Amans#2026
-> je nous souhaite de la douceur, de la vivance, des enjailleries révolutionnaires et... d'intégrer la culture crip ! https://lmsi.net/S-inspirer-des-theories-queer-pour-interroger-le-handicap-le-mouvement-crip
1/8
CapensisActualités 📣 #Capensis rejoint le #CRiP - Club des Responsables d’Infrastructures et de Production
Cette association fédère les décideurs et experts des #Infrastructures, de la production et des opérations numériques en France.
Nous entendons promouvoir une vision pragmatique de l’#IT et de l'#Hypervision, en mettant en avant l’#OpenSource comme levier de #SouverainetéNumérique, d’#Innovation et de durabilité des infrastructures.
👉 https://www.crip-asso.fr/
#ITOps #Observabilité #Supervision
MathieuNos existences handies:
Recueil de textes de Zig Blanquer, militant handi autonomiste. Ces essais puissamment politiques et enthousiasmants abordent le validisme, l’autonomie handie, la sexualité, critiquent la notion de courage et de charité…
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un #livre #accessible en plein de #format à propos de #handicap #crip
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https://tahin-party.org/nos-existences-handies.html
Recueil de textes de Zig Blanquer, militant handi autonomiste. Ces essais puissamment politiques et enthousiasmants abordent le validisme, l’autonomie handie, la sexualité, critiquent la notion de courage et de charité…
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un #livre #accessible en plein de #format à propos de #handicap #crip
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https://tahin-party.org/nos-existences-handies.html
cri qui tue/JV#vendredilecture du jeudi (puis je vais aussi le lire demain), j'ai commencé "Plutôt vivre" de Chiara Kahn et Charlotte Puiseux qui parle de #validisme et de culture #crip
Richard Monvoisin
Richard ☠️ MonvoisinBon matin !
Et salut aux camarades #handi #crip #antivalidisme
🌈☔🌦️🍄🌱🍉Ok, tricky question for #askfedi
Looking for materials on how to handle conflicts in communities with low capacity. I know conflicts get complicated and need attention, but also that they can drain a community, especially when it is already strained. But should we then not organise ourselves? Stay isolated?
Ideas wanted.
Mais quelle chance d'avoir un festival pareil, #Namur !
Du cinoche rare, thèmes #handi #crip
C'est du 6 au 9 au Delta
(et dans l'équipe, y a le copain Mathias Bonal, allez le saluer de ma part)
Faites péter leur jauge www.teff.be
Mais quelle chance d'avoir un festival pareil, #Namur !
Du cinoche rare, thèmes #handi #crip
C'est du 6 au 9 au Delta
(et dans l'équipe, y a le copain Mathias Bonal, allez le saluer de ma part)
Faites péter leur jauge https://www.teff.be/
oyoThe Cripping Cultural Work residency at Showroom MaMA (Rotterdam) is past halfway and ends this year. We opened the space on the 11th; I’m showing work made these past months. Mid-residency, it gathers small growths, stray thoughts, and swings between rage and tenderness. I live parallel lives: needing care, giving care, working, applying. Here I try to dissolve that split, to come out as sick, and treat CV gaps as work, practice, resistance. Not to be defined by them, but to let them in and learn crip time.
I wanted to try how sound can be felt next to heard, so I built an armchair as a sensory object for embodied listening: narration travels through the body via bone conduction and other transducers.
Behind it, a textile fort stitched from common Bulgarian embroideries passed down in my family. Perfect domestic scenes with no mess, illness, or care work. Like a CV. I add my own embroidery at the pace of crip time, threading in what’s missing: gaps, breakdowns, stops and starts.
My son calls our forts “places to go and cry.” This one isn’t spectacle. It’s an architecture of care, a space to pause and refuse the usual tempo. Made for children, a space owned by them in the gallery; adults are welcome too.
If in Rotterdam, pass by MaMA
#crip #chronicillness #invisibleillness #accessibility
I wanted to try how sound can be felt next to heard, so I built an armchair as a sensory object for embodied listening: narration travels through the body via bone conduction and other transducers.
Behind it, a textile fort stitched from common Bulgarian embroideries passed down in my family. Perfect domestic scenes with no mess, illness, or care work. Like a CV. I add my own embroidery at the pace of crip time, threading in what’s missing: gaps, breakdowns, stops and starts.
My son calls our forts “places to go and cry.” This one isn’t spectacle. It’s an architecture of care, a space to pause and refuse the usual tempo. Made for children, a space owned by them in the gallery; adults are welcome too.
If in Rotterdam, pass by MaMA
#crip #chronicillness #invisibleillness #accessibility