Trip down memory lane.

This photograph was taken in 2010, just six years after the portrait I shared earlier of Shigeru Miyamoto. And looking at it now, I can already see how much had changed.

This time, the subject was Ryota Niitsuma, former Capcom developer, producer, and one of the people behind several of the company’s fighting game titles, including parts of the Street Fighter legacy.

The difference with my earlier work is striking. Better composition. Better understanding of light. A more thoughtful moment. It was shot on a Canon EOS 350D with a fairly standard Sigma zoom lens—nothing fancy, just a simple tool and a growing eye behind it.

At the time, I was running my own media company with a staff of 27 people. Life moved fast. Deadlines, interviews, events, constant decisions. Photography was never my main role, but when my team needed me to step in, I did.

And somewhere in that chaos, I started to fall in love with the craft.

What I notice most now is not just the technical growth, but something else: even back then, I was already teaching. Showing younger photographers simple things—where to stand, how to use the light, how to frame a subject. The same small lessons I would later share with others in nature and beyond.

Funny how some paths reveal themselves only when you look back.

#RyotaNiitsuma #Capcom #StreetFighter #GamingJournalism #PhotographyJourney #Canon350D #PortraitPhotography #MediaHistory #Throwback #PhotographyGrowth #GameIndustry #LearningPhotography #CreativeGrowth #PhotoArchive #CanonEOS350D #OldPhotos #VisualStorytelling #ThenAndNow #PhotographerLife #Mentorship #TeachingPhotography #CreativeCareer #MemoryLane #GameDeveloper #BehindTheScenes #Nostalgia #ByMaikeldeBakker #MaikeldeBakkerPhotography #WonderingLens
Linda, her very first time seriously holding a camera—one of mine. Knowing how much she loves animals, I took her to a park known for its squirrels. First the birds arrived, giving her time to learn the basics: point, focus, shoot. Step by step. An hour later, after spotting her first squirrel, I handed her a better lens. And there she was, smiling behind the camera. Lesson one: have fun.

#Photography #LearningPhotography #WildlifePhotography #Squirrels #BirdPhotography #NaturePhotography #PhotographyMentor #CanonPhotography #Telephoto #BeginnerPhotographer #CreativeJourney #NatureLovers #InTheField #OutdoorPhotography #AnimalLovers #TeachingPhotography #FirstSteps #PhotographyLife #PointAndShoot #NatureObservation #FieldMoments #BehindTheScenes #HappyPhotographer #WildlifeMoments #CreativeGrowth #ThroughTheLens #ByMaikeldeBakker #MaikeldeBakkerPhotography #WonderingLens
My protégé Dennis, standing on a beach near Donegal, Ireland.

A few years ago, I traveled there with a beginning photographer eager to learn the craft beyond simply pressing the shutter. Together, we focused on landscapes, perspective, and perhaps most importantly: learning where to stand, where to look, and why.

Photography often appears instinctive from the outside. Some people naturally stumble upon strong compositions through trial and error. But turning those lucky moments into consistent results—that takes awareness, patience, and practice.

And Ireland is a good teacher.

With coastlines shaped by Atlantic storms, shifting light, and dramatic geology carved by ancient glaciers, the landscape constantly challenges you to adapt. Light changes by the minute. One step left or right can completely alter the balance of a scene.

Watching someone slowly understand that is incredibly rewarding.

Over time, his images evolved from average snapshots into thoughtful compositions. After several courses, he now photographs for a local rock band. Seeing that growth—that confidence—makes me genuinely proud.

You don’t need exotic locations to learn photography. These lessons can be found anywhere. But traveling together, exploring unfamiliar places, and standing in landscapes like this… it sharpens both teacher and student alike.

And sometimes, with the sea wind in your face and the Irish coast stretching into the distance, everything simply feels right again.

#Ireland #Donegal #BeachPhotography #LandscapePhotography #PhotographyMentor #LearningPhotography #CanonPhotography #NaturePhotography #TravelPhotography #IrishCoast #AtlanticOcean #Perspective #Composition #OutdoorPhotography #PhotographyJourney #CreativeGrowth #NatureLovers #ExploreIreland #VisualStorytelling #EarthFocus #CoastalLandscape #AdventurePhotography #TeachingPhotography #FieldWork #WanderingPhotographer #ScenicViews #ThroughTheLens #ByMaikeldeBakker #MaikeldeBakkerPhotography #WonderingLens

Teaching Photography #7: Keeping Gear in Its Place

The ongoing challenge in teaching photography to a young person is protecting them from gear culture. Marketing is sophisticated and pervasive. Social media shows photographers with expensive equipment. Friends will get newer, better cameras. The pressure to upgrade is constant.

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https://photoni.st/index.php/2026/05/03/teaching-photography-7-keeping-gear-in-its-place/

#Photography #IMayBeWrong #Opinion #Teaching #TeachingPhotography

Teaching Photography #6: Ongoing: Assignments That Build Vision

After the first six weeks, my niece will have foundation: purpose, seeing, basic technical control. Now the teaching moves from building fundamentals to developing her particular vision through structured assignments. Each one has clear communicative goals, and success is measured by whether she ac
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https://photoni.st/index.php/2026/04/26/teaching-photography-6-ongoing-assignments-that-build-vision/

#Photography #IMayBeWrong #Opinion #Teaching #TeachingPhotography

The soft white blossoms of the Amelanchier—subtle, elegant, and quietly important in early spring. But this image carries an extra layer for me… because this one wasn’t taken by me.

This photograph was captured by my wife, using the Canon 7D Mark II paired with the Sigma 100–400mm. A perfect example of how learning to see is far more important than the gear itself. We worked together on this shot—looking at how the branch enters the frame from the left, guiding your eye naturally toward the blossoms, while the darker forest behind melts into a soft bokeh.

The light made it all come together. Filtered through surrounding trees, with just a gentle patch illuminating the flowers, separating them from the shaded background. That contrast—light versus shadow—is often what gives an image depth and focus.

From a scientific perspective, Amelanchier (also known as serviceberry) flowers early in the season, providing crucial nectar for pollinators emerging after winter. A small but meaningful contribution to the ecosystem.

So here’s a quiet reminder: photography is not just about capturing what you see, but also about sharing how to see it. And sometimes, the most rewarding image is not the one you take—but the one you help someone else create.

#Amelanchier #Serviceberry #Bloesem #SpringBloom #NatureNetherlands #DutchNature #FlowerPhotography #NatureDetail #BokehLovers #DepthOfField #FramingMatters #PhotographyTeaching #LearningPhotography #LightAndShadow #NaturalLight #OutdoorPhotography #NatureWalk #Groesbeek #Canon7DMarkII #Sigma100400 #TelephotoMagic #CreativePhotography #NatureObservation #Ecology #Pollinators #SpringNature #WonderingLens #ByMaikeldeBakker #MaikeldeBakkerPhotography #PixelfedPhotography

Teaching Photography #5: Introducing Technical Control

My niece has spent four weeks photographing on full automatic. She understands what photography is for, she’s developed her eye, she knows how images communicate. Now she’s encountering situations where automatic settings prevent her from achieving what she wants. That’s perfect timing for in
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https://photoni.st/index.php/2026/04/19/teaching-photography-5-introducing-technical-control/

#Photography #IMayBeWrong #Opinion #Teaching #TeachingPhotography

Teaching Photography #4: How Photographs Communicate

Week four combines analysis with continued practice. My niece has been making photographs for three weeks, and she’s developed intuitions about what works and what doesn’t. Now we’ll make those intuitions conscious by looking at strong work and breaking down how it functions.

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https://photoni.st/index.php/2026/04/12/teaching-photography-4-how-photographs-communicate/

#Photography #IMayBeWrong #Opinion #Teaching #TeachingPhotography

Teaching Photography #3: Learning to See By Doing

My niece will spend weeks two and three developing her eye through structured assignments, all while keeping the camera on automatic. She’s comfortable with the tool by now but not thinking about it technically. The focus is on what she’s seeing and choosing to capture.

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https://photoni.st/index.php/2026/04/05/teaching-photography-3-learning-to-see-by-doing/

#Photography #IMayBeWrong #Opinion #Teaching #TeachingPhotography

Teaching Photography #2: What Photography Is For

The first session with my niece will establish what photography is actually for, but not through abstract discussion. She’ll have her camera in hand from the first minute, set to full automatic, and we’ll be taking photographs while talking about why we’re taking them.

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https://photoni.st/index.php/2026/03/29/teaching-photography-2-what-photography-is-for/

#Photography #IMayBeWrong #Opinion #Teaching #TeachingPhotography