Landless

The Sugar Club, Friday, November 6 at 08:00 PM GMT

“Long-term Celtic music fans should flock to them – they’re a deliciously doomier Clannad – while devotees of Ireland’s current, brilliant scene should also respond to their stunning intensity.” – The Guardian Folk Album Of The Year

“While their albums are wonderful, seeing Landless live took my love of them to an entirely new level...They give me goosebumps from the very first note, every time." – Songlines

Enthusiastic Eunuch Presents

Landless (Glittebeat)

with special guest

Seamus Hyland

The Sugar Club

Friday 6th November 2026

Tickets €24 via https://billetto.ie/e/landless-glitterbeat-records-tickets-1922733

Landless are: Lily Power, Méabh Meir, Ruth Clinton and Sinéad Lynch. The Irish quartet sings centuries old ballads as well as more recently penned folk songs. Sometimes unaccompanied and at times with subtle instrumentation, their vocally rich music is dark and patient; spellbinding and gorgeous.

https://www.youtube.com/watch?v=Cu3HZEr_NAE

Lúireach, their second album, was named Folk Album of the Year 2024 by The Guardian. Lúireach is an album of quiet power, soaked in tradition but finding new and exciting ways to present these remarkable songs, songs that are full of melancholy, love, death and mystery.

https://www.youtube.com/watch?v=6cbbq1GZ_gA

Working once again with John ‘Spud’ Murphy (the Lankum producer and ØXN member), Lúireach

sees the quartet adding sparingly-used instrumentation – Ruth’s aching pump organ on Death & The

Lady, Méabh’s shruti box on Ej Husari, Lankum’s Cormac MacDiarmada on fiddle, viola and banjo

throughout, even some mournful trombone from Alex Borwick on The Newry Highwayman. As Lily explains, “A lot of the instrumentation happened organically as we were recording, while some

elements we have used live for years, like the organ. We tend not to make these kinds of decisions in

advance, but make suggestions as we go and see how everyone feels about it. Hopefully the album still has the impact of the unaccompanied singing, with a bit of variation this time around.”

The songs on Lúireach are from remarkably diverse sources and eras: the likes of Blackwaterside, Death & The Lady and My Lagan Love (learned from Traveller Paddy Doran, Norma Waterson and Méabh’s late father respectively) are probably known to even the casual fan of traditional music, while Lúireach Bhríde was commissioned for the RTÉ Folk Awards in 2018 and the closing song Ej Husari was learned from teacher and singer Eva Brunovská at the annual Rozhybkosti festival in Slovakia. Some of these songs are centuries old, some remarkably recent, yet when sung by Landless, they all sound timeless and eternal.

Seamas Hyland

Seamas Hyland is a multi-instrumentalist and composer who focuses on both traditional and experimental music. He enjoys exploring the varied sonic capabilities of the button accordion and creating tonal landscapes using field recordings he collects.Seamas recently released his debut solo album ‘Maidin Domhnaigh’ and was nominated for an RTÉ Folk award for best emerging artist in 2025. He has also collaborated with artists like John Francis Flynn, Jennie Moran and Eimear Walshe, and is particularly intrigued by the contrasting nature of traditional and contemporary music and how/if these can be presented together.

https://www.youtube.com/watch?v=0V69stEDtmA

https://flypost.ie/event/landless

🇺🇦 #NowPlaying on BBC #Radio3's #MusicPlanet Traditional Irish & Landless: 🎵 Blackwaterside #BBCRadio3 #TraditionalIrish #Landless ▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify ▶️ Track on #Spotify:

Blackwaterside
The Beeb 3's Music Planet

Playlist · ohrenweide · 1990 items · 55 saves

Spotify

Starting in the 1640s, the #Rappahannock tribe’s land was taken by English settlers who turned much of it into #plantations. In 1924, #Virginia’s Racial Integrity Act tried to erase #NativeAmericans by declaring that every state resident had to be either White or Black.​ The Rappahannocks — as well as other tribes in the Mid-Atlantic area — struggled to maintain their identity for generations & essentially became a #landless tribe.

#UShistory #NativeAmerican #genocide #NationalDayOfMourning

@pasttense

#allotments are the restoration of small plots of land to the #landless … the photographs are tender, accurate, depictions of harmony between ordinary people and the fruits of the earth … together they comprise “positive strategy to reunite people of all races with the commons. “

Common People: A Folk History of Land Rights, Enclosure and Resistance (Watkins: London 2025)
https://www.counterpunch.org/2025/11/05/common-people/

#Commons #Commoners #Enclosures #Privatisation #Resistance

Common People

Yes, the famed English working-class began existence with exactly this wandering, that is as vagabonds.  Here they are presented as history both old and new:  rural rebels following Captain Swing, the rat catcher, the poacher, the alewife, the itinerant potter, and the campers at the Rainbow Circle in the Forest of Dean living in the tipis of the Great Plains of Turtle Island, not in destitute indigence, but near naked solidarity with the world’s indigenous peoples. 

CounterPunch.org

@verdantsquare
@viacampesina_en

#allotments are the restoration of small plots of land to the #landless … the photographs are tender, accurate, depictions of harmony between ordinary people and the fruits of the earth … together they comprise “positive strategy to reunite people of all races with the commons. “

Common People: A Folk History of Land Rights, Enclosure and Resistance (Watkins: London 2025)
https://www.counterpunch.org/2025/11/05/common-people/

#Commons #Commoners #Enclosures #Privatisation #Resistance

Common People

Yes, the famed English working-class began existence with exactly this wandering, that is as vagabonds.  Here they are presented as history both old and new:  rural rebels following Captain Swing, the rat catcher, the poacher, the alewife, the itinerant potter, and the campers at the Rainbow Circle in the Forest of Dean living in the tipis of the Great Plains of Turtle Island, not in destitute indigence, but near naked solidarity with the world’s indigenous peoples. 

CounterPunch.org

How Brazil’s Landless Workers’ Movement emerged from right-wing rule stronger than ever.

https://piefed.social/post/704153

How Brazil’s Landless Workers’ Movement emerged from right-wing rule stronger than ever.

This is the flagship instance of PieFed, an open source project for the fediverse. Also try https://feddit.online.

Blackwaterside, by Landless

from the album Lúireach

Landless
Blackwaterside, by Landless

from the album Lúireach

Landless
Lúireach, by Landless

10 track album

Landless