‘I Swear’ Director on Selling His House to Make the Tourette’s Biopic, Robert Aramayo’s Instant Classic BAFTAs Speech and That N-Word Scandal: ‘The Irony Is, That’s Why We Made the Film’
#Variety #Global #News #ISwear #JohnDavidson #KirkJones #RobertAramayo

https://variety.com/2026/film/global/i-swear-director-robert-aramayo-bafta-speech-n-word-scandal-1236728820/

I Swear Director on Robert Aramayo's BAFTAs Speech and N-Word Scandal

With I Swear releasing in the US, writer/director Kirk Jones discusses selling his house to make the Tourette's biopic, the BAFTA wins and Mr Benn

Variety

‘I Swear’ Director on Selling His House to Make the Tourette’s Biopic, Robert Aramayo’s Instant Classic BAFTAs Speech and That N-Word Scandal: ‘The Irony Is, That’s Why We Made the Film’

https://fed.brid.gy/r/https://variety.com/2026/film/global/i-swear-director-robert-aramayo-bafta-speech-n-word-scandal-1236728820/

Movie TV Tech Geeks #Exclusives #ISwear #RobertAramayo #MaxinePeake Robert Aramayo Reveals What He Relied on Most for His Flawless ‘I Swear’ Performance http://dlvr.it/TSCJCN
Robert Aramayo on 'I Swear,' BAFTAs, John Davidson, and Tourette's

'I Swear' star Robert Aramayo nabbed two BAFTAs at this year's fraught ceremony, but as he tells IndieWire, the next step isn't just more glory.

IndieWire

Robert Aramayo allontana il ritorno come giovane Ned Stark: cosa cambia per Game of Thrones: The Mad King

https://fed.brid.gy/r/https://www.galaxyaddicted.it/2026/04/robert-aramayo-giovane-ned-stark-the-mad-king/

Robert Aramayo allontana il ritorno come giovane Ned Stark: cosa cambia per Game of Thrones: The Mad King

Robert Aramayo ricorda con affetto il giovane Ned Stark, ma le sue parole rendono molto improbabile un ritorno in Game of Thrones: The Mad King.

Galaxy Addicted

Game of Thrones’ Ned Stark Actor Answers Return Question for Prequel Show

https://fed.brid.gy/r/https://www.comingsoon.net/tv/news/2123273-game-of-thrones-prequel-ned-stark-actor-return

Au début des années 80, John entre au collège et alors qu'il était jusque là, un bon élève, doué au football en tant que gardien, aimé par ses parents, il va soudainement contracté des symptômes qui vont surprendre tout son entourage et effriter son monde. Il s'agit de Gilles de la Tourette.
Sa maladie n'est pas encore connue et il va lui falloir s'armer de patience et de persévérance pour se faire accepter malgré ses tics, ses jurons et ses coups incontrôlables.

Inspiré d'une histoire vraie, ce film est sacrément intéressant pour apporter une sensibilisation bienveillante sur ce handicap dont on ne sait finalement encore pas grand-chose en dehors des symptômes utilisés tristement bien souvent par les émissions tv pour faire rire le grand public.
C'est donc important de se rendre compte de la souffrance et des difficultés qu'il entraîne pour la scolarité, pour trouver du boulot ou trouver l'amour. Se faire accepter pour résumer, dans un monde qui a cette facilité à juger sans daigner prendre ne serait-ce qu'une seconde pour chercher à comprendre.

Une comédie feel good pas toujours drôle mais véritablement émouvante. J'ai versé quelques larmes à plusieurs reprises. Par empathie mais aussi parce qu'il y a de belles rencontres (comme on peut s'en douter en voyant par exemple Peter, my name is Joe, Mullan au casting. J'adore cet acteur).

#monavis #cinema #critiquedefilm #pathemadeleine #iswear #plusfortquemoi #gillesdelatourette #robertaramayo #maxinepeake #petermullan

[CINEMA]

Cette semaine, dans la sélection de Relikto, il y a une comédie, une comédie dramatique, une romance et un biopic. L'un subit un quiproquo, deux inconnus tentent de se reconstruire ensemble, un quatrième aime deux femmes et le dernier aborde le syndrome Gilles de La Tourette...

Lisez nos articles : https://www.relikto.com/category/sur-les-ecrans

#cinema #genevievecheval #relikto
#gerardjugnot #lacheauphilippe #thierrylhermitte
#yannsamuel #alexandralamy #julienleberre #MélanieDoutey
#meryembenmbarek #giraudeausara #drissramdi #nadiakounda
#kirkjones #robertaramayo #shirleyhenderson #maxinepeakenews

Review: Palestine ’36

Year: 2026

Runtime: 1hr 59 min

Director: Annemarie Jacir

Writer: Annemarie Jacir

Actors: Hiam Abbass, Yasmine Al Massri, Karim Daoud Anaya, Robert Aramayo, Jeremy Irons, and Liam Cunningham

By Guest Reviewer Alexei Holloway

It would be hard to find a film more timely than “Palestine ‘36” (2026.) Written and directed by Annemarie Jacir, “Palestine ‘36” is a historical drama that immerses its viewers into the Palestinian perspective of the Palestinian Revolt of 1936. 

The film follows the stories of three Palestinian families: Yusuf, Hanan, and Afra; Khouloud and her husband Amir, and Father Boulos, a Christian priest, and his son Kareem. 

Yusuf, played by Karim Daoud Anaya, is from the fictional village of al Basma and finds himself torn between village life and city life. When Yusuf’s father is killed and his brother is arrested, Yusuf joins the rebels who live in the countryside. However, the rebel’s actions bring increased British scrutiny and raids to his village and threaten the lives of his family and neighbors.

Khouloud, played by the amazing Yasmine Al Massri, is a journalist writing under the pseudonym of Ahmad Canaanli because people will only read her articles if they believe she is a man. Khouloud is a firm believer in Palestinian autonomy and reports on the British army’s violent repressive measures and the Zionist settlers’ seemingly neverending stealing of Palestinian land. Her husband, Amir, is a landlord who believes he can retain his wealth and power if he works with the British and the Zionist settlers. 

Father Boulos, played by Jalal Altawil, and Kareem are members of Yusuf’s village and the fact that they are Christian Palestinians who side with their Muslim neighbors flabbergasts the British. 

            The film’s greatest strength is its cast. Predictably, Jeremy Irons is the perfect face of British indifference to indigenous people’s rights and humanity and Robert Aramayo’s Orde Wingate is appropriately cruel and fanatic. Dhafer L’Abidine provides Amir, a man we should hate, with just enough charm to turn his character into a walking tragedy. The moment he realizes that he’s betrayed his people for nothing is one of the most haunting moments in a film full of haunting moments. 

However, the true stars of the film are the female leads: Hiam Abbass and Yasmine Al Massri. Hiam Abbass’ Hanan is a loving mother with a spine of steel who does whatever she can to protect her family and land, even if that means helping a wounded rebel and hiding arms from the British. She is often left alone, weaponless and at the mercy of British patrols but never cowers or hesitates. She is the ultimate representation of the inner strength of every Palestinian mother, wife, and sister who has survived the worst anyone can imagine and still gets up in the morning to do it all over again.

Yasmine Al Massri’s Khouloud is, perhaps, the star of the film. She is absolutely charming, courageous, and powerful as the voice of the Palestinian people. As a member of the elite, she is often gathering secrets from British diplomat Thomas and insulting Wingate before leaving him to deal with matters of real importance. Although she knows Amir does not agree with her pro-Palestinian stance, she still loves him and never imagines he’d actually work with the Zionist settlers to sellout their own land. She is crushed by his betrayal but not broken and continues to fight for a free Palestine. 

“Palestine ‘36″’s vast and complicated story combined with its two hour runtime creates choppy pacing, underdeveloped relationships, obscures the depth and brutality of the Zionist and British alliance, and prevents the full exploration of the many ideas it introduces. At the same time, what it manages to cover is both impressive and heartbreaking. While far from a perfect movie, it is an important film that tells the story of the carving up of Palestine from the Palestinian perspective; a perspective that has been overshadowed and suppressed for the last seventy years. The power of Palestinian voices is what makes this movie a must see.

#FemaleCharacters #FemaleDirectors #FemaleFilmmaker #FilmReview #History #JeremyIrons #LiamCunningham #Palestine #Review #RobertAramayo #WomenInFilm #WorldCinema
‘I Swear’ Trailer Teases the Acclaimed Biopic of the Pioneering Tourette Syndrome Activist!! Check It Out!!

Synopsis – John Davidson: diagnosed with Tourette’s syndrome at a young age which alienated him from his peers, he struggled with a condition few people had witnessed. Directed – …

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