I think every designer should write a love letter to a font at least once in their lifetime.

This is mine: A 150-year-old font you have likely never heard of, and one you probably saw earlier today.

https://aresluna.org/the-hardest-working-font-in-manhattan/

The hardest working font in Manhattan

A story of a 150-year-old font you have never heard of – and one you probably saw earlier today.

@mwichary I enjoyed this a great deal and now I, too am gortonpilled.
@mwichary it has a name! I have loved these engraved signs for decades and it never occurred to me to even describe it as a font.
@skorgu Does it, though? πŸ™ƒ
@mwichary @skorgu Yeah, I'd say no, it doesn't, lettering that looks like this a whole informal/vernacular genre of "type" design.
@mwichary What a fantastic article!
Silentype Font v2.0 Released!

I have great pleasure in announcing that v2.0 of my Silentype font is now officially released as a New Year gift to the Apple ][ community. I originally made this font so I could recreate my Year 1…

the europlus zone
@mwichary Thanks for this delightful retrospective. In an earlier life I built control panels, and used several versions of engraved letters, Letraset, and eventually silk screening, so many of the things you touch on were familiar, and not a little nostalgic. (I even tried hand lettering some conference nameplates once, with mixed results at best; my intentions were good.) A well-written, and enjoyable post.
@mwichary I know it's got to be Gorton and I want to read it but nothing is loading. πŸ™
@mwichary think we might have knocked out your site!
@mwichary Oh no, you've been Slashdotted

@mwichary in this case it's the Verge: https://www.theverge.com/typography/613618/go-read-marcin-wichary-gorton

(Vergedotted? Decoded? Dieter Bohned?)

The surprisingly deep history of a ubiquitous font.

The Verge
@dsandler Yeah, very annoyed by this. Didn’t know this was still even a thing. Not much I can do about it, except find a better host that DreamHost later this month!
@mwichary this page won't load for me. ☹️
@mwichary Oh wow, this was a fascinating read! I acquired a Leroy lettering set from my neighbour last year and while I'm not sure what condition it's in or what I'm going to do with it if it's usable, I recognized some of those letter shapes *instantly*. How cool!
@mwichary I guess this is getting a lot of attention because the page isn't loading for me either.
@bgoewert Yeah, it went to Hacker News and The Verge. Please keep trying!
@mwichary Absolutely fantastic. πŸ‘
@mwichary @deviantollam Dev, I think you will like this article. It's about the engraved fonts you see in elevators and access control panels.

@overeducatedredneck @mwichary I adore this!

And, in fact, in our elevator talks Howard Payne and I specifically mentioned Gorton font! How cool!

@mwichary
That is an absolutely cracking article! Fascinating!

@mwichary

When did routing into plaques become common?

Gravestones were absolutely ruined when DTP came along, and they gave up pantographs and templates.

@mwichary @kayserifserif this article fills a gap in typographic education (mine at least).

We learnt a lot about the history and evolution of serifs, and not nearly enough about the practicality of their absence.

πŸ‘

@mwichary This is so lovely, thank you for sharing it.
@mwichary just finished the essay. oh my god it was brilliant - the photos are amazing and I can feel the care put into this. can't wait to see what's next :)

@mwichary This is such a great dense design dive, I love it! The numbers have so much wonky personality. Thanks for putting this together!

(Also, please publish an RSS feed πŸ™)

@mwichary
"Gorton was older than Gill Sans, Futura, or Johnston’s London Underground font." Respect!

@mwichary

I should sit down and compose a love letter to Bembo

@mwichary What a fantastic post. Learned so much about a typeface that even as I designer I never really thought about. Bravo.
@mwichary This is lovely and also gave me a long-forgotten muscle memory because my parents ran a sports trophy business in the 80s, and I got pretty good at engraving people's and pets' names on trophies with a hand pantograph which used a Gorton-family typeface
@fsvo That’s cool! I have never actually gotten to use a pantograph and now I really want to.
@mwichary I would never have expected to be so enthralled by an article about a font.

@mwichary

Holy Cow.
Your post BLEW UP.

Your FONT love post blew up.

This is cool.

#fonts #font

@mwichary *wow*. awesome article and beautiful photos that make me reconsider which objects i see in a city.
@mwichary That's how you tell a story.

@mwichary I don't have time to read this whole blog entry tonight, but I am ENRAPTURED by the bit I've read so far. 🀩

I'll need to finish reading this if my ADHD doesn't make me forget by the time I get home from work tomorrow.

@mwichary

This is wonderful and useful. As a native New Yorker with an casual/intermittent interest in typography, I always thought it was weird that I know what typefaces are on the London Underground or German highways but not the one I see every single day of my life. Now I know both what it is and why the answer wasn't a simple search engine query away.

@mwichary this is absolutely fascinating. Thank you for all the research this must have taken. I see that font everywhere but have never thought about it and now I want to use it

@mwichary
What a great article about the history of a #typeface. So interesting to read about the technical and mechanical background of #typography – thanks!

I know someone in Germany who collects old signs, many of them are engraved. Next time I visit, I will take some photos of them. I'm sure there will be examples of Gorton variants in Europe.

@mwichary

> 14 February 2025 / 6,100 words / 600 photos

Worth reading every word, and examining every photo.

@mwichary Interesting topic, fonts. When I was a working graphic designer (about 30 yrs), my Mac's Fontbook had 1,000+ fonts, and in production I rarely ventured outside about a 30 font comfort zone. I used to covet my fonts, studied them, altered them in Adobe Illustrator (like when designing logos), but over the years, most of my collection only collected digital dust.

I go back to when people bought fonts. Yeah, I know, a dinosaur, but one that is retired after a pretty satisfying career.

@Av8rdan @mwichary
I remember the early days of DTP. A local business would get a laser printer (and a small computer with the right software and plenty of fonts) and soon they were publishing promotional NEWSLETTERS with each KEYWORD on the page in a DIFFERENT FONT, like what I'm doing HERE with my cAPS lOCK.
Actual designers would have advised them to not use so many typefaces.
@dec23k @mwichary I call that DTP design "church bulletin."

@mwichary

Wonderful story! Enjoying this

@mwichary This was an amazing read! And yes, those shapes have a strong familiarity even to this German who grew up in the 80s and 90s.

Thank you for this trip!

@mwichary Engraved fonts do stand up to time and get patina; telling a story of decades of intense use.

@mwichary

As seen on Traffolyte everywhere.

ping @jackyan

@zl2tod @mwichary Thank you, that was a heck of a good read. Also enjoyed reading about it in Selectric Century and Selectric Univers.