#JohnWyndham was a British SciFi author probably best known for #DayOfTheTriffids (empirically difficult to film) but I think #TheChrysalids is rather good.
Post-apocalyptic and a #bildunsroman
Now the text is available #free https://gutenberg.ca/ebooks/wyndhamj-thechrysalids/
#Gutenberg

#SciFi

My 2025 in Review (Best Science Fiction Novels and Short Fiction, Reading Initiatives, and Bonus Categories)

• Graphic created by my father

Here’s to happy reading in 2026! I hope you had a successful reading year. Whether you are a lurker, occasional visitor, a regular commenter, a follower on Bluesky or Mastodon, thank you for your continued support. As I say year after year, It’s hard to express how important (and encouraging) the discussions that occur in the comments, social media, and via email are to me. I’m so thankful for the lovely and supportive community of readers, writers, and discussion partners that stop by.

What were your favorite vintage SF reads–published pre-1985–of 2025? Let me know in the comments.

Throughout the later part of the year I’ve dropped hints about a research project. Perceptive readers might have parsed together the contours of the research: late 19th/early 20th century, utopian, African American, the American South, radical politics… It’s taking longer than expected. I’ve read a good ten monographs, five dissertations, countless articles. I’ve written twenty pages. I hoped to have it posted by early in this year. Alas. It’s coming together–slowly. Stay tuned.

Without further ado, here are my favorite novels (I only read a few) and short stories (I read a ton of those) I read in 2025 with bonus categories. I made sure to link my longer reviews where applicable if you want a deeper dive.

Check out my 2024, 2023, 2022, and 2021 rundowns if you haven’t already. I have archived all my annual rundowns on my article index page if you wanted to peruse earlier years.

My Top 5 Science Fiction Novels of 2025

• Alan Gutierrez’s cover for the 1985 edition

1. Octavia E. Butler’s Clay’s Ark (1984), 4.5/5 (Very Good). Full review.

Octavia E. Butler’s Clay’s Ark is the final published volume of her Patternist sequence (1976-1984). It is the third novel according to the internal chronology of the series. Clay’s Ark is, without doubt, the most horrifyingly bleak science fiction novel I have ever read. It’s stark. It’s sinister. It’s at turns deeply affective before descending into extreme violence and displaced morality. The moral conundrum that underpins the central problem, the spread of an extraterrestrial disease, unfurls with an unnerving alien logic. Butler’s characters are trapped by the demands of the alien microbes, scarred by the pervasive sense that their humanity is slipping away, and consumed by the fear of starting an epidemic. A true confrontation of the moment cannot lead to anything other than suicide or the first steps towards an apocalyptic transformation.

• Mark Weber’s cover for the 1st edition

2. Kim Stanley Robinson’s Icehenge (1984), 4.5/5 (Very Good). Full review.

Kim Stanley Robinson’s Icehenge, a fix-up from two previously published stories “To Leave a Mark” (1982) and “On the North Pole of Pluto” (1980), tells three interconnected tales that all connect to a mysterious monolith left on Pluto (the titular Icehenge). By design Icehenge instead follows the action after the action: men and women attempting to figure out their own place in a world characterizes by lifespans that stretch hundreds and hundreds of years. And its this brilliant interconnection between self-conception and the operations of history that Robinson succeeds and casts his spell. The story is well-told, polished, and filled with fascinating details (technological and sociological).

• Peter Jones’ cover for the 1978 UK edition

3. Joe Haldeman’s All My Sins Remembered (1977), 4/5 (Good). Full review.

The vast Confederación is comprised of radically distinct worlds ruled by the entire spectrum of political systems with both alien and non-alien inhabitants. There are few rules: don’t take advantage of indigenous populations and don’t wage wars on neighboring planets. At 22, the naive Otto McGavin, an Anglo-Buddhist, joins the Confederación as an agent to protect the rights of humans and non-humans. But there’s a twist. Under deep hypnosis a construct of Otto McGavin will be created for each mission. He’ll take on the identity–under a sheath of plasticine flesh–of whatever person he needs to be depending on the task.  The story follows Otto on three missions over many years.  The interlocking segments convey the deep trauma Otto must confront before he’s immersed in another persona and sent on another mission. His idealism clashes with the violence he must perpetuate. His sense of self conflicts with the violent actions of his “constructs.” The looming sense of dread and despair must finally have its reckoning.

• Uncredited cover for the 1983 edition

4. Zoë Fairbairns’ Benefits (1979), 3.75/5 (Good). Full review.

Zoë Fairbairns charts the struggles of the British women’s liberation movement in a dystopic near future. An anti-feminist fringe political party called FAMILY comes to power, simultaneously proclaiming family values while systematically dismantling the welfare state. Benefits effectively eviscerates governmental doublespeak and champions the need to organize and educate in order to fight against patriarchal forces and messianic movements that promise to solve all our ills.

• Colin Hay’s cover for the 1976 edition

5. Edgar Pangborn’s The Company of Glory (1975), 3.5/5 (Good). Full review.

Edgar Pangborn is an unsung SF hero in my book. At his best, he’s a deeply humanistic writer interested in moments of effective metafictional play on the nature of narrative. The Company of Glory (serialized 1974, 1975) is the third novel in the Tales of Darkening World sequence. It forms a prequel to Pangborn’s masterpiece Davy (1964). As with Davy, The Company of Glory attempts to create multiple interlocking layers of narrative, stories within the stories, quotations from various diaries, and the interjections of the overarching narrator of the entire collection of texts who remains anonymous until the final pages. Unfortunately, The Company of Glory is a deeply flawed novel. Recommended only for Pangborn’s fans. Read Davy first if you’re new to his work.

My Top 20 Science Fiction Short Stories Reads of 2025 (click titles for my full review)

1. Philip K. Dick’s “Foster, You’re Dead” (1955), 5/5 (Masterpiece): I featured on a podcast about this story. When the episode is posted, I’ll make sure to link it. Mike Foster spends his school days practicing survival skills–digging, making knives, weaving baskets–in case of a nuclear attack. The kids snicker at him as he walks past. They don’t own a fallout shelter at home. His father refuses to pay into the NATS (National Security fund). If a bomb hit, Mike wouldn’t even be granted access to the school shelter. He’s possessed by a deep, perpetual, encompassing trauma.

2. Fritz Leiber’s “Coming Attraction” (1950), 5/5 (Masterpiece): A rare reread! Leiber imagines an America transformed after a limited nuclear war with the Soviet Union. The physical landscape mirrors the psychological scars of New York’s inhabitants. Perverse new forms of TV entertainment, in particular male wrestlers pitted against masked women, transfix all audiences.

3. Jack Dann’s “A Quiet Revolution for Death” (1978), 5/5 (Masterpiece): Roger and his family head out of the city for a picnic in a vast cemetery. Roger dreams that he is an angel of God guiding mankind through the realm. Visiting the cemetery is an act of devotion. While other kids plug themselves into feelies, Bennie is a fanatic disciple of his father’s pseudo-philosophy of embracing the macabre. Sandra, Roger’s wife, plays along. The kids see through her dislike of the cemetery and the burial rituals happening around them.

4. Izumi Suzuki’s“Terminal Boredom” (1984, trans. by Daniel Joseph 2021), 4.5/5 (Very Good): A nameless young female main character recounts her interactions her one-time boyfriend. HE wants to reconnect with his mother, who abandoned his family. HE joins a staged show called The Psychoanalysis Room in an attempt to convince his mother to take “pity and come and find” him. She also has a dysfunctional family. Her mother, a TV executive, struggles/refuses to connect to her daughter. Like some manifestation of the modern hikikomori, they often refuse to communicate with others, eat as a group or eat at all for days on end, or leave their dwellings for the sun and vista of the aboveground. Both find solace and escape in the vacuities and artifice of television.

5. Philip K. Dick’s “Explorers We” (1959), 4.5/5 (Very Good): Six astronauts return to earth from a voyage to Mars. But they are not treated as heroes. Instead people flee. I found “Explorers We” a well-crafted existential terror. The story plays with narrative expectation and hints at a cosmic enormity that will, at least in this iteration, remain unknown.

6. James Tiptree, Jr.’s “Painwise” (1972), 4.5/5 (Very Good): An explorer who feels no pain is hurled mercilessly from planet to plant where is he tortured, experimented upon, and broken again, and again, and again. His sense of time dissipates. Space becomes a hellscape that he cannot escape. And each time he’s lifted back to his scout ship where a mechanical boditech stitches him back together.

7. Jack Dann’s “The Dybbuk Dolls” (1975), 4.5/5 (Very Good): Chaim Lewis works at a sex shop down below in the Undercity, one of many identical spheres, one mile in diameter, buried one thousand feet below the ground.  As Chaim finishes up his shift in the dingy shop, a group of visitors ask about his hook-ins and 21st century pornos. Eventually one of them asks him about his alien sex doll collection. And when he returns to the room with the dolls, he discovers they’ve all been unpacked and they imprint themselves on his mind! Cue a descent into the bizarre…

8.  Jack Williamson’s “Guinevere for Everybody” (1955), 4.5/5 (Very Good): An artificially created Guinevere stands “chained” in a “vending machine” tempting sleepy passengers in an airport with her plaintive calls. I did not know Williamson had this type of vision in him! The surprise of the year!

9. George H. Smith’s “The Last Days of L. A.” (1959), 4/5 (Good): A nameless character (“you”) wakes from a recurring dream: “the dream that has haunted the whole world since that day in 1945.” A dream of apocalyptic annihilation, in infinite variations. A narrative repetition takes form: Nuclear nightmare. The waking moment. The aimless quest for understanding. Communing with other lost souls. The retreat to the bottle. Fragments of the news suggest a world unraveling.

10. Theodore Sturgeon’s “The Stars Are the Styx” (1950), 4/5 (Good): The premise: Humans created Curbstone, an artificial satellite around Earth, to facilitate the ultimate scientific achievement–near instantaneous transportation across the galaxy. How? Individual spaceships, with a solitary crew person or couple, will be hurled out from Curbstone at various points across the space time continuum. The story revolves around the aging (and rotund) Senior Release Officer on Curbstone, who certifies, counsels, and guides the strange collection of humans who gather at the station willing to take such a risk.

11. Richard Matheson’s “Dance of the Dead” (1955), 4/5 (Good): In a drug and alcohol drenched near-future, a group of young adults take a break-neck road drip and stray from the path set out by parents and small town community. Manifesting the SPEED of the car, Matheson’s prose resonates with pulse and hum, snippets of song and signage, slang and youthful lust. It’s frantic. It’s zappy. It’s vibrant. Recommended for fans of the more linguistically experimental (and bleak) of 50s visions.

12. Jack Dann’s “Rags” (1973), 4/5 (Good): Joanna wanders the streets without seeing a single person. Everything she sees—from garbage cans to parked cars–seem in be various states of decay (“dented, rusted, and discolored”). She teaches herself a new way to walk to avoid the “invisible beings” that flit around her (6). She remembers a past sickness. Deaths in the family. She makes new rules of movement and perception as an act of preservation.  And suddenly she sees The Purple Cat.

13. Jack Dann’s “Fragmentary Blue” (variant title: “There are no Bannisters”) (1973), 4/5 (Good): he elderly dwell underground in large domed cities. It’s a commercial and media-inundated world — tiny machines grant “feeling” as you watch commercials. Professor Fleitman, who “could not rationalize having an orgasm over a cigarette advertisement,” presents a new idea to galvanize the elderly to Entertainment Committee. Rather than a feelie or a movie he wants to put on a circus.

14. Arkady and Boris Strugatsky’s “Wanderers and Travellers” (1963, trans. 1966), 4/5 (Good): Stanisław Ivanovich spends his days submerged in lakes and rivers tagging septopods, a new octopus-like species discovered on Earth. His daughter, Marsha, assists from above. When he emerges from a lake, Marsha is deep in conversation with Leonid Andreevich Gorbovsky, an astroarchaeologist implied to be on leave from an expedition. The two scientists–IIvanovich, with his eyes on earthly mystery, and Gorbovsky, untangling the traces of potential intelligences across the cosmos–and Marsha engage in a series of discussions about the nature of the universe.

15. John Wyndham’s “The Man From Beyond” (variant title: “The Man from Earth”) (1934), 3.5/5 (Good): Somewhere on the Venusian surface the Valley of Dur, with its amalgamation of gasses, traps unsuspecting denizens who wander into its depths. In the city of Takon, Venusians, six-limbed creatures with silvery hair, ogle the strange beasts extricated and caged and exhibited from the Valley. The child, transfixed by the man’s noises and scrawls, pushes his stylus and pad under the bars. And Morgan Gratz, stranded astronaut and self-confessed murderer, draws for the child the respective locations of their planets.

16. Katherine MacLean’s “Contagion” (1950), 3.5/5 (Good) is a contact with an alien planet tale that’s legitimately odd. A hunting party looking for specimens of alien life in order to dissect, sets off from the spaceship Explorer across an alien planet called Minos. Reasonably, the crew is obsessed with a minute medical analysis of flora and fauna. The hunting party encounters a majestically shaped human who spins a crazy tale of adaptation and disease. 

17. Cherry Wilder’s “The Ark of James Carlyle” (1974), 3.5/5 (Good): Carlyle spends his tour of duty in a hut with a wood platform on small landmass surrounded by an “oily purple sea” on an alien planet. A crisis hits — and he suddenly learns the reason for the singular trees that grow in the center of each island.

18. E. C. Tubb’s“Without Bugles” (1952), 3.5/5 (Good): A naive journalist struggles to confront her heroic idealism, regurgitated through the media, in her attempt to save the Mars colony afflicted with a futuristic case of the black lung.

19.  Frank K. Kelly’s “Famine on Mars” (1934), 3.5/5 (Good): President Herbert Hoover infamously proclaimed on the eve of the Great Depression that “given the chance to go forward with the policies of the last eight years, we shall soon with the help of God, be in sight of the day when poverty will be banished from this nation.” “Famine on Mars,” published five years into the Great Depression, evokes similar paradigmatic shifts between propagandistic proclamation and harsh reality. Kelly spins a nightmare account of a famine on Mars and a plan to save the starving legions.

20. Gerald Kersh’s “Whatever Happened to Corporal Cuckoo?” (1953), 3.5/5 (Good): Kersh imagines a literary version of himself returning to New York City from WWII interacting with a fantastical manifestation of a Wound Man on board the Cunard White Star liner Queen Mary. Corporal Cuckoo, the “Wound Man” in question, regals the narrator (Kersh) with the history of his scarred and mutilated form that mysteriously heals from every injury.

Reading Initiatives

I have continued, resurrected, and created new science fiction short story reading series over the course of the year. Most of the stories I’ve picked for the series are available in some fashion online via links to Internet Archive in each review. I’ve included installments from 2024 in each series below. Feel free to read along with me! And thanks for all the great conversation.

Galaxy Science Fiction Read-through (started 2025)

Organized Labor and Unions in Science Fiction (started in 2024)

The First Three Published Short Fictions by Female Authors (continued from 2021)

Translated Short Stories in Translation (with Rachel S. Cordasco) (started in 2024)

The Media Landscape of the Future (started in 2022)

The Search for the Depressed Astronaut  (continued from 2020)

Generation Ship Short Stories (continued from 2019)

Exploration Logs (continued from 2022)

My Top 4 History Reads of 2025

A large portion of my history reading this year pushed my general interest in labor history and leftist politics backwards into the 19th century. Unusual for me I know! Often I write about what I can write about not what I plan on writing about. A brief caveat worth repeating: I’m a PhD-wielding historian and have a high tolerance for academic texts. That said, I’d classify everything in my list as on the approachable side of things if you know the broad strokes of American history.

1. Laurie F. Maffly-Kipp’s Setting Down the Sacred Past: African-American Race Histories (2010): This filled a complete hole in my knowledge. While I had encountered history-centric militant abolitionist texts written by black authors, I did not know how they fitted into the larger historiographic project of the era. As my PhD looked at universal histories in the medieval period, I’m a sucker for all kinds of histories of historiography! This is a good one.

2. Deborah Beckel’s Radical Reform: Interracial Politics in Post-Emancipation North Carolina (2011): I read this one for my research project on a black utopian author. Beckel’s brilliant monograph looks at the race and politics in North Carolina after the end of Reconstruction–a “fusion” government of Republicans and Populists managed to take power (temporarily) from the white supremacist Democratic status quo in the 1890s. Depressing. Fascinating. I’m waiting for an alt-history that uses the 1898 election in North Carolina as a jonbar hinge — hah!

3. Edward K. Spann’s Brotherly Tomorrows: Movements for A Cooperative Society in America (1989): While an older monograph, Spann’s work is a fantastic survey of the fascinating range of radical social idealism-inspired communities that proliferated across America. I’m obsessed by left-wing ideologies that permeate the rural world and movements for working-class utopianism. Spann will inspire you to track down newer monographs on the social movements he surveys.

4. Jordan S. Carroll’s Speculative Whiteness: Science Fiction and the Alt-Right (2025): Rightly won the Hugo! I interviewed Carroll in January. In the book, he examines the ways the alt-right uses classic science fiction imagery and authors to mainstream fascism and advocate for the overthrow of the state. This is a short monograph designed to encourage thought. Highly recommended.

Goals for 2026

1. Keep reading and writing.

2. Read more reviews by other bloggers.

3. Cover more SF in translation.

For cover art posts consult the INDEX

For book reviews consult the INDEX

For TV and film reviews consult the INDEX

#1950s #1960s #1970s #ArkadyAndBorisStrugatsky #bookReview #bookReviews #books #CherryWilder #ECTubb #EdgarPangborn #fiction #FrankKKelly #fritzLeiber #GeorgeHSmith #GeraldKersh #IzumiSuzuki #JackDann #JackWilliamson #JamesTiptreeJr #JoeHaldeman #JohnWyndham #KatherineMacLean #KimStanleyRobinson #OctaviaEButler #philipKDick #RichardMatheson #sciFi #scienceFiction #TheodoreSturgeon #ZoeFairbairns

What is a planet but an island in space?

On Science Fiction Day, 10 quotes from John Wyndham, author of Day of the Triffids.

https://topicaltens.blogspot.com/2026/01/2-january-john-wyndham-quotes.html

#Quotes #ScienceFiction #ScienceFictionDay #JohnWyndham

El dilema de la eterna juventud en 'Problemas con los líquenes' de John Wyndham

En 'Problemas con los Líquenes' de John Wyndham, el autor explora un futuro en el que el descubrimiento de una sustancia que ralentiza el envejecimiento podría cambiar radicalmente la sociedad. La trama sigue a Diana Brackley, una joven científica que descubre que un líquen contiene un compuesto cap... [Ver más]

What pre-1985 science fiction are you reading? + Update No. XXV

• A selection of read volumes from my shelves

What pre-1985 science fiction are you reading or planning to read next month? Here’s the July installment of this column.

One of my favorite forms of SF scholarship is careful identification of a intellectual genealogy–tracing what an author read and engaged in dialogue with. Authors are readers. They also can’t escape references and textual traces of what they’ve consumed (or, of course, engagement with the world in which they lived).

I’ve read two interesting examples recently. The first, Carol McGuirk’s “J. G. Ballard and American Science Fiction” in Science Fiction Studies, vol. 49 (2022), is the perfect example of this type of scholarship. She traces Ballard’s engagement with SF, his earliest stories, and the various parallels an interactions between his work and American SF that he read (Galaxy Magazine, Theodore Sturgeon, Fritz Leiber, Robert Heinlein, Frederik Pohl, C. M. Kornbluth, Ray Bradbury, Judith Merril, Federic Brown, Henry Kuttner, C. L. Moore, etc.). She argues that Ballard engaged in “retelling with a twist” (476). She writes that “early Ballard stories rework prior sf in moods ranging from measured homage to barbed repose to parodic photo-bomb” (483).

The second example is David Seed’s John Wyndham (2025). I did not realize that Wyndham’s works so systematically engaged with the SF ideas of H. G. Wells. Not only did Wyndham’s criticism frequently cover Wells’ SF, but his stories were littered with Wells reference, reformulations, etc. Seed indicates references to a vast range of both school reading and also personal favorite authors.

Both works reveal an author as a reader. Fascinating stuff!

Before we get to the photograph above and the curated birthdays, let me know what pre-1985 SF you’re currently reading or planning to read! 

The Photograph (with links to reviews and brief thoughts)

What am I writing about?

Despite the stress that comes with teaching at the beginning of the semester, I wrote a lot in August. I reviewed Jack Dann’s fantastic collection of New Wave nightmares Timetipping (1980); resurrected my SF in translation series with Rachel S. Cordasco with our reviews of Arkady and Boris Strugatsky’s “Wanderers and Travellers” (1963, trans. 1966); and continued my series on pessimistic takes on space travel with John Wyndham’s “The Man From Beyond” (1934).

What am I reading?

I recently finished Ryan C. McIlhenny’s wonderful intellectual biography American Socialist: Laurence Gronlund and the Power Behind Revolution (2025). Gronlund’s The Cooperative Commonwealth (1884) is responsible for popularizing Karl Marx’s ideas in the United States, with his own distinctly Christian twist. Edward Bellamy’s utopian SF novel Looking Backward: 2000–1887 (1888) fictionalized many of Gronlund’s ideas.

As for history of science fiction, I finished David Seed’s John Wyndham (2025). I wanted to feature it in my interview series but I haven’t heard back from the author. Alas!

A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]

August 16th: The influential editor and occasional author Hugo Gernsback (1884-1967). Shockingly considering my focus on post-WWII fiction, I’ve featured a few stories and authors from his magazines recently. See my review of John Wyndham’s “The Man From Beyond” (variant title: “The Man from Earth”) (1934) and my interview with Jaroslav Olša, Jr. about his book on Gernsback’s first “find”: Miloslav (Miles) J. Breuer.

August 17th: Rachel Pollack (1945-2023). I’ve only reviewed Alqua Dreams (1987). I’ve been meaning to feature her first three published SF short fictions in my ongoing series.

August 18th: Brian W. Aldiss (1925-2017). Another Joachim Boaz favorite. Check out my review of Hothouse (variant title: The Long Afternoon of Earth) (1962) if you haven’t already.

August 19th: Gene Roddenberry (1921-1991). Creator of Star Trek.

• Karel Thole’s cover for the 1971 edition of D. G. Compton’s Farewell, Earth’s Bliss (1966)

August 19th: D. G. Compton (1930-2023) crafted a fascinating range of SF novels — I recommend The Unsleeping Eye (variant title: The Continuous Katherine Mortenhoe) (1973), Synthajoy (1968), and Farewell, Earth’s Bliss (1966) in particular. In 2021 he rightly won the Cordwainer Smith Rediscovery Award.

August 19th: Artist H. W. Wesso (1894-1948) was one of the iconic Astounding Stories artists.

• H. R. Van Dongen’s canvas for the 1979 edition of Jack Vance’s City of the Chasch (1968)

August 20th: Artist H. R. Van Dongen (1920-2010).

August 20th: Arthur Porges (1915-2006). I know little about his work. Seems to be prolific in the short form.

August 20th: Greg Bear (1951-2022). In my more expansive SF-reading days, I consumed Bear’s Darwin’s Radio (1999), Blood Music (1985), and Eon (1985).

August 20th: H. P. Lovecraft (1890-1937). If his work tickles your fancy, definitely check out Bobby D.’s wonderful website Deep Cuts in a Lovecraftian Vein. I’ve only read a few stories here and there.

August 21st: Anthony Boucher (1911-1968).

August 21st: Miriam Allen deFord (1888-1975). Check out my review of her collection Xenogenesis (1969).

• Ron Walotsky’s cover for the 1989 edition of Brian Aldiss’ Non-Stop (variant title: Starship) (1958)

August 21st: Artist Ron Walotsky (1943-2002)

August 21st: Lucius Shepard (1943-2014). I gapping whole in my SF knowledge… Sometimes I feel a bit intimidated by an author. And I think Shepard is that guy at the moment.

August 22nd: Ray Bradbury (1920-2012). Very much an author of my childhood — I remember road trips listening to audiobooks of The Martian Chronicles (1950) and The Illustrated Man (1951). I’ve covered a handful of his stories on the site: “Almost the End of the World” (1957), “The Highway” (1950), “The Pedestrian” (1951). and “The Strawberry Window” (1955).

• Ron Turner’s cover for John Russell Fearn’s Deadline to Pluto (1951)

August 22nd: Ron Turner (1922-1998). Sometimes I think his garish pulp covers are the only view of 50s SF some people have…

August 24th: James Tiptree, Jr. (1915-1987). A favorite of mine. I’ve covered the following: “A Momentary Taste of Being” (1975), “A Source of Innocent Merriment” (1980), “The Girl Who Was Plugged In” (1973), “Houston, Houston, Do You Read?” (1976), and “Love Is the Plan the Plan Is Death” (1973).

August 24th: Editor Bea Mahaffey (1928-1987).

August 24th: Orson Scott Card (1951-). Another author of my youth… I attended high school in a community with a substantial Mormon population. I was lent copies of Card novels by the dozen. Didn’t realize the connection at the time! In a group of “classic” authors that I have little desire to return to.

August 25th: Jeffrey A. Carver (1949-). I haven’t read any of his work. Let me know if there’s anything of his worth acquiring. Maybe Panglor (1980)?

August 26th: Gerald Kersh (1911-1968). I’ve only read “Whatever Happened to Corporal Cuckoo?” (1953).

August 26th: Otto Binder (1911-1974). Published SF with his brother Earl (1904-1966) under the name “Eando” Binder. After 1934, Otto continued using the pen name without his brother.

August 26th: C. S. Forester (1899-1966), best known for his Horatio Hornblower sequence, also wrote a few science fiction stories!

August 27th: T. L. Sherred (1915-1985)

August 27th: Artist Frank Kelly Freas (1922-2005). I can’t say I’m the biggest Freas fan. Never cared for the fuzzy airbrush feel (with a few exceptions).

August 27th: Edward Bryant (1945-2017).

August 28th: Jack Vance (1916-2013).

• Burckhard Labowski and Regine Schulz’s cover for the 1983 German edition of Arkady and Boris Strugatsky’s Roadside Picnic (1972)

August 28th: Arkady Strugatsky (1925-1991).

August 28th: Vonda N. McIntyre (1948-2019). A favorite of mine — check out my review of her Hugo-winning Dreamsnake (1968) if you’re new to her work.

August 28th: Barbara Hambly (1951-).

August 29th: Don Wilcox (1905-2000). Wrote an important early generation ship story: “The Voyage That Lasted 600 Years” (1940).

August 29th: Thomas N. Scortia (1926-1986)

August 20th: Judith Moffett (1942-). Anyone read her fiction?

For book reviews consult the INDEX

For cover art posts consult the INDEX

For TV and film reviews consult the INDEX

#1950s #1960s #1970s #avantGarde #bookReviews #DavidRBunch #JohnWyndham #MordecaiRoshwald #paperbacks #RobertSilverberg #sciFi #scienceFiction #technology #UrsulaKLeGuin

Born this Day:

John Wyndham Parkes Lucas Beynon Harris (10 July 1903 – 11 March 1969) was an English science fiction writer. He is best known for The Day of the Triffids (1951), filmed in 1962

https://en.wikipedia.org/wiki/John_Wyndham

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Chaque mois, notre archiviste nous retrouve une pépite. Il nous parle aujourd'hui du roman : Le péril vient de la mer de John Wyndham ! ➡https://shorturl.at/oerFO

Une perle de science-fiction écologiste. Qui l'a lu ?

#JohnWyndham #archiveSF #sciencefiction

@leighms

No. Read The Chrysalids and Chocky.

#JohnWyndham #SciFi