Working on crossfade syntax for section transitions in Sorbis (my open-source computer music scripting language). Which reads better to you?

Option A — keyword:

o: play A xfade 10ms B xfade 5% C xfade 10% A

Option B — symbolic:

o: play A >10%< B >5ms< C >10%< A

(> = fade out, < = fade in, value = overlap amount)

What feels more intuitive?

#Rust #AudioProgramming #OpenSource #ComputerMusic

RE: https://mastodon.social/@audiodevcon/116254758903016635

ADCx India 26 is just a few days away. Register now at https://townscript.com/e/adcxindia26

#audiodevcon #musictech #ADCxIndia #proaudio #audioprogramming #audiodev

The Audio Developer Conference (ADC) @audiodevcon is returning to India as ADCx India 26 on 29th March 2026 at the Bangalore International Centre, aimed at scaling up the audio and music tech ecosystem. Come be a part!

https://prashantmishra.xyz/blog/article/scaling-up-the-audio-and-music-tech-ecosystem-in-india-through-adcx-india?auid=xyz-0112

#musictech #gameaudio #audioprogramming #audiodevcon

I’m quite happy with the formula I found to tune a 1-pole/no-zero digital low-pass filter in the form y ← y + c * (x - y).

https://www.desmos.com/calculator/6bf88f2b35

It can set the cutoff frequency way above Nyquist and matches well the passband response of an ideal continuous-time equivalent filter (black curve). It is slightly shelf-shaped when the cutoff is close to Nyquist, but that’s the limitation of the lack of zero.

It’s a good way to tune the damping filter of a #reverb!

The formula remains fast to compute (a square root and a few mul/add). See Coefficient calculation > c5() and c3().

#dsp #audio #AudioProgramming #DigitalSignalProcessing