Yamaha Stagepas 400i

Playing with the system in the afternoon of yesterday

  • 4 mono mic/line + 4 mono / 2 stereo line + USB Audio IN: iPod/iPhone exclusive
  • 2-band (HIGH Shelving: 8kHz, LOW Shelving: 100Hz)
  • SPX digital reverb (4 program, parameter control), Feedback suppressor, 1-Knob Master EQ™
  • 400W (200W + 200W)
  • speakers
  • 55Hz - 20kHz
  • 8” (20cm) cone
  • 1” (2.54cm) voice coil compression driver
  • 125dB SPL / speaker
  • 100V - 240V 50Hz/60Hz
  • 30W (Idle), 70W (1/8 Power) [in reality 25W measured here]
  • 17.8kg / 39.2lbs (2 x Speaker 7.5kg + Mixer 2.8kg)
  • over panel, Power cord (2m), 2xSpeaker cables (6m), 12xNon-skid pads

Don't buy it new since Yamaha discontinued production

Yamaha StagePas 600BT is the current system

  • Powered mixer with 2 passive speakers
  • 10 channels
  • Hi-Z switch: CH4, ST/MONO switch: CH5/6-9/10
  • Feedback suppressor, 1-Knob Master EQ™
  • 4 mono mic / line + 6 mono / 3 stereo line
  • +30V (CH1, 2) (Phantom)
  • SPEAKERS OUT (L, R), MONITOR OUT (L/MONO, R), SUBWOOFER OUT (MONO) with auto HPF
  • Bluetooth Ver.4.1, A2DP v1.2, Maximum Range: Approx. 10 m
  • Reverb foot switch
  • CH4 [Hi-Z]
  • HIGH Shelving: 8 kHz
  • LOW Shelving: 100 Hz
  • MID peaking: 2.5 kHz
  • SPX digital reverb (4 program, parameter control)
  • 680W (340 W + 340 W) (Dynamic), 560W (280W + 280W) (Continuous)
  • Two-way bass-relfex speakers
  • 55 Hz - 20 kHz
  • 90° H
  • 60° V
  • 50° [floor monitor angle]
  • 10" (25 cm) cone
  • 1.4" (3.56 cm) voice coil compression driver
  • 129 dB SPL / speaker
  • 100 V - 240 V 50 Hz/60 Hz
  • 35 W (Idle), 100 W (1/8 Power)
  • 34.8-35.2 mm pole socket with StageLok™
  • Cover panel, Power cord (2m), 2 x Speaker cables (6m), 12 x Non-skid pads, 2 x Ferrite Cores, 2 x Cable ties
  • Yamaha BMS10A (mic stand adaptor) for mixer mount, FC5 (foot switch) for reverb ON/OFF
  • Handle: 1 x Top
  • Speaker 335 x 545 x 319 mm, Mixer 348 x 197 x 135 mm [dimensions w x h x d]
  • 25.6 kg (56.4 lbs) (2 x Speaker 10.9 kg + Mixer 3.8 kg)

features

680-watt, portable PA system with 10-channel powered mixer, two 10" speakers, a Bluetooth input, SPX digital reverbs, an onboard feedback suppressor and versatile EQ.

680W (340W + 340W) power output
High quality speakers (LF:10" woofer/ HF:1.4" voice coil compression driver)
Detachable 10-channel mixer (4 mono/line + 6 mono / 3 stereo line)
Bluetooth audio streaming
1-Knob Master EQ™ with virtual bass boost
High resolution SPX digital reverbs (4 types, parameter control)
Onboard feedback suppressor
Great-sounding 3-band channel EQ
Switchable stereo/ mono inputs
Hi-Z (high impedance) inputs
Phantom power
Monitor and Subwoofer outputs
Optional reverb footswitch

sources

https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400i_600i/index.html

https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400i_600i/specs.html#product-tabs

https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400bt_600bt/specs.html#product-tabs

https://usa.yamaha.com/products/proaudio/pa_systems/stagepas_400bt_600bt/index.html

https://www.sweetwater.com/store/detail/StagePas600BT--yamaha-stagepas-600bt-portable-pa-with-bluetooth

for reference dont buy

https://www.amazon.com/yamaha-stagepas-400i-portable-system/dp/B00B78SZJ2

#nowplaying #audio #music #PA #yamaha #stagepas #technology #live #400i #livesound #soundengineering

New article on Sounding Future:
ECHO Project: A New Chapter in Immersive Orchestral Recording
by Katia Sochaczewska · Hyunkook Lee · Nick Wollage.

https://www.soundingfuture.com/en/article/echo-project-new-chapter-immersive-orchestral-recording

#immersiveaudio #orchestralrecording #spatialaudio #ambisonics #musicresearch #soundengineering #3daudio

How problematic is resampling audio from 44.1 to 48 kHz?

https://kevinboone.me/sample48.html

#HackerNews #resampling #audio #audioquality #44100 #48000 #technews #soundengineering

Kevin Boone: How problematic is resampling audio from 44.1 to 48 kHz?

Audio CDs were recorded using a 44.1 kHz sample rate that is found almost nowhere else. If we have to resample this audio to suit more modern equipment, how much loss of audio quality will there be?

One of my favorite small mixing consoles

#ProAudio #PA #SoundEngineering #Analog #Yamaha #Audio

"Portable" #recording equipment used in #Britain for #film making in 1953 - it could use either 35mm or 17,5mm magnetic film (better #sound quality than optical recording), could be synchronised to the film camera, and easily transportable in a private car (presumably by two fairly strong people, as the recording unit alone would weigh north of 40 kg, there was a mixer and amplifier to go with it) - and it would fill the boot and probably the back seats too of most cars available in those times

Power was a choice of 230V single phase or 400V three phase mains (so a location shoot would require a genset as well)

#SoundEngineering

Unser Maximilian Diehl war bei unserem Auftritt im Journal in Kehl (organisiert von Elsass Alest) natürlich mit seinem ALLEN & HEATH Mischpult dabei, hat wieder für den perfekten Sound gesorgt und erneut bewiesen, dass er für uns ein unverzichtbares Bandmitglied ist! 🤘❤️‍🔥

#music #symphonicmetal #gothicmetal #soundguy #soundengineering #bandlife #allenandheath

Contrary to what you may believe however, Mackie doesn't deliver its microphones in a beautiful 'flight case' that I've showcased the EM89D in.

Instead you get a plane Jane cardboard box that I've just photographed, in which the microphone normally resides.

Even TASCAM delivers its fantastic amazing microphones in plane Jane cardboard boxes.

Shure tops the charts with ugly cardboard boxes for its magnífico microphones. The boxes in which I got my SM58s are so ugly I'm not even going to photograph them.

Credit goes to Behringer who delivers it's microphones like the XM8500 in a flightcase. The XM8500 microphone has good use cases here. It's also a fraction of the cost of the EM89D, and a sliver of the cost of the Legendary Shure SM58.

Never let the low/high price of a microphone fool you. Buy it, if it captures your sound Source nice, and you will find good to fantastic use cases for many microphones which are categorized as cheap.

Sets of fantastic microphones for example are AKG matched pair condenser mics. They are fantastic for me because I have great use cases for them; they're not fantastic because they have a substantial high price.

Thank you Behringer for packaging your microphones nicely and sturdy.

https://mastodon.bsd.cafe/@Dendrobatus_Azureus/115710655170993173

#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #Behringer #microphone #magnífico #XLR #stable

My superlativo EM89D Dynamic microphone 🎤 composed & elevated to monochromatic light

#Audio #PA #SoundEngineering #Dynamic #Analog #cápsula #Mackie #microphone #magnífico #XLR #stable

I use #Audacity and I get excellent results... if I need a terrible #sound!!

source :a popular centralized social network.

#meme #music #production #producer #producers #engineer #engineering #soundengineering #mixing #StolenOnAnotherMedia