The Wise Man on the Right

I’ve been going through old black & white photographs and asking an AI model to colourise them for me, and it’s doing a pretty decent job of this. This photo jogged a few memories and prompted a realisation. Read on to find out more.

I don’t remember much about the day that photograph was taken, just the soft weight of the costume, the scratch of the fabric at my neck, and the sense that something important was happening even if I didn’t quite understand what. I must have been six or seven. We crossed the road from Birstall County Primary school to the chapel in our costumes, a little procession of shepherds, angels, and wise men wobbling along the pavement like mismatched ducklings.

In the picture, I’m the one on the far right: glasses too big, robes hanging awkwardly, trying to look solemn and grown-up. I can see now that I was nervous, though I wouldn’t have had the words for it then. Back then, I just felt “different,” without knowing why.

If I could speak to that kid now, that tiny wise man with the oversized glasses, I’d tell him the truth no one around him knew how to give him. I’d tell him he’s autistic, and that this is why the world feels louder, sharper, and more complicated for him than it seems to be for the other children. I’d tell him he isn’t broken or strange; he’s simply wired in a way that will one day make sense.

I’d warn him, too, because honesty matters. The bullying will come, and it will hurt, and it will get worse in high school before it gets better. But I’d also tell him that he survives it. Not by becoming someone else but by slowly, stubbornly, becoming himself.

And maybe that’s why colourising this photo feels so powerful. It’s like offering that child a kindness he never received at the time: a moment of being seen clearly, gently, and with understanding.

Sometimes the smallest memories are the ones that finally teach us who we’ve been all along.

#AI #Autism #autistic #blackAndWhite #Childhood #colourised #disability #disabled #emotion #family #feeling #glasses #life #love #memoir #Nativity #oldPhoto #spectacles #wiseMan
Torchy the Battery Boy (1959) Colourised! 19) "The Naughty Twins". Gerry Anderson & Roberta Leigh

YouTube
Preview of General Smythe's #colourised secret video communicator. 🙂
#DoctorWho
#TheWarGames
#BBCFour
Edwardian era photograph of my Grandma and her sister (seated). I don't know who took the original, could well have been my Great Grandfather who was an early photographer, amongst other things. #Photography #PhotographyOnMastodon #Colourised

RT from Old England in Colour (@englandincolour)

The Crystal Palace on Sydenham Hill, London, c1870-1900. Photo: Historic England #crystalpalace #crystalpalacepark #penge #cpfc #sydenham #greatexhibition #colourised

Original tweet: https://twitter.com/englandincolour/status/1769665056067690566

Old England in Colour (@englandincolour) on X

The Crystal Palace on Sydenham Hill, London, c1870-1900. Photo: Historic England #crystalpalace #crystalpalacepark #penge #cpfc #sydenham #greatexhibition #colourised

X (formerly Twitter)
Serge Gainsbourg and Jane Birkin by Frank Habicht.
#Colourised last night. This one came out really well I thought.
This is an old B/W promo shot I splashed some colour over and tweaked a little.
I adore this shot, the twinkle in the Doctor's eye just captures the essence of the Doctor for me.
#DoctorWho #TheFirstDoctor #Colourised #FanArt
‘I’d rather stalk with a Camera than a Gun’ – Toni Frissell
https://marielou.substack.com/p/id-rather-stalk-with-a-camera-than
2015 © Marie-Lou Chatel Restored & Colorized - 1948 © Toni Frissell (1907-1988) - Library of Congress Washington LC-19692 No known restrictions. Title: Fashion models posing in bathing suits floating in a swimming pool
#photorestoration #colourised #colorized #colorization #colorizedphoto @marielou_chatel #streetphotography #colorizedphoto #historical #oldpictures #fineartphotography #fineart #streetphotographer #street #colorssoft
#vintagetones #retrotones #vintage #retro
‘I’d rather stalk with a Camera than a Gun’ – Toni Frissell

Toni Frissell (Antoinette Frissell Bacon), was an American born Photographer, who was known for her compelling fashion photography for Vogue and Harper’s Bazaar as well as celebrated for her groundbreaking photographs of the World War II, portraits of famous Americans and Europeans, children, as well as women from all walks of life. In the beginning of her career, she was an apprentice to Cecil Beaton and was advised by Edward Steichen. She stretched the boundaries of the privileged world into which she was born and became one of the most innovative photographers of her time.

Marie-Lou Chatel