtlich der Verwendung und Verbreitung dieser Materialien durch den Veranstalter und des Parkhouse.

https://gancio.graz.events/event/pulse-from-house-to-groovy-technobeats

[REAS 01] Planetary Assault Systems – Reassambled – MR.ED hört Musik

[SUBL 016] Various Artists – Veil Of Echoes I – MR.ED hört Musik