Thursday, What A Concept! | David Bowie â The Leon Suites (1994, UK)
Next up in our series spotlighting rock operas or other concept albums from The List is number 423, submitted by yours truly.
With the first album in our âThursday, What A Conceptâ series being Nine Inch Nailâs The Downward Spiral, David Bowieâs so-called âLeon Suitesâ is basically the logical next choiceâŠif youâve ever heard of it, that is. While not an official release, âLeon Suitesâ represents what is left of the âimprovised operaâ titled Leon, an absolutely batshit collaboration with Brian Eno â Bowie is always at his most interesting when he gives in to his experimental side, and you canât get more experimental than this. Recorded in 1994, Leon was reworked to become Bowieâs 1995 concept album, 1. Outside; it was between these original 1994 recordings and the release of Outside when the NIN/Bowie co-headlining âDissonanceâ tour started, which was part of the NIN touring cycle for Downward Spiral.
For those who are interested in all the details behind Leon/âLeon Suitesâ/1. Outside, I highly recommend reading Chris OâLearyâs work, either via his fantastic Pushing Ahead of the Dame blog (links to relevant entries at bottom of this post) or the collected/edited versions in his second Bowie volume, Ashes to Ashes: The Songs of David Bowie, 1976-2016. There are a few versions of the story floating out there; here I provide just a summary, based on OâLearyâs book.
The road to Leon began when Bowie and Eno reconnected at Bowie and Imanâs wedding in 1992. Setting out to make an album that wasnât just an addendum to their Berlin trilogy, the pair wanted to create some sort of incomplete and interactive work where the listener ultimately had to figure out (or make up) the story. The writing/recording process began in March 1994 and was highly improvisational, relying heavily on role playing, Enoâs directions (including secret character sheets for all musicians and engineers), and Bowieâs vague sketch of a Twin Peaks-inspired narrative that involved a murder mystery, the art world, the Internet, and a handful of characters including Leon Blank, who was (either from the start or, in the process of Leon being reincarnated into Outside, became) an homage of sorts to both Tricky* and Jean-Michael Basquiat. The band jammed for weeks with the tape rolling, Eno ensuring the jam didnât stray into the conventional or coherent. Bits of the resulting 25 to 35 hours of recordings were then further developed over the next few months, and everything was edited down to end up with a 3-hour long album called LeonâŠwhich no label wanted to distribute.
The âLeon Suitesâ, then, is the result of someone getting a hold of that 3-hour piece and editing it down further, to 3 tracks that are each over 20 minutes. Though both Eno and Reeves Gabrels (guitarist on the recordings) wanted Bowie to ignore the disinterest in Leon and still release it in some form â even if as a quasi-bootleg release without his name on it â Bowie stopped shopping Leon around at some point in 1994/5. Itâs possible that the bootlegged âSuitesâ made Bowie lose interest in pushing Leon in its original form; however, since the bootlegs didnât leak until 2003, perhaps they had no bearing on Bowieâs decision to rework Leon (Bowie was known, after all, to start huge brilliant projects, only to completely abandon them and move on). Whatever the case may have been, at the end of 1994, Bowieâs assignment to keep a diary for 10 days for the 100th issue of Q magazine kickstarted the rewriting/fleshing out of the Leon storyline and then reincarnation of the work into the more commercial 1. Outside (this diary then became the liner notes of Outside). In fact, Bowie expanded the storyline to the point that Outside was meant to be the first in a series of 5 albums totalling 8 hours of material that would (or, maybe, would not) complete the story he had roughly sketched out for Leon. As the other 4 albums never happened, and as only snippets of the âSuitesâ exist in Outside, one canât help but wonder whether more/the rest of the âSuitesâ wouldâve popped up in those albums, or if they wouldâve largely been new post-âSuitesâ/Leon material. At any rate, without Leon we wouldnât have Outside, and, without Outside, who knows what other gems we would never have been gifted â there probably wouldnât have been the NIN Dissonance tour, and then probably no Earthling, probably no Mike Garson on NINâs The FragileâŠwho knows.
So, my recommendation? Set aside time to listen to both the âLeon Suitesâ and Outside, ensuring you can listen to each one in a single sitting, both in one go if you have the capacity. While you can read about what parts from âSuitesâ did or didnât make it into Outside, itâs a lot more fun to do a close listen of both and figure that out for yourself. The key is to consider the âLeon Suitesâ and Outside as companion albums, not thinking of the âSuitesâ as Outside demos or outtakes (as theyâre sometimes labelled) or Outside as a polished version of the âSuitesâ. Listening to âSuitesâ is more like finding only 3 issues of an out-of-print highly conceptual comic book series that later inspired a brilliant TV series (âŠthat was then inexplicably cancelled after the first season); so, if youâre the type of nerd who loves finding all the connections and easter eggs, a double bill is best. At the very least, if you have a spare hour and want to listen to Bowie yell out a whole bunch of random words and phrases in a bunch of ridiculous accents (and/or at least want to hear him predict in 1994 that âsomeday, the internet may become an information super-highwayâ) over top of Garsonâs absolutely brilliant piano playing, give âLeon Suitesâ a try.
The âLeon Suitesâ â what a concept!
* Some fun extra Bowie/Tricky stuff: In 1995, Q magazine asked Bowie to interview Tricky for an issue. The two hadnât yet met, and Bowie instead wrote a piece of fiction that essentially featured himself as the Leon/Outside character Nathan Adler and Tricky as Leon. Bowie then wrote Tricky a letter after him and Iman saw a Maxinquaye show in August 1995 (a month prior to the release of Outside), letting him know about the Q piece that was to be published in their October 1995 issue. See also the âLeon Takes Us Outsideâ blog post from OâLeary.
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