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Nicolas Hussein 🎶🎻🏳️🌈[#rediffusion] E. Denisov, Es ist genug (transcription pour #alto et #orchestre de #flûtes). Souvenir de #concert en décembre 2023, par moi-même à l'alto et l'Orchestre de Flûtes Français. https://youtube.com/watch?v=PPDnn4ltnAQ Merci d'avance pour vos vues / likes / abonnements / partages ! #musique #musiqueClassique #classicalMusic #music #newMusic #myWork 😍🙏🎶🎻 @music
Edison Denisov, Es ist genug (transcription pour alto et orchestre de flûtes)
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Ms. Que BanhPlease enjoy this #weird #MusicVideo with an Asian woman playing two #recorder #flutes with her #nose / #nostrils 👃
https://m.youtube.com/watch?v=FmOtrCRrlDA&pp=0gcJCR4Bo7VqN5tD
#Bizarre #CoolWeirdStuff #CreativeWeirdos #music #instrumental
た鼻立ちの日に
Solar PhasingThe Phantom Moon
by Peter Phippen / Ivar Lunde, Jr. / Paulina Fae
https://projektrecords.bandcamp.com/album/the-phantom-moon
#music #fedimusic #mastomusic #musodon #ambient #electronic #flutes #native #american #flutemusic #dreampop #drone #newage #spacemusic #Portland
The Phantom Moon, by Peter Phippen / Ivar Lunde, Jr. / Paulina Fae
7 track album
The Wild Hunt NewsA single note from a handmade flute transformed Spider’s path, leading him from seeker to artisan and a twenty journey sharing music. Today, his instruments — shaped from reclaimed wood and spirit alike — carry the songs of both maker and Earth.
#spider #flutemaking #flutes #pagan #makers #musician #paganart #paganartists
Spirit of the Wood Itself: A Pagan Artist Experiences a Sound That Changed His Life
A single note from a handmade flute transformed Spider’s path, leading him from seeker to artisan and a twenty journey sharing music. Today, his instruments — shaped from reclaimed wood and spirit alike — carry the songs of both maker and Earth.
[#rediffusion] E. Denisov, Es ist genug (transcription pour #alto et #orchestre de #flûtes). Souvenir de #concert en décembre 2023, par moi-même à l'alto et l'Orchestre de Flûtes Français. https://youtube.com/watch?v=PPDnn4ltnAQ Merci d'avance pour vos vues / likes / abonnements / partages ! #musique #musiqueClassique #classicalMusic #music #newMusic #myWork 😍🙏🎶🎻 @music
Edison Denisov, Es ist genug (transcription pour alto et orchestre de flûtes)
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
RomBaretFin avril avec @essor_et_chute on a fait ce rendu d'une commande d'écriture du Périscope avec une classe de CM1 et des résidents de l'EHPAD Smith :
https://video.collectifpinceoreilles.com/w/hMjsuoDT7cTZMBixVBX2Yx
Merci au Périscope et au @collectifpinceoreilles !
Les musicien·nes :
Sophie Rodriguez : #flûtes et direction
Éric Prost : #saxophone ténor
Romain Baret : #guitar, chant, #composition
Michel Molines : #contrebasse, #basse
Guillaume Bertrand : #batterie
Essor et chute d'une révolution
[#rediffusion] E. Denisov, Es ist genug (transcription pour #alto et #orchestre de #flûtes). Souvenir de #concert en décembre 2023, par moi-même à l'alto et l'Orchestre de Flûtes Français. https://youtube.com/watch?v=PPDnn4ltnAQ Merci d'avance pour vos vues / likes / abonnements / partages ! #musique #musiqueClassique #classicalMusic #music #newMusic #myWork 😍🙏🎶🎻 @music
Edison Denisov, Es ist genug (transcription pour alto et orchestre de flûtes)
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
knizerSunday 3pm - #flute day at #Longy School of Music of #BardCollege! free (register)
https://longy.edu/event/boston-flute-day/
#flutes #woodwinds
#BostonMusic #BostonWeekend 8/x
https://longy.edu/event/boston-flute-day/
#flutes #woodwinds
#BostonMusic #BostonWeekend 8/x
Splines#Arch with #Ionic #Entablature and #Keystone Detail
The #dentils arrangement we saw in https://pixelfed.social/p/Splines/791013152244518907 goes well with the classic entablature #profile we saw in https://pixelfed.social/p/Splines/790888454384861893, and they both go well with #simpleIntercolumniation, also known as #architravato.
However, with arches, the entablature profile has to be adjusted a bit so that the dentils arrangement is as shown here. The shape, size, and gap between individual dentils remains the same, but a crucial difference is that the dentils at the #outer corners touch each other.
As I mentioned in https://pixelfed.social/p/Splines/803615973439041638, in #arcadeIntercolumniation, the entablature is repeated on the wall behind the half-column. It doesn't end at the columns and has two "outside" corners and one "inside" corner. While the dentils at the outer corners touch each other, there is a single dentil in the inside corner that is shared by both walls.
A bedrock principle of dentils (like that with #flutes and with eggs in the #EggsAndDarts motif) is that when viewed directly from the front or the sides, a dentil must be centered on the column axis. It is this principle that forces us to adjust the profile of the entablature in arcade intercolumniation giving us the arrangement shown here.
The image also shows the detail of the decoration in front of the #keystone. The most easily recognizable component of that is the large #volute, which is the exact same size as the ones on the #capital. The smaller volute is exactly half the size of the larger one. It is mirrored, rotated and put within a bounding rectangle whose height is exactly 2µ (288 units). The channels of both volutes are bridged with #sinusoids derived from half turn of #helix curves that have been flattened.
This motif in the keystone, where volutes of different sizes are combined with sinusoids is very common. It will be seen in the #modillions of the #modernEntablature.
The #dentils arrangement we saw in https://pixelfed.social/p/Splines/791013152244518907 goes well with the classic entablature #profile we saw in https://pixelfed.social/p/Splines/790888454384861893, and they both go well with #simpleIntercolumniation, also known as #architravato.
However, with arches, the entablature profile has to be adjusted a bit so that the dentils arrangement is as shown here. The shape, size, and gap between individual dentils remains the same, but a crucial difference is that the dentils at the #outer corners touch each other.
As I mentioned in https://pixelfed.social/p/Splines/803615973439041638, in #arcadeIntercolumniation, the entablature is repeated on the wall behind the half-column. It doesn't end at the columns and has two "outside" corners and one "inside" corner. While the dentils at the outer corners touch each other, there is a single dentil in the inside corner that is shared by both walls.
A bedrock principle of dentils (like that with #flutes and with eggs in the #EggsAndDarts motif) is that when viewed directly from the front or the sides, a dentil must be centered on the column axis. It is this principle that forces us to adjust the profile of the entablature in arcade intercolumniation giving us the arrangement shown here.
The image also shows the detail of the decoration in front of the #keystone. The most easily recognizable component of that is the large #volute, which is the exact same size as the ones on the #capital. The smaller volute is exactly half the size of the larger one. It is mirrored, rotated and put within a bounding rectangle whose height is exactly 2µ (288 units). The channels of both volutes are bridged with #sinusoids derived from half turn of #helix curves that have been flattened.
This motif in the keystone, where volutes of different sizes are combined with sinusoids is very common. It will be seen in the #modillions of the #modernEntablature.
Splines (@[email protected])
This sketch shows the arrangement of #dentils in the classic variation of the #IonicEntablature. It shows the full layout, but most of the top is obscured by the top portion of the #cornice. Only the outside square shapes are actually visible. Each #dentil has a square "footprint" that is 4 parts by 4 parts (32*32 units) and is 6 parts (48 units) tall. The spacing between each dentil is 2 parts (16 units). Dentils project 4 parts (or 32 units) from the face of the #fascia on which they rest. Each face of the fascia has 7 dentils with the middle dentil laterally centered and directly in front of the column axis. The 2 side dentils are on side faces, and that is apparent in the darker shading in the sketch at https://pixelfed.social/i/web/post/790782316675150160. Take the time to reconcile this with the numbers listed in #Scarlata's #PracticalArchitecture. The 3D reconstruction from the #primaryProfileCurves is very similar to that of the #IonicPedestal, with #extrusion, #mitering, #joining, and #capping planar holes as described in https://pixelfed.social/i/web/post/790645054230337543 — just set the dentils aside, for now. Once you have capped the #planarHoles to get a solid, analyze the edges of the solid in the #CAD program for #nakedEdges and #nonManifoldEdges. Then, extrude the dentils outline (in the top view) to a height of 48 units (in the front view). Now perform a #booleanUnion of the two solid shapes to get the complete #entablature. Finally, check the edges of the solid in the #CAD program AGAIN for #nakedEdges and #nonManifoldEdges. With this, we have finished two of the three main components of the #IonicOrder. There's a modern version of the Ionic entablature with #modillions, which I will describe later. Next, we move on to the biggest, most conspicuous part of the order — the #IonicColumn.