9 Mar 1616: Francis Beaumont, playwright, interred in #Westminster Abbey near #Chaucer & #Spenser #otd

What does a singing bear have to do with Chaucer?

A lot, it turns out.

Together with Jennifer S. Carnell (HMML), we trace how the Marian chant Alma redemptoris mater shaped medieval ideas about learning — from schoolrooms to miracles to manuscript images.

Open access:
https://academic.oup.com/nq/advance-article-abstract/doi/10.1093/notesj/gjag011/8496039

#MedievalStudies #Chaucer #Musicology #MedievalMusic #Chant #AlmaRedemptoris #AcWri #Research #AcademicChatter

“Valentine’s Day is a gentle reminder that Christmas decorations must come down”*…

A Norwegian Valentine’s Day card from 1912 depicting Cupid (source)

Today is, of course, Valentine’s Day– a celebration overseen by Cupid. Jacqueline Mansky explains how that rascally cherub has been part of Valentine’s Day lore since Chaucer’s time…

Despite a long list of Valentines and Valentinas that included emperors, martyrs-turned-saints, and a pope, there is no evidence that Saint Valentine’s Day as a holiday about love existed before Chaucer’s time. But as soon as it was, Cupid was part of it.

As the late University of Kansas English professor Jack B. Oruch wrote in “St. Valentine, Chaucer, and Spring in February,” it was the English literary giant and a circle of contemporaries, including John Gower, Oton de Grandson, and John Lydgate, who, building on the courtly love tradition, were the original “mythmaker[s]”of Valentine’s Day as a holiday focused on love and fertility. Cupid’s association with the day was present from the start, says Oruch. “At the time of Chaucer’s death in 1400, the transformation of Valentine into an auxiliary or parallel to Cupid as sponsor of lovers was well under way.”

But Cupid’s image did not stay the same in Valentine’s lore. By the mid-1800s, Cupid was looking less literary and more marketable.

As Leigh Eric Schmidt, a professor of religion and politics at Washington University in St. Louis, writes in “The Fashioning of a Modern Holiday: St. Valentine’s Day, 1840-1870,” Americans in the mid 1800s repurposed the holiday, and Cupid’s image shifted. Valentine’s Day had such a hold over the public, Schmidt writes, that it amounted to a “mania, craze, rage, or epidemic—a ‘social disease’ that seemed to recrudesce annually with ever heightening interest and anticipation.”

Naturally, Schmidt writes, merchants were eager to capitalize on this phenomenon even more by bringing children into the fold, so they created “lines of ‘juvenile valentines’.” Cupid came to have a new visual. Middle-class Americans of the nineteenth century had a “sentimental devotion to the child,” Schmidt writes, so the “piety of the angelic youngster” was reflected in a wide range of Valentine’s Day cards. The repackaging, Schmidt contends, was “very much a new image for the holiday”:

A refashioned image of Cupid as an innocent cherub indicated a redirection toward children and familial devotion. Merchants helped create a darling infant Cupid who bore only a faint resemblance to the often capricious Roman Cupid, who was said, among other things, to have sharpened his arrows on a grindstone whetted with blood.

Cupid’s image continues to be repurposed to this day in the pursuit of profit. Take the 2001 slasher flick Valentine. As film theorist and historian Richard Nowell writes in his essay “‘There’s More Than One Way to Lose Your Heart’: The American Film Industry, Early Teen Slasher Films, and Female Youth Author(s),” Cupid was reimagined as a “cherub-masked killer” to target teenage girls and young women, America’s “second-largest theatergoing demographic.” Clearly no longer playing for the children in the room, the trailer asks: “Why is it that the one day of the year that everyone’s afraid to be alone is Valentine’s Day?” The answer, Nowell writes, is the film’s tagline: “Love Hurts.”

It’s certainly a stretch from where Chaucer started with springtime and lovers, but considering that planned Valentine’s Day sales in the U.S. are expected to rake in approximately $27.4 billion this year—an increase of $6.7 billion since 2019—unless we collectively agree to quit celebrating Valentine’s Day, it’s a sure bet there’s more of this waiting in the, well, wings…

Why Cupid Rules Valentine’s Day,” from @jstordaily.bsky.social.

* anonymous

###

As we celebrate, we might recall that it was on this date in 1977 that The B-52s performed their first live show at a Valentine’s Day party in their hometown of Athens, Georgia.

https://youtu.be/KCRU0WgexuI?si=yk1lTiIErpIsTTXA

#B52s #Chaucer #culture #cupid #history #LoveShack #music #rock #StValentine #ValentinesDay
Fantastic new podcast episode on #Chaucer by @[email protected] and Marion Turner (of house @[email protected]). Lots going on (how good these isles were at learning languages, the Great Vowel Shift, iambic pentameter, un-deplatforming Chaucer himself) would recommend ! www.bbc.co.uk/sounds/play/...

You're Dead to Me - Geoffrey C...
You're Dead to Me - Geoffrey Chaucer: the medieval father of English literature - BBC Sounds

Join Greg and his guests to learn all about the life of medieval author Geoffrey Chaucer.

BBC
Uniting for the first time the concepts of #Medievalism & #ReceptionStudies this collection edited by Ellie Crookes & Ika Willis includes topics as diverse as #StarWars #RobinHoos & #Chaucer & #Victorian perspectives on #AnneBoleyn & the crusades & more

RE: https://eldritch.cafe/@EllisArcwolf/115788959110082500

Earning My Internet "Keep"

I haven’t just been waiting for the bureaucratic gears to turn; I’ve been rewriting the history of the Fifth Astral Era.

To keep my brain sharp (and frankly, to stave off the crushing weight of waiting for the license that has taken forever), I’ve been deep-diving into my adaptation of The Tragedy of Julius Caesar (The Tragedy of Ĵulŷs Kæsar). But I realized that for the specific Fifth Astral Era history I’m targeting for Morvelet's writing career, Early Modern English wasn’t archaic enough for him to have written his plays in.

So, I did what any reasonable lore fanatic would do: I rewrote the "You blocks, you stones" speech from Act I, Scene 1 in Middle Eorzean (think Chaucer meets FFXIV): "Ye blockes, ye stones, ye duller than bestaille! / O ye harde hertes, ye felouns of Allage..."

See more at my diegetic Taper Project website: https://taper-project.jijivisa.org/

I am proving to myself—and to the world—that even when I am at rock bottom, my capacity to create complex, layered, and incisive art is untouched. I can do anything.

The Reality Check

But while I can rewrite iambic pentameter, I cannot rewrite the cost of living.

I am currently in Pittsburgh, fighting to secure transitional housing. To stay safe and healthy until my license arrives—if all goes according to the latest plan I've been made to believe is "The Plan"—on January 6, 2026. To make that happen, I need to clear some obstacles in my path:

  • The "Impact Fee": My host has been incredibly generous, but my presence has spiked their utility costs. I need to help cover a $421 electric bill to ensure I am not a burden on the lifeboat that saved me. There's still most of it to cover. I've received about $150 in the past two weeks, which was barely enough to make ends meet and get my phone back prior to a job interview I had on Thursday.
  • Meds: I need to refill my Bupropion (depression meds). Now I'll also have to refill my Venlafaxine. Couldn't make it to Pittsburgh today for an important doctor's appointment because I couldn't leave Butler on account of the expense and my current fiscal destitution.
  • Transit & Logistics: Getting to the interview and navigating the city requires funds I currently do not have. More than you'd think, as the ONLY place I've YET found to live is where I'm staying now, an hour (two by bus) and a once-a-day bus schedule away from Pittsburgh.

I really wish I could live in Pittsburgh, but I don't have the money to buy a local bus ticket right now, and the frequency of donations have proved my dream of finding a place on the generosity of strangers quite silly. For now, I just need to be able to get around so I can resolve things until I can make my own money to get a place to live in Pittsburgh. Still need help to get there.

The Ask

I am begging you to invest in the person who can turn trauma into Chaucerian verse. Help me clear these immediate hurdles so I can nail upcoming interviews, get my LPC license finalized, and finally have a room of my own to write Julius Caesar's sequel.

Thank you for being the audience that keeps the lights on.

#FFXIV #FinalFantasyXIV #FFXIVLore #CreativeWriting #Shakespeare #Linguistics #Chaucer #WorldBuilding #MutualAid #Crowdfunding #Poverty #HousingInsecurity #Pittsburgh #ButlerPA #AuDHD #Disability #MentalHealth

I rewrote some of the tragedy I've been working on moving from Shakespeare's 16th century to Morvelet's Fifth Era.

You see, Morvelet didn't write in Eorzean. Or even Early Modern Eorzean. He wrote in Middle Eorzean. And so his REAL language goes a little like this:

Ye blockes, ye stones, ye duller than bestaille!
O ye harde hertes, ye felouns of Allage,
Knewe ye nat Pompêy? Many a tyme and ofte
Have ye y-clumben up to mansiouns hye,
To railes and landing paddes, ye, to vent-stackes,
Your infantes in your armes, and ther have sat
Al the longe day, with pacient expectacioun,
To seen grete Pompêy passe the stretes of Allage.

Read more: https://taper-project.jijivisa.org/#find

Yeah. I fucking turned Shakespeare into Morvelet into FUCKING CHAUCER, then I kept the iambic pentameter anyway.

I can do motherfucking ANYTHING! 🎆

#TheTaperProject #BardOfSagon #Morvelet #FFXIVWrite #MiddleEorzean #IambicPentameter #Prosody #Linguistics #Chaucer #FFXIVLore #Worldbuilding #CreativeWriting #Allagan #Sharlayan #WritingCommunity

The Taper Project™

Spearheaded by the adventurer and philanthropist Joan Arcwolf-Dhivri, our primary mission is to restore the lost works of the "Bard of Sagon," Liam Meri'a Morvelet, ensuring that these ancient narratives—long buried beneath the sands of the Sagolii—can once again be performed for modern Eorzean audiences.

The Taper Project™

It's a circuitous route via Greek, Latin, Boccaccio, Chaucer, and Shakespeare (and others) to get from Pandaros in the Iliad to "pander" in English.

#TheIliad #Greek #Latin #Boccaccio #Chaucer #Shakespeare #Pandaros #pander #etymology

https://talesoftimesforgotten.com/2025/12/21/how-an-obscure-character-in-the-iliad-gave-us-the-english-word-pander/

How an Obscure Character in the 'Iliad' Gave Us the English Word 'Pander' - Tales of Times Forgotten

In the Iliad, Pandaros, son of Lykaon, is a Lykian archer who is allied with the Trojans. In Book 4 of the epic, the goddess Athena tricks him into firing an arrow at the Akhaian king Menelaos, which breaks a truce between the Trojans and Akhaians and causes fighting to resume. Pandaros briefly shows up … Continue reading "How an Obscure Character in the ‘Iliad’ Gave Us the English Word ‘Pander’"

Tales of Times Forgotten