#Milestone9 - #ArcadeIntercolumniation #Keystone and #Modillion

#Arch without Pedestal https://pixelfed.social/p/Splines/803615973439041638

#Arch with #Pedestal and Keystone https://pixelfed.social/p/Splines/804537414363507454

#Keystone and #Dentil Details https://pixelfed.social/p/Splines/804548474524642209

#Modillion Details https://pixelfed.social/p/Splines/805587292338863257

#ModernEntablature with Detail https://pixelfed.social/p/Splines/805607059171193759

#Milestone8 - #SimpleIntercolumniation https://pixelfed.social/p/Splines/803106316515798367

#Milestone7 - Complete #IonicOrder https://pixelfed.social/p/Splines/800050647761776920

#Milestone6#Braids #3StrandBraids https://pixelfed.social/p/Splines/799602946527813102

#Milestone5#EggsAndDarts https://pixelfed.social/p/Splines/797069447808333887

#Milestone4#IonicScroll https://pixelfed.social/p/Splines/795361973789834465

#Milestone3#IonicColumn https://pixelfed.social/p/Splines/792803978865652429

#Milestone2 — Classic #IonicEntablature https://pixelfed.social/p/Splines/791021871062069787

#Milestone1#IonicPedestal https://pixelfed.social/p/Splines/790752092700055739
Splines (@Splines@pixelfed.social)

#Arcade #Intercolumniation without #Pedestal In https://pixelfed.social/p/Splines/803089629244302486, we saw #simpleIntercolumniation, also known as #Architravato. Roman architects combined columns with walls thick enough to bury half of the column width inside the walls and added arches to them for better load distribution. An arcade (multiple arches) can be run in series along a single wall, or in parallel to form a walkway. They can also be combined in both series and parallel configurations, perhaps the most famous of which is the #Colosseum in Rome. In the Colosseum, the outer walls follow an elliptical curve (even though it looks circular from the outside), and it has multiple tiers of arches in series. The interior has arches in concentric passageways in the lower tiers giving it a lattice-like design. Because arches distribute the load from above, they allow for wider intercolumniation. The rules for #ArcadeIntercolumniation differ depending on whether the columns have pedestals or not. Besides the arch itself, which is part of the wall, the figure shows some new architectural elements. The narrow part of the wall immediately behind a column is known as a #pier. The visible face of a pier between a column and the opening under the arch is known as #alette. The base of the pier has a molding, the flat part of which has the same height as the column base (µ) while the rest follows the #fillet and #cavetto or #conge of the #shaft. As we move up the pier, there is a horizontal molding known as #impost just below where the arc of the arch starts. The impost wraps around on the sides of the pier. Around the arc is a circular molding known as #archivolt, the bottom portion of which has a #fascia that is aligned with the face of the wall. The wall itself extends all the way to the top of the #entablature. It is worth noting that the entablature is repeated on the wall. It doesn't end at the columns and has two "outside" corners and one "inside" corner.

Pixelfed
#ModernIonicEntablature with #modillions and #dentils adapted for #arcadeIntercolumnation.

This image shows modillions across the top of the entablature, including modillions visible on the side wall. The dentils are below the modillions and are a bit shorter than in the classic variant.

As with dentils, a #modillion must be centered on a column axis. In the front, there are two modillions directly above the two columns and eight other modillions equally spaced between them. The number is always 10. So the spacing is different for an #arch with no #pedestals.

This image also shows a skinnier #keystone. Its thickness is half that of the one shown in https://pixelfed.social/p/Splines/804548474524642209 but all other measurements remain the same. There is never a modillion directly above the keystone.

The #cymaReversa and #fillet above the keystone have #profileCurves identical to those in the #capital but the top is a square that is only µ x µ units. The top slab is centered front to back on the face of the arch.

In this image, the modern entablature is shown with the classic capital, but it goes really well with the #modernIonicCapital. As I mentioned in https://pixelfed.social/p/Splines/791065657488081419, the classic variant of the column capital has parallel flat #volute slabs only visible from the front and back, but not from the sides. Because of its lack of radial symmetry, the capital does not look as satisfying when viewed from the side, especially in a #colonnade, as seen in https://pixelfed.social/p/Splines/803089629244302486.

The modern variant has curved volute faces on all four sides with pointed ends at all corners and optimized for use in a corner column, but not limited to that. The modern #IonicCapital is the last remaining piece in our systematic look at the complete #IonicOrder.

This concludes our look at the entablature, both classic and modern, and both for #simpleIntercolumniation, or #Architravato, and #arcadeIntercolumniation.
Splines (@Splines@pixelfed.social)

#Arch with #Ionic #Entablature and #Keystone Detail The #dentils arrangement we saw in https://pixelfed.social/p/Splines/791013152244518907 goes well with the classic entablature #profile we saw in https://pixelfed.social/p/Splines/790888454384861893, and they both go well with #simpleIntercolumniation, also known as #architravato. However, with arches, the entablature profile has to be adjusted a bit so that the dentils arrangement is as shown here. The shape, size, and gap between individual dentils remains the same, but a crucial difference is that the dentils at the #outer corners touch each other. As I mentioned in https://pixelfed.social/p/Splines/803615973439041638, in #arcadeIntercolumniation, the entablature is repeated on the wall behind the half-column. It doesn't end at the columns and has two "outside" corners and one "inside" corner. While the dentils at the outer corners touch each other, there is a single dentil in the inside corner that is shared by both walls. A bedrock principle of dentils (like that with #flutes and with eggs in the #EggsAndDarts motif) is that when viewed directly from the front or the sides, a dentil must be centered on the column axis. It is this principle that forces us to adjust the profile of the entablature in arcade intercolumniation giving us the arrangement shown here. The image also shows the detail of the decoration in front of the #keystone. The most easily recognizable component of that is the large #volute, which is the exact same size as the ones on the #capital. The smaller volute is exactly half the size of the larger one. It is mirrored, rotated and put within a bounding rectangle whose height is exactly 2µ (288 units). The channels of both volutes are bridged with #sinusoids derived from half turn of #helix curves that have been flattened. This motif in the keystone, where volutes of different sizes are combined with sinusoids is very common. It will be seen in the #modillions of the #modernEntablature.

Pixelfed
#Modillion for the #ModernIonicEntablature

In https://pixelfed.social/p/Splines/790782316675150160 , I mentioned that there are two variations of the #IonicEntablature — a classic version that we saw in https://pixelfed.social/p/Splines/804548474524642209, and a modern version that has a new feature called #modillions, which are projecting brackets under the #corona of the #cornice. Note that, "modern" is a relative term. For designs that are more than 2000 years old, even an alteration hundreds of years ago would qualify as modern.

The modillion design continues a similar pattern but not identical to that of a #keystone. The measurements can be found in https://babel.hathitrust.org/cgi/pt?id=mdp.39015031201190&view=1up&seq=45 from which you can surmise that the length is 130 units (based on µ = 144) and the height is 36 units excluding the flamboyant #cymaReversa. The depth is not given, but can be derived from the sketch in https://babel.hathitrust.org/cgi/pt?id=mdp.39015031201190&view=1up&seq=141.

The measurements for the cymaReversa are listed between the corona and medallions, but its #profileCurve is attached to the modillion, not to the corona. Like #dentils, we attach modillions separately to the entablature. The dentils are still there with the same square footprint and same interdental spacing, but they are shorter to make room for the modillions above.

The original #volute that forms the basis of the modillion design is µ = 144 wide (including #arcZero) and 128 tall. Since the modillion height divides evenly into µ, I used that orientation for constructing the modillion, creating a box 144 units wide and 520 units tall. After construction, I scaled it to 1/4 to get 36 x 130 units, and then rotated it 90°.

The length of 520 was divided into 128*3.5 = 448 for the curved portion (which aligns with the wall) and 72 for the straight portion, which faces the front. Try to recreate it on your own first, and if you need help, just ask me.
Splines (@Splines@pixelfed.social)

There are two variations of the #IonicEntablature. The classic variation has #dentils, which are teeth-like structures shown here above the #frieze. The modern version has #modillions, which are projecting brackets under the #corona of the #cornice. Well, "modern" is a relative term. For designs that are more than 2000 years old, even an alteration 1000 years ago would qualify as modern. Although the sketch shows the #entablature with a square footprint, in practice, it runs the entire length of a #colonnade (multiple columns) or an #arcade (multiple arches). #CAD construction of the entablature is very similar to that of a #pedestal. The first step is to consult #Vignola's #RegolaArchitettura for the visual appearance, and then consult #Scarlata's #PracticalArchitecture for #VignolaProportions in tabular form. It is convenient to create a spreadsheet to convert the measurements given in Scarlata's book from module "parts" to your own model units based on your choice of value for the module parameter µ. Armed with these measurements, it is time to plot the points and draw the #primaryProfileCurves on our standard 2D grid with minor grid lines 8 units apart and major grid lines 32 units apart. In the first pass, skip the dentils and draw the profile curves for the rest of the moldings. Just as with the pedestal, I will show the macro-level plan as well as the detail plan. So, you don't have to go to Scarlata's book, but you know it's there if you want to. I will show the dentil arrangement in a subsequent post. Based on µ = 144, the classic Ionic entablature is 648 units (36 parts, or 4.5*µ) tall. Of this, the #architrave at the bottom is 180 units (10 parts, or 1.25*µ) tall, the frieze in the middle is 216 units (12 parts, or 1.5*µ) tall, and the cornice at the top is 252 units (14 parts, or 1.75*µ) tall.

Pixelfed