minzmadeSo. Statt dem #39c3 nachzutrauern, arrangiere ich lieber an emotionaler Musik weiter. Hab hier sogar eine Art Instrument gefunden und mir ein Studio eingerichtet 
Now I am less then what I was, whatever's left is yours now. 🎶
World Concert HallRight now, baroque highlights from #Budapest: #Couperin #Frescobaldi #Blow #Gibbons and #Purcell https://www.worldconcerthall.com/en/schedule/baroque_highlights_from_budapest_couperin_frescobaldi_blow_gibbons_and_purcell/90493/ #wch
Baroque highlights from Budapest: Couperin, Frescobaldi, Blow, Gibbons and Purcell - Schedule // - www.worldconcerthall.com
Anna Subedi, Gabriella Ács, soprano, Dalma Kranyák, Diána Hajdú, alto, Balázs Orosz, Péter Molnár, tenor, Ákos Jasznik, bass, Zsombor Tóth-Vajna, organ and conductor, Bence Já...
In 20 minutes, baroque highlights from #Budapest: #Couperin #Frescobaldi #Blow #Gibbons and #Purcell https://www.worldconcerthall.com/en/schedule/baroque_highlights_from_budapest_couperin_frescobaldi_blow_gibbons_and_purcell/90493/ #wch
Baroque highlights from Budapest: Couperin, Frescobaldi, Blow, Gibbons and Purcell - Schedule // - www.worldconcerthall.com
Anna Subedi, Gabriella Ács, soprano, Dalma Kranyák, Diána Hajdú, alto, Balázs Orosz, Péter Molnár, tenor, Ákos Jasznik, bass, Zsombor Tóth-Vajna, organ and conductor, Bence Já...
Today, baroque highlights from #Budapest: #Couperin #Frescobaldi #Blow #Gibbons and #Purcell https://www.worldconcerthall.com/en/schedule/baroque_highlights_from_budapest_couperin_frescobaldi_blow_gibbons_and_purcell/90493/ #wch
Baroque highlights from Budapest: Couperin, Frescobaldi, Blow, Gibbons and Purcell - Schedule // - www.worldconcerthall.com
Anna Subedi, Gabriella Ács, soprano, Dalma Kranyák, Diána Hajdú, alto, Balázs Orosz, Péter Molnár, tenor, Ákos Jasznik, bass, Zsombor Tóth-Vajna, organ and conductor, Bence Já...
Mattia Giovanetti..ok, pare che comunque io abbia ancora installato la vecchia versione di Frescobaldi, la 3.3.0, quindi posso continuare a mantenere i miei vecchi file con tutti i comandi deprecati che funzionavano (per le mie esigenze) perfettamente.
Ho dovuto giusto allestire un diverso lanciatore e ho risolto (aggirato) il problema.
Allora, con una versione flatpak di Frescobaldi è impossibile far coesistere precedenti versioni di lilypond, o almeno, versioni precedenti la 2.24.4 (ultima stabile). Ora, io ho necessità di avere il numero pagina in basso centrato, qualcuno ha qualche idea che non sia stata deprecata dalla 2.22.2?
Ha funzionato, ora sono curioso di vedere un'altra cosa però...
...situazione attuale, dopo aver cercato un po' è uscito che c'è un problema nella identificazione dei font e mi viene suggerito (dal chatbot del motore di ricerca) di provare a usare una versione flatpak...
Incrocio le dita e spero.
Karl Hänsel@baeuchle Yes, if you use #Frescobaldi with automated compiling (or whatever it's called) it kind of is WYSIWYG (or similar vim+make+PDF; I used both). It's great for writing down something that is already composed. But while I compose or arrange I need to be very chaotic, drag a lot around, shift up and down fast and especially I need to have all voices and/or instruments ready to access throughout the whole score at all times without having to enter some exact amount of empty bars before.
Eric <noisedreams>Looking for a great #music #partition #editor for my needs:
- #guitar with both partition and #tablature
- #drums also
I have spent a lot of time with lilypond/frescobaldi (I prefer the idea of 'coding' the partition) but I struggle to get what I want, it's so frustrating.
I just tried musescore and I already gave up (because moving a note from one string to another, inserting a note between others… are a pain in the a**)
Not sure what I will enjoying using.