Sacred tomes, curses, and research librarians in “Libra of Nil Admirari”

The library is introduced in the show’s second episode

Happy United Nations International Day of Persons with Disabilities! When I started watching Libra of Nil Admirari (also known as Nil Admirari no Tenbin), I had a sense that libraries would be a part of the story. Reading that the story was about a group of people who try and track down cursed books reminded me of R.O.D. the TV, and even Library War a bit. This series is a dark fantasy and a reverse harem. While I’m not, necessarily, a fan of the latter genre, the former was much more intriguing. So, let me get started! As a warning, there will be description of attempted suicide in this article.

The first episode hits like a freight train. Protagonist Tsugumi Kuze (voiced by Juri Kimura) watches her brother, Hitaki Kuze (voiced by Ayumu Murase) try to kill himself by self-immolation. Horrified, she blamed herself, but later learns that a cursed book, written in Japanese handwriting, named a maremono is responsible. She joins the Imperial Library Information Assets Management Bureau (also known as Fukurou), willing to use her ability to “see” the tomes, which she gained following a traumatic experience (her brother’s attempted suicide). In the next episode, she becomes more familiar with the bureau, which has a compound similar, in some ways, to the situation of the Library Defense Force in Library War. She does wear a strange uniform with a cut-out for her breasts, an unnecessary form of fan service which could have easily been avoided in this series, as could the fact that her work uniform has a relatively short skirt.

Within this compound is a room with cursed tomes, guided around by Hayato Ozaki (voiced by Yuuki Kaji), a member of Fukurou who tried to recruit her in the first episode. She meets Yutaka Nabari (voiced by Hikaru Midorikawa), who can also see auras of books, like her, and is researching cursed tomes. Later, Shiori Tokimiya (voiced by Rio Natsuki) shows Tsugami around the Fukurou building, walking through a secret passage to the research division, headed by Motofumi Mashiko (voiced by Kazuyuki Okitsu), who is wearing a mask and has a toucan on his shoulder. A small library room is shown at first, but this is only the beginning. Motofumi is said to be well-versed in many fields, like ornithology and folklore. From there, she goes into a huge room described as the only national library in the country, and there are at least ten library assistants, carrying books. [1] It is noted that Fukurou was originally a department for managing “precious books” and they are still diligently performing this goal. He welcomes Tsugami with open arms and she is grateful for that.

The claim that this is the “only” national library in Japan is accurate! The National Diet Library of Japan was not established until 1948, even though Japan had its first public library in 1872, following introduction of Western culture to the island, and the Japan Library Association (JLA) was founded in 1892 to “promote library services and librarianship in Japan,” with a first All Japan Library Conference held in 1906. [2] There’s more context, that should be established. This series is set in an alternative universe in which the Taisho era of Japan is still ongoing, in 1936. This is a period of Japanese history, from 1912 to 1926, in which there was a liberal movement with growth of power among democratic parties and away from elder politicians. It is also the period Japan developed its first aircraft carrier, and emerged from World War I as a “major industrial nation”. [3]

Although the later part of the episode, where Tsugami goes on patrol with Osaki, Kōgami, and Hisui Hoshikawa, going to bookstores and other shops, looking for cursed books, is not directly about libraries, it is related nonetheless. I haven’t played the otome visual novel video game, Nil Admirari no Tenbin: Teito Genwaku Kitan (written by Yuma Katagiri), that this series is based on, or the manga, written by Shō Yuzuki, but I’d imagine it probably has similar themes. The director of this anime, Masahiro Takata, is well-known for many other productions, including as an episode director of My Roommate is a Cat! Despite mixed reviews from Anime News Network writers, apart from Rebecca Silverman (who was more positive), [4] I decided to keep watching, and expected there would be more library scenes.

Tsugami opposes book burning in the third episode, saying what we can/should all agree with.

Clearly, Motofumi Mashiko and the other unnamed assistant librarians, are all research librarians, as they are researching these tomes, and storing them in a huge space. While undoubtedly librarians instruct, research, connect people to technology, manage social media, build websites, and digitize archives. Research librarians specifically analyze information requests to “determine which materials will best meet that researcher’s needs”. In some sense, the library in this series is a research library, as it has an in-depth collection, even though it doesn’t have a large volume of peer-reviewed work, and other works. More accurately, it is a special library, in that it is serving a particular population and is dedicated to a certain collection. [5]

By the third episode, Tsugami sees a book burning. In the process, she meets Sagisawa Rui, a doctor-in-training. While she calls herself “Kuze” here, I am calling her Tsugami in this article to distinguish from her brother. Later, they have a debriefing with Shiori Tokimiya, where it is revealed that a group called “Kagutsuchi” is stealing people’s books and burning them, in a number of recent incidents. Other members explain that the public burn cursed tomes because they are afraid of them and see them as dangerous. Tsugami later meets with Sagisawa. A man holding a cursed tome later dies on the train tracks, horrifying them all, and it is guessed that someone is purposely creating cursed tomes. Later, she tells Sagisawa that burning potentially dangerous books is wrong, which is a sentiment we can all agree with. At the end of the episode, she raids a building, with the help of her fellow agents, where the Kagutsuchi are holed up, and trying to burn books.

Tsugami meets the pompous son of the Prime Minister, Ukai, who also attempted society. However, she sympathizes, as he tried to kill himself, but she struggles with this, because he is so arrogant… She later learns that a legislator jumped from a building, and died, with a tome in one hand. She is informed she can’t do anything, even though people are dying, and is told this is why they are investigating every day and getting information from the press. She later tells Ukai that the job gives her freedom and that she enjoys it, says that communal living is fun, and hopes to get along better with him. He agrees to take her to a ball so they can learn about possible individuals involved in the book burning. She reports back what she saw. Later, Ukai realizes he was wrong about her and endeavors to become better friends with her. At the end of the episode, a woman is shown dead, with a tome, a romantic novel, nearby.

While I could go further, I decided to stop watching this series at this point, as it wasn’t to my fancy, and because I’ve already noted the existing library themes here.

© 2023-2025 Burkely Hermann. All rights reserved.

Notes

[1] Motofumi is the only character who speaks, as the others are only as background characters.

[2] “Brief Information on Libraries in Japan,” Japan Library Association, accessed Jul. 18, 2023; “History,” National Diet Library, Japan, accessed Jul. 18, 2023;

[3] Hoffman, Michael. “The Taisho Era: When modernity ruled Japan’s masses,” Japan Times, Jul. 29, 2012; Hoffman, Michael. “‘Taisho Democracy’ pays the ultimate price,” Japan Times, Jul. 29, 2012; “IJN Imperial Japanese Navy / ( Nihon Kaigun ),” globalsecurity.org, accessed Jul. 18, 2023; Japan: a country study (Washington, D.C., Library of Congress Federal Research Division, ed. Ronald E. Dolan and Ronald L. Warden: 1990), xviii, 46, 49-53. The Library of Congress country study says there were two other periods of history: Showa from 1926 to 1989 and Hensai from 1989 to present. The latter era actually ended in 2019, and replaced by the Reiwa era, which is currently ongoing.

[4] Jensen, Paul; Theron Martin; Nick Creamer; Rebecca Silverman, “The Spring 2018 Anime Preview Guide: Libra of Nil Admirari,” Anime News Network, Apr. 8, 2018; Silverman, Rebecca. “Libra of Nil Admirari Episodes 1-12 streaming Review,” Anime News Network, Jun. 28, 2018.

[5] “Become a Librarian,” American Library Association, accessed Jul. 18, 2023; Matthews, Rose. “Research Librarian Job Description,” Chron.com, accessed Jul. 18, 2023; “What is a Research Library?,” Linda Hall Library, accessed Jul. 18, 2023; “What is Research Library,” IGI Global, accessed Jul. 18, 2023; “research library,” dictionary.com, accessed Jul. 18, 2023; “Special Libraries,” American Library Association, accessed Jul. 18, 2023.

#abandonedSeries #AnimeNewsNetwork #bookBurning #fanService #history #Japan #JapaneseLibrarians #LibraOfNilAdmirari #LibraryWar #MyRoommateIsACat #RODTheTV #rareBooks #referenceLibrarians #research

Read or…die?: Paper masters, embers of the British empire, and books galore

On August 29, Amy recommended (in an account which is now locked) I watch “Read or Die,” otherwise known as R.O.D, which they called a beloved anime series. Earlier this month, I tweete…

Pop Culture Library Review

Love, learning, and all the rest: Fictional libraries in “Fruits Basket” and beyond

In the third episode of Fruits Basket, an unamed schoolgirl confesses to Yuki in the library and he pushes her off.

Before watching Fruits Basket, an anime which mixes the romantic comedy, slice-of-life, and supernatural genres, I knew there was a librarian character (voiced by Sayumi Watabe). I was not aware, however, that libraries would have an important role in the series, at least in a few episodes. In this post, I’ll examine the scenes in Fruits Basket, and connect it to other posts on this blog.

In the third episode of Fruits Basket, a schoolgirl confesses to Yuki Soma (voiced by Nobunaga Shimazaki) in the library and he pushes her off. She is disappointed, saying he is closed off to most people and asks why he can’t let her in. The truth is that if women hug him, then he turns into an animal, a rat to be specific. The schoolgirl, understandably runs off, sad and likely crying, leaving him standing in the library. As it turns out, Tohru Honda (voiced by Manaka Iwami ), who is living at his house, tells him later that she is happy that he let her in, making him happy. The impact of this library scene is a strong one, even though the scene is pretty short.

In some ways, I can relate this to a few issues of the romantic slice-of-life webcomic, Literary Link. The protagonist, Faye, gets a community service job at the local public library’s literary club, due to a fighter in school, and meets a girl named Atlas. As would be expected, Faye falls in love with Atlas, after she teases her a bit, and agrees to keep volunteering at the literary club. Although Atlas isn’t sure if Faye will return, she does, making her happy, especially when she brings cupcakes, and Atlas bandages Faye up from an earlier fight. [1]

Literary Link and Fruits Basket are relatively different from other depictions of romance within libraries that I’ve noted on this blog. In The Truman Show (1998) and Harold & Kumar Escape from Guantanamo Bay (2008), which I wrote about in the early days of this blog, the libraries play a big role in the stories of each film. In the first film, it is pivotal moment for Truman Burbank, as he meets the woman he loves, Sylvia, and runs out from the library with her to a secluded beach. In the second film, Harold remembers how he met his ex-girlfriend, Vanessa, in the library. Both of them, in line with the fact the film is a stoner comedy, smoke pot in the library, even though it isn’t allowed.

There are many other examples of love, and romance, within libraries, whether Luz’s crush on Amity (which is later canonized) in The Owl House, Sophia beginning to confess her love to Catarina in My Next Life as a Villainess: All Routes Lead to Doom!, an almost-kiss between Shizuma and Nagisa in the Strawberry Panic! episode “Etoile”, and Fumi and Sugimoto kissing in an episode of Whispered Words (“Adolescence is Beautiful”). There are other instances of love being expressed inside of library walls, including a bun-wearing librarian shushing male students who are expressing their romance in the library.

Student librarian checks out materials for Tohru

The second time that libraries appear in the series is a short scene at the end of the fourth episode, when Tohru checks out books from the library about vegetable gardens and martial arts, so she can learn about what Yuki and Kyo like and dislike. She hopes to find “hidden sides” of them. Not long after, she ends up dropping these books, dramatically, when she learns that her Grandpa’s place is now ready for her to move back in. As it turns out, she doesn’t want to go back, but she decides she has to, although she is later saved by Yuki and Kyo in the following episode. This library scene has the first librarian character in the series, the aforementioned librarian voiced by Sayumi Watabe. This librarian is a student library worker. She checks out the books for Tohru.

Such librarians are not unique in anime. I mentioned many of them in my post back in April, including one protagonist, Haruki, in the striking and moving anime film, I Want to Eat Your Pancreas. He ends up helping another protagonist, Sakura Yamauchi, who’s disabled and uses a wheelchair. He becomes her good friend and later her love interest. She works in the library alongside him. This example differs from school-age student librarians, library workers to be precise, who are almost exclusively female, shown in various series. [2]

Some of the more prominent and recurring student librarians include Hisami Hishishii in multiple episodes of R.O.D. the TV, protagonist Hanamaru Kunikida in Love Live! Sunshine!!, Yamada and Kosuda in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Fumio Murakumi in Girl Friend Beta, Himeko Agari in Komi Can’t Communicate, Chiyo Tsukudate in Strawberry Panic!, Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, and Anne and Grea in Manaria Friends. Of these characters, they are often said to be quiet, shy, hardworking, diligent, lonely, sweet, socially awkward, or introverted. There are exceptions like the lustful and flirtatious Yamada, or Pansy who has strong charisma and observation skills. Many also have yuri subtext integral to their characters either directly or indirectly. [3]

A unique character is Rin Shima in Laid Back-Camp. She fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life,” as Marley Crusch of Polygon put it. Shima is further described by Crusch as a girl who enjoys camping, quiet, reserved personality, and an introvert, although she becomes better at talking with others by the time of the 2nd season. [4]

This differs from more professional, yet unvoiced, ones in episodes of Akebi’s Sailor Uniform, Kin-iro Mosaic, Revolutionary Girl Utena, Maria Watches Over Us, Is the Order a Rabbit, Kubo Won’t Let Me Be Invisible, and The Dangers in My Heart. Kanina Shizuka in Maria Watches Over Usis another example, but she is a supporting character. This connects to what I wrote in August, noting that within workplaces, there are unspoken/spoken “common standards of professional appearance” which penalize those with “tattoos and piercings, connecting with societally-sanctioned standards of appearance, which can be harsher on women.

In anime, all the characters, with stated or presumed professional credentials, in this post would be called librarians and assistant librarians, according to the landmark Library Act in Japan. In any case, one must continually be critical of what Fobazi Ettarh has defined as vocational awe, a set of values, ideas, and assumptions that “librarians have about themselves and the profession that result in beliefs that libraries…are inherently good…sacred, and…beyond critique.” With that, my post comes to a close. Until next week, where my post will examine the profound lack of libraries in Tom Gauld’s Revenge of the Librarians and stronger fictional depictions.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] “Literary Club” [Issue 1]; Literary Link, May 6, 2023; “What’s her name?” [Issue 2], Literary Link, May 12, 2023; “Ethically Questionable” [Issue 3], Literary Link, May 27, 2023; “Careful with your face” [Issue 4], Literary Link, Jun. 10, 2023; “Overthinking” [Issue 5], Literary Link, Jun. 24, 2023.

[2] I’m referring to, in part, Nagisa Yasaka in My Roommate is a Cat, Nagisa Yasaka (episode: “Ones Who Can’t Be Controlled” and “What Connects Us”), Aoi Uribe in Myself ; Yourself (episode “The Important Melody”), Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Kamiya in Shikimori’s Not Just a Cutie (episode: “Cultural Festival I”), Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, Anne and Grea in Manaria Friends,  and Female Student B (librarian) in Azumanga Daioh (episode 19 segment “Springtime of Life”).

[3] “Hisami Hishiishii,” Read or Die Wiki, accessed Jul. 4, 2023; “Hanamaru Kunikida,” Love Live Wiki, accessed Jul. 4, 2023; “Yamada,” B Gata H Kei Wiki, accessed Jul. 4, 2023; “Fumio Murakumi,” Yuri Wiki, accessed Jul. 4, 2023; “Agari Himeko,” Komi-San Wiki, accessed Jul. 4, 2023; “Chiyo Tsukudate,” Strawberry Panic! Wiki, accessed Jul. 4, 2023; “Sumireko Sanshokunin,” Oresuki Wiki, accessed Jul. 4, 2023; “Grea,” Yuri Wiki, accessed Jul. 4, 2023; “Anne (Rage of Bagamut),” Yuri Wiki, accessed Jul. 4, 2023.

[4] “Rin Shima,” Yuru Camp Wiki, accessed Jul. 4, 2023.

#AkebiSSailorUniform #AmityBlight #AoiHana #AzumangaDaioh #beautyStandards #ChiyoTsukudate #disabledPatrons #FobaziEttarh #FruitsBasket #groomingStandards #HanamaruKunikida #HaroldAndKumar #HisamiHishishii #IWantToEatYourPancreas #IsTheOrderARabbit #JapaneseLibrarians #JapanesePatrons #JapaneseWomen #KinIroMosaic #KuboWonTLetMeBeInvisible #LaidBackCamp #LesbianLibrarians #LGBTQ #libraryPatrons #libraryWorkers #LiteraryLink #LoveLiveSunshine #MariaWatchesOverUs #MissBernardSaid #MyNextLifeAsAVillainess #MyRoommateIsACat #MyselfYourself #professionals #RevengeOfTheLibrarians #RevolutionaryGirlUtena #ShikimoriSNotJustACutie #StrawberryPanic #students #SweetBlueFlowers #TheDangersInMyHeart #TheOwlHouse #TheTrumanShow #vocationalAwe #WhisperedWords

Barcodes, library slips, bookworms, and book deliveries in “Whisper of the Heart”

Shizuku’s father is a librarian in this film. He later says that he would like the card catalogs to stay too, like her.

When I watched Whisper of the Heart, a romantic drama anime film which came out over 29 years ago (on July 15, 1995), on Max, I never expected that libraries, and librarians would be such a central part of the film! I was aware that the film was listed on Jennifer Snoek-Brown’s list of “Foreign-Language Films” on Reel Librarians. The latter list notes films reportedly with librarians and/or archivists alphabetically by title”. She warns that she can’t confirm that “every film on this list actually includes a librarian and/or archivist” as her primary focus is on examining English-language films. While that is a laudable goal, I don’t limit myself in that way, personally, and happily cover anime on this blog time and again. In fact, I have written about over 70 anime series, four films, and various manga, with my first post in August 2020. [1] This review will focus on the role of libraries, and librarians like the protagonist’s father, in the story, while relating it to other fictional examples and real-life library concepts.

One of the first conversations in the film is between the 14-year-old protagonist Shizuku Tsukishima, living in the Tokyo suburb of Tama New Town, who learns the local library is going to the bar code system, and her father. She tells him that she likes the library slips instead. He actually agrees with her, but decides to go with the library’s change anyhow. Thanks to the library slip, she learns that one man’s name is in common on all the books she has checked out: Seiji Amasawa. This piques her interest. This major plot point is mentioned in many summaries and reviews of the film, noting that Seiji is on every single one of these checkout slips and how she is slowly drawn to him as the film goes forward, with their feelings growing. Shizuku is also drawn toward these books because she loves fantasy books, and meets Seiji at an old antique shop somewhere in town. Other reviewers have noted that the checkout cards are an interesting narrative device, which “lends itself well to romantic daydreaming.” It is worth noting that Shizuku is spending his summer vacation, last one she has at Mukaihara Junior High School, translating and reading “popular foreign music into Japanese” like John Denver’s Country Road. [2]

At one point, Shizuku checks a book out of the library, which was never checked out before, and even though she somewhat ends up disturbing the job of the librarian (or the teacher standing in as a librarian), she comes across Seiji. Then, not longer after, he is curiously reading the book she checked out and she takes it from him, surprised to see him. And he even knows her name from the book. So much for reader’s privacy! Although some may see a sense of relief and kinship at seeing these library check-out cards, looking at these cards would run afoul of existing ethics, as outlined by the ALA. Those ethics state that libraries will “protect each library user’s right to privacy and confidentiality with respect to information sought or received and resources consulted, borrowed, acquired or transmitted.”

Such cards are sometimes known as borrowing cards. They had/have an equivalent inside the library: a circulation card. Such cards may include the name of who borrowed the book and name of the book. There are also slips/cards which remain in a book only listing the date a book is due to be returned, known as date due slips. I’m not sure why I haven’t gone into this much detail on this before, but better late than never. In the case of this film, it would be a borrowing card, rather than a date due slip, which was stuck in the back of book, and then the book would be shelved, a way to record who borrowed a book before computer systems supplanted this system. Paper can still be used in today’s libraries, even to write down call numbers for books. The latter has also been shown in the films Dangerous Minds and Regarding Henry.

I am reminded of a scene in All the President’s Men, in which Bob Woodward and Carl Bernstein go to the Library of Congress, and a Black male librarian gives them the slips for who checked out certain books, as opposed to an interaction with a White female librarian. I described this all in a post on this very blog in February of last year:

…In the classic 1976 political thriller, All the President’s Men, Bob Woodward and Carl Bernstein travel to the Library of Congress after their research seems to be stalled and having a librarian have a strange conversation with one them. They go to one librarian, who declares that the records they want are confidential, and that he can’t fulfill their request of library card checkout slips since July 1971. The other, the image of which is shown above, fulfills their request. Voiced by Jaye Stewart, he tells them “I’m not sure you want ’em, but I’ve got ’em.” Woodward and Bernstein proceed to go through perhaps thousands of check-out slips in the Reading Room of the Library of Congress. Unfortunately, the work is for naught, as it doesn’t confirm if a White House staffer checked out books on Ted Kennedy…Snoek-Brown…[said] hat it is not ethical to “give out checkout slips or records without a court order” as librarians have an “obligation to protect the privacy rights of our patrons.” I agree with Snoek-Brown entirely on that point

Coming back to the film, I would think that such borrowing cards would weaken the commitment of the library to reader confidentiality.  As it presently stands, almost every U.S. state has laws “protecting the confidentiality of library records”. The Japan Library Association in a statement published in 1980, states that librarians should respect the privacy of each library user, and should not “divulge his/her name or details of books or other library materials used to third parties”. A more recent statement notes library privacy and confidentiality, among other virtues, as important. This film came out before the economic downturn in Japan, in 1997, which unfortunately lead to privatization of libraries through “outsourcing of staff to reduce costs and provide a flexible workforce”, with privacy of user information is at stake because private management companies are “not obligated to protect users’ privacy and routinely gather their data”. [3]

Shizuku says card catalogs are better than digital records

Moving on from that, and back to the film, Shizuku soon follows a cat to an antique shop and is drawn to a cat statue named Baron Humbert von Gikkingen, with the shop’s owner, Nishi, telling her about him. She barely makes it to the library in time, is annoyed by Seiji, and is embarrassed in the process, as he delivers “her” lunch for her, with the fat cat (she had followed to the shop) riding on the back of the bike. The lunch is actually for her dad, who works in the library! This library is a fictional place created for the film itself, as no such library exists at that location (Irohazaka Sakura Park). [4]

This fantastical nature of the library is not unique. However, this library is more akin to something that exists in reality, rather than in a magical realm by itself. This makes the series unique. Surely, there are public libraries akin to those in real-life in Josee the Tiger and the Fish or I Want to Eat Your Pancreas, to give two examples, apart from the many within school buildings that I’ve often written about. This library is clearly a place of knowledge, but it is not a place or refuge. Rather, it is a place of learning and development.

As the movie goes on, Shizuku learns who donated a book at the library:  the father of Seiji. She is later called a “bookworm”, which she accepts happily. After all, she often goes to the library, a fantasy reportedly depicted in The Cat Returns, a 2002 film. She takes out books in the public library, so she can learn more for her story. At one point, she remains one of the last people there, writing away, and Seiji visits her in the library, while she writes her story. As a writer, she becomes more than a bookworm, and Seiji is more than a novice violin maker. Both characters are not exceptional, but have proven that they have what it takes to ensure their work can become “exceptional”, with their romance blossoming by the film’s end, even without a kiss. [5]

There is much more to this film than what I’ve noted so far and ending the article here would be selling it short, to say the least. For Shizuku to be called a bookworm as an insult, and turning it into a positive, is not limited to this film. There is an entire series entitled Ascendance of a Bookworm, which focuses on Myne and her quest to provide free books to the populace, building her previous life as a college librarian. In his quest, she even becomes a church librarian with some magical powers. The series has even been cited as an example of when an outsider from another world “usher systematic change in their adopted one.” The term was even alluded to in the series Bibliophile Princess, as a bibliophile, someone who frequently reads or collects books, and loves books, is also known as a bookworm. Bibliophile appears more “positive.”

Otherwise, there was a British comic from 1978-1985 entitled Bookworm about a young boy who always has a book and his parents tell him to do more “boyish” things, but it results in disaster. There’s also an 1850 painting entitled The Bookworm by Carl Spitzweg. A variation of this piece was even named The Librarian! Pu Songling published a romantic short story, in about 1740, entitled The Bookworm, while there are characters known as bookworms in Tiny Toon Adventures and most infamously in the campy 1960s Batman series. There are many other bookworms in fiction, like in Wonder Man (1945), Navy Blues (1937), and even Wong in the Marvel Cinematic Universe, to an extent.

There is also the Association internationale de bibliophilie, which is called International Association of Bibliophiles or AIB in English. It is dedicated to bibliophiles. Russia has its National Union of Bibliophiles (formed in 2010), while there are is a book club in Detroit, a former group for female bibliophiles (Hroswitha Club), and the Oxford University Society of Bibliophiles. There is even a 15-minute film, which I haven’t seen, entitled The Fantastic Flying Books of Mr. Morris Lessmore, about a man who is writing his memoir, but is blown off a balcony, writing out of a library,and even becomes a librarian with the city suffering from impact of a storm. There’s also books such as The Great Book-Collectors about book-collecting practices of the British Library, Bodleian Library, and Ashmolean Museum, along with a physical archive named Library of the Printed Web dedicated to “web-to-print artists’ books, zines and other printout matter.”

All of this is related to the concept of tsundoku, which means acquiring reading materials but letting them pile up in your home without actually reading them. It can refer to books ready for reading later, as well, when those books are on a bookshelf. It is related to what A. Edward Newton wrote about in 1921, and stands in opposition to the term antilibrary. The latter, coined by Lebanese-American author Nassim Nicholas Taleb means a “collection of unread books”, which make people curious and humble. [6] He further stated that the older someone gets, the more they know, the larger is their “accumulation of unread books” and those who focus on such unread books are antischolars, i.e. those who do not “care about how much you know, but how much you don’t know” and how to find information you need.

When it comes to libraries, I would think people would side more with idea of antilibrary than the idea of tsundoku, as the latter seems to imply that having unread books is “bad.” Having books you haven’t read should not be seen as a negative. It is inevitable there will be books you haven’t read in your lifetime, no matter what. And libraries hold the books so they can be read by others, and shared, to spread knowledge, and understanding. This doesn’t mean that every book is right, immutable, or correct. Rather, the books can help you understand more about the world, at their best, and at their worst, promote misinformation. The latter can be prevented with careful weeding to ensure that patrons have the best information available.

Shizuku is studying in the library with a stack of books sitting on the table next to her. The man she likes is across the table from her, I believe.

As I’ve noted on this blog various times, libraries serve many important functions in society. One of those is providing a place to study. This is shown clearly, as indicated in the above screenshot. You don’t have to be a bibliophile/bookworm for that. In fact, not all bookworms are librarians, and not all librarians are bookworms. Some are, but due to the many tasks during the work-day, often librarians don’t have time to read a book on the job, as some people might think.

When it comes to Japan, I’ve noted this before on here, but there are over 3,000 public libraries in this island nation, and remain an important part of the country’s society. In fact, there is even an entire Wikipedia page listing them, entitled “List of libraries in Japan” (not to be confused with the page “List of archives in Japan“). Some probably still have card catalogs. These libraries, known as toshokan in Japanese, are centered by the National Diet Library. The only series, I know, to date to directly feature this library is 26-episode early 2000s R.O.D. the TV anime series, which features characters from the Read or Die light novels, manga, and OVA, and the Read or Dream manga.

Academics have noted that information commons/learning commons which provide various materials, facilities, and services, in one place, originally appearing in North America, has also appeared in Japanese universities and college. Such spaces are reportedly in an ” the early stage of development”, and there is a need for such spaces to rebuild their own services because of student needs. Furthermore, many libraries in pre-modern Japan were arguably private and have been called bunko, meaning “storehouses of books.” Currently, most have been subsumed into larger national, prefectural, university, or research library institutions. Some have even covered this in books such as Youth-Serving Libraries in Japan, Russia, and the United States.

It is also said that Japanese academic libraries are well-resourced and support the country’s research capacity, while reflecting the country’s “strong bureaucratic culture.” I’m not sure if this is also the case for the country’s public libraries as well, to be perfectly honest. I can say, with certainty, that libraries are an important part of the country, especially considering that the Imperial Library (forerunner to the National Diet Library) was established in the latter 19th century, and in 1947, the National Library Act created Japan’s sole national library (National Diet Library). This was followed by the landmark 1950 Library Act. The law states, in part, that the country’s libraries are aimed to promoting “sound development…[and] the enhancement of the education and culture of the nation”. It goes onto say:

…libraries shall endeavor to accomplish…[collection of] nooks, archives, audio-visual materials and other necessary data and materials…with suitable attention paid to the acquisition of local materials, art works, materials on local administration, gramophone records and films…library materials shall be properly classified and processed…efforts shall be made to ensure that library personnel acquire sufficient knowledge of library matters…close communication and cooperation shall be maintained by…inter-library loans between libraries…reading circles, seminars, appreciation groups, film showings and exhibits of data…shall be sponsored and encouraged…close contact and cooperation shall be maintained with schools, museums, community centers and research institutes, etc….professional personnel of libraries shall be called librarians and assistant librarians.

And that’s only part of Chapter 1! There is no comparison to this in U.S. law. The legislation, which passed the U.S. Congress in April 1800 (see page 56), only mentioned that the purchase of books “as may be necessary for the use of Congress at the said city of Washington, and for fitting up a suitable apartment for containing them and for placing them therein, the sum of five thousand dollars shall be…appropriated.” That same law went onto say that a library catalogue shall be furnished by a joint congressional committee, with books “placed in one suitable apartment in the capitol in the said city, for the use of both…houses of Congress and the members thereof”. That is it. It wasn’t until 1802 that a law defined the functions and role of this library, the Library of Congress (LOC), and even made the appointment of the Librarian of Congress a “presidential responsibility”! Still, this was nothing like the Library Law in Japan, which was much more extensive.

Such a law in the U.S, would be unthinkable, even at this current time, despite the fact it could have extreme value in ensuring the institution’s mission and objectives. On the other hand, LOC has broadly defined that on its own, and has a bit of autonomy, as it is only the de facto national library. This makes it different from the many across the world, coupled with any state-established libraries serving as preeminent information repositories for specific regions.

When I watched Whisper of the Heart on Max, with my mom and dad, I never expected libraries to be as big of a part of the film from the get-go. I am truly grateful that I came across this film, and would surely watch it again if I get a chance. That;s all for this post. Until next week! As always, comments are welcome.

Shizuku looks at library slips and finding out some man checked the SAME book out before her

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Since then, I’ve written about (I don’t recommend you watch all of these, though, and some of the following I would not watch again) over 80 anime series: Revolutionary Girl Utena, Wandering Son, Ice, Kuttsukiboshi, Paradise Kiss, Macross Frontier, Classroom of the Elite, Gargantia, Kandagawa Jet Girls, El-Hazard, Sorcerous Stabber Orphen, Ascendance of a Bookworm, R.O.D. the TV, B Gata H Kei, Bloom Into You, Little Witch Academia, Yamibou, Whispered Words, Aoi Hana / Sweet Blue Flowers, Strawberry Panic!, My Next Life as a Villainess: All Routes Lead to Doom!, Manaria Friends, Kampfer, Lapis Re:Lights, Yamada-kun and the Seven Witches, Blue Drop, The Mystic Archives of Dantalian, Cardcaptor Sakura, Venus vs. Virus, Otherside Picnic, My-Hime, Simoun, Riddle Story of Devil, Ms. Vampire who lives in my neighborhood, Dear Brother, Library War, Girl Friend Beta, Kokoro Library, Attack on Titan, Let’s Make a Mug Too, Tatakau Shisho: The Book of Bantorra, Bernard-jou Iwaku a.k.a. Miss Bernard said, Komi Can’t Communicate, The Ancient Magus Bride: Those Awaiting a Star, Gosick, Laid-Back Camp, As Miss Beelzebub Likes, Bibliophile Princess, Love Live! Sunshine!!, Shikimori’s Not Just a Cutie, My Roommate is a Cat, Rascal Does Not Dream of Bunny Girl Senpai, Kin-iro Mosaic, Akebi’s Sailor Uniform, Makura no Danshi, Azumanga Daioh, Oresuki, Seitokai Yakuindomo, Gabriel DropOut, Spy x Family, A Couple of Cuckoos, Märchen Mädchen, Healer Girl, Smile of the Arsnotoria the Animation, Smile Pretty Cure!/Glitter Force, A Good Librarian Like a Good Shepard, A Place Further Than The Universe, Teasing Master Takagi-san, Myself ; Yourself, Kaguya-Sama: Love Is War, Stars Align, Tokyo Mew Mew New, Skip and Loafer, Kubo Won’t Let Me Be Invisible, Violet Evergarden, Somali and the Forest Spirit, Aharen-San wa Hakarenai, Cardcaptor Sakura: Clear Card, Chitose Got You, Clannad, Cue!, Encouragement to Climb: Next Summit, Don’t Toy with Me, Miss Nagatoro, Gabriel Drop Out, Kin-iro Mosaic, K-On!, Noir, Otherside PicnicThe Rising of the Shield Hero, and Re:Zero, and four films: I Want To Eat Your Pancreas, Calamity of a Zombie Girl, Your Name, and Josee, the Tiger and the Fish. Later posts this year will focus on series such as Ouran High School Host Club, Is the Order a Rabbit?, Kiss Him, Not Me, The Demon Girl Next Door, The Executioner and Her Way of Life, YuruYuri, Library War, Maria Watches Over Us, Magical Girl Spec-Ops Asuka, and Nogizaka Haruka no Himitsu (Haruka Nogizaka’s Secret), to name a few.

[2] “Whisper of the Heart,” IFC Center, accessed Jun. 6, 2023; Russo, Lee. “How Whisper of the Heart Explores the Fear of Failure,” CBR, Jun. 13, 2020; Graeme. “The Best Films I’ve Ever Seen: Whisper of the Heart,” Film School Rejects, Jun. 15, 2018; “Whisper of the Heart,” Studio Ghibli, accessed Jun. 6, 2023; Faith. “Whisper of the Heart,” Studio Ghibli Movies, Nov. 28, 2014; Toole, Michael. “Whisper of the Heart Blu-Ray + DVD Review,” Anime News Network, Nov. 29, 2014; Osmond, Andrew. “Whisper of the Heart Review,” Anime News Network, Jan. 11, 2012; Mindus, Jay. “Why Studio Ghibli’s Whisper of the Heart Is the Perfect Movie for Young Artists,” CBR, May 12, 2022; “Whisper of the Heart (Mimi wo sumaseba),” Harvard Film Archive, accessed Jun. 6, 2023; Cyrenne, Randall. “Whisper Of The Heart,” Animated Views, Mar. 7, 2006.

[3] Alix, Francis A. “The History and Current Challenges of Libraries in Japan,” SLIS Connectings 10(1): 10.

[4] Graeme, “The Best Films I’ve Ever Seen: Whisper of the Heart,” 2018; Toole, “Whisper of the Heart Blu-Ray + DVD Review,” 2014; Osmond, “Whisper of the Heart Review,” 2012; “Tracing Shizuku’s Steps: Visit ‘Whisper of the Heart’ Locations in Real Life,” tsunagu Japan, accessed Jun. 7, 2023; “Visiting ‘Whisper of the Heart’ Movie Location,” justa-fangirl, 2014.

[5] “Whisper of the Heart,” Ghibli Wiki, accessed Jun. 7, 2023; Cyrenne, “Whisper Of The Heart,” 2006; “Whisper of the Heart (Mimi wo sumaseba,” Harvard Film Archive; Mindus, “Why Studio Ghibli’s Whisper of the Heart Is the Perfect Movie for Young Artists,” 2022; Pineda, Rafael Antonio. “Live-Action Whisper of the Heart Sequel Film Delayed Due to COVID-19,” Anime News Network, Apr. 20, 2020. The live-action sequel, also named Whisper of the Heart came out in October 2022 in Japan, but it was received badly if the reviews from Japan Times and Crunchyroll listed on the “Whisper of the Heart (2022 film)” Wikipedia page are any indication. Apparently, there is even a library scene in the film. I haven’t watched the film, so I can’t confirm that completely, however.

[6] Brooks, Katherine. “There’s A Japanese Word For People Who Buy More Books Than They Can Actually Read,” HuffPost, Apr. 19, 2017; Tobar, Hector, “Are you a book hoarder? There’s a word for that,” Los Angeles Times, Jul. 24, 2014; “Tsundoku: The art of buying books and never reading them,” BBC News, Jul. 29, 2018; Crow, Jonathan. “‘Tsundoku,’ the Japanese Word for the New Books That Pile Up on Our Shelves, Should Enter the English Language,” Open Culture, Jul. 24, 2014; “A QUOTE ON BIBLIOMANIA,” Language Hat, Feb. 7, 2008; Popova, Maria. “Umberto Eco’s Antilibrary: Why Unread Books Are More Valuable to Our Lives than Read Ones,” The Marginalian, Mar. 24, 2015; Stillman, Jessica. “Why You Should Surround Yourself With More Books Than You’ll Ever Have Time to Read,” Inc., Dec. 5, 2017; McDonough, Lauren Smith. “Everyone Is Obsessed With the Trend of Antilibraries Right Now,” House Beautiful, Dec. 19, 2017; Boyd, Rebecca Lowry. “The book trend everyone is talking about right now,” Better Homes & Gardens, accessed Jun. 27, 2023.

#AllThePresidentSMen #AnimeNewsNetwork #antilibrary #AscendanceOfABookworm #barcodes #BibliophilePrincess #bibliophilia #BlackLibrarians #BlackWomen #BluRays #books #booksAreNotSacred #ethics #femaleLibrarians #IWantToEatYourPancreas #JapaneseLibrarians #JapaneseMen #JapanesePatrons #JoseeTheTigerAndTheFish #KOn #libraryCards #librarySlips #magic #NationalDietLibrary #NavyBluesFilm #RODTheTV #ReadOrDieLightNovels #ReadOrDieManga #ReadOrDieOVA #ReadOrDream #readerConfidentiality #ReelLibrarians #SeitokaiYakuindomo #Simoun #students #studying #teachers #TheCatReturns #tsundoku #WhisperOfTheHeart #WhiteLibrarians #WhiteWomen

Josee, a sea of books, and reading to library patrons

Josee (in the wheelchair) tells her caretaker that he doesn’t know the brilliance of Sagan and implies that he is missing out

When I began watching Josee, the Tiger and the Fish, a 98-minute romantic comedy film, I had no idea how central libraries, and librarians, would be to the story. I knew already that there was a librarian in the film, but I wasn’t sure how vital her role would be the story. In this post, I’ll relate scenes in the film to other fictional examples and other topics.

More than 30 minutes into the film, Josee (voiced by Kaya Kiyohara), a physically disabled girl who uses a wheelchair, goes to the public library with her caretaker, Tsuneo Suzukawa (voiced by Taishi Nakagawa). She is amazed by the sea of books. She finds some books by Françoise Sagan, an author she likes, and the librarian, Kana Kishimoto (voiced by Lynn), happily asks if she is a fan, with Josee quietly admitting what book she likes. Not long after, Kana also asks if Tsuneo is her boyfriend, causing her to blush, as she is embarrassed, as the librarian sees the romantic sparks between Tsuneo and Josee. They check out the books. Interestingly, the librarian, Kana, is 24, just like Jose’s, and they quickly become friends, waving to one another.

Before moving onto the rest of the film, one aspect that struck me was how personable Kana’s character was. Compared to many of the other librarians I have profiled on here, either those of Asian descent, or those with the common hair bun, she is a good representation of a library worker in Osaka. In some ways, I see a parallel to Isomura, a library curator in Let’s Make a Mug Too!, who is just as helpful to the protagonists. The difference is that she is much more than an information provider, but is atypical, in her character type, because she becomes friends with the protagonist and ventures outside the library, making her an important part of the film.

Even positive depictions of librarians are often stuck inside the library and are never shown outside the walls of the institution. Some exceptions include Kaisa in Hilda, many of the student librarians in anime. Whether you see the film as having “little fresh” when it comes to disability, criticize it for being primarily through the perspective of her caretaker, praise it for its perspective on disability, Kana remains a key part of the film, something which reviewers appear to miss, for the most part, except to note that she doesn’t exist in the manga. [1] However, the review in Anime Feminist, by Zeldaru notes that when Josee goes to the library she has the “opportunity to become part of a fully public community” and she is able to see, for the first time, people coming together “with a similar purpose”, resulting in her befriending Kana, allowing her to “pursue her burgeoning interest in art”!

The fact that Kana is welcoming of Josee indicates the openness of the library to all patrons, including those which are physically disabled. Kana also helps Josee realize her feelings for Tsuneo after Josee said that she didn’t need him. She even encourages Josee to read The Little Mermaid to children in the library, but she is nervous, and kids leave. Although the reading doesn’t go well, Kana encourages her to display her art online and she is nervous and embarrassed by that. She later tells Tsuneo about her reading to the children and how she did it badly. She says she wants to try harder and be an illustrator.

There are so many scenes I could have shown here, either one at minutes 40-41, and the key scene beginning at 1 hr 15 minutes, but this seemed like one of the best ones, as in this scene, more than 1 hr and 15 minutes into the film, Kana is helping Josee write a story. Right before this, she brings library books to her, presumably about writing.

This isn’t all that Kana does in the film. She helps Josee work with Kana to write a love story so as to convince Tsuneo to stay with his dream. Not long after, Josee is reading a story to those in the library, which she wrote to cheer up Tseuno. The story is her personal adaptation of a Little Mermaid, which had references to what happened in her relationship with her caretaker. It is something that gets him out of his funk and he claps at the end,after crying during the story. After everyone claps, and blushes at the praise, and smiles. This gives the caretaker the motivation to begin physical therapy so he can walk again. She watches him day after day as he gets better.

Although some have said that this story is “uncomfortably close” to the story where a disabled person teaches an able-bodied person an “important lesson”, I tend to side with what Anime Feminist says about it, that she is trying to inspire Tsuneo “and those around her,” assembling the community she built, even organizing a picture book reading time for her book with help of Kana. This reveals her “devotion to art and to community” and it is a difference between her first reading at the library as Josee is more “confident in her work and herself and everyone is enraptured, highlighting her growth.” [2]

Later on, Tsuneo asks Kana about Josee but she isn’t at the library and hasn’t seen her. They later reunite in the end and kiss. In a scene during the credits, the librarian tearfully embraces Josee. She appears to help her by teaching her computer skills. It is also shown that the book Josee made is used by the librarian to read to children. As a result, Kana has a more fully rounded characterization than is the case for other characters. As the film’s director, Kotaro Tamura, stated, Kana was added to the film to give character development for Josee:

…I figured out the themes that would be appropriate for a feature-length film…I thought that Josee’s only way to connect with society is through Tsuneo. That’s where Josee in this film starts off at as well. But because she starts to go out more because of Tsuneo, she makes a friend named Kana. Though it’s not a huge leap, she’s able to become a bit more sociable.

However, I would argue that Kana is much more of a character than that, through facilitating reading like the librarians in the Witches Crest Library in Somali and the Forest Spirit but not as directly as Amity Blight in The Owl House, to give two examples. As an aside, Kana’s voice actress, Lynn, is very talented, known for leading roles in Keijo!!!!!!!!, Fuuka, Engage Kiss, and Mobile Suit Gundam: The Witch from Mercury, along with other roles in Märchen Mädchen, Ms. Vampire Who Lives in My Neighborhood, Kandagawa Jet Girls, Manaria Friends, The Aquatope on White Sand, and Oshi no Ko, to name a few.

In the future, I would like to compare this film to the original short story by Tanabe or 2003 Japanese live-action film of the same name, noting how libraries are portrayed. With that, this post comes to a close. Until next time. As always, comments are welcome.

© 2023-2024 Burkely Hermann. All rights reserved.

Notes

[1] Osmond, Andrew. “Josee, the Tiger and the Fish fails to make a splash with a rote teen romance,” BFI, Aug. 11, 2021; Clarke, Cath. “Josee, the Tiger and the Fish review – beautiful-looking anime takes a trip to the zoo,” The Guardian, Aug. 12, 2021; Cassidy, Tom. “Josee, the Tiger and the Fish,” Common Sense Media, Jul. 29, 2022; joyousmenma93, “Firechick’s Manga Reviews: Josee, The Tiger, and The Fish,” Livejournal, Sept. 22, 2022.

[2] Zeldaru. “Overcoming Barriers: Mobility limitation; ‘inspirational’ disability; and Josee, the Tiger, and the Fish,” Anime Feminist, Aug. 26, 2022.

#AmityBlight #AnimeFeminist #atypicalLibrarians #disabledPatrons #femaleLibrarians #Hilda #informationProvider #Isomura #JapaneseLibrarians #JoseeTheTigerAndTheFish #Kaisa #LetSMakeAMugToo #LibrariansOfColor #libraryPatrons #MärchenMädchen #MsVampire #reading #SomaliAndTheForestSpirit #students #TheOwlHouse #voiceActors #wheelchairs