Cyningstan
puigreixach_
1992 ...
Persistence Of Vision raytracer
POV-Ray version 1.0
VGA/256 colors _ 320ร200 pixels
#POVRay
_
Now we have a dagger and a scroll. Just one or two more objects and then I'll have to try adding some drama to the scene, the shadow of a monster or something. #povray #raytracing
I'm still playing with this scene. In the past week I've added the plate, and this potion, and reoriented the picture to serve as a manual cover. In this process I'm getting more reaquainted with #povray #raytracing but I still ought to make the leap to Blender at some point.
POVฮฑBle๐๐๐๐ ๐๐ง๐จ, แตสธ ๐๐จ๐๐๐ซ๐ญ ๐๐๐๐ซ๐๐ ๐จ๐ซ
โ๐ฟ๐พ๐
-๐๐๐ข ๐๐๐๐๐๐๐ข ๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐, ๐๐๐๐๐๐๐๐๐๐ข ๐๐๐๐ ๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐ - ๐๐๐๐
๐๐๐๐ข๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐...โ
#ใใดใจใคใใซ
#ใใดใฌใค
#POVaBle
#Art
#DigitalArt
#Creative
#3dart
#cgi
#ConceptArt
#NoAI
#render
#proceduralart
#macro
#mondaymood
#POVRay
I've been playing with #povray #raytracing today, for the first time in a while. Here are the beginnings of a scene that will serve as a manual cover and (suitably converted) a title screen for some future game.
Tariqback in the 90s, the era of 8/16bit home computers, it was rare treat to experience software that made your computer feel like a supercomputer
the (originally freeware) #opensource raytracing software POVRAY was definitely one of those
it was available for a number of platforms eg Amiga, PC and Acorn Archimedes
the scene description language was very powerful, able to programmatically define scenes with eg loops
Drahflow@sergio_101 @stu I use #povray semi-regularly, e.g. to convert .STL to depth maps and to render more shiny LaTeX-beamer presentations.
sergio_101I would love to find that there is still an active community for #PovRay, because i loved that so much.
tTh#raytracing avec #povray : Je ne suis pas trop en forme ces temps-ci, alors je laisse trainer les รฉvolutions de la famille #hexacone...
http://maison.tth.netlib.re/v/wip-orbite.html
http://maison.tth.netlib.re/v/wip-orbite.html
