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Senior Digital Archaeologist at Museum of London Archaeology (MOLA), formerly L - P : Archaeology. Databases, Linked Data, GIS, Open Data, Open Source, etc. Sysadmin for fastionline.org, final bearer of the ARK legacy.

A paper by @joeroe and I has finally been published in Internet Archaeology! https://doi.org/10.11141/ia.67.13

The paper investigates the collaborative experiences involved in archaeological open source software development, looking how archaeologists create these tools as part of a broader community of practice

#OpenSource #OpenScience #OpenArchaeology #STS

Open Archaeology, Open Source? Collaborative practices in an emerging community of archaeological software engineers

This article investigates modes of collaboration in the emerging community of practice using 'open-archaeo', a curated list of archaeological software, and data on the activity of associated GitHub repositories and users. An exploratory quantitative analysis is conducted to characterise the nature and intensity of these collaborations and map the collaborative networks that emerge from them.

NEW

How profitable are museum picture libraries and how does their business model intersect with museums’ public missions?

https://douglasmccarthy.com/2024/07/balancing-access-and-income/

#digitalstrategy#museums#licensing#copyright #openaccess

Balancing access and income – the dilemma of museum image licensing

By analysing financial data from museums and trends in the image licensing industry, this post evaluates the current profitability and future viability of museum picture libraries. It also examines the opportunity cost to public access associated with the picture library model, considering museums’ educational and societal goals.

Douglas McCarthy
40 years of research:
Wessex Archaeology has made its publications and many of its grey literature reports freely available online:
https://wessexarchaeologylibrary.org/library/repository/list/
#Archaeology
Project Report Library Reports

Library of Wessex Archaeology’s fieldwork, geophysical, geoarchaeological and post-excavation reports from archaeological projects across the UK.

JOB ALERT! 📢
We're ready to recruit for this post again, and we couldn't be more excited. ✨
Do you have experience with OCR and HTR technologies? Have you embedded these or other processes into wider operational workflows? Do you LOVE historical collections? Then this job vacancy could be perfect for you. Come and work with us at the British Library! For more details, see my (updated) post: https://blogs.bl.uk/digital-scholarship/2024/06/join-the-british-library-as-a-digital-curator-ocrhtr.html
Closing date: 21 July 2024.
Good luck!

#britishlibrary #OCR #HTR @BL_DigiSchol

ETL Helper is a Python ETL (Extract, Transform, Load) library to simplify data transfer into and out of databases.
It makes it easier to run #SQL queries via #Python.

This month we released Version 1. 🥳

One of the biggest changes is a proper documentation site. Check it out:

https://britishgeologicalsurvey.github.io/etlhelper/

#etlhelper #oracle #postgresql #sqlite #database #gis #opensource 1/3

Welcome to ETL Helper’s documentation! — ETL Helper 1.0.0 documentation

Introducing the newest rising star of the #QGIS plugin world (under the "silly" tag*) - QGIS Sound Effects.

Literally adds sound effects to your QGIS daily life.
Especially recommended if you have a lot of processing algorithms fail.

https://plugins.qgis.org/plugins/qgs_sound_effects/

*Also the only plugin under the "silly" tag.

QGIS Sound Effects — QGIS Python Plugins Repository

This is interesting stuff: Ed Zitron writes on how Goldman Sachs, who like any investment bank ”will gladly hype anything if it thinks it'll make a buck” soured on generative AI.
”A week and a half ago, Goldman Sachs put out a 31-page-report (titled "Gen AI: Too Much Spend, Too Little Benefit?”) that includes some of the most damning literature on generative AI I've ever seen.”

https://www.wheresyoured.at/pop-culture/

Pop Culture

Hi there. Do you like this post? Did you know that I also do a podcast called Better Offline? If not, please immediately download it on your podcast app. Follow the show. Download every episode. Share with your friends, and demand they do the same. I did an entire episode

Ed Zitron's Where's Your Ed At

🏺Digital public archaeology: Excavating data from digs done decades ago and connecting with today's communities

https://phys.org/news/2024-06-digital-archaeology-excavating-decades-today.html

#archaeology #publicscience #data #outreach #history #prehistory

Digital public archaeology: Excavating data from digs done decades ago and connecting with today's communities

The ancestors of Alaska Native people began using local copper sources to craft intricate tools roughly 1,000 years ago. Over one-third of all copper objects archaeologists have found in this region were excavated at a single spot, named the Gulkana Site.

Phys.org

Today, the good people of the world commemorate the passing of Google Reader eleven short years ago on July 1, 2013.

To honor their memory (and in leiu of flowers) please add an RSS, Atom, JSON or equivalent feed to your web site and keep building towards a web that connects people in meaningful and positive ways.

How many museums, libraries and archives have open access policies?

Since 2018 Andrea Wallace and I have been answering this question. The Open GLAM Survey is the definitive guide to the landscape of open access policy and practice. It's a crucial resource for researchers, policymakers, and practitioners in the field of copyright and heritage.

We wrote up a recap for Creative Commons: https://creativecommons.org/2024/06/26/moving-institutions-toward-open-building-on-6-years-of-the-open-glam-survey/

#OpenCulture #OpenGLAM #OpenAccess #Copyright #Licensing #Museums #Libraries

Moving Institutions Toward Open—Building on 6 Years of the Open GLAM Survey - Creative Commons

“Violette Heymann, 1910” by Odilon Redon (French, 1840–1916), The Cleveland Museum of Art, Hinman B. Hurlbut Collection ,CC0. Creative Commons’ Open Culture Platform is supporting 25 institutions in opening up access to their collections by the end of 2025. Members of the Platform community will be working together to create a policy template, conduct outreach,…

Creative Commons