🟡 50 fonts that will be popular with designers in 2025
by Katy Cowan @katylcowan.bsky.social at @creativeboom.bsky.social @creativeboom
#typography #fonts #Typographytrends #trends
https://www.creativeboom.com/resources/top-50-fonts-in-2025/
| Pixelfed | www.pixey.org/lyxix |
| Web | www.lyxix.link |
| Ver/sammeln Archiv | www.versammeln-antirassismus.org |
🟡 50 fonts that will be popular with designers in 2025
by Katy Cowan @katylcowan.bsky.social at @creativeboom.bsky.social @creativeboom
#typography #fonts #Typographytrends #trends
https://www.creativeboom.com/resources/top-50-fonts-in-2025/
🦑 Going through the “State of CSS” results…
by Josh W. Comeau
@joshwcomeau.bsky.social
Nikita Dhawan nails it again on critical#postcolonialism
Sein und Streit | Postkolonialismus – Differenzierung statt verhärteter Fronten
https://share.deutschlandradio.de/dlf-audiothek-audio-teilen.html?audio_id=dira_DRK_8e0e2116
Postkolonialismus und Aufklärung stehen sich in ihren Position anscheinend unversöhnlich gegenüber. Ideenhistorikerin Dhawan plädiert fürs Differenzieren.
Watched this great Film at #Hamburg #Queer Filmfestival #hiqff and was super excited about
That‘s an incredibly good film on research and perceiving history. I really liked it how smoothly perspectives, actors, layers have been melted together in an easy to watch and very fluently narrated documentary where time just flies by. It is a clever move to reenact history by paralleling a fictive story part to the filming of documents, projection of archival footage and oral history interviews, as it makes it accessible as an low-key TV history format. But it is a smart ass move, to coat that in Derrida quote that you put up front and let the audience become part
Nicht mal mehr geduldet
Sein ganzes Leben hat Robert A. in Deutschland verbracht. Jetzt hoffte der 31-Jährige endlich auf eine #Arbeitserlaubnis. Und sitzt stattdessen in Haft – zur #Abschiebung in ein Land, in dem er noch niemals war