What pre-1985 science fiction are you reading? + Update No. XXVIII

First update post of 2026! What pre-1985 science fiction adventures have you started this year? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the November 2025 installment of this column.

  • A selection of read volumes from my shelf

Exciting news! Rachel S. Cordasco, who occasionally joins me to review older SF short stories in translation, will soon launch Small Planet: The SF in Translation Magazine. As the announcement on File 770 states, “the magazine will come out 4 times per year (February, May, August, and November) and include columns on such topics as: interesting upcoming books and notable reviews, interviews with authors, translators, editors, translators talking about books they’d like to see in English, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, pieces on interesting translation conundrums, notes on what’s happening in other countries in SF. It will be available for free on Cordasco’s Speculative Fiction in Translation website.”

Missing from the list will be my reviews of vintage SF in translation! The plan is to have one review in each issue for at least the next year or for as long as I can keep up a schedule (schedules and I do not mesh). I’ve already tracked down some lesser known gems from German, Norway, and Italy.

The Photograph (with links to reviews and brief thoughts)

  • Robert Silverberg’s Thorns (1967). Generally considered one of his first great novels — I thoroughly his rumination on two psychologically devastated characters who are set up to fall in love for the entertainment of the world. Harrowing stuff. Recommended.
  • J. G. Ballard’s The Terminal Beach (1964). Never managed to review this top-notch Ballard collection. I should just reread it… Coincidentally, I wrote a short story as a college student with a very similar premise to Ballard’s “The Drowned Giant” (1964).
  • Judith Merril’s Survival Ship and Other Stories (1974). Notably contains the three short stories that Merril planned to transform into a generation ship novel — “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). If she had, it would have been the first gen ship novel by a woman. According to my index, the first solo-written generation ship novel by a woman is Pamela Sargent’s YA novel Earthseed (1983).
  • Robert Sheckley’s The Status Civilization (1960). I found his short novel an interesting intersection of pulp narrative and “artfully constructed satire.”
  • What am I writing about?

    While I have not had the most productive 2026, here are few notable reviews I’ve written recently in case you missed them: two interesting 50s short stories on race in America, Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951); Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965); William Tenn’s collection Time in Advance (1958); and another installment on my survey of all pre-1985 generation ship stories available in English, Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959).

    As I mentioned earlier, I am writing reviews for Rachel’s online magazine on SF in translation. When they go live I’ll double-post them on the site and link the other goodies that are sure to grace the pages.

    What am I reading?

    I recently finished Matthew I. Thompson’s fascinating monograph On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). He explores the intersection of popular science works by Rachel Carson and Paul R. Ehrlich and dystopia SF film with ecological themes. If you missed my interview with Thompson, I highly recommend you check it out. The interview surveys the main theoretical premises of the work and the main films he covers. I should rewatch Soylent Green (1972), David Cronenberg’s Shivers (1975), and Douglas Trumbull’s Silent Running (1972).

    • Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.

    A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]

    March 22nd: Raymond Z. Gallun (1911-1994).

    • Johnny Bruck’s canvas for Perry Rhodan, #270: Ultimatum an Unbekannt (1966)

    March 22nd: German cover artist Johnny Bruck (1921-1995). He’s easily one of the most prolific German cover artists.

    March 22nd: Rudy Rucker (1946-).

    March 23nd: H. Beam Piper (1904-1964). I recently (sort of) covered my first Piper story on the site: H. Beam Piper and John J. McGuire’s “Hunter Patrol” (1959). I have another one planned this year.

    March 23nd: Sheila MacLeod (1939-).

    March 23nd: Elizabeth Ann Scarborough (1947-). I enjoyed her Acorna sequence books (written with Anne McCaffrey) was a child. Most of her published solo work is outside my area of focus. I placed her novel The Healer’s War (1988-) on my Vietnam War-inspired SFF list.

    March 23rd: Kim Stanley Robinson (1952-). I recently reviewed Icehenge (1984). I really enjoyed it. Perhaps more than his Mars Trilogy, albeit, they are very different books…

    • David K. Stone’s cover for the 1978 edition of The Stainless Steel Rat Wants You (1978)

    March 24th: Cover artist David K. Stone (1922-2001).

    March 24th: Peter George (1924-1966).

    March 25th: Jacqueline Lichtenberg (1942-)

    March 26th: Edward Bellamy (1850-1898). Author of Looking Backward: 2000–1887 (1888), the highly influential utopian SF novel that inspired countless sequels and prequels and rebuttals by other authors.

    March 26th: David J. Lake (1929-2016)

    March 26th: K. W. Jeter (1950-)

    March 27th: Artist Stanley Meltzoff (1917-2006)

    • Still from René Laloux’s Fantastic Planet (1973)

    March 27th: Stefan Wul (1922-2003). A French SF author best known for writing Oms en série (1957), the source material for Fantastic Planet (1973).

    March 27th: Helmut Wenske (1940-).

    March 28th: A. Bertram Chandler (1912-1984)

    March 28th: Cover artist George Ziel (1914-1982)

    March 29th: Lino Aldani (1926-2009). I adored Aldani’s “Good Night, Sophie” (1963, trans. 1973). He represents one of the many reasons why Rachel’s magazine to promote SF in translation is such a great idea. Despite his ability to craft a masterpiece, only ONE additional short story exists in English translation.

    • Walt Miller’s cover for the July 1953 issue of Astounding Science Fiction

    March 29th: Artist Walt Miller (1928-2015).

    March 29th: Artist Johann Peter Reuter (1949-).

    March 29th: Mary Gentle (1956-).

    March 30th: Artist Curt Caesar (1906-1974).

    March 30th: Alice Eleanor Jones (1916-1981). While she only published five science fiction short stories, “Created He Them” (1955) is a 50s masterpiece.

    • Art Sussman’s cover for the 1957 edition of Murray Leinster’s The Planet Explorer (variant title: Colonial Survey) (1956)

    March 30th: Artist Art Sussman (1927-2008). Another underrated SF artist with a beguiling surrealist streat– I put together a post on his work in 2017.

    March 30th: Chad Oliver (1928-1993). Most recently I covered his two generation ship stories: “Stardust” (1952) and “The Wind Blows Free” (1957).

    March 31st: Marge Piercy (1936-). Dance the Eagle To Sleep (1970) is not to be missed!

    April 1st: Anne McCaffrey (1926-2011).  I adored her work as a kid. I read everything I could get my hands on–even from the lowest points in her career i.e. the Acorna Universe sequence and co-written Dragonriders of Pern novels with her son.

    April 1st: Samuel R. Delany (1942-).

    April 2nd: Artist Mitchell Hooks (1923-2013).  One of the underrated SF artists of the 50s-70s in my view. For a lovely example, check out my recent review of William Tenn’s Time in Advance (1958).

    • Murray Tinkelman’s cover for the 1978 edition of John Brunner’s The Squares of the City (1965)

    April 2nd: Artist Murray Tinkelman (1933-2016). Another underrated SF artist… How can your forget his iconic cover for Brunner’s The Sheep Look Up?

    April 2nd: Joan D. Vinge (1948-)

    April 3nd: Noel Loomis (1905-1969).

    April 3rd: Colin Kapp (1928-2007). As I’ve said before, “want to push my buttons? Recommend stories for me to read like Kapp’s “Hunger Over Sweet Waters” (1965). You’ll have to read my review (an exercise in snark) to find out why.”

    • Jack Faragasso’s cover for the 1972 edition of The Thinking Seat (1969)

    April 3rd: Peter Tate (1940-). One of those British New Wave authors I should read more of… Tate’s The Thinking Seat (1969) is on the burner for later this year.

    April 4th: Stanley G. Weinbaum (1902-1935). Best known for his early classic “A Martian Odyssey” (1934).

    April 4th: Artist Tim White (1952-2020).

    For book reviews consult the INDEX

    For cover art posts consult the INDEX

    For TV and film reviews consult the INDEX

    #1950s #1970s #avantGarde #bookReviews #JGBallard #JudithMerril #paperbacks #RobertSheckley #RobertSilverberg #sciFi #scienceFiction #spaceships
    What pre-1985 science fiction are you reading? + Update No. XXVII

    What pre-1985 science fiction are you reading or planning to read next month? Here’s the October installment of this column. A selection of read volumes from my shelves If I’m …

    Science Fiction and Other Suspect Ruminations

    Born this Day:
    Judith Merril (Born January 21, 1923) was an American and Canadian science fiction writer. Hugo Nominations: 2 (1949 Best Novella, "That Only a Mother"; 1954 Best Short Story, "The Dark Side of the Earth").

    https://en.wikipedia.org/wiki/Judith_Merril

    #Literature
    #SciFi
    #ScienceFiction
    #books
    #bookstodon
    #coverart
    #JudithMerril

    Groups:
    @books
    @scifi
    @Scifiart
    @sciencefiction

    https://astralcomputing.com

    J’ai dévoré ce roman de SF se passant aux États-Unis après une attaque nucléaire. L’autrice Judith Merril se focalise sur une femme tentant de comprendre l’impact de la catastrophe sur son quotidien et celui de ses deux filles, en l’absence de son mari dont elle n’a plus de nouvelles depuis son départ le matin.

    Écrit en 1950, ce roman dénonce les biais d’une société patriarcale où les femmes n’ont leur place qu’au sein du foyer.
    #mastobooks #mastolivres #sf #judithmerril #argyll #sfff

    Innen-Illustration von Ed Emshwiller für
    "Mars Child" von Cyril Judd
    aus Galaxy, May 1951.

    #scifi #sciencefiction #GalaxyMag #CMKornbluth #JudithMerril #EdEmshwiller

    Best of SF annuals are a venerable tradition. The first such collection was, according to my research, Bleiler and T. E. Dikty’s The Best Science Fiction Stories: 1949. That being said, a slightly later Best SF series left a lineage that spans decades.

    I refer to Judith Merril’s The Year’s Greatest SF. Between 1956 and 1968, Judith Merril edited twelve [Note 1] annual anthologies of works that Merril considered to be the best speculative fiction stories of the previous year. Merril’s tastes were unusually wide-ranging [Note 2].

    When I revisited the series in 2023 and 2024, it was the structure of her anthologies that caught my attention. I’d seen that arrangement before. Or rather, I had seen it before in anthologies that were published later than Merril’s were.

    A Merril Year’s Best included, in addition to the stories, ancillary material in form of a discussion of the state of science fiction in the previous year and a list of noteworthy works that hadn’t quite made the cut for inclusions. Lester del Rey’s less noteworthy Best Science Fiction Stories of the Year, which he helmed from 1972 to 1976, used a similar approach although minus the long list of recommended works. Gardner Dozois’ The Year’s Best Science Fiction, which ran from 1984 to 2018, resembles Merril’s structure far more closely, albeit at greater length. Rich Horton’s The Year’s Best Science Fiction & Fantasy also adopted a similar arrangement.

    It’s no surprise that Dozois’ Best of would resemble del Rey’s. Dozois’ 1984-to-2018 series was the second time he’d helmed a Best SF series. The first time, he replaced del Rey as editor of The Best Science Fiction Stories of the Year. A consistent format under those circumstances is no surprise, but if you check Dozois’ first volume, its structure resembles Merril’s more than it does del Rey’s.

    The similarity between Merril, del Rey, and Dozois could just be three editors independently arriving at a similar arrangement. Far stranger coincidences have happened in science fiction. On the other hand, Aldiss, Harrison, Carr, Strahan, Hartwell, Cramer, and other editors used different approaches, so alternatives did exist. Still, Merril’s series was hardly obscure, and her way to contextualize the best SF stories makes a lot of sense.

    Were del Rey and Dozois drawing on Merril [Note 3]? Or is there an earlier source from which all three were drawing? I’d love to know one way or another.

    Ah, but what about Rich Horton, you ask? Why no laborious dot-connecting and strained reasoning to connect Horton and Merril? Horton is still alive, so I asked him if Merril’s Best SF influenced him [Note 4]. His answer: “Yes, definitely.”

    As you can see, the past is never gone in the present and future, particularly in SF and its annual anthologies of best SF, where each successive generation is influenced and inspired by and builds on what has come before, not just in content and context of the stories themselves but also in how those anthologies are presented to us.

    Notes

  • Unless you count her three Best of the Best selections from earlier volumes as anthologies in their own right, in which case one could argue for as many as fifteen.

    ⤴️ Return to reference 1

  • As was her definition of “year.” It wasn’t uncommon for her anthologies to span more than one calendar year. In at least one case, it spanned more than one calendar decade. Well, Merril never said which planet’s year she was using.

    ⤴️ Return to reference 2

  • I did check the debut volumes of both the del Rey and Dozois series to see if they mentioned Merril. If they did, I overlooked it.

    ⤴️ Return to reference 3

  • Horton is also influenced by Merril’s wide-ranging, eclectic tastes.

    ⤴️ Return to reference 4

  • https://seattlein2025.org/2024/12/13/fantastic-fiction-judith-merrils-approach/

    #GardnerDozois #JudithMerril #LesterDelRey #RichHorton

    Fantastic Fiction: Judith Merril’s Approach: Good ideas can persist in science fiction for generations. Take, for example, Judith Merril’s approach to anthologies of the best science fiction, which has inspired at least one modern descendant, anthologies by Rich Horton, and may have inspired two other anthology series as well, those by Lester del Rey and Gardner Dozo… (#GardnerDozois #JudithMerril #LesterDelRey #RichHorton)

    Full post: https://seattlein2025.org/2024/12/13/fantastic-fiction-judith-merrils-approach/

    “Your April Selection”

    Virgil Finlay art for the April-May 1965 Things To Come for the Science Fiction Book Club, advertising The 9th Annual of the Year’s Best SF edited by Judith Merril. #FinlayFriday

    #VirgilFinlay #JudithMerril #Illustration #LivingHisBestLife #SFBC #ScienceFiction #SF #SFF @sciencefiction @scifi

    c/o Black Gate https://www.blackgate.com/2022/10/16/the-art-of-things-to-come-part-4-1964-1966/

    THE ART OF THINGS TO COME, PART 4: 1964-1966 – Black Gate

    I started as a teenager in workshops organized by #JudithMerril in Toronto, then through my high-school workshop (which Judy had actually founded a decade-plus earlier through a writer in the schools grant), and then at the Clarion workshop in 1992. I went on to teach many of these workshops: Clarion, Clarion West and Viable Paradise.

    So I've spent a lot of time trying to explain what was and wasn't good about other peoples' art (and my own!), and how to make it better.

    7/

    #ask-doctor-hal #axis-of-awesome #corydoctorow #darusha-wehm #drew-friedman #eating-the-fantastic-podcast #ellijay-makerspace #fediverse #judith-merril #mastodon #podcast #scott-edelman

    https://evilgeniuschronicles.org/b/2yo

    In this episode, I play a song by the Axis of Awesome;
    my random choice of mastodon.lol had consequences; I sympathize with having one Really Bad Day on your project; trans people just want to live their boring lives; I marched with the trans group in Myrtle Beach on MLK weekend; I am now in the orbit of the Ellijay Makerspace; Darusha Wehm and Andrew Roach sent the lifeboat to me; what if I had multiple personas for Mastodon?; I have a shitload of Fediverse accounts; makerspace silk-screening opens up a lot of possibilities; Cory Doctorow and Scott Edelman discussing Judith Merrill made me think about the one spark plug in a scene; I enjoyed Maverix and Lunatix; I missed a window in buying underground comics; I like scrappy Democrats; don’t criticize people by throwing rural people under bus.

    Here is the direct MP3 download for the Evil Genius Chronicles podcast, February 17 2023.

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    Evil Genius Chronicles Podcast for February 17 2023 – Under the Bus

    In this episode, I play a song by the Axis of Awesome; my random choice of mastodon.lol had consequences; I sympathize with having one Really Bad Day on your project; trans people just want to live their boring lives; I marched with the trans group in Myrtle Beach on MLK weekend; I am now in

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