I'll be at the miserere luminis concert next week at #hellraiser in #leipzig and my ticketnumber says that all of you #metal people need to #supporttheunderground more...

Current record is a good one imho
https://miserereluminis.bandcamp.com/album/sidera

Happy to meet new people there

#fediradio #blackmetal #atmosphericblackmetal

Sidera, by Miserere Luminis

5 track album

Miserere Luminis

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Splendidula - Kilte (Single)

"Tormented screams, relentless energy and hauntingly atmospheric passages ultimately unfold into a lingering climax, carrying the listener through a frozen landscape of grief, isolation and inner torment."

https://getmusic.fm/l/rpI7Ro

#metal #blackmetal #doommetal #atmosphericblackmetal #atmosphericdoommetal #atmosphericmetal #music

von jeglichem wort – von jeglichem wort das durch den mund den menschen vernewet
#AtmosphericBlackMetal #BlackAmbient #BlackMetal #Drone #Experimental #Metal #Berlin
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://vonjeglichemwort.bandcamp.com/album/von-jeglichem-wort-das-durch-den-mund-den-menschen-vernewet
von jeglichem wort das durch den mund den menschen vernewet, by von jeglichem wort

2 track album

von jeglichem wort
Këkht Aräkh – Morning Star Review By Samguineous Maximus

Somehow, Këkht Aräkh is one of the most popular black metal artists in the game right now. Since the release of sophomore album Pale Swordsman in 2021, the solo project of one Crying Orc (Dimitry Marchenko) has garnered serious momentum outside of the typical metal fandom with its melody-forward, “romantic” black metal sound. That record showcased a solid and surprisingly listenable, DSBM-informed, almost folksy take on classic ’90s blackened tropes, but more importantly, it felt emotionally honest without being cheesy. With album art like that, heartfelt, sadboy lyrics about love and isolation, and a raw, tape-inspired sonic landscape, it was an impressive achievement that the earnest pathos of Pale Swordsman managed to eclipse the potential corpse-paint cringe. Five years later, with a memetic cover referencing an infamous, dorky Varg photo and a string of singles that seem equally indebted to modern cloud rap and black metal, one can’t help but wonder whether Morning Star has tipped the delicate balance between sincerity and self-parody. As a cloud rap enjoyer and black metal nerd, I might be the only staff member not to laugh this latest Këkht Aräkh out of the schoolyard. Is this long-anticipated follow-up actually worth the wait?

On Morning Star, Crying Orc hasn’t lost his ear for blackened melody that made earlier Këkht Aräkh material engaging; he’s just found new ways to package it. Tracks like opener “Wänderer” take the familiar black metal elements, but re-purpose them to mimic the patterns of hazy SoundCloud beats. The central bedroom guitar motif operates on a two-bar loop, with layers of distorted tremolos added and stripped back across verses and hooks like a hip-hop producer might use synths. A warm, syncopated bass supplies rhythmic variation as the drums blastbeat away. Crying Orc shifts between shrieks and whispers, both delivered in a clipped, almost percussive flow, peppered with ad-libs. This formula is surprisingly effective and allows the layers of haunting melodies to shine alongside more straightforward 2nd-wave riffing (“Castle,” “Land av evig natt II”) or with a greater emphasis on sung vocal lines (“Mörker över mörker,” “Gates”). Bladee himself even appears on “Eternal Martyr” to lend his signature autotuned anti-charisma to an earworm hook, resulting in a genuine blackened banger. The cloud rap influence pans out better than I could’ve expected and leads to several highlights across the tracklist.

Of course, this is only one side of the Këkht Aräkh coin, as many of the songs on Morning Star forgo black metal altogether in favor of indie-tinged folk ballads. “Genom sorgen,” “Drömsång” and “Trollsång” are composed of minimalistic clean guitars, subtle synth layers, and softly sung vocals. These tracks are serviceable and understandable in the context of a longer album, but they lack the sense of progression and movement that makes the black metal material enjoyable. Crying Orc’s singing has an amateur charm that conveys a sorrowful gravitas when deployed, and it’s often pleasant in short bursts, but many of the softer moments fail to capitalize on it for maximum effect—and they make up a significant portion of the album. Even outside of the dedicated slower tracks, songs like “Lament,” “Raven King” and “Vigil” bookend their runtimes with extended minimalism that does little to further the greater piece. The title track “Morning Star” is an exception to this rule: led by a mournful string melody, it expands and contrasts brilliantly, whereas the others remain static.

One area where Këkht Aräkh should have diverged from his rap peers is in Morning Star’s bloated tracklist of 17 songs. With each track firmly in the 2-3 minute range, many feel like half-finished ideas that end abruptly before anything interesting happens. As a result, the more engaging black metal tracks lose some of their power when they’re buried next to underwhelming ballads. This ends up emphasizing an ephemeral “vibe” as the record’s strongest trait rather than any individual track. A combination of the lo-fi, tape-inspired soundscape and the persistent melancholic melodies makes Morning Star a very easy album to throw on and just bathe in its atmosphere. The whole thing exudes a pervasive sense of emotional honesty that’s enticing. It’s a record that sounds amazing on a car ride or in the background, when conjuring a certain mood, but falls a bit short upon closer inspection.

Morning Star is a difficult record to evaluate. There’s a lot here to like, from the shockingly adept integration of cloud rap elements to the enticing layered melodies and lo-fi production, but these strengths are ultimately undercut by an overstuffed tracklist and songs that fail to develop. In a certain light, this could be a strength for listeners who prioritize musical “vibes” over substance, but to this metalhead, it comes across as underbaked.



Rating: 2.5/5.0
DR: N/A | Format Reviewed: Stream
Label: Sacred Bones
Websites: kekhtarakh.bandcamp.com | Instagram.com/kekht_arakh
Releases Worldwide: March 27th, 2026

#25 #2026 #AtmosphericBlackMetal #BlackMetal #Bladee #FolkMetal #KëkhtAräkh #Mar26 #MorningStar #RawBlackMetal #Review #Reviews #SacredBonesRecords #UkrainianMetal
VESPIRITH (Estats Units) presenta nova demo: "Black Elixir / Death Tonics" #Vespirith #AtmosphericBlackMetal #Abril2026 #EstatsUnits #NovaDemo #Metall #Metal #MĂşsicaMetal #MetalMusic

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Splendidula - Echoes Of Quiet Remain (Single)

"A deeply emotional atmospheric black doom metal track featuring guest vocals by AARON STAINTHORPE, known for his iconic work with MY DYING BRIDE."

https://getmusic.fm/l/weUaHo

#metal #blackmetal #doommetal #atmosphericblackmetal #atmosphericdoommetal #atmosphericmetal #music

VESPIRITH (Estats Units) presenta nova demo: "Heir to the Black Throne" #Vespirith #AtmosphericBlackMetal #Abril2026 #EstatsUnits #NovaDemo #Metall #Metal #MĂşsicaMetal #MetalMusic
He Left The Temple, by Foghazer

9 track album

Hypnotic Dirge Records
ETERNAL DISSONANCE (Espanya) presenta nou àlbum: "Winds of Melancholy MMXXVI" #EternalDissonance #AtmosphericBlackMetal #Març2026 #Espanya #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

đź”´ LIVE NOW ON VORTEX
📻 Vortex Night 🚀 (Krautrock & space rock)
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🎵 Sólstafir - Ótta

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