The shoegaze revival continues with a great album from one of the best bands to do it. Loved reviewing this album for bring the noise uk!

https://www.bringthenoiseuk.com/202509/reviews/music-reviews/album-review-slow-crush-thirst

#slowcrush #grungegaze #nugaze #shoegaze #review #musicreview #albumreview #musicjournalism #musiccriticism

ALBUM REVIEW: Slow Crush – Thirst

In this case, you might not remember everything about this album, but the most evocative parts will change how you think about shoegaze. Very much an album that’s more than

Bring the Noise UK
Skillet’s Revolution roars with battle cries—until it pauses for a dad-rock wedding ballad. “Happy Wedding Day” is part Hallmark, part nu-metal midlife crisis. Tender? Schmaltzy? Both?
#Skillet #HappyWeddingDay #Revolution #DadRock #NuMetal #ChristianRock #MusicCriticism #Songwriting #RockCulture
https://pablohoneyfish.wordpress.com/2025/09/29/a-hallmark-card-on-a-riot-shield-the-strange-case-of-skillets-wedding-song/
A Hallmark Card on a Riot Shield: The Strange Case of Skillet’s Wedding Song

I cringe whenever I read the words “So-and-So’s Song.” It’s a surefire sign that schmaltz is afoot, and Skillet’s “Happy Wedding Day (Alex’s Song)” (2024) doesn’t appear to be the exception. If the…

JP
Joan Shelley is very good at the singing. #MusicCriticism
Shakira’s “How Do You Do” (2005) purports to give God the what-for, but its attempt at universal gravitas falters due to its abstract and politically misdirected nature.
#PopCulture #MusicCriticism #Shakira #Theology #ReligionInPop #DearGod #CulturalCritique #MusicAndPhilosophy #FaithAndArt
https://pablohoneyfish.wordpress.com/2025/09/16/how-do-you-do-hips-dont-lie-but-they-sure-can-misdirect/
How Do You Do: Hips Don’t Lie, But They Sure Can Misdirect

Shakira’s “How Do You Do” (2005) purports to give God the what-for, but its attempt at universal gravitas falters due to its abstract and politically misdirected nature. While XTC’s “Dear God” is s…

JP

"In 2018, the social-science blog “Data Colada” looked at Metacritic, a review aggregator, and found that more than four out of five albums released that year had received an average rating of at least seventy points out of a hundred—on the site, albums that score sixty-one or above are colored green, for “good.” Even today, music reviews on Metacritic are almost always green, unlike reviews of films, which are more likely to be yellow, for “mixed/average,” or red, for “bad.” The music site Pitchfork, which was once known for its scabrous reviews, hasn’t handed down a perfectly contemptuous score—0.0 out of 10—since 2007 (for “This Is Next,” an inoffensive indie-rock compilation). And, in 2022, decades too late for poor Andrew Ridgeley, Rolling Stone abolished its famous five-star system and installed a milder replacement: a pair of merit badges, “Instant Classic” and “Hear This.”
(...)
Even relatively negative reviews tended to be strikingly solicitous. “Solar Power,” the 2021 album by the New Zealand singer Lorde, was so dull that even many of her fans seemed to view it as a disappointment, but it earned a polite three and a half stars from Rolling Stone. Some of the most cutting commentary came from Lorde herself, who later suggested that the album was a wrong turn—an attempt to be chill and “wafty” when, in fact, she excels at intensity. “I was just like, actually, I don’t think this is me,” she recalled in a recent interview. And, although there are plenty of people who can’t stand Taylor Swift, none of them seem to be employed as critics, who virtually all agreed that her most recent album, “The Tortured Poets Department,” was pretty good (Metacritic: 76). Once upon a time, music critics were known for being crankier than the average listener. Swift once castigated a writer who’d had the temerity to castigate her, singing, “Why you gotta be so mean?” How did music critics become so nice?"

https://www.newyorker.com/magazine/2025/09/01/how-music-criticism-lost-its-edge
#Music #Journalism #MusicCriticism

How Music Criticism Lost Its Edge

Reviews of rock, pop, and other music have generally become more positive, Kelefa Sanneh writes, looking at outlets including Rolling Stone, Pitchfork, the Village Voice, and YouTube.

The New Yorker
In hindsight, name-dropping Gary Glitter in a song called “Little Lover” is horribly distasteful, but only slightly more so than the rest of the song should have seemed in foresight.
#ACDC #70sRock #RockHistory #MisogynyInMusic #MusicCriticism #GaryGlitter #ClassicRock #MusicIndustry #MeTooMusic #CulturalCritique
https://songreading.wordpress.com/2025/08/21/ac-dcs-high-voltage-from-glitter-to-gutter/
AC/DC’s High Voltage: From Glitter to Gutter

In hindsight, name-dropping Gary Glitter in a song called “Little Lover” is horribly distasteful, but only slightly more so than the rest of the song should have seemed in foresight. Sure, how coul…

Songreading
EMF’s Unbelievable was witty, layered, and sharp. Thousand Foot Krutch’s “cover”? A youth-group rap-rock sermon that makes both Christianity and rock sound worse. Not reinterpretation—just hijacking.
#MusicCriticism #CoverSongs #EMF #ThousandFootKrutch #Unbelievable #RockHistory #ChristianRock #Songwriting #MusicAnalysis #BadCovers
https://songreading.wordpress.com/2025/08/20/thousand-foot-krutchs-unbelievable-youre-not-making-christianity-better-youre-making-rock-and-roll-worse/
Thousand Foot Krutch’s “Unbelievable”: You’re Not Making Christianity Better, You’re Making Rock-and-Roll Worse

Thousand Foot Krutch’s pseudo-cover of EMF’s “Unbelievable” is exactly that. It’s not quite the same as politicians misusing “Born in the U.S.A.” and “I Won’t Back Down,” but it’s still rather snea…

Songreading
Papa Roach turned suicide into a mall-anthem chorus. Badflower turned it into a confession. One screams for attention, the other actually thinks about the fallout.
#PapaRoach #Badflower #LastResort #MyFuneral #MusicCriticism #AltRock #NuMetal #MentalHealthInMusic #LyricsMatter #SongAnalysis
https://songreading.wordpress.com/2025/08/16/cut-my-song-into-pieces-papa-roach-vs-badflower/
Cut My Song Into Pieces: Papa Roach vs. Badflower

If Papa Roach’s “Last Resort” (2000) were honest, it would sound like Badflower’s “My Funeral” (2021). Both Jacoby Shaddix and Josh Katz wonder what might happen “if I took my life tonight,” but wh…

Songreading
Skillet’s “Monster” reminds me of Coriolanus, except that singer John Cooper would like to hear his nothings monstered. The song opens with the lines, “The secret side of me/I never let you see.” Three minutes later, he still hasn’t let us see it.
#Skillet #Monster #MusicCriticism #SongReview #NickCave #PostGrunge #NuMetal #ChristianRock #MusicSnark #Coriolanus #BadLyrics #MusicHotTake #SongwritingFail #MusicHumor #RockCriticism
https://songreading.wordpress.com/2025/08/14/monster/
MONSTER (2009) by Skillet

Skillet’s “Monster” reminds me of Coriolanus, except that singer John Cooper would like to hear his nothings monstered. The song opens with the lines, “The secret side of me/I never let you see.” T…

Songreading
“Love You Like a Love Song” isn’t a love song — it’s the musical equivalent of a Hallmark card written by an AI that’s never been in love. Shiny, safe, and empty.
#SelenaGomez #PopMusic #MusicCriticism #SongReview #PopAnalysis #LoveSong #WhenTheSunGoesDown #CriticalListening #PopCulture #MusicWriting
https://songreading.wordpress.com/2025/08/08/love-you-like-a-love-song-selena-gomez-the-scenes-blank-valentine/
Love You Like a Love Song: Selena Gomez & The Scene’s Blank Valentine

Selena Gomez & The Scene’s “Love You Like a Love Song” (2011) is like Tenacious D’s “Tribute” without humor or story. “Tribute” admits it sounds nothing like “the greatest song in the world” to…

Songreading