barefootliamOct 21

https://www.fromoldbooks.org/Morris-PicturesqueViews-Vol2/pages/050-drakelowe-hall/

#DrakeloweHall - A rather large English #mansion with a history going back a thousand years, except it was demolished in 1934, and in the 1950s a power plant was built on the site.

Sir Nigel Gresley, steam locomotive designer, was a cousin to the family that lived here.

These chromolithographs are fun to clean up in #GIMP3 - solid colour, no dot screen.

#vintageArt #chromolithography #statelyHome #GIMP #Gimp_3 #fobo #sirNigelGresley #colourEngraving #countryHouse

Public Domain Image ArchiveOct 16

Octopus Tetracirrhus (1851) by Jean Baptiste Vérany, from Mollusques méditeranéens.

Source: Smithsonian Libraries and Archives / Internet Archive

Available to buy as a print.

https://pdimagearchive.org/images/f69d03ba-c0f4-48cf-ad88-7ccd2dae3292

#cephalopods #zoology #octopuses #chromolithography #art #publicdomain

Public Domain Image ArchiveSep 15

Jews' Wailing Place (1890s) by Boulos Meo, from Flowers and Pictures of the Holy Land.

Source: The Getty

https://pdimagearchive.org/images/0127a806-58da-41b4-95eb-ce4065e2bc95

#prayer #worship #religion #israel #tradition #color #jerusalem #christianity #chromolithography #flowers #palestine #art #publicdomain

barefootliamSep 11

https://www.fromoldbooks.org/CirclingTheYear-1870/pages/136-christmas/

Not certain whether the maid in the porch of the inn is shopping, receiving a gift, or whether people are arriving to stay. The man with the whip seems to be giving her something. But at any rate it’s #Christmas and there’s a coach and horses laden down with food.

I’ve tried to keep the colours, although maybe it should be bluer.

#vintageArt #xmas #ChristmasGifts #stageCoach #winter #icicles #GIMP #Gimp_3 #GIMP3 #chromolithography #Victorian #genrePainting

barefootliamSep 3

https://www.fromoldbooks.org/Casabo-LaCivilizacion-3/pages/371-castle-interior/

The interior of a feudal castle, from Pelegrín Casabó Y Pagés’ book La Civilizacion… multi-impression #chromolithography.

It turns out Pelegrín is regarded today as having been antisemitic, although i don’t know how that affected his writing.

Scanned at 2400dpi and cleaned up in #GIMP - and yes, people have bought pictures from me for use on large displays 🙂

#vintageArt #engraving #castle #fobo #GIMP3 #Gimp_3 #colour #hall #interior

barefootliamAug 26

https://www.fromoldbooks.org/ModerneKunst-04/pages/042-a-song-for-spring/

Spring Song (Frühlingslied) by Harry Jochmus (1855 – 1915).

Roughly 12x9 inches (302x220mm), and in two colours, green and black, although i decided the green had probably faded and made it a little bluer in #GIMP green and blue inks were often unstable.

Engraved and printed in 2 passes; the green didn’t quite line up.

#fobo #vintageArt #chromolithography #spring #flute #GIMP #Gimp_3 #romance #publicNudity #oilPainting

barefootliamAug 11

https://www.fromoldbooks.org/CirclingTheYear-1870/pages/161a-bless-the-lord/

This was tipped in (a loose page lightly glued along one edge) near the back of the 1870 edition of The Circling Year. Very Victorian! Newer translations of Ps. 103 use Praise the Lord, which makes more sense.

Five colours, so five separate plates incl. gold - #chromolithography

Scan cleaned up in #GIMP as usual.

#vintageArt #fobo #lettering #Victorian #border

“Bless the Lord O my Soul, and forget not all His benefits”

ChasingARTDec 24, 2024

Christmas Eve by J. Hoover

Joseph Hoover: A Pioneer in Chromolithography

“Christmas Eve” by J. Hoover, with its rich visual details, evokes feelings of warmth and nostalgia, blending traditional imagery associated with Christmas against a tranquil, snowy backdrop.

Joseph Hoover, born of Swiss-German heritage in Baltimore on December 29, 1830, emerged as the most prolific chromolithographer of parlour prints in Philadelphia during the late 19th century. His early education through the public school system of Baltimore set the foundation for his artistic career. Trained as an architectural wood turner, Hoover made a significant move to Philadelphia in 1856, where he established a wood turning and framing business located on the 1400 block of Hamilton Street. His chromolithographic works would come to define the parlour print industry, influencing both artistic and commercial practices in the region.

Hoover’s contributions to the world of art and printmaking reflect a blend of craftsmanship and creativity, embodying the spirit of innovation that characterized the late 19th century. His legacy continues to resonate within the field of chromolithography, showcasing the rich history of printmaking in Philadelphia.

The Magic of Christmas Through the Centuries

Christmas, celebrated on December 25th, possesses a rich tapestry of traditions and meanings that have evolved over the centuries. The holiday has transformed from a purely religious observance into a global celebration encompassing various cultural practices, festive rituals, and cherished customs.

The origins of Christmas date back to the early centuries of Christianity. The first recorded celebration of Christmas occurred in Rome in 336 AD. During the Middle Ages, Christmas became a time of feasting and merriment. The holiday was interwoven with local customs and beliefs, leading to the incorporation of traditions such as carolling, the Yule log, and various forms of gift-giving. The Renaissance brought forth a renewed appreciation for art and storytelling, influencing the way Christmas was celebrated.

The 19th century saw a revival of Christmas traditions, largely influenced by the Victorian era. The publication of Charles Dickens’ “A Christmas Carol” highlighted themes of generosity and kindness, reinforcing messages of family and goodwill. The modern image of Santa Claus began to emerge during this time, with the influence of the poem “A Visit from St. Nicholas” (commonly known as “The Night Before Christmas”).

Christmas Eve by J. Hoover No Known Restrictions (Public Domain via Wikimedia Commons) . Credit Library of Congress via pingnews.

Christmas Today!

As the world became more interconnected, Christmas was embraced by various cultures, each adding their unique flavours to the celebration. Christmas continues to evolve, reflecting modern values and societal changes. With the rise of technology and global commerce, the holiday now often emphasizes consumerism and material gifts. However, the core messages of love, compassion, and the spirit of giving remain unchanged.

I believe the magic of Christmas lies in its ability to adapt and resonate with people across different cultures and generations. On this Christmas Eve, I am reminded of the importance of community, connection, and the enduring spirit of hope that resonates through the ages.

From our house to yours, we wish you the joy of family, the warmth of friends and the gifts of laughter, peace, and love.

Rebecca

#Baltimore #Christmas #Chromolithography #JosephHoover #Philadelphia

Hoover, Joseph | Library Company of Philadelphia Digital Collections

Joseph Hoover, born of Swiss-German heritage in Baltimore on December 29, 1830 was the most prolific Philadelphia chromolithographer of parlor prints during the late 19th century. Educated through the public school system of Baltimore and trained as an architectural wood turner, Hoover settled in Philadelphia in 1856. He opened a wood turning and framing establishment on the 1400 block of Hamilton Street, and about 1858, married his first wife Roseanna (b. ca. 1833)., Hoover continued in his wood turning business, including a partnership with R. B. Antrim at 1204 Noble Street (1861-1863), until 1865 when his business evolved into a picture framing factory and wholesale print depot at 108 South Eighth Street. From the mid 1860s, Hoover began to issue parlor prints, including presidential family portraits "dedicated to the people of the United States" for Lincoln (ca. 1865) and Grant (ca. 1866)., In the spring of 1868 the "chromo and print publisher" advertised his removal to 804 Market Street, from where he oversaw the work of Duval & Hunter and James Queen and issued his well-advertised and acclaimed "The Changed Cross" in 1870. Also around this time, Hoover relocated residences twice following his departure from his long-term address of 630 North Tenth Street before settling at 619 North Tenth Street, where he resided until 1903., During the 1870s and 1880s, Hoover's business continued to grow (estimated worth of $30,000-$40,000) and he established printing plants at 450-452 North Thirteenth Street and 1302-1308 Buttonwood Street (ca. 1876) and operated depots at 804 Market Street (1869-1871); 1117 Chestnut Street (1872-1873); 1129 Chestnut Street (1873-1878) and 628 Arch Street (1880-1882). With this financial success also came professional acknowledgment and Hoover was one of only three chromolithographers to be honored at the Centennial Exhibition of 1876. In 1882, Hoover gave up his retail business following a large auction of his stock and focused on the wholesale branch of his business at his plant on Buttonwood Street., Firmly established as a respected chromo printer, and often soliciting for agents, Hoover printed a variety of chromolithographs. Influenced by the "tastes of the masses," genre and landscape views and commemorative prints, including "Heroes of the Colored Race" (1881) predominated, in addition to advertisements such as for "The Celebrated Blasius Pianos" (ca. 1885). By 1893, Hoover was noted as "probably the largest publisher of pictures" distributing internationally 600,000 to 700,000 prints a year with his son, trained lithographer Henry L. (b. ca. 1866) overseeing the practical operations., Within two years of this acknowledgment, Joseph relocated his home to Elkins Park, Pa. after one year residency in Ashbourne and partnered with son Henry L. In 1904 son Joseph W. entered the business, which was reestablished as Jos. Hoover & Sons., Hoover died of heart disease at his summer home in Atlantic City on August 7, 1913 with funeral services held at the city's Holy Spirit Catholic Church. At his death, he was survived by his second wife Evelina (married by 1880) and six children; four daughters and business associates Henry L. and Joseph W., The firm Jos. Hoover & Sons remained in operation until around 1985, producing racy pin-up calendars from the 1930s to 1950s.

"Matthew Edney" has movedMar 25, 2024

TODAY (25 March) at Noon Eastern time #maps #maphistory #cartography #chromolithography #lithography

I'll be talking about the current OML show and the history of color printing technologies

To register: https://www.eventbrite.com/e/monday-map-lunch-dr-matthew-edney-tickets-851795572487

Sorry for late notice .. please boost

Monday Map Lunch: Dr. Matthew Edney

Join Dr. Matthew Edney for a talk about "Chromolithography: Color Map Printing in Nineteenth-Century America"

Eventbrite
Show threadClaude TrudelDec 1, 2023

@mhedney

👍 Matthew Edney présente plusieurs vidéos captivantes sur sa nouvelle exposition illustrant le procédé de la chromolithographie utilisé en cartographie.
https://www.mappingasprocess.net/blog/2023/12/1/a-pageant-of-spectacles-chromolithography-in-america

Liens complémentaires :

- Chromolithographie
https://fr.wikipedia.org/wiki/Chromolithographie

- Le manuel de lithographie (1822) de Godefroy Engelmann
https://numistral.fr/fr/tresors/le-manuel-de-lithographie-de-godefroy-engelmann-1822

#exposition #cartographie #cartography #cartes #chromolithography #chromolithographie #technologie #géographie #art #culture #couleurs #oshermaps #maps

A Pageant of Spectacles: Chromolithography in America — Mapping as Process

Brief videos of my new exhibition at OML, in lieu of a web-version or printed catalog (both coming eventually). The show itself will hang through 29 June 2024.

Mapping as Process