🟡 50 fonts that will be popular with designers in 2025
by Katy Cowan @katylcowan.bsky.social at @creativeboom.bsky.social @creativeboom
#typography #fonts #Typographytrends #trends
https://www.creativeboom.com/resources/top-50-fonts-in-2025/
| Pixelfed | www.pixey.org/lyxix |
| Web | www.lyxix.link |
| Ver/sammeln Archiv | www.versammeln-antirassismus.org |
🟡 50 fonts that will be popular with designers in 2025
by Katy Cowan @katylcowan.bsky.social at @creativeboom.bsky.social @creativeboom
#typography #fonts #Typographytrends #trends
https://www.creativeboom.com/resources/top-50-fonts-in-2025/
🦑 Going through the “State of CSS” results…
by Josh W. Comeau
@joshwcomeau.bsky.social
Nikita Dhawan nails it again on critical#postcolonialism
Sein und Streit | Postkolonialismus – Differenzierung statt verhärteter Fronten
https://share.deutschlandradio.de/dlf-audiothek-audio-teilen.html?audio_id=dira_DRK_8e0e2116
Postkolonialismus und Aufklärung stehen sich in ihren Position anscheinend unversöhnlich gegenüber. Ideenhistorikerin Dhawan plädiert fürs Differenzieren.
Watched this great Film at #Hamburg #Queer Filmfestival #hiqff and was super excited about
That‘s an incredibly good film on research and perceiving history. I really liked it how smoothly perspectives, actors, layers have been melted together in an easy to watch and very fluently narrated documentary where time just flies by. It is a clever move to reenact history by paralleling a fictive story part to the filming of documents, projection of archival footage and oral history interviews, as it makes it accessible as an low-key TV history format. But it is a smart ass move, to coat that in Derrida quote that you put up front and let the audience become part