BRECK: Dead Delivery — Chapter 13: The First Time

BRECK: Dead Delivery — Chapter Thirteen

The First Time

This is Chapter 13 of BRECK: Dead Delivery, a serialized noble dark fantasy story written by Chadwick Rye, set in the world of Lumenvale. BRECK follows Breck, a veteran courier and former Crystal Wars special operations soldier, as he moves through a medieval world one delivery at a time — and can’t always walk away from what he finds. New chapters post daily at noon Eastern on chadwickrye.wordpress.com.

The Story So Far

Breck is a veteran courier — 6’5″, 285 pounds, former Crystal Wars special operations — who arrived in Crestfall on a routine delivery and found a town quietly strangled by a corrupt magistrate named Voss. Over twelve days he has built a case from the inside out: the hidden ledger kept by a dead miller’s widow, the chalk map drawn by a twelve-year-old boy named Pell who has been watching this town come apart from a cooperage step, the gap in the magistrate’s patrol created by a young enforcer named Jorin who moved his post eight feet west every night for four months on the silent hope it would matter. Last night, Breck dismantled Pelk — Voss’s collection enforcer — in four seconds in an alley behind the granary. This morning, Drav sat two stools down at the inn bar and asked which side of the war Breck had been on. Breck told him. Tonight, the side door is unlatched. Tonight, the gap opens between the eighth bell and the ninth. Tonight, everything Breck has been building comes due.

← Chapter Twelve — The Learning Curve | Chapter Fourteen — Coming Tomorrow →

Chapter Thirteen: The First Time

This chapter explores what it feels like to see something for the first time — and what it costs when you can’t go back.

Chapter 13 Summary: Breck executes the plan that twelve days of groundwork made possible — slipping through the unlatched side door of the civic building between the eighth and ninth bells, retrieving the original documents stolen from miller Aldric Moss fourteen months ago, and exiting the way he came. In the corridor of the inn, he finds Drav waiting. They say almost nothing. Drav steps aside. Breck goes upstairs with the documents and the evidence he has been carrying, and counts the ninth bell.

He went in through the side door at half past the eighth bell.

Maret had left it unlatched exactly as he’d asked — the hinges oiled at some point in the recent past, because they made no sound, which was either coincidence or the innkeeper’s particular brand of thorough preparation, and Breck suspected coincidence had very little to do with how Maret ran her building. He eased the door open the width of his shoulders — considerable — and stepped into the narrow service corridor that ran between the inn’s rear wall and the magistrate’s stable yard next door.

The corridor smelled of horse and wet straw and the particular cold that collected in spaces between buildings, the cold that had nowhere to go and simply accumulated. A single tallow stub burned in a tin holder on a wall bracket, throwing just enough light to move by and not enough to be seen from either end of the corridor. He stood still for thirty seconds, listening to the night.

Crestfall at the eighth bell had its own specific silence — not the silence of an empty place but the silence of a populated place that had learned to hold its breath on schedule. The market square would be clear. The few remaining vendors who hadn’t packed before the third bell would have packed before the sixth. The streets would hold nothing but the magistrate’s men on their routes and the particular quality of dark that accumulated in a town that had learned not to put lights in windows after sundown if it could be helped.

He moved down the corridor toward the stable yard.

Jorin’s gap ran from the eighth bell to the ninth on the west face of the magistrate’s building — a forty-foot section of wall where the coverage went thin because Jorin had been moving his patrol point eight feet west over the course of four months, one measured increment at a time, building the gap so gradually that no one with oversight responsibility had noticed the pattern. Breck had stood across from that wall in daylight and in rain and had counted the windows and the distances between them and had built the picture of what lay inside from the outside in, the way he’d always built pictures during the war.

Three rooms on the ground floor facing the stable yard. The leftmost would be the clerk’s office — he’d confirmed this from the shadow pattern through the shutters during business hours, the particular stillness of a room occupied by someone who sat at a desk. The middle room was storage — the shadow pattern showed no movement and the smell coming through the gap in the shutters on his third observation pass had been the dry, papery smell of documents and sealed boxes. The rightmost would be Voss’s private office — the room with the heaviest shutters, the room that showed light longest into the evening, the room from which a thin thread of pipe smoke drifted at the end of the working day, suggesting a man who sat with his accounts after the clerks had gone.

It was the middle room he wanted.

Not because of what was there now. Because of what had been put there fourteen months ago — documents taken from a miller’s office in the night along with his correspondence and a deed to river land his father had left him, taken and filed away in the place where taken things went in a town run by a man like Voss. Aldric Moss had been careful enough to make a copy. Breck had that copy against his ribs in the oilskin packet. But the originals would have more weight with whatever authority came after this — and Breck intended there to be an authority that came after this.

The storage room window had a single iron latch that he’d felt through the gap in the shutters on his second observation pass, running his fingers along it in the dark with the particular careful attention of a blind man reading. Standard construction. Nothing complicated. The kind of latch that had been adequate for fourteen years and had never been asked to be more than adequate.

He asked it to be more than adequate now.

It held for approximately three seconds.

The room was exactly what the shadow pattern and the smell had suggested — shelves along three walls, floor to ceiling, carrying the accumulated administrative weight of Voss’s three years in office. Ledger books. Correspondence boxes, each labeled in the neat hand of the clerk who’d processed them. Rolled documents in wooden tubes, sealed and dated. The particular archaeology of a corrupt administration, layered like sediment, oldest at the bottom and working toward the present.

He didn’t light a candle. He worked by the thin thread of the tallow stub’s light through the open window, and by the older light of his own spatial memory, which was a map he’d built of this room from the outside and was now confirming from the inside. They matched. They generally did, if you paid the right kind of attention.

He found what he was looking for in the third box on the second shelf from the bottom, where documents from fourteen months prior had been filed in the methodical, chronological order of a clerk who had no particular feelings about what he was archiving and was simply doing the work. A miller’s license. A deed to river land. A bound collection of correspondence in a hand he recognized from the oilskin packet against his ribs — the same neat, architectural handwriting, the same careful precision of a man who had understood exactly what he was building.

Aldric Moss had been thorough in everything.

Breck placed the documents inside his cloak, against his chest, alongside the copy that had been kept warm beside a hearthstone for fourteen months by a woman who had learned to hope in very small, very careful amounts. Then he stood still for a moment in the dark room, among the filed evidence of three years of quiet theft, and let the weight of it settle.

The first time he’d broken into an enemy position — a Karithian supply cache, second year of the Crystal Wars, a river crossing that had taken three attempts to cross — he had felt afterward something he hadn’t expected and hadn’t been able to name until much later. Not triumph. Not relief. Something more like the specific grief of a man who has seen, for the first time, clearly, the shape of what he is capable of — and understands that having seen it, he can never quite see himself the previous way again.

He felt something adjacent to that now.

Not grief exactly. But the awareness of a threshold crossed. The documents in Aldric Moss’s hand, filed in a box labeled with the date of a night when three men had come and taken them along with the miller himself — those documents existed now in a different place than they had existed this morning. The case had been built. The copy was the argument. The originals were the proof.

Whatever came next, this had happened. That was the nature of certain kinds of action. They existed in the past tense from the moment they were completed, permanent and unalterable, the way a thing seen for the first time could not be unseen.

He crossed back to the window. Eased it open. Stepped out into the corridor and pulled it closed behind him, feeling the latch seat itself back in its frame with a small, final sound.

He heard Drav before he saw him.

Not because Drav made a sound — he didn’t. Because the quality of the silence at the far end of the corridor changed in the specific way that silence changed when it was occupied by someone who had learned, the same way Breck had learned, not to announce themselves.

Breck stopped.

The corridor held them both, twenty feet apart, in the thin light of the tallow stub. Drav stood at the corridor’s entrance to the stable yard, in the plain dark clothing he always wore, his hands at his sides. The scar caught the faint light. His expression was the expression he’d had at the bar that morning — old and complicated and stripped of everything that wasn’t strictly necessary.

He looked at the shape of Breck’s cloak. At the place where it sat differently than it had on any previous day — the bulk of documents against his chest, invisible but present.

He didn’t say anything.

Breck didn’t say anything.

The tallow stub burned its patient fraction lower. Somewhere in the stable yard a horse shifted its weight and blew through its nose in the mild, unconcerned way of animals uninvested in human complications.

Then Drav stepped aside.

Not a wide step. Just enough. The corridor was adequate for a large man to pass if both parties were willing to be in it simultaneously without incident. Drav’s positioning made it clear that he was willing.

Breck walked past him.

At the corridor’s end, at the door that opened back into the inn’s rear passage, he stopped without turning around.

“The north road,” Drav said quietly, from behind him. His voice was the same as it had been at the bar. Low. Stripped. “Tomorrow morning. Before the bells.”

“I know,” Breck said.

“He’ll know by the second bell. When the clerk opens the room.”

“I know that too.”

A pause that contained several things that neither of them was going to say.

“Drav,” Breck said.

“Don’t.”

He didn’t. He opened the door and stepped back into the warmth of the inn, and the door closed behind him, and in the corridor Drav stood alone in the thin tallow light for a moment before the silence resettled over everything.

Breck went upstairs. Set the documents on the table beside the oilskin packet and looked at them together in the candlelight — the copy and the originals, the evidence kept in hope and the evidence filed in certainty, reunited after fourteen months in the dark.

He sat on the edge of the bed and looked at them for a long time.

Then he moved the bracelet from his wrist to the satchel strap, the nighttime version of the habit, and lay down on the narrow bed and stared at the ceiling and thought about a man seeing something clearly for the first time, and the specific irreversibility of that.

Outside, the ninth bell rang across Crestfall’s quiet rooftops.

Right on schedule.

BRECK: Dead Delivery is a serialized noble dark fantasy story written by Chadwick Rye, published free on chadwickrye.wordpress.com. Set in the world of Lumenvale, it follows Breck — a veteran courier and former Crystal Wars special operations soldier — as he moves through a medieval world one delivery at a time, and can’t always walk past what he finds. New chapters post daily at noon Eastern. Chapter 13: The First Time — Breck retrieves stolen documents from the magistrate’s archive and crosses paths with Drav in the corridor.

← Chapter Twelve — The Learning Curve | Chapter Fourteen — Coming Tomorrow →

BRECK: Dead Delivery Chapter Twelve

BRECK: Dead Delivery

Chapter Twelve — The Learning Curve

Daily prompt: How do you stay motivated when learning something new? — This chapter explores that question through Breck and Pell: what it means to learn something because you can’t stop, versus being told to.

About this series: BRECK: Dead Delivery is a serialized fantasy story set in the world of Lumenvale — a slow-burn noir about Breck, a former soldier turned reluctant courier navigating the corrupt town of Crestfall. Each chapter is a self-contained scene advancing an overarching mystery. This is Chapter Twelve. Read from the beginning →

Pell found him first.

The boy materialized from the narrow gap between the cooperage and the adjoining leather-worker’s shed the way he materialized from everywhere — without announcement, without the preliminary scuff of boots on stone that preceded most people’s arrivals, as though he had learned to move through Crestfall’s geography the way water moved through cracks: finding the path of least resistance, arriving exactly where pressure required him to be.

He fell into step beside Breck without preamble, his stride adjusted to Breck’s considerably longer one in the unconscious, practiced way of someone who had spent considerable time walking beside adults whose legs covered more ground than his own.

“You talked to Jorin,” Pell said.

It was not a question. The boy’s intelligence-gathering apparatus in this town had long since rendered questions largely redundant.

“I did.”

“He looked different at the third bell. When he took his post.” Pell’s eyes moved across the street ahead of them in his habitual scanning pattern — doorways, windows, the roofline, the place where the alley behind the grain merchant opened onto the main road. “Less like a man carrying something heavy. More like a man who knows what the heavy thing is finally for.”

Breck glanced at him sidelong. The boy was twelve years old and read people with the accuracy of someone who had learned young that accurate reading was a survival skill rather than a social grace. It was the kind of intelligence that didn’t come from instruction — it came from sustained, motivated observation, from years of watching a town compress itself under the weight of something wrong and cataloguing every effect of that compression with the patient thoroughness of a natural scientist.

“How did you learn to do that?” Breck said.

Pell considered the question with the seriousness it deserved, which was the way he considered most things.

“I didn’t know I was learning it,” he said finally. “I just kept watching because I couldn’t stop being interested. And then one morning I realized I could read the whole square from the cooperage step — who was afraid, who was performing, who was carrying something they hadn’t told anyone about.” He paused, his boots finding the dry center of a puddled stretch of cobblestone with the automatic precision of long familiarity. “My father says I should find something useful to do instead of sitting and watching all day.”

“Your father is wrong,” Breck said.

Pell looked at him with an expression that contained several emotions in rapid succession — surprise, then a flicker of something warmer, then the careful return to his habitual equanimity, the guard coming back up with the practiced ease of long habit.

“He taught me cooperage,” Pell said. “I wasn’t good at it.”

“Were you interested in it?”

A silence that was answer enough.

“The things you’re good at,” Breck said, “are usually the things you couldn’t stop doing when no one was watching. Not the things someone handed you and said — here, learn this, it’s useful.” He adjusted the satchel strap across his chest, feeling the familiar weight of it settle. “The motivation isn’t something you manufacture. It’s something you follow.”

They turned off the main road onto the narrower street that ran behind the market stalls, the one that gave a clear sightline to the magistrate’s office rear entrance without requiring proximity to it. Breck had walked this route three times in the past two days, at different hours, in different weather, building the three-dimensional picture that existed now in his memory with the clean detail of a well-drawn map.

He had learned to do this in the war.

Not from a manual or a commanding officer’s instruction — from necessity, and from the recognition that the alternative to thorough prior knowledge was improvisation under pressure, and that improvisation under pressure had a consistent and unacceptable cost. He had been afraid, in those first months of courier work, that he would make a mistake that could not be corrected. That fear had been the most effective teacher he’d ever had. It had made him pay attention with a quality of attention he hadn’t known he possessed until it was required of him.

The fear had faded over time, replaced by something quieter and more durable: the simple deep satisfaction of a thing done well. Of a route memorized completely, a plan built without gaps, the particular pleasure of arriving at the moment of action and finding that the preparation had been sufficient. That satisfaction was its own motivation. It compounded — each completed thing making the next one more desirable, the skill curve becoming its own reward once you were far enough along it to feel the difference between knowing something partially and knowing it completely.

“Tonight,” Pell said. Not a question, not a statement — something between the two, calibrated for confirmation.

“Tonight.”

The boy nodded once, with the gravity of someone absorbing a scheduled event rather than an uncertainty.

“What do you need me to do?”

“Nothing,” Breck said.

Pell looked at him. The look contained a precise and articulate objection delivered without words.

“I need you somewhere safe,” Breck said, with the slightly different inflection he used for things that were not negotiable. “What happens tonight is not something a twelve-year-old participates in. You’ve already done your part. The map was your part. It was essential and it’s done.”

The boy was quiet for three full strides — enough distance for Breck to understand that the quiet was not acceptance but processing, the argument being constructed rather than abandoned.

“He took the cooperage,” Pell said finally. His voice had changed register — lower, stripped of the careful equanimity, the actual thing showing through the way actual things showed through in people when they finally got to the real sentence. “Not just the income. My father sits in the back room now and stares at the tools and doesn’t pick them up. My mother pretends she doesn’t see it.” He looked straight ahead at the wet cobblestones. “Aldric Moss asked questions and disappeared. My father stopped asking questions and disappeared anyway. Just — differently.”

The street was empty around them. Rain had begun again in its fine, persistent way, darkening the stone and collecting in the low places and running in thin clear rivers along the gutter toward the Calwick somewhere below and behind the rear yards.

Breck stopped walking.

Pell stopped too, a half-step later, and looked up at him with the rain beginning to collect in his dark hair and the real thing still showing in his face, the careful equanimity down.

“I know,” Breck said.

Two words. No elaboration. Not because elaboration wasn’t available, but because Pell was twelve years old and intelligent enough to understand that two words from a man who didn’t waste them carried more weight than a paragraph from someone who did.

The boy held his gaze for a moment, checking the words for the thing that sometimes hid behind them — for the patronizing or the performative or the comfortable lie dressed as acknowledgment. He found none of those things, which was the only reason he accepted the words at all.

He nodded. A single motion. The real thing went back behind the equanimity, but differently than before — not suppressed, just carried more deliberately, the way you carried something once you understood it had a name.

“Go home after dark,” Breck said. “Keep your mother inside. Don’t come to the square regardless of what you hear.”

“And tomorrow?”

Breck looked at him — at the serious face and the rain-darkened hair and the intelligence behind the eyes that had been paying attention to this town since before it had given him any reason to stop.

“Tomorrow,” he said, “is a different lesson.”

He turned and walked back toward the inn, and the rain continued its patient work on the stones around him, and somewhere across the square the magistrate’s office sat with its fresh mortar and its town seal and the particular silence of something that did not yet know what was coming for it.

Behind him, Pell stood for a moment longer.

Then he turned and went home.

← Chapter Eleven  |  All Chapters

☕ Enjoyed this story? Writing Lumenvale is how I pay my bills. If these stories are worth something to you, a $1 Ko-fi keeps the forge burning — and tells me this world is worth continuing. 👉 Buy Chadwick a coffee

This is Chapter Twelve of BRECK: Dead Delivery, a serialized fantasy story by Chad Rye, set in the world of Lumenvale. New chapters posted regularly at chadwickrye.wordpress.com.

A walk in the woods is never simple. Step through the fog, into the unknown. Evade the army behind you. Get lost.

Escape and Transform: books2read.com/u/3nJLZx

#LowFantasy #ShortStory #Ebook

BRECK: Dead Delivery: Chapter One

BRECK: Dead Delivery

Chapter One — The Only Power Worth Having

Prompt: What superpower do you wish you had, and why? Tags: dailyprompt | Breck | Crestfall | Dead Delivery | Lumenvale

The road into Crestfall ran downhill for the last half-mile, and Breck always thought that told you something about a town before you ever set foot in it. Places built on rises watched the horizon. Places built in hollows watched each other.

He came in from the north at midday, when the light was flat and colorless and the rain had stopped but hadn’t committed to staying stopped. The courier satchel rode his left hip, its strap diagonal across his chest. Before he’d crested the last ridge he’d moved the faded cord bracelet from his pack to the strap — he’d been doing that for years without deciding to, the way a man will reach for a habit without naming it — and now it rested against the worn leather, pale as old straw, too small to be anything anyone would look twice at.

He looked twice at everything else.

Crestfall was a river town, one of a dozen that had grown up along the Calwick’s eastern fork during the years when the trade routes were safe and merchants moved freely and magistrates were mostly honest. It had the bones of a prosperous place — good stone buildings along the main road, a proper granary, a covered market square that could shelter fifty stalls in the rain. The bones were fine. It was the flesh that bothered him.

The market square had eleven stalls where there should have been thirty. The inn’s signboard hung on one chain, the other rusted through, the board itself turned sideways and no one had straightened it. A boy of maybe twelve sat on the step of a cooperage with his elbows on his knees and watched Breck come down the road with the particular still-faced attention of a child who had learned that strangers were worth tracking before you relaxed around them.

Breck noted it. Kept walking.

He had a sealed document for the magistrate’s office — tax records from a landowner in the northern valley, routine work, the kind of job that paid badly and moved fast. He’d been told to deliver, collect a reply document, and be back on the north road before dark. Clean work. No complications.

The inn was called The River’s Rest. He went in because he needed water for his flask and because you learned more in three minutes inside a tavern than in an hour on the road outside one.

The common room held perhaps a dozen people at midday, which was thin for a market town on a Thursday. A fire burned low in the far hearth. The smell was wood smoke and old tallow candles and something underneath that — a flatness, like air that had been breathed too many times without a window opened.

A traveling entertainer had set himself up near the fire, the kind of hedge-mage who moved from town to town doing parlor work — small conjurings, coin tricks dressed in cantrip light, the sort of man who had enough real gift to be impressive and not enough to be dangerous. He was making a small flame dance between his fingers, blue at the base and orange at the tip, and the handful of children near him were watching with their mouths open.

Breck got water from the bar. Leaned against the wall. Watched.

“Here’s the question,” the hedge-mage said, letting the flame spiral upward into a brief column before snuffing it against his palm. He spread his hands wide, showman’s instincts covering the wince. “If you could have one power — any power, the kind the old stories talk about — what would it be? Anyone.”

A boy near the front said flight, immediately, with the certainty of a child who had thought about this often. A woman in the back called out healing. A merchant near the window, not looking up from his ale, said the power to know when a man was lying to him, and got a tired laugh from the table beside him.

The mage went around the room. Strength. Fire. Sight through walls. The answers came quick and easy, the kind of question people had been sitting on their whole lives without anyone asking.

He turned, eventually, to Breck.

Breck was quiet for a moment. The mage held the silence, professional enough to know when waiting served him better than prompting.

“I’d want to always be on time,” Breck said.

The mage blinked. It wasn’t the answer the room expected. A few people glanced over — at the size of him, at the courier satchel, at the flatness in his voice that made it hard to tell if he was joking.

“On time,” the mage repeated.

“For things that matter.” He took a pull from his flask. “Strength fades. Fire goes out. Half the powers in the old stories come with a price nobody mentions until it’s too late.” He set the flask down on the bar. “But if you could always arrive before something went wrong — before instead of after — that would be worth something.”

The mage held his gaze for a moment, then moved on to someone else. The room shifted back to its murmuring. The children turned back to the flame tricks.

Breck pushed off the wall and paid for his water.

The magistrate’s office was on the north end of the square, a solid stone building with the town seal carved above the door and fresh mortar between two courses of stone near the corner — recent work, more money spent here than anywhere else in Crestfall. He noted that too.

A clerk took his delivery without looking at him, which was normal, and told him the reply document wouldn’t be ready until tomorrow morning, which was not in the contract. Breck said nothing. He took the temporary billet the clerk offered — a room at the inn, town’s expense, standard courier accommodation — and walked back out into the flat gray afternoon.

He stood in the square for a moment. The boy from the cooperage step was still watching him from across the market. The eleven stalls had not become thirty. A woman at the nearest one was packing her goods away with the focused efficiency of someone who had learned to be gone before a certain hour.

It wasn’t his business. He had a room for the night and a document to collect in the morning and a road north waiting for him. Clean work. No complications.

He looked at the bracelet on his satchel strap. Pale. Small. Saying nothing.

He adjusted the strap across his chest, picked a direction, and started walking. Not toward the inn.

Toward whatever it was that had made this town so quiet.

☕ Enjoyed this story? Writing Lumenvale is how I pay my bills. If these stories are worth something to you, a $1 Ko-fi keeps the forge burning — and tells me this world is worth continuing. 👉 Buy Chadwick a coffee

Fantasy with Friends: Low or High Fantasy?

Briana and Krysta at Pages Unbound are hosting a fantasy discussion meme this year called Fantasy with Friends. Since fantasy is my favorite genre, I thought it would be fun to take part. This week, their question is:

Do you prefer low or high fantasy? Or both?

As a longtime fantasy reader I have certainly read both, but high fantasy will always hold my heart. I love being swept away on an epic adventure through a world that may or may not resemble anything I recognize at all. Part of the fun of fantasy is getting to explore a completely new and unique world.

Low fantasy does sometimes find a spot in my reading life. It often feels simpler and easier on my brain, so I like using it, as well as a couple of other genres, as something of a palate cleanser. I love the way high fantasy makes me think fast just to keep up, but sometimes it gets a little heavy book after book after book. Sometimes life just gets too messy and heavy. So I turn to low fantasy for the simplicity I find in the worlds. There are fewer rules to remember, and so much more is familiar so it’s easy to put them aside until they pop back up instead of having to store that information in a spot in my mind. I think it also allows readers to really focus on things like character development, the emotions, and the plot because the world building isn’t so massive.

But my favorite thing about fantasy is the world building. To me, any story can be nested in fantasy. A romance, a mystery, an adventure, academia. Anything. Fantasy, to me, is all about the world and the unexplained. It’s the strange worlds, the strange creatures, the magic, the weird. While low fantasy can certainly have all of that, I just happen to have a greater appreciation for those authors who build worlds from the ground up. I’ve been writing fantasy worlds since I was 10 (technically 8, but that was co-written), so I understand what a massive undertaking it is and just how much work goes into creating a working world. So that’s a big part of the reason why I love high fantasy.

I also just love the idea of stepping into the unknown. I love discovering something new, and high fantasy usually gives me that more than low fantasy. I love the feeling of feeling completely lost in a new world, because, very often, as I keep going, it suddenly starts to make sense and that’s just the most incredible feeling to me. I think that’s why I loved The Mask of Mirrors by M.A. Carrick so much. It was sometimes overwhelming, but, halfway through, things just started clicking, and nothing can take that excitement and sheer joy from me. It’s what makes high fantasy so incredible to me.

Then there’s just the sense of being swept off my feet into an extraordinary adventure, whether it takes me out into the wider world or confines me to a specific location. I find there’s something exciting about maybe finding a familiar story nested in a unique world or finding the adventure of a lifetime in a place I never thought could exist. I love how things can be bent and broken and somehow make sense. I do not like when things bend and break for the sake of the story, but, when it just works, it feels like magic all on its own.

And, at nearly 40 years old, I still find myself waiting to come into my powers or finding a portal that will take me elsewhere, so I consider high fantasy to be an acceptable way of doing what I’ve always dreamed of.

This blog is my home base, but you can also find me on:
Pinterest | Instagram | Twitter | Facebook

Only 2 days left for this #SPFBO bundle! Get 25 books from 25 authors participating in this year's SPFBO for only $25!!
Includes #FantasyBooks from sub-genres like: #LowFantasy #HighFantasy #UrbanFantasy #EpicFantasy #DarkFantasy #SwordAndSorcery #Romantasy & #Horror
My book is in here: https://skaeth.itch.io/beneath-the-gods-tree

https://itch.io/b/3592/spfbo-2026
Only available until the end of the month!

@bookstodon @fantasy
#IndieBooks #IndieAuthors #Bookstodon #SelfPromo #BookSale #SFFBookClub #SFFBooks #books

Looking for something to read? I've joined up with a bunch of other authors from this year's #SPFBO to offer our books as a bundle.
Get 25 books from 25 authors for $25!!
Includes #FantasyBooks from sub-genres like: #LowFantasy #HighFantasy #UrbanFantasy #EpicFantasy #DarkFantasy #SwordAndSorcery #Romantasy & #Horror

https://itch.io/b/3592/spfbo-2026
Only available until the end of the month!

@bookstodon @fantasy
#IndieBooks #IndieAuthors #Bookstodon #SelfPromo #BookSale #SFFBookClub #SFFBooks #books