Over the Christmas holidays I finished a large drawing that I had been working on since the summer, on and off, but then life took over and I didn't find time to publish it.

It is a scene from Joseph von Sternberg's 1932 movie "Shanghai Express", featuring Anna May Wong and Marlene Dietrich.

For the story of behind this scene please read my (long) blog post https://quickandtastycooking.org.uk/articles/shanghai-express/.

It is the most complex large drawing I have attempted so far.
As usual, it is the expressions on the faces of both characters that interested me. I wanted to show their watchfulness and apprehension.

I used the rough watercolour paper I like (Fabriano Artistico, 300 g/m² cold pressed “not”), 56 cm x 76 cm. I set up the drawing in ordinary HB pencil and Tombow MONO 100 graphite lead pencils (2B, 4B and 5B). I used a Chinese ink stick and applied the ink using calligraphy brushes.

#drawing #fediart #TraditionalArt #ShanghaiExpress #AnnaMayWong #MarleneDietrich

This post connecting with my previous post with hashtags added.
Anna May Wong first mentioned this time, because of her shorter but vital presence in Shanghai Express - 1932.

After all I am a retired Wagon Lits -trainsteward and did work on old restaurantcars from 1934 , when they were needed.. Only once in original Orient Express-stock for a special train .

#ClassicMovies #Film #AnnaMayWong #MarleneDietrich #ShanghaiExpress #train #VintageTrain #WagonLits

Marlene Dietrich. La diva antinazista

SECONDA PARTE Nella seconda metà degli anni venti del secolo scorso, Hollywood era in forte espansione, vennero istituiti gli Oscar, lanciato il

la Sinistra quotidiana

The most beautifully-lit courtesan in B&W film history? Von Sternberg’s camera loved Marlene and Marlene loved the camera. If you haven’t made time to see Shanghai Express (1932), then it’s worth doing. It’s atmospheric, beautifully shot and you get Anna May Wong thrown in alongside Marlene.

#film ##filmhistory #shanghaiexpress #oldmovies #oldhollywood #marlenedietrich

Shanghai Express (film) - Wikipedia

#Westfront1918, #GWPabst, 1930 is the root of #PathsOfGlory, #ComeAndSee, and #SavingPrivateRyan, among so many others.

It covers a lot and must have been overwhelming to many audiences at the time.

I could have done without a lot that's in the opening, including learning a new racist slur as a term for coffee (in German, and hard "r").

Like with #ShanghaiExpress earlier today, so many older films are blatantly and uncaringly racist, misogynistic, homophobic; just bad in so many ways.

"Well, it was nice to see you again, Madeline"

"Oh, I don't know" 🫢🤭💀

#ShanghaiExpress

#ShanghaiExpress has a lot of shots that are beautifully composed and lit, including when #MarleneDietrich (Madeline/#ShangaiLily) disarms #AnnaMayWong (#HuiFei) from behind by pulling Anna's arms apart by her wrists.

The rage in Hui's face is matched in intensity by the look of fierce and instinctive protection in Lilly's.

Lilly's right cheek is partly framed by Hui's hair, Hui's head turned left 🔥🔥🔥

The way Lilly immediately turns away may be due to lesbian miscegenation being illegal.

Marlene Dietrich and Anna May Wong. I rest my case. My ★★★½ review of Shanghai Express (1932) on Letterboxd: https://boxd.it/4i1kS9 #ShanghaiExpress #Letterboxd #MarleneDietrich
A ★★★½ review of Shanghai Express (1932)

Shanghai Express may be an ensemble film, but Marlene Dietrich and Anna May Wong are the true stars. Josef von Sternberg’s pre-Code thriller about hostages on the titular train does some fantastic things with its noir-esque lighting, but even when she’s wreathed in shadow Deitrich absolutely shines here. She plays the role of Shanghai Lily with a wry tone, but still adds the nuances to allow her character to be vulnerable and affected by the difficult situation she ends up in. And Wong, while her role is smaller, stands out as the second courtesan on the train who takes matters