Hey everyone! I’m so excited to announce my brand new chapbook with Bottlecap Press! I’ve been working very hard on this for the past few months, and it’s finally here to share with you all!

SLT SHKR is an exploration of the memories that build the spirit, the life animating the body, and the fire inside the soul. It is a reflection of the ways we are bound to each other and a means of survival in daily fresh starts.

I’m so proud of this work, and I’m so proud to share it with you. You can purchase it today at https://bottlecap.press/products/sltsch

[ID: First image is blue crystalline book cover with white text for SLT SHKR by Carter Hemion on blue background with stars. Second image is poetry excerpt of "Last Stand" which reads: Blood pools in the sacred hourglass, / Salty sands dripping allegro con fuoco / (Consciousness fading just as quickly) / Knees knock locked in a deadly stance. / Fighting hopelessly, thighs quiver, / Last stand before worshipping dirt / (One stoned hit was all it took) / And all credit for walking was a ruse. End image description.]

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Bottlecap Press on Instagram: "Ursula Zia's chapbook, Murmur Hours, is available from Bottlecap Press! Murmur Hours meditates on surface commotions that occur when a ‘woman’ perceives gaps in an interior world. The poems consider how a body can be a prophet alongside the arbitrary circumstances that crystallize the corporeal experience. These murmurations center around a character shaken between memories and the present moment, casting ripples upon the membrane of corporeal belonging. We are more than our physical body. This is a call against apathy. Through antinarrative, Murmur Hours’outlines an urgency to empty every cage as a step to achieve an inner peace. The eleven poems were originally written on a typewriter as a means to uncover the source of a deep disquieting restlessness. Once the author came out as non-binary, it all made sense. Murmur Hours considers a personal relationship to freedom of mobility. Not just as an accessibility to travel as one pleases, but as the freedom to access an ancestral memory and to interact with a social landscape and personal relationships associated with past trauma. The narrator questions their ability to reflect as they live in an increasingly unstable world. At times perceiving their existence as entrapment, they recognize a self split by a socially constructed binary. Wounded and healed by the collision of what is human and what is nature, these poems address the tumultuous process of creation and destruction through observations of interiority and externality. The colliding shards of gender and the perceived body create a fluctuating interiority that passes between memory, and the present. Upon realizing the fragility of the body-vessel, items fall off shelves, prayers are cast to mechanical angels, barbed wire is bent, we consider spontaneous combustion and inevitably decide to eat god. @pretend_im_the_dentist #shortstory #bottlecappress #shortstories #fiction #prose #amwriting #writing #chapbook #chapbooks #bookstagram #books #newbooks #bookclub #book #writer #microfiction #spilledink #booklover #bookworm #literature #fictionbooks"

23 likes, 0 comments - bottlecappress on February 27, 2025: "Ursula Zia's chapbook, Murmur Hours, is available from Bottlecap Press! Murmur Hours meditates on surface commotions that occur when a ‘woman’ perceives gaps in an interior world. The poems consider how a body can be a prophet alongside the arbitrary circumstances that crystallize the corporeal experience. These murmurations center around a character shaken between memories and the present moment, casting ripples upon the membrane of corporeal belonging. We are more than our physical body. This is a call against apathy. Through antinarrative, Murmur Hours’outlines an urgency to empty every cage as a step to achieve an inner peace. The eleven poems were originally written on a typewriter as a means to uncover the source of a deep disquieting restlessness. Once the author came out as non-binary, it all made sense. Murmur Hours considers a personal relationship to freedom of mobility. Not just as an accessibility to travel as one pleases, but as the freedom to access an ancestral memory and to interact with a social landscape and personal relationships associated with past trauma. The narrator questions their ability to reflect as they live in an increasingly unstable world. At times perceiving their existence as entrapment, they recognize a self split by a socially constructed binary. Wounded and healed by the collision of what is human and what is nature, these poems address the tumultuous process of creation and destruction through observations of interiority and externality. The colliding shards of gender and the perceived body create a fluctuating interiority that passes between memory, and the present. Upon realizing the fragility of the body-vessel, items fall off shelves, prayers are cast to mechanical angels, barbed wire is bent, we consider spontaneous combustion and inevitably decide to eat god. @pretend_im_the_dentist #shortstory #bottlecappress #shortstories #fiction #prose #amwriting #writing #chapbook #chapbooks #bookstagram #books #newbooks #bookclub #book #writer #microfiction #spilledink #booklover #bookworm #literature #fictionbooks".

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Recent chapbook haul from #bottlecappress came in yesterday for future Sunday #coffee and #poetry ritual editions: Alexandra Weiss, Christine Shan Shan Hou and Vi Khi Nao, Alyson Tait, and Wil Gibson.
Just ordered several #poetry chapbooks from both #MaverickDuckPress and #BottlecapPress as well as three full-length collections, collectively, from #MeganFalley and #NicelleDavis