Five Opera Houses that Blend Music and Nature

Sometimes when you see a handsome building designed and placed perfectly within a spectacular natural setting, it becomes a masterful work of art in itself. Provided below are images of five (5) opera houses located around the globe that do just that. Peace!

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SANTA FE OPERA HOUSE Santa Fe, New Mexico (1998 – third structure on the site)

Set exquisitely on a mesa just to north of Santa Fe, New Mexico, the Santa Fe Opera House is an architectural jewel adorning the high desert. This performance venue is unique in that its annual opera series is held under an impressive open-air structure with a suspended roof. The surrounding natural vistas of the Jemez Mountains, arid desert, vast horizons, billowing clouds, and summer sunsets form an incredible backdrop to those performing on the stage.

The Santa Fe Opera is truly “a place where elegance meets wilderness” beneath majestic mountains, glorious skies, and shimmering stars.

Source: gscworldtravel.com Set of Madame Butterfly with the Jemez Mountains as backdrop – Source: pinterest.com

“The Santa Fe Opera is the only open-air opera house in the United States. Rebuilt three times, each successive structure has retained the footprint of the previous building. Defined as much by the surrounding high desert landscape as by programmatic requirements, the opera house has continued to offer a convincingly modern interpretation of New Mexico’s regional identity.”

Source: sah-archipedia.org

Jemez Mountains as backdrop – Source: wsj.com Source: santafeopera.org

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SYDNEY OPERA HOUSE Sydney, Australia (1973)

Set at the edge of Bennelong Point overlooking busy Sydney Harbour, the Sydney Opera House is often considered a modern masterpiece of architectural design. Its resemblance to sails fits perfectly with the many sailboats dotting the blue waters of the adjacent harbour. The opera house is so well known, that it’s the most recognizable building of Australia.

Source: architecturaldigest.com

“Utzon’s daring design idea was based on glistening white sculptural sails flying above a massive podium.”

Source: australiandesignreview.com

Source: archnewspaper.com

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ZHUHAI OPERA HOUSEZhuhai, China (2017)

A marvelous architectural design that celebrates Zhuhai’s pearl, oyster, and clam gathering heritage on an island where the Pearl River meets the sea. These two towering shell-shaped structures (named Sun and Moon) are simply breathtaking in this impressive setting.

“Every day the dance-like convergence of the river and sea, the tide’s ebb and flow is a spectacular scene in which architecture needs to show awareness and sensitivity in responding to this vast natural environment and avoid interrupting it which took billions of years to build up. Therefore, the design incorporates a humble attitude in the face of the ocean and the earth and becomes an integral part of nature.”

Source: e-architect.com

Source: subsites.chinadaily.com.cn Source: architectureprize.com

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HANOI/WEST LAKE OPERA HOUSEHanoi, Vietnam (2027)

Literally floating in Hanoi’s West Lake, this opera house will meld music and water like no other structure. The following quote aptly summarizes the opera house’s relationship with the natural world.

“Drawing inspiration from local natural forms, the rippling surface of West Lake, and the oyster shell, the building’s aesthetic takes shape as a cultural landmark of international stature and a symbol of Vietnam’s sustainable development. The striking floating structure, rising from the surface of West Lake, reinforces its contextual link to the natural and historical features of the West Lake environment.”

Source: parametric-architecture.com

Source: archdaily.com Source: parametric-architecture.com

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HAMBURG STATE OPERA HOUSEHamburg, Germany (proposed)

Another fine (future) example of siting an opera house in a perfect natural location. When the Hamburg State Opera House is completed, it will be nearly surrounded by the Elbe River when its new home is completed on a peninsula. As the quote below notes, the design will be at one with the abutting river.

Source: designboom.com

“BIG Landscape’s design extends the opera’s design language into the surrounding park. Flood management is integrated through a system of terraces, planted dunes, and wetlands that absorb and slow water flow. Rain basins collect and filter runoff, creating habitats for local flora and fauna. This way, a resilient ecological zone is created which responds to the tides of the Elbe while framing the opera as a living landscape shaped by natural movement.”

Source: designboom.com

Source: designboom.com

#cities #environment #geography #hamburg #hanoi #history #landUse #landscaping #music #opera #operaHouses #planning #santaFe #scenery #sydney #tourism #travel #zhuhai

America’s largest indoor performance halls – UPDATE #7

Elliott Hall of Music – Source: flickr.com

The following list shows the the largest indoor performance halls in the United States (minimum 2,000 seats and collegiate in italics). It does not include other venues like outdoor amphitheaters, or sports facilities like arenas and stadiums.

  • LDS Conference Center (Salt Lake City, UT) – 21,200 (2000) – Thank you, Joan C.
  • The Sphere (Las Vegas, NV) – 18,600 – added 12/11/24
  • Idaho Center (Brigham Young, ID campus) – 15,000 (2010) – Thank you, Bob and Dan
  • Shrine Auditorium (Los Angeles, CA – 6,300 (1926)
  • Elliott Hall of Music (Purdue University, IN) – 6,005 (1940)
  • Radio City Music Hall (New York City, NY) = 5,960 (1932)
  • Fox Theater (Detroit, MI) – 5,045 (1925)
  • Performing Arts Center (Saratoga, NY) – 5,000 (1966)
  • Fox Theater (Atlanta, GA) – 4,678 (1929)
  • Fox Theatre (St. Louis, MO ) – 4,486 (1929) – Thank you, Kevin
  • Eisenhower Hall Theatre (US Military Academy, NY) – 4,413 (1974) – Thank you, Frank
  • Masonic Temple Theater (Detroit, MI) – 4,404 (1922)
  • Auditorium Theater (Chicago, IL) – 4,300 (1889)
  • Metropolitan Opera House (New York City, NY) – 3,900 (1966)
  • Filene Center (Vienna, VA) – 3,800 (1971)
  • DAR Concert Hall (Washington, DC) – 3,702 (1929)
  • Auditorium (Indiana University) (1941) and Wang Theater (Boston, MA) – 3,700 (1925)
  • Emens Auditorium (Ball State University, IN) – 3,581 (1964)
  • Midland Theater (Kansas City, MO) – 3,573 (1927)
  • Altria Theatre (Richmond, VA) – 3,565 (1928) – Thank you, Mason
  • Civic Opera House (Chicago, IL) – 3,563 (1929)
  • Hill Auditorium (University of Michigan) – 3,538 (1913)
  • Music Hall (Cincinnati, OH) – 3,516 (1878)
  • Miller Auditorium (Western Michigan University) – 3,497 (1968)
  • Music Hall at Fair Park (Dallas, TX) – 3,420 (1925)
  • KeyBank State Theatre (Cleveland, OH) – 3,200 – Thank you, mildcaseofmoray
  • Dorothy Chandler Pavilion (Los Angeles. CA) – 3,197 (1964)
  • War Memorial Opera House (San Francisco, CA) – 3,146 (1932)
  • Brooklyn Tech Auditorium (Brooklyn, NY) – 3,100 (1922) – Thank you, Aizawa
  • Eastman Theater (Rochester, NY) – 3,094 (1922)
  • Hawkins’ Centennial Auditorium (Olivet Nazarene University) – 3,059
  • Terrace Theater (Long Beach, CA) – 3,051 (1978)
  • Civic Auditorium (Pasadena, CA) – 3,029 (1931)
  • Shea’s Performing Arts Center (Buffalo, NY) – 3,019 (1926) – Thank you, Lucas
  • Civic Auditorium Concert Hall (San Jose, CA) – 3,001 (1936)
  • Bass Concert Hall (University of Texas) (1981); Birmingham Concert Hall (Birmingham, AL) (1976); and Lyric Theater (Kansas City, MO) – 3,000 (1926)
  • Keller Auditorium (Portland, OR) – 2,992 (1917)
  • Segerstrom Hall (Costa Mesa, CA) – 2,936 (1986)
  • Jones Hall (Houston, TX) – 2,912 (1966)
  • Landmark theater (Syracuse, NY) – 2,900 (1928)
  • Academy of Music (Philadelphia, PA) – 2,897 (1857)
  • McCaw Hall (Seattle, WA) – 2,890 (2003)
  • Benedum Center (Pittsburgh, PA) – 2,885 (1928)
  • Kleinhans Music Hall (Buffalo, NY) – 2,839 (1940)
  • Abravanel Hall (Salt Lake City, UT) – 2,811 (1979)
  • Carnegie Hall/Stern Auditorium (New York City, NY) – 2,804 (1891)
  • Saenger Theater (New Orleans, LA) – 2,800 (1927)
  • Mortensen Hall (Hartford CT) 2,799 (1930)
  • Ohio Theater (Columbus, OH) – 2,779 (1921)
  • Center for the Performing Arts (Portland, OR) – 2,776 (1984)
  • Lincoln Center/Koch Theater – New York City, NY) – 2,755 (1964)
  • City Center (New York City, NY) (1941); Cobb Energy Performing Arts Center (Atlanta, GA) (2007); and Prudential Hall (Newark, NJ) – 2,750 (1997)
  • Stevens Auditorium (Iowa State University) – 2,747 (1969)
  • Davies Symphony Hall (San Francisco, CA) (1980) and Symphony Hall (Newark, NJ) – 2,743 (1925)
  • Lincoln Center/Fisher Hall (New York City, NY) – 2,738 (1962)
  • Aronoff Center (Cincinnati, OH) – 2,719 (1995)
  • Orpheum Theatre (Boston, MA) – 2,706 (1852) – Thank you, Harry
  • Opera House (Detroit, MI) (1922) and Palace (Louisville, KY) – 2,700 (1928)
  • Woosley Hall (Yale University, CT) – 2,695 (1901)
  • Au-rene Theater (Fort Lauderdale, FL) – 2,688 (1991)
  • Powell Symphony Hall (St. Louis, M) – 2,683 (1968)
  • Civic Center (Des Moines, IA) (1979) and Heinz Hall (Pittsburgh, PA) – 2,662 (1927)
  • Boettcher Concert Hall (Denver, CO) – 2,634 (1978)
  • Symphony Hall (Boston, MA) – 2,625 (1900)
  • Symphony Hall (Springfield, MA) – 2,611 (1912)
  • Classic Performance Hall (Little Rock, AR) – 2,609 (1940s)
  • Akron Civic Theatre, Akron, Ohio – 2587 seats – Thank you, Anna
  • Koger Center (Columbia, SC) – 2,556 (1988)
  • Orpheum Theater (Sioux City, IA) – 2,546 (1927)
  • Carr Performing Arts Center (Orlando, FL) – 2,518
  • Warner Theater (Erie, PA) – 2,506 (1976)
  • Benaroya Hall (Seattle, WA) (1998); Chrysler Hall (Norfolk, VA) (1972); Eisenhower Auditorium (Penn State University); Hult Center (Eugene, OR) (1982); Kimmel Center (Philadelphia, PA)(2001); Opera House (Boston, MA) (1928); Orchestra Hall (Chicago, IL) (1904); and Orchestra Hall (Minneapolis, MN) – 2,500 (1974)
  • Civic Center Music Hall (Oklahoma City, OK) – 2,481 (1937)
  • Embassy Theater (Fort Wayne, IN) – 2,478 (1928)
  • Meyerhoff Symphony Hall (Baltimore, MD) – 2,443 (1982)
  • Kennedy Center Concert Hall (Washington, DC) – 2,442 (1971)
  • Stranahan Theater (Toledo, OH) – 2,424 (Thank you, Chris)
  • Wharton Center (Michigan State University) – 2,421(1982)
  • Whitney Hall (Louisville, KY) – 2,406 (1983)
  • DeVos Performance Hall (Grand Rapids, MI) – 2,404 (2005)
  • Adler Theater (Davenport, IA)(1931); Auditorium (Duluth, MN) – 2,400 (1966); Centennial Hall (University of Arizona) (1936); Coronado Theater (Rockford, IL)(1927); Long Center (Austin, TX) (2008); Music Hall (Kansas City, MO)(1935); and Ziff Ballet/Opera House (Miami, FL) – 2,400 (2006)
  • Phoenix Symphony Hall (Phoenix, AZ) – 2,387 (1972)
  • Performing Arts Center (Tulsa, OK) 2,365 (1977)
  • Majestic Theater (San Antonio, TX – 2,311 (1929)
  • Marcus Center (Milwaukee, WI) – 2,305 (1969)
  • Powers Auditorium (Youngstown, OH) – 2,303(1969)
  • Mead Theater (Dayton, OH) (2003);Meymandi Concert Hall (Raleigh, NC)(2001); and Civic Auditorium (Redding, CA) – 2,300 – Thank you, Sam!
  • TCC Music Hall (Tucson, AZ) – 2,289 (1987)
  • Walt Disney Concert Hall (Los Angeles, CA) – 2,265 (2003)
  • Catrol Morsani Hall (Tampa, FL) (1987) and Copley Symphony Hall (San Diego, CA) – 2,252 (1929)
  • Overture Center (Madison, WI) – 2,251 (2004)
  • Civic Center Auditorium (Peoria, IL) – 2,244 (1982)
  • Lied Center (Lincoln, NE) – 2,210 (1990)
  • Fillmore Theater (Detroit, MI)(1925); Knight Concert Hall (Miami, FL) (2006); and Winspear Opera House (Dallas, TX) -2,200 (2009)
  • Dreyfoos Concert Hall (West Palm Beach, FL) – 2,193 (1992)
  • Ruth Eckerd Hall (Clearwater, FL) – 2,180 (1983)
  • Concert Hall (Wichita KS) – 2,178 (1969)
  • Clowes Memorial Hall (Butler University, IN) – 2,172 (1963)
  • Kent Concert Hall (Utah State University) – 2,168 (1967)
  • Blaisdell Concert Hall (Honolulu, HA) – 2,158 (1964)
  • Von Braun Concert Hall (Huntsville, AL) – 2,153
  • Colden Auditorium (New York City, NY) – 2,127 (1961)
  • Classic Center (Athens, GA) – 2,122 (1996)
  • Crouse-Hinds Theater (Syracuse, NY) – 2,117 (1975)
  • Gilman Opera House (Brooklyn, NY) – 2,109 (1861)
  • Belk Theater (Charlotte, NC) (1992); Cannon Center (Memphis, TN (2003); Peace Concert Hall (Greenville, SC) (1990); and Severance Hall (Cleveland, OH) – 2,100 (1931)
  • Fisher Theater (Detroit, MI) – 2,089 (1927)
  • Krannert Center (University of Illinois) – 2,078 (1927)
  • Meyerson Symphony Center (Dallas, TX) – 2,062 (1989)
  • Bass Performance Hall (Fort Worth, TX) – 2,056 (1998)
  • Reynolds Hall (Las Vegas, NV) – 2,050 (2012)
  • The Whiting (Flint, MI) – 2,043 (1967)
  • Civic Auditorium (Santa Cruz, CA)(1940) and Weidner Center (Green Bay, WI) – 2,021 (1993)
  • Arlington Center for the Arts (Santa Barbara, CA) – 2,018 (1931)
  • King Center for the Arts (Melbourne, FL) – 2,016
  • Fisher Music Center (Detroit, MI) – 2,014 (1919)
  • Holland Performing Arts Center (Omaha, NE) – 2,005 (2005)
  • Atwood Concert Hall (Anchorage, AK)(1989) and El Pomar Great Hall (Colorado Springs, CO) – 2,000 (1982)
  • SOURCES: en.wikipedia.org and individual venue websites

    #acting #arts #cities #colleges #conceertHalls #concerts #drama #music #musicHalls #operaHouses #performanceHalls #theaters

    The #StevensPointGazette gave me permission to post a 2017 article I wrote about the #Amherst #OperaHouse on my personal blog. At the time of writing, this opera house, built in 1902 in #Wisconsin, had been shuttered for four decades. Then, later in 2017, the #AOHCo.Guild formed and purchased the building, opening its doors to the public once again. (And fundraising to continue renovations.) https://www.sadareed.com/single-post/amherst-hopeful-for-opera-house-s-future #history #AbrahamLincoln #WPA #OperaHouses #Chicago #Bartola #pipeorgan #arts
    Amherst hopeful for opera house's future

    This article was published in the March 17, 2017, edition of The Stevens Point Gazette. Reprinted with permission. It’s been awhile since the Amherst Opera House has bustled with activity. It has been closed to the public for so long, a 2009 Wisconsin Historical Society Press book about Wisconsin opera houses misstated that the building had already been bulldozed. The opera house, located at 207 North Main Street in Amherst, has not yet met a wrecking ball. In fact, 2017 is a milestone year for

    Sada Reed

    Heatherwick Studio designs volcano-like performing arts centre for China

    British designer Thomas Heatherwick's studio has revealed visuals of a performing arts centre planned for Hainan, China, that draws on the island's volcanic landscape and Hainanese opera costumes.

    Set to be built in the city of Haikou on the island province of Hainan, the Hainan Performing Arts Centre will form part of a large-scale master plan to create a new cultural area in the Jiangdong district.

    The Hainan Performing Arts Centre was designed by Heatherwick Studio and will be built in Jiangdong

    According to the studio, the design for the Hainan Performing Arts Centre will take cues from the volcanic landscape of the island of Hainan. The building will house three performance spaces, including an opera house, a concert hall and a theatre.

    Visuals of the opera house show the building occupying a rectangular site, which is covered by a curving roof plane that peaks into a collection of three sculptural volcano-like cones at its centre.

    The building aims to become an extension of the city

    Multi-coloured rectangular tiles will adorn the curving roof in reference to the "colours and movement" of the programme and events that will take place at the Performing Arts Centre.

    "Our inspiration came from the volcanic landscape and the costumes, colours and movement of Hainanese opera," said Heatherwick Studio partner Eliot Postma.

    [

    Read:

    Sou Fujimoto Architects unveils design for walkable Haikou Bay pavilion

    ](https://www.dezeen.com/2021/02/15/sou-fujimoto-unveils-visuals-haikou-bay-pavilion/)

    The volcano-like roof that surrounds the arts centre will act as a canopy to conceal a number of different open-air publicly accessible spaces, which the studio hopes will allow the centre to become an extension of the city.

    "Many opera houses are cut off from their surroundings and only come to life when a performance is on," said Postma. "We wanted to create a space that is an extension of the city and will contribute to life on the street throughout the day."

    "So the canopy shelters a mix of different spaces that form an open-air village, of which the halls are a part," he added.

    "It blends the formality of performance with the informality of island culture, making opera more accessible and offering everyone a space to meet whether you have a ticket or not."

    Open-air spaces will be free and publically accessible

    Once complete, the structure will accommodate up to 3,800 people and be host to a number of international productions, such as opera, ballet, musicals and other arts and cultural performances.

    Heatherwick Studio's design was selected as the winning entry in a competition organised by Haikou Tourism & Culture Investment Holding Group that called for a new landmark and performing arts centre for the area.

    Construction is expected to break ground towards the end of 2022. The building marks the first time Heatherwick Studio has designed a music venue.

    [

    Read:

    Heatherwick Studio proposes pier with sense of "playful togetherness" for Seoul waterfront

    ](https://www.dezeen.com/2022/01/27/the-leaf-pier-seoul-han-river-heatherwick-studio/)

    Earlier this year Heatherwick Studio opened its 1,000 Trees shopping centre in Shanghai, which features over 1,000 trees and 250,000 plants across the nine-story building.

    In 2021, Sou Fujimoto Architects released renders of its design for the Pavilions by the Seaside development in Haikou, which is also part of the area's redevelopment masterplan.

    The visuals are courtesy of Heatherwick Studio.

    The post Heatherwick Studio designs volcano-like performing arts centre for China appeared first on Dezeen.

    #all #architecture #cultural #publicandleisure #china #thomasheatherwick #culturalbuildings #operahouses #hainan #news

    Meilan Music Studio's "chaotic" interior references the spontaneity of music composition

    Chinese firm Domani Architectural Concepts has created a recording studio inside Guangzhou Opera House, featuring an interior covered with jumbled wooden panels that contribute to its acoustic performance.

    The Meilan Music Studio is located on the fourth floor of the opera house that was designed by Zaha Hadid Architects and opened in 2010 on a site in Guangzhou's central business district.

    Jumbled timber panels make up the walls and ceiling of Meilan Music Studio

    Domani Architectural Concepts was approached in 2017 to develop a design for the mixed-use studio complex, which is used for rehearsing and recording sessions by symphony and chamber orchestras, choirs and other musicians.

    The music studio is arranged across two floors and comprises a large double-height performance space surrounded by several recording rooms and a workspace for music production, as well as relaxation areas and utility spaces.

    Domani Architectural Concepts wanted the studio to look chaotic

    "The spaces needed to be aesthetically creative, as well as refreshing the impression of the traditional music studio while fulfilling strict acoustic criteria," said Domani, which was shortlisted in the civic and cultural interior category of Dezeen Awards 2021 for the project.

    The studio's walls and ceiling are covered with acoustic panels made from solid or slatted timber that are arranged in an apparently random configuration.

    The panels incorporate lighting and acoustic features

    "We aimed to build a chaotic structure with an astonishing appearance that seemed to be randomly generated," the studio told Dezeen. "The design visualises the spontaneous part of the process of music composition or any kind of creative works."

    The jumbled wooden elements incorporate lighting and built-in seating, as well as forming frames around openings that provide a visual connection between the central performance space and adjoining recording rooms, studios and breakout areas.

    Recording rooms are also fitted with the same wooden panels

    The key consideration for the studio space was to optimise acoustic conditions, so Domani collaborated with a specialist acoustics firm to refine the design and identify suitable materials.

    "Due to the comprehensive requirements of the sound effect of the venue, special materials are used for the walls and floors to strengthen sound insulation, control the elasticity of sound waves and prevent moisture and static electricity," the architects explained.

    "The irregularity of the space is designed through the combination of design techniques and material density, to avoid the interference of inner standing waves on the recording."

    [

    Read:

    Guangzhou Opera House by Zaha Hadid Architects

    ](https://www.dezeen.com/2011/02/25/guangzhou-opera-house-by-zaha-hadid-architects/)

    A bespoke chair was designed for the project by furniture brand A&V, which is part of the Domani group and is headed by the firm's design director, Ann Yu.

    The folded geometric form of the 6 Degrees Chair is made from simple section of wood. Like the music studio's interior, its colliding shapes are inspired by the creative process of musicians.

    Prototypes featured in the spaces are splashed with ink that represents the need to continuously destroy and rebuild work as part of this unpredictable process.

    The designers drew on the creative process of musicians for the interior

    Domani Architectural Concepts was established in 2005 and is owned by Domani Group Limited. It focuses on spatial design and related corporate planning, business consultancy and product development.

    The Meilan Music Studio is shortlisted in the civic and cultural interior category of Dezeen Awards alongside a floating church on a canal boat in London, and a project undertaken by Kengo Kuma and Associates to renovate Antoni Gaudí's Casa Batlló in Barcelona.

    The photography is byVincent Wu.

    The post Meilan Music Studio's "chaotic" interior references the spontaneity of music composition appeared first on Dezeen.

    #all #interiors #china #operahouses #musicstudios #guangzhou

    Meilan Music Studio's "chaotic" interior references the spontaneity of music composition

    Chinese firm Domani Architectural Concepts has created a recording studio inside Guangzhou Opera House, featuring an interior covered with jumbled wooden panels that contribute to its acoustic performance.

    Jean Nouvel designs sinuous Shenzhen Opera House for China

    Pritzker Prize-winning architect Jean Nouvel's studio has unveiled its proposal for a giant opera house on the waterfront in Shenzhen, China, which will be covered by a curving roofscape.

    The Shenzhen Opera House is designed by Ateliers Jean Nouvel as a 220,000-square-metre cultural landmark for the Shekou Peninsula, a site overlooking Shenzhen Bay.

    Above: Shenzhen Opera House will be built on the Shekou Peninsula. Top image: it is designed to enhance the existing promenade

    Once complete, it will stretch out along the waterfront and count a 2,300-seat opera hall, a 1,800-seat concert theatre and an 800-seat venue for operettas among its many facilities.

    According to the studio the architectural design is intended to establish a connection to the sea, celebrating the city's history as a fishing village and its existing promenade.

    It is designed to connect with the surrounding water

    "Shenzhen has always been in harmony with the South China Sea," explained Nouvel. "The Opera House will welcome and incorporate the sea. They will bolster each other, bond."

    "The promenade will be enhanced," he continued. "The arrival of the Opera House will create a long sequence along a coastline that has already been diversified over a stretch more than a kilometre long."

    It will be topped by a curving roofscape

    Ateliers Jean Nouvel's design was the winning entry of an invited international architecture competition for the opera house. Other entrants included BIG, Snøhetta, MVRDV and Kengo Kuma.

    The brief, drawn up by the Shenzhen government, asked participants to design a "world-class palace of art" that will later become the centrepiece of its wider masterplan for the city, which involves the construction of nine other cultural landmarks.

    Alongside the main performance halls, the sinuous Shenzhen Opera House will also contain a multifunctional theatre with 400 seats, cultural spaces for the public and backstage areas including a production centre, apartments for performers and offices.

    Iridescent materials will be used in the foyer

    Few details have been disclosed about the design, but the studio plans to make the main auditorium highly visible throughout the building.

    This main hall will also incorporate a large loggia that will open out onto terraces overlooking the sea.

    To help further connect the building to the surrounding water, the interior design will include the use of iridescent materials such as mother-of-pearl, also known as nacre, a luminous material produced in the shells of some molluscs.

    The iridescent materials will be used in the main entrance foyer and to decorate the walls and curves of balconies in the main auditorium.

    It is hoped to become a cultural landmark for the city

    "The sea will be both around you and over you," explained Nouvel. "This explains more clearly why the main foyer has to be made of a noble, precious and luminous material that spells the meeting of sea and music and light."

    "Using the lustrous white reflections of a nacreous material will be a concrete poeticisation of the meeting of the sea and the auditorium and concert halls of the Opera House."

    French architect Nouvel founded his eponymous studio in 1994. Alongside the Shenzhen Opera House, the studio is currently developing a plant-covered apartment complex in Ecuador and a cave hotel in Saudi Arabia's AlUla desert.

    The proposals follow the completion of the Stelios Ioannou Learning Resource Center in Nicosia and the National Museum of Qatar in Doha, which is made up of a series of colliding discs.

    Visuals are by Ateliers Jean Nouvel.

    The post Jean Nouvel designs sinuous Shenzhen Opera House for China appeared first on Dezeen.

    #all #cultural #architecture #highlights #news #china #shenzhen #jeannouvel #culturalbuildings #operahouses

    Jean Nouvel designs sinuous Shenzhen Opera House for China

    Pritzker Prize-winning architect Jean Nouvel's studio has unveiled its proposal for a giant opera house on the waterfront in Shenzhen, China, which will be covered by a rolling roofscape.

    Jean Nouvel designs sinuous Shenzhen Opera House for China

    Pritzker Prize-winning architect Jean Nouvel's studio has unveiled its proposal for a giant opera house on the waterfront in Shenzhen, China, which will be covered by a curving roofscape.

    The Shenzhen Opera House is designed by Ateliers Jean Nouvel as a 220,000-square-metre cultural landmark for the Shekou Peninsula, a site overlooking Shenzhen Bay.

    Above: Shenzhen Opera House will be built on the Shekou Peninsula. Top image: it is designed to enhance the existing promenade

    Once complete, it will stretch out along the waterfront and count a 2,300-seat opera hall, a 1,800-seat concert theatre and an 800-seat venue for operettas among its many facilities.

    According to the studio the architectural design is intended to establish a connection to the sea, celebrating the city's history as a fishing village and its existing promenade.

    It is designed to connect with the surrounding water

    "Shenzhen has always been in harmony with the South China Sea," explained Nouvel. "The Opera House will welcome and incorporate the sea. They will bolster each other, bond."

    "The promenade will be enhanced," he continued. "The arrival of the Opera House will create a long sequence along a coastline that has already been diversified over a stretch more than a kilometre long."

    It will be topped by a curving roofscape

    Ateliers Jean Nouvel's design was the winning entry of an invited international architecture competition for the opera house. Other entrants included BIG, Snøhetta, MVRDV and Kengo Kuma.

    The brief, drawn up by the Shenzhen government, asked participants to design a "world-class palace of art" that will later become the centrepiece of its wider masterplan for the city, which involves the construction of nine other cultural landmarks.

    Alongside the main performance halls, the sinuous Shenzhen Opera House will also contain a multifunctional theatre with 400 seats, cultural spaces for the public and backstage areas including a production centre, apartments for performers and offices.

    Iridescent materials will be used in the foyer

    Few details have been disclosed about the design, but the studio plans to make the main auditorium highly visible throughout the building.

    This main hall will also incorporate a large loggia that will open out onto terraces overlooking the sea.

    To help further connect the building to the surrounding water, the interior design will include the use of iridescent materials such as mother-of-pearl, also known as nacre, a luminous material produced in the shells of some molluscs.

    The iridescent materials will be used in the main entrance foyer and to decorate the walls and curves of balconies in the main auditorium.

    It is hoped to become a cultural landmark for the city

    "The sea will be both around you and over you," explained Nouvel. "This explains more clearly why the main foyer has to be made of a noble, precious and luminous material that spells the meeting of sea and music and light."

    "Using the lustrous white reflections of a nacreous material will be a concrete poeticisation of the meeting of the sea and the auditorium and concert halls of the Opera House."

    French architect Nouvel founded his eponymous studio in 1994. Alongside the Shenzhen Opera House, the studio is currently developing a plant-covered apartment complex in Ecuador and a cave hotel in Saudi Arabia's AlUla desert.

    The proposals follow the completion of the Stelios Ioannou Learning Resource Center in Nicosia and the National Museum of Qatar in Doha, which is made up of a series of colliding discs.

    Visuals are by Ateliers Jean Nouvel.

    The post Jean Nouvel designs sinuous Shenzhen Opera House for China appeared first on Dezeen.

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    Jean Nouvel designs sinuous Shenzhen Opera House for China

    Pritzker Prize-winning architect Jean Nouvel's studio has unveiled its proposal for a giant opera house on the waterfront in Shenzhen, China, which will be covered by a rolling roofscape.