The Phantom Moon, by Peter Phippen / Ivar Lunde, Jr. / Paulina Fae

7 track album

Projekt Records
Florian Schneider | 1960s Stage and Studio-Played Orsi Albisiphon Bass Flute

Julien's Auctions

A single note from a handmade flute transformed Spider’s path, leading him from seeker to artisan and a twenty journey sharing music. Today, his instruments — shaped from reclaimed wood and spirit alike — carry the songs of both maker and Earth.

https://wildhunt.org/2025/10/spirit-of-the-wood-itself-a-pagan-artist-experiences-a-sound-that-changed-his-life.html

#spider #flutemaking #flutes #pagan #makers #musician #paganart #paganartists

Spirit of the Wood Itself: A Pagan Artist Experiences a Sound That Changed His Life

A single note from a handmade flute transformed Spider’s path, leading him from seeker to artisan and a twenty journey sharing music. Today, his instruments — shaped from reclaimed wood and spirit alike — carry the songs of both maker and Earth.

The Wild Hunt
[#rediffusion] E. Denisov, Es ist genug (transcription pour #alto et #orchestre de #flûtes). Souvenir de #concert en décembre 2023, par moi-même à l'alto et l'Orchestre de Flûtes Français. https://youtube.com/watch?v=PPDnn4ltnAQ Merci d'avance pour vos vues / likes / abonnements / partages ! #musique #musiqueClassique #classicalMusic #music #newMusic #myWork 😍🙏🎶🎻 @music
Edison Denisov, Es ist genug (transcription pour alto et orchestre de flûtes)

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YouTube

Fin avril avec @essor_et_chute on a fait ce rendu d'une commande d'écriture du Périscope avec une classe de CM1 et des résidents de l'EHPAD Smith :
https://video.collectifpinceoreilles.com/w/hMjsuoDT7cTZMBixVBX2Yx

Merci au Périscope et au @collectifpinceoreilles !

Les musicien·nes :
Sophie Rodriguez : #flûtes et direction
Éric Prost : #saxophone ténor
Romain Baret : #guitar, chant, #composition
Michel Molines : #contrebasse, #basse
Guillaume Bertrand : #batterie

#Lyon #musique #music #jazz #improvisation #composing

Essor et chute d'une révolution

PeerTube
[#rediffusion] E. Denisov, Es ist genug (transcription pour #alto et #orchestre de #flûtes). Souvenir de #concert en décembre 2023, par moi-même à l'alto et l'Orchestre de Flûtes Français. https://youtube.com/watch?v=PPDnn4ltnAQ Merci d'avance pour vos vues / likes / abonnements / partages ! #musique #musiqueClassique #classicalMusic #music #newMusic #myWork 😍🙏🎶🎻 @music
Edison Denisov, Es ist genug (transcription pour alto et orchestre de flûtes)

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

YouTube
Boston Flute Day - Longy

Longy
#Arch with #Ionic #Entablature and #Keystone Detail

The #dentils arrangement we saw in https://pixelfed.social/p/Splines/791013152244518907 goes well with the classic entablature #profile we saw in https://pixelfed.social/p/Splines/790888454384861893, and they both go well with #simpleIntercolumniation, also known as #architravato.

However, with arches, the entablature profile has to be adjusted a bit so that the dentils arrangement is as shown here. The shape, size, and gap between individual dentils remains the same, but a crucial difference is that the dentils at the #outer corners touch each other.

As I mentioned in https://pixelfed.social/p/Splines/803615973439041638, in #arcadeIntercolumniation, the entablature is repeated on the wall behind the half-column. It doesn't end at the columns and has two "outside" corners and one "inside" corner. While the dentils at the outer corners touch each other, there is a single dentil in the inside corner that is shared by both walls.

A bedrock principle of dentils (like that with #flutes and with eggs in the #EggsAndDarts motif) is that when viewed directly from the front or the sides, a dentil must be centered on the column axis. It is this principle that forces us to adjust the profile of the entablature in arcade intercolumniation giving us the arrangement shown here.

The image also shows the detail of the decoration in front of the #keystone. The most easily recognizable component of that is the large #volute, which is the exact same size as the ones on the #capital. The smaller volute is exactly half the size of the larger one. It is mirrored, rotated and put within a bounding rectangle whose height is exactly 2µ (288 units). The channels of both volutes are bridged with #sinusoids derived from half turn of #helix curves that have been flattened.

This motif in the keystone, where volutes of different sizes are combined with sinusoids is very common. It will be seen in the #modillions of the #modernEntablature.
Splines (@Splines@pixelfed.social)

This sketch shows the arrangement of #dentils in the classic variation of the #IonicEntablature. It shows the full layout, but most of the top is obscured by the top portion of the #cornice. Only the outside square shapes are actually visible. Each #dentil has a square "footprint" that is 4 parts by 4 parts (32*32 units) and is 6 parts (48 units) tall. The spacing between each dentil is 2 parts (16 units). Dentils project 4 parts (or 32 units) from the face of the #fascia on which they rest. Each face of the fascia has 7 dentils with the middle dentil laterally centered and directly in front of the column axis. The 2 side dentils are on side faces, and that is apparent in the darker shading in the sketch at https://pixelfed.social/i/web/post/790782316675150160. Take the time to reconcile this with the numbers listed in #Scarlata's #PracticalArchitecture. The 3D reconstruction from the #primaryProfileCurves is very similar to that of the #IonicPedestal, with #extrusion, #mitering, #joining, and #capping planar holes as described in https://pixelfed.social/i/web/post/790645054230337543 — just set the dentils aside, for now. Once you have capped the #planarHoles to get a solid, analyze the edges of the solid in the #CAD program for #nakedEdges and #nonManifoldEdges. Then, extrude the dentils outline (in the top view) to a height of 48 units (in the front view). Now perform a #booleanUnion of the two solid shapes to get the complete #entablature. Finally, check the edges of the solid in the #CAD program AGAIN for #nakedEdges and #nonManifoldEdges. With this, we have finished two of the three main components of the #IonicOrder. There's a modern version of the Ionic entablature with #modillions, which I will describe later. Next, we move on to the biggest, most conspicuous part of the order — the #IonicColumn.

Pixelfed
Never Mind the Bulwarks, by Thousand Yard Prayer

4 track album

Thousand Yard Prayer
#IonicColumn #Flutes

In https://pixelfed.social/p/Splines/799864068250003272 I mentioned rounding off the radius of the bottom circle, but you don't have to. #CAD tools are perfectly happy working with 15.0728 or even higher precision as they are with 15.

After placing the two circles as described in that post, use the full #primaryProfileCurve of the shaft from https://pixelfed.social/p/Splines/791794072490907090 as a #sweepingRail and the two circles for the flutes as the #sweepingCurves, and #sweepOneRail for the body of a single flute. Close #planarHoles on both ends to get an #airtight solid.

Then draw a sphere at the center of the top circle using the same radius as the circle, and perform a #booleanUnion between the sphere and the flute body.

If you want a round bottom for the flute, repeat the sphere at the center of the larger circle using the same radius (15.0 or 15.0728) and perform another boolean union to get one flute.

Switch to the top view and make 24 copies of the flute (including the original) centered at the column axis and #group the 24 flutes.

Finally, perform a #booleanDifference with the flutes group on a copy of the solid #unadornedShaft to get a fluted variant.

The result is a column shaft with flutes carved out. Save the flutes separately for future reuse.

This concludes the entire #IonicOrder, including all #decorativeElements.

Now we pause and reflect: The whole exercise seemed like one of #art and #sculpture. Where is the #architecture in all of this?

Without a ceiling or a roof, there is no building. Without additional columns or walls, there is no ceiling. So, while we have completed the Ionic Order itself, we only have the first #buildingBlock — a single column.

Next step is to repeat the columns to create a #colonnade, which together with supporting walls or additional colonnades can support a ceiling.

Just like with everything else in design, there are rules of proportion for #intercolumniation, or space between columns.
Splines (@Splines@pixelfed.social)

#IonicColumn #Flutes This diagram shows the 2D geometry of an #Ionic #flute. The larger blue circle shows the flute outline near the #base of the #column. The smaller blue circle shows the flute outline near the #neck of the #shaft. Both subtend a 12° angle at the center of the column. Like an egg in the #EggsAndDarts motif, a flute must be centered on the column axis when viewed directly from the front, back, or the sides. This is why the 12° are split into 6° on either side of the X axis. The center of the larger circle is µ = 144 units from the origin on the X axis. The center of the smaller circle is 5/6 of µ, or 120 units from the origin. In https://pixelfed.social/p/Splines/799340150182400358, I mentioned working at sub-micron precision, and you might wonder where that came from when we have been using abstract units like µ without specifying any physical units. My apologies for not making it clear that I had assumed 1 unit was equal to 1 mm. If that assumption holds, then µ = 144 mm gives a total order height of 4104 mm, that is 13.46 ft. At smaller scales, the precision is even higher than 1/10 of a micron. With that said, here the radius of the larger circle is 15.0728 units and that of the smaller circle is 12.5606 units, with sub-micron precision if 1 unit = 1 mm. Refer to https://pixelfed.social/p/Splines/791399680747885646 and place the center of the smaller circle exactly at point J on the neck line. Later we will draw a sphere at the same location with the same radius. If you want a flat bottom for flutes, place the center of the larger circle at exactly 28 units (12 for the #fillet and 16 for the #cavetto or #conge) above point A in that figure. If you want a round bottom, then further move the larger circle up by the size of its radius. Nobody would quibble if you used a radius of 15 units instead of 15.0728 units, but it would make it easier to switch from flat to round bottom or vice-versa by simply moving the circle up or down 15 units.

Pixelfed