Marcion of Sinope

Marcion of Sinope was born in Sinope (a port city in Pontus, modern-day Turkey). He passed away in circa 160 CE. He was a theologian in early Christianity.

Marcion preached that God had sent Jesus, who was distinct from the “vengeful” God (Demiurge) who had created the world. He considered himself a follower for Paul the Apostle. Marcion believed that Paul was the only true apostle of Jesus. His doctrine is/was called Marcionism. Marcion published the earliest record of a canon of New Testament books.

Early Church writers such as Justin Martyr, Irenaeus, & Tertullian denounced Marcion as a heretic or antichrist. Marcion was excommunicated by the Church of Rome around 144. He published his own canon of Christian sacred scriptures, which contained 10 Pauline epistles (including the Epistle to the Laodiceans, while excluding the Pastoral epistles) & the Gospel of Marcion which historically is claimed to be an edited version of the Gospel of Luke.

This made Marcionism a catalyst in the process of the development of the New Testament canon by forcing the proto-orthodox Church to respond to his canon.

In the late 130s or early 140 CE, Marcion arrived in Rome, joined the Roman church, & donated 200,000 sesterces. This is equal to millions in today’s money. Sesterces are/was an ancient Roman coin, made from silver or brass. He was influential for several years until his “radical” teachings became harder to ignore.

In 144 CE, the Roman elders did something almost unheard of. They gave Marcion his money back! Then Marcion was promptly excommunicated.

Marcion was undeterred by his excommunication. He just switched tactics. He used his shipping routes (he was a mariner & ship-master by trade) to start Marcionite churches all along the Mediterranean. By the end of the 2nd century, the Church Father Tertullian complained that Marcion’s “heretical swarms” were everywhere.

After Marcion’s death, his churches retained their following & survived Christian controversy & imperial disapproval for several centuries.

To Marcion, the God of the Old Testament isn’t the same as the New Testament. He proposed a dualism:

  • The Creator (The Demiurge):
    • The God of the Hebrew Bible. He’s just. But harsh, legalistic, & focused on “an eye for an eye.” He created this flawed, material world & is the God of the Jews.
  • The Heavenly Father:
    • A previously “Unknown God” of pure mercy & love. This God had no prior connection to humanity until He sent Jesus to save us from the Creator.

The Docetic Connection: Because Marcion believed the Creator made the physical world (flesh), he believed flash was inherently “dirty.” So, the “Good God” would never take on REAL flesh. In Marcion’s view, Jesus came down directly from Heaven to earth as a fully formed grown-up adult man. Jesus skipped birth (no Nativity), childhood (no 12 year old Jesus in the Temple), & biology entirely.

Marcion studied the Hebrew Bible (with some other writings circulating in the nascent Church), which led him to conclude that the teachings of Jesus weren’t compatible with the actions of Yahweh (the God of the Hebrew Bible).

Marcion developed a ditheistic system of belief around 144. The idea of 2 gods – a higher transcendent 1 & a lower world-creator & ruler – allowed Marcion to reconcile his perceived contradictions between Christian Covenant theology & the gospel proclaimed by the New Testament.

So Marcion created/came up with the first-ever “closed” list of Christian books, (which he edited to remove any “pro-Jewish” or “pro-material” sentiment:

  • The Gospel of Marcion:
    • A stripped-down version of Luke. He cut the birth narrative, the genealogy, & any mentions to Jesus fulfilling Old Testament prophecy.
  • The Apostolikon:
    • 10 letters of Paul (Galatians, 1 & 2 Corinthians, Romans, Philippians, & Philemon).
  • The Antitheses:
    • His own theological treatise explaining why the 2 gods were different.

The Church realized that if they didn’t act, Marcion would codify & define Christianity. This led to 3 major developments:

  • The Four Gospel Canon:
    • To counter Marcion’s “One Gospel,” the Church emphasized 4 (Matthew, Mark, Luke, John) to show a diversity of eyewitnesses.
  • The Inclusion of the Old Testament:
    • The Church insisted that the God of Abraham is the Father of Jesus.
  • The Apostles’ Creed:
    • Lines like “I believe in God, the Father Almighty, Creator of Heaven & Earth” were specifically added to refute Marcion’s claim that the Creator was a lesser, separate deity.
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#144 #144CE #1stCorinthians #2ndCentury #2ndCorinthians #Abraham #ApostlesCreed #ChristianCovenant #Christianity #ChurchFather #Demiurge #Docetic #Early140CE #EpistleToTheLaodiceans #FourGospelCanon #Galatians #GospelOfLuke #GospelOfMarcion #HebrewBible #Irenaeus #Jesus #John #JustinMartyr #Late130s #Luke #MarcionOfSinope #Marcionism #Mark #Matthew #Mediterranean #Nativity #NewTestament #PastoralEpistles #PaulTheApostle #PaulineEpistles #Philemon #Philippians #Pontus #ProtoOrthodoxChurch #Romans #Rome #Sesterces #Temple #TheAntitheses #TheApostolikon #TheGospelOfMarcion #Turkey

National Gallery of Art. Nativity painting in National Gallery of Art ca. 1920-ca. 1950.
Horydczak, Theodor, approximately 1890-1971
1 transparency : color ; 8 x 10 in.

#Horydczak #Theodor #Nativity #DistrictofColumbia #Galleries&museums #UnitedStates #Washington(DC) #photography

https://www.loc.gov/item/2019684597/

Bolzano Piazza • Via Romea #4 • @1MEMO 20260114

The Via Tirolensis, the Tyrolean section of the Via Romea Germanica pilgrimage route crossing the central Walther Square in Bolzano (Bozen), South-Tyrol, Italy, with a Christmas market and the Assumption of Our Lady Cathedral, December 30, 2025.

Notes

Via Romea Germanica pilgrimage route, from Stade near Hamburg in Germany to Rome, Italy. The South-Tyrolean section in Italy of the Via Romea crosses in Bolzano the Walther Square and continues south along the Assumption of Our Lady Cathedral on the Piazza della Parrocchia.

Assumption of Our Lady Cathedral : Bozner Dom / Duomo di Bolzano / Dom Maria Himmelfahrt

Walther Square : Walther Platz / Piazza Walther

Bolzano Christmas market : Bozner Christkindlmarkt / Mercatino di Natale di Bolzano

#viaromea #Bolzano #Italy #SouthTyrol #city #market #square #Christmas #nativity #scene #tree #church #Via #Romea #Tirolensis #pilgrim #route #street #Tyrol #Germanica #nativity

youtube https://youtu.be/8cvzD7vx18M

Citation info : Bolzano Piazza • Via Romea #4 • Michel van der Burg • Miracles•Media • @1MEMO 20260114 • TakeNode c39638ef-9d4f-4815-af0a-e55dcc60a56b

German church’s televised ‘slime Jesus’ provokes fury on right

Bild splashed with the headline “ARD shows Christmas mass with slime Jesus”. The newspaper quoted viewers who said the figure in the straw looked more like a “breathing alien” and condemned the spectacle as “sick and twisted”

😇 #religion #catholicism #extremism #media #germany #nativity #humour

https://www.theguardian.com/world/2026/jan/13/german-church-televised-slime-jesus-infuriates-faithful

German church’s televised ‘slime Jesus’ infuriates the faithful

Christmas Eve live broadcast showed holy child portrayed by female performance artist writhing in sticky rice paper

The Guardian

@venite nativity with lighthouse!

#Lighthouse #Nativity #christmas #christmas2025

I'm glad to report that I keep walking past this nativity scene and the security company are doing a good job because Jesus is still imprisoned 👍

#Christmas #Nativity #AsItShouldBe

Sharing a thoughtful Christmas reflection . . .

“Jesus did not exercise authority from a position of power. He exercised authority from a position of being a servant. And the servant is open and welcoming. The servant is available. The servant makes no judgments. The servant is one who serves all people.” - Clement Connolly

#Christmas #Nativity #Navidad

Indian artist, Adoration of the Christ Child, from the Muraqqa of Nana Phadnis, Mughal India, ca. 1620–1630, collection of Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. #arthistory #nativity #christmas #painting #indianart #artofindia

From Victoria Emily Jones, Christianity Today Magazine, December 18, 2023: “This painting is from the era of Emperor Jahangir (r. 1605–1627) of the Mughal dynasty, a Muslim Persianate dynasty of Turco-Mongol origin that ruled much of the Indian subcontinent from the 16th to 18th centuries. Like his father, Akbar, Jahangir was interested in Christian art and dialogue. He invited Jesuits into his court and instructed his artists to paint Christian themes after the European prints the Jesuits shared. This one is adapted from a Flemish engraving by Aegidius Sadeler II.“

A nativity scene is displayed in the damaged St George’s Church in the southern Lebanese village of Yaroun near the border with Israel [Mahmoud Zayyat/AFP].

#photography
#Lebanon
#churches
#Nativity

It is snowing, the entire world becomes a minority.
This time of the year — high season for spies,
you catch up with yourself under any guise,
betrayed by the lack of respect for authority.
A betrayal like this doesn't carry a prize;
all around you a hush is afloat.
How much light there is, crammed in the shard of a star,
in the night! like exiles in a boat.
Don't go blind, look! You yourself are an orphan,
a black sheep, a pariah, an outlaw.
To your name not a penny. Out of your maw —
frozen breath in the shape of a dragon.
Better pray out loud, like a new Nazarene,
for the bearers of gifts in both
halves of the earth, self-proclaimed kings,
and for every child in a cradle.

Joseph Brodsky, 1986

(my translation from the Russian; https://shimon-edelman.github.io/poetry/Brodsky-nativity-1986.html)

#christmas #nativity #refugees

Joseph Brodsky — Nativity (1986)