PREMIERE: Light Bird questions the "Land of the Free" in this powerful blues rocker tying her family's history in Japanese-American concentration camps with modern-day government repression of trans people

https://rainbowrodeomag.com/premiere-light-bird-questions-the-land-of-the-free/

#QueerCountry #Americana #CountryMusic #RootsMusic #LGBTQMusic #QueerMusic #LGBTQMusician #TransMusic #TransMusician #lgbtq #trans #transgender

"The Middle" is a song by Russian-German record producer #Zedd, American #countryMusic singer #MarenMorris, and American musical duo #Grey. It was written by Zedd & Grey alongside #TheMonstersAndTheStrangerz & #SarahAarons with production handled by the former three. The song was released commercially for #digitalDownload and #streaming on 23 January 2018 by #InterscopeRecords. It reached number one in Singapore.
https://www.youtube.com/watch?v=Lj6Y6JCu-l4
Zedd, Maren Morris, Grey - The Middle (Lyric Video)

Zedd, Maren Morris, Grey - The Middle (Lyric Video)Subscribe to Zedd’s channel to stay up-to-date on all his latest videos. We worked really hard on this rec...

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Carrie Underwood on HiNote, Healthy Habits and Life on a Farm (Exclusive)

https://fed.brid.gy/r/https://people.com/carrie-underwood-hinote-healthy-habits-life-on-farm-exclusive-11968287

Rainbow Rodeo is BACK at NYC's home for queer country: Branded Saloon! Giddy on up from 8 to 10 PM for Cindy Emch, Emily Frembgen, Christian Rutledge, and a surprise guest!

2-drink minimum, but no one will be turned away for lack of funds!

RSVP here: https://partiful.com/e/AIlxMasmr5ImkSbwDOKD?c=yezxqaqd

#QueerCountry #Americana #CountryMusic #RootsMusic #LGBTQMusic #QueerMusic #LGBTQMusician #lgbtq #nyc #brooklyn

Ella Langley -- Choosin' Texas
https://youtu.be/nUsrYVxrDwI?si=sxPkdlRGAxExf_x6

I watched this MV because I think it's important for me to get out of my comfort zone every so often.

Verdict: good singer, not a bad song although I felt I've heard it a hundred times before, MV has a plot, which isn't that important to me but which I know a lot of people adore....but I did not appreciate being bludgeoned with The Jack Daniels promotion.

I'm not being overly self deprecating when I say that my judgement of the song is not worth that much because I am insufficiently acquainted with country music to place it in a larger musical context.

Should I make an effort to improve my knowledge of country music?

Although part of me feels I should, if only because it's a genre that is so important to so many Americans, another part of me can't get past the cultural baggage: the conservatism, the Christianity, the anti-urban, mawkish Hallmarkishness of it all.

I know that this cultural baggage is not all there is to country (I did tune in to some of the Ken Burns documentary series) and I am aware that it is a major current in the development of popular music in the States and beyond -- but that baggage is there and is an obstacle.

More importantly perhaps are my feelings about the music itself. I can only put up with so much of that sound!

#EllaLangley #ChoosinTexas #CountryMusic

Ella Langley - Choosin' Texas (Official Video)

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37 years ago today, May 6, 1989, Dolly Parton debuted at #84 on Billboard’s Hot Country Singles chart with “Why’d You Come in Here Lookin’ Like That”. It went on to peak at #1 and spent a total of 20 weeks on the chart.

I played this song a lot back then. It was in our hot rotation for several weeks at AM 650 KYAK, the station I used to work for (1987-1991) and had listened to since childhood.

#vinylcommunity #countrymusic #song #legendary #vocalist #musiclegends #vinylcollection #musicislife

Rosanne Cash's 5 Children: All About Her Son and Daughters

https://fed.brid.gy/r/https://people.com/all-about-rosanne-cash-children-8771998

INTERVIEW: JB Somers tells us more about his coming out experience, how he surrounds himself with intentional community, and the music that moves him.

https://rainbowrodeomag.com/interview-jb-somers-finds-courage-in-nashville-community/

#QueerCountry #Americana #CountryMusic #RootsMusic #LGBTQMusic #QueerMusic #LGBTQMusician #lgbtq

Telecaster Heaven

It’s a few days since I watched it, but I can’t stop thinking about this long interview with Vince Gill about his latest EP, which is the sixth part of his year-long project celebrating his 50 years in the music biz.

First things first, here’s a link to the video. I won’t embed the whole thing, because it’s an hour and a quarter long. And here’s a link to the EP on Apple Music. It’s seven songs, 25 minutes, which if you ask me is almost a perfect length for an album. Of the six he’s released so far, this one is inevitably my favourite, since it is showcasing some of his incredibly smooth and appropriate playing. Yep, sometimes you want something rough and rowdy, sometimes a bit of a twang, sometimes some power chords. But when you want something soothing and tasteful, Vince Gill is always there. Of which more below.

A little bit of background here. Vince Gill is 69 years old. He started his musical career playing bluegrass (which is all about the pickin’) and then became guitarist and singer with Pure Prairie League before starting a solo career in 1984. Where I come in with him is at his commercial peak, when he was winning multiple industry awards, releasing Platinum albums, and even hosting the annual CMA Awards show. I think it’s fair to say that Gill is a Good Egg, popular with his peers, and you’d be hard-pushed to find anyone to say anything negative about him. He has often played and sung on other peoples’ records, and the list of his contributions is a huge chunk of his Wikipedia article. He was once asked to join Dire Straits, and did eventually join the Eagles.

In those 90s years, he was really known as a balladeer, and you wouldn’t associate him with guitar virtuosity but with his extraordinary high tenor voice. He’ll happily joke that they have to get women to cover his songs when they do tributes, and if you take a listen to his latest release, you will hear that the quality of his voice is undiminished.

But he can also play guitar, and I would set him alongside the likes of Mike Campbell and George Harrison as a guitarist who plays for the song rather than to show off, and that’s why I find this latest YouTube interview so fascinating. He talks about his philosophy of songwriting, playing, recording, collaborating, and he talks in detail about the care and attention that goes into his recordings. He remains humble throughout, naturally. He’s such an unassuming fellow, that you might be forgiven for thinking he was a relatively minor artist.

But you would be wrong. And you can tell you are wrong because you can see that Vince Gill’s home studio, where the video is recorded, is a palace of guitars. The wall is festooned with them. Many of us book lovers have double-stacked bookshelves, but Gill has double-stacked guitars on his walls. There’s a corner that just has what looks like about 10 or 12 Telecasters, four of which look like identical Blonde models with black scratchplates.

Telecaster Corner

There’s a matching Stratocaster Corner on the other side of the fireplace, and in front of the fireplace itself, there are at least a dozen acoustic guitars. Less visible is the Wall of Les Pauls, which are between the Strats and the ES335s that sit begind Gill’s left shoulder.

The man has GAS real bad. The most remarkable thing is that he talks about wanting to get hold of his first, four-string, guitar, that his parents traded in so they could get his first ES335. Vince really wants that guitar back. He even knows the serial number.

This is what it was like being successful in the music business before the internet and the Fraunhofer Society ruined everything.

Watching the video, you can see that Gill’s emotions are very close to the surface, which is possibly why he is such an expressive musician. But, as I said, there’s a whole musical philosophy here. About how to find space in the music while leaving space for everyone else. About asking bass players to “remove their G-strings”, ooh-er, about being influenced by the Eagles and the Beatles, about how to sing harmony, and so on. It’s really great to hear a master talking about his craft.

Each EP features new songs, plus one from his back catalogue, which is an excellent way of showcasing his career, and the different styles of music he has played.

One last thing: surrounded as he is by evidence of his success and status, the man is still clearly moved and chuffed by the fact that Paul McCartney once paid him a compliment.

#country #CountryMusic #guitar #Music #VinceGill

“Felice would cook a wonderful Italian dinner. Maybe it was spaghetti and meatballs. Maybe it was chicken cacciatore,” said Kingsbury. “Then Boudleaux would break out his guitar and sing their latest songs. Inevitably, the people who came in, they were charmed. And often the Bryants got a recording out of that. They did it enough times that Felice like to refer to it as their ‘pasta scam.'”
https://wisconsinlife.org/story/all-i-have-to-do-is-dream-remembering-iconic-songwriters-felice-and-boudleaux-bryant/

#Wisconsin #CountryMusic #songwriting