Luke Grimes 'Marshals' Interview, Plus Clint Eastwood & Fatherhood

The star of the CBS procedural talks about returning to 'Yellowstone,' paying tribute to 'Unforgiven' and how Eastwood got him cast as Kayce Dutton.

IndieWire
Cannes Film Festival Award Winners Reveal Likely 2027 Oscar Contenders

Neon won its seventh Palme d'Or with "Fjord," which will automatically vie for Best International Feature.

IndieWire
Cannes Film Festival 2026 Award Winners — Full List

See all the award winners of the 2026 Cannes Film Festival as bestowed by Park Chan-wook's competition jury.

IndieWire
'Tuner' Director Daniel Roher on His Leo Woodall Crowdpleaser

Daniel Roher's 'Tuner' wowed audiences on the fall festival circuit and marks the emergence of an assured filmmaker as well as a new star.

IndieWire
Disney Helped Make the Star Wars Fandom Toxic for Women — Opinion

Why 'Star Wars' fandom became socially toxic for women amid Disney’s sequel trilogy backlash, culture wars, and brand fatigue under Kathleen Kennedy.

IndieWire
'Nobody Wants This' Season 2 and How To Make a Soundtrack Album for TV

Music supervisors Manish Raval, Tom Wolfe and Jonathan Leahy tell IndieWire about taking a more holistic approach to the music of "Nobody Wants This."

IndieWire
Watch: Gold House Local to Global Storytelling Panel at Cannes

Watch the Local to Global Storytelling Panel, presented by Gold House, at the Cannes Film Festival.

IndieWire

‘The Birthday Party’ Review: A Dazzlingly Melancholy Monica Bellucci Powers Léa Mysius’ Predictable but Superbly Directed Home Invasion Thriller
#IndieWire #Criticism #Movies #Cannes #Festivals #Film #Reviews #TheBirthdayParty

https://www.indiewire.com/criticism/movies/the-birthday-party-review-lea-mysius-1235195813/

'The Birthday Party' Review: Léa Mysius Thriller Is Tense, Predictable

Léa Mysius adapts Laurent Mauvignier's novel 'The Birthday Party' for her tense if predictable thriller, and third feature.

IndieWire
Once Upon a Time in Harlem’: Why William Greaves Didn’t Finish His Film

The doc lengend believed the 1972 Harlem Renaissance gathering was the best film he’d ever shot, his son David discusses finishing it without him.

IndieWire
'I Love Boosters' Director Boots Riley — Making Of Interview

Writer and director Boots Riley tells IndieWire why "pulling a Peter Greenaway" is important to creating the visual stories he wants to tell.

IndieWire